Posts tagged with "Construction":

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Dewalt unveils their own construction site friendly smartphone

After making sturdy smartphones cases, Dewalt has unveiled their very own smartphone: the Dewalt MD501, Android-tailored and designed to be at home on the construction battlefield.

Naturally, the phone is designed to withstand conditions that other smartphones cannot, though one would expect this given the $544 price tag. Able to survive 6.5 foot drop onto concrete, the handset can also fully function in temperatures ranging from -4 to 140 degrees Fahrenheit. Dewalt also claims that their phone is "impervious to dust and particles" and can be submerged in 6.5 feet of water for up to 30 minutes.

The phone also packs a 13 Megapixel rear camera complimented by a 5 megapixel on on the front and 16GB of internal memory to store pretty much all the photos you'll take. This can be upgraded further via the inclusion of a microSD card slot.

As is the usual gripe of modern smartphones, the battery can provide up to eight hours of talk time while also being able to be charged wirelessly (with QI technology). Bluetooth integration and an amplified loudspeaker essentially means users can chuck their phone down near to a QI charging base and still be able to hear instructions coming their way from the phone.*

The lack of wires will be good news to many within the building and construction industry, as will the inclusion of a touch screen that can be used with gloves and G-sensor, gyroscope, pressure, magnetic, light and range sensors.

*Note this is not officially recommended.

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Construction underway on SO-IL–designed UC Davis Art Museum

UC Davis is set to open the Jan Shrem and Maria Manetti Shrem Museum of Art to the public on November 13. After choosing SO-IL to design its on-campus museum in 2013, the school has been hard at work constructing what it envisions as a "hub of creative practice." Working alongside San Francisco-based firm Bohlin Cywinski Jackson and Whiting Turner, the museum features a 50,000-square-foot canopy made from aluminum triangular beams. The canopy is supported by straight and curved glass walls interweaving both open and closed spaces. Its shape, according to SO-IL, represents a "new symbol" for the campus with its natural surroundings of long, green plains making up the sensory landscape of UC Davis. In its designs, SO-IL emphasized the importance of capturing the essence of the California Central Valley. Changes in season and lighting will be reflected from within the museum which will play host to a variety of activities and programs both informal and formal. The inaugural show will feature work from artists Arneson, William T. Wiley, Manuel Neri, Wayne Thiebaud and Ruth Horsting among others. And with the date for its grand opening months away, the Jan Shrem and Maria Manetti Shrem Museum looks set to become a site of interactive and cutting edge learning.
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Construction begins on John Ronan’s 36-story CNA Center tower

John Ronan’s largest commission to date is climbing skyward in Chicago’s Loop. What will be the new CNA Center at 151 North Franklin Street is to rise 36 stories with 820,000 square feet of office space. The insurance giant is leaving 333 S. Wabash Avenue, the tower often referred to as “Big Red,” after 44 years. In an unconventional move, developer John Buck Company is building CNA Financial’s new home, and buying its old one. CNA will lease back its current space while waiting for its new building, and John Buck will redevelop it once CNA moves out. “The series of public plaza spaces addressing how the building hits the ground is very much the same,” says Ronan. The glass curtainwall has been simplified, however, with rounded edges reverting to right angles--par for the course when adhering to a strict pro-forma as the market around a project goes up and down. Aesthetically and programmatically little else has changed from conception to fruition—a coup for Ronan and a credit to the developer considering the more than two years it took to score an anchor tenant. Those interconnected plazas, Ronan’s favorite feature, exist to liberate the office worker from a rigid typology. Work can take on a different, more intuitive form in this more casual environment. And column-free corner offices, open floor spans, and 9.5-foot ceilings lend maximum flexibility for build-to-suit. Worker amenities are virtually unchanged and include two restaurants, a professional fitness center, three outdoor terraces, a conference facility, bike parking, and 34 executive parking stalls connected to the neighboring garage. The tower’s materiality is Ronan’s unblemished handiwork, from the elegant basalt-surfaced courtyard nestled into the building and segueing to entryway, the tower’s transparent skin, and screened sky garden that acts as a visor of greenery to onlookers in neighboring towers and at street level. One crucial characteristic that Ronan drove home is how the building’s compositional quality and engagement with the street exceeds the importance of vertical form. “This isn’t the tallest building on the block, so it’s not really about how it presents at the roofline,” he said. https://vimeo.com/118022698   https://vimeo.com/118022698
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Six design lauded for ideas to reclad Manhattan’s MetLife Building with an energy-efficient facade

Manhattan's MetLife building celebrated its 53rd birthday on Monday. The tower has become engrained into Manhattan's urban fabric, but it has also become an incredibly inefficient in how it uses energy, and a recent competition tasked designers with fixing the problem by applying a new building facade. Metals in Construction magazine has unveiled six winners of its “Reimagine a New York City Icon” competition after its jury couldn't select just one winner. Tasked with developing an "innovative and energy-efficient redesign of the façade of 200 Park Avenue," the winning teams split the $15,000 prize. The brief stipulated that designers come up with a "highly efficient envelope with the lightness and transparency sought by today’s office workforce—while preserving and enhancing the aesthetic of the building’s heritage." Prizes were given at a conference at the Times Center in New York City, preceded by talks on sustainability and retrofit facades which included panel discussion. The winning submissions are: Panam Under Glass (PDF) According to competition organizers: "Adapting the tapered form of the tower as a geometric module/motif creates a non-directional pattern across the surface of the tower – in keeping with early models and renderings which emphasized the form over the surface. Applied in a larger scale to the tower allows for maximum daylighting while the denser, smaller scale at the podium creates a more monolithic reading much closer to pedestrian level." Performance-Based Preservation (PDF) According to competition organizers: "By preserving and overcladding - instead of demolishing and recladding - our proposal reduces the building’s environmental impact by 42% over the next 50 years... On the north and south, we add a new unitized curtainwall outboard of the concrete that uses emerging materials to generate energy while dynamically controlling solar heat gain and glare. On the east and west, we bring the new envelope inboard of the concrete to highlight the materiality and plasticity of the existing skin." Thermalswitch Facade (PDF) According to competition organizers: "The Thermalswitch facade looks at hybridizing the overcladding and double skin techniques to create a unitized frame which mounts directly over the existing precast panels. The Metlife facade is constructed of a primary precast panel with integrated fins on both sides that alternates every other bay. Between these primary panels, secondary infills are set at the spandrel conditions." Harnessing Urban Energies (PDF) According to competition organizers: "In our submission for the Metals in Architecture competition, we have lowered the present annual energy consumption of the building by 80 percent, and by 74 percent as compared to the median New York City office building." Vertimeme (PDF) According to competition organizers: "Macro geometry of the curtain wall unit creates a self shading effect to reduce undesirable direct light and heat gain. The angle of the glazing is tuned to reflect solar insolation, optimize views from the building and reflect the image of the city back to the streetscape. Pre-assembled unitized aluminum curtain wall frame and assembly, stainless steel mullions, caps and grills." Farm Follows Function (PDF) Submitted as a graphic novel, "Farm Follows Function" sees Walter Gropius say "This will surely be my Finest work: A masterpiece - my crowning achievement! A multifunctional complex set in the middle of america’s metropolis..." His work is then dramatically transformed into a living tower-block farm. One passer by is shown to be saying "This elevated park is a real oasis of calm in the hubbub of midtown! with a market and even outdoor seating! awesome!"  
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Rush hour construction crane collapse in Tribeca injures two, kills one

During the height of rush hour this morning, a construction crane collapsed on Worth Street between Church Street and West Broadway in Tribeca, mere blocks from AN's New York headquarters. One person is dead and three others are injured in a collapse that occurred around 8:25 AM, the FDNY reports. The collapsed crane also damaged surrounding buildings and crushed cars parked on the street. As firefighters, police, and personnel from the NYC Office of Emergency Management (OEM) assess the scene, there is no 1 train service at Franklin and Chambers streets until further notice. The OEM notes that there will be significant gridlock surrounding the affected block.     https://twitter.com/FDNY/status/695622838988963840   Sadly, the accident today is not the first New York crane collapse in recent memory. Bay Crane, the Queens–based company that owns the crane, was also implicated in a 2015 crane collapse that injured ten people in Midtown, The New York Post reports. New York Crane and Equipment Corporation's crane collapsed on a Long Island City job in 2013, injuring seven.
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James Russell appointed Director of Design Strategic Initiatives at New York City DDC

James S. Russell has been appointed the Director of Design Strategic Initiatives at the New York City Department of Design and Construction. Leading a research team, he will help the agency to build its already impressive capacity to deliver equitable growth through environmental sustainability and resiliency.
Russell has been a long-time critic, journalist, and consultant on architecture and evolving cities. He has written most recently for The Economist, New York Times, and Wall Street Journal. He was for nine years the architecture critic at Bloomberg News and an editor in several capacities at Architectural Record. He has also practiced architecture with several firms and was made a fellow of the American Institute of Architects. Russell also authored The Agile City: Building Well Being and Wealth in an Era of Climate Change. "As urban challenges grow and diversify, I have gotten an itch to become involved in many of these issues in a deeper, more hands-on way,” Russell told AN. "The DDC challenges me to ‘walk’ my years of journalistic 'talk.’ It is an extraordinary opportunity.”
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Chicago opens newest segment of revamped Riverwalk

Despite a smattering of gray skies, Chicago inaugurated another stretch of its revamped riverwalk this Memorial Day weekend, and visitors were eager to explore the newly expanded public space. Kayakers, pedestrians, locals and tourists alike came to check out the partially opened project, which will remain under construction through the summer. Along with Ross Barney Architects, Benesch, and Jacobs Ryan and the Chicago Department of Transportation, Sasaki Associates led design on the project—a major component of Mayor Rahm Emanuel's bid to rebrand the Chicago River as the city's “second shoreline.” Work began in 2013, and many of the storefronts built along the riverwalk's newest section—from State Street to Clark Street—still await tenants. Construction work continued right up until opening day.
https://twitter.com/DillonGoodson/status/603226446484656128 https://twitter.com/MASContext/status/602684099443105792 https://twitter.com/chrisdmerritt/status/602313220930560002 https://twitter.com/mdsmith577/status/602261780560277504 Curbed Chicago rounded up some more photos of the riverwalk from this weekend.
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Pictorial> OneEleven, Chicago’s ritzy Loop residential with a rocky history

Developers Related completed its resurrection of 111 West Wacker Drive earlier this year, opening a luxury rental tower on the Chicago River where for years stood a ghostly concrete frame left over from a previous owner's attempt to build. The site was originally intended to house the first Shangri-La Hotel in the U.S. Four years after the recession halted construction with just 28 stories of structural skeleton complete, Related broke "ground" again, this time planning about 60 stories and about 500 luxury apartments. That redevelopment finished up this summer, opening in July. About 60 percent of the units have since been rented, said Related spokeswoman Tricia Van Horn. Renting is the only option for the 504 units, which range from 575-square-foot studios to three-bedroom, three-bath residences of 2,400 square feet. They cost anywhere from $2,395 to $11,500 a month for one of the four penthouses. OneEleven's segmented construction led to some interesting design adaptations. Having scaled back from pre-recession ambitions, the new owners stacked a smaller building on top of the 28-story base, bifurcating the floorplate and creating some interesting outdoor spaces where the Shangri-La plan juts out at the 28th floor. A recessed zig-zag in the facade references datum lines of nearby buildings and alludes to the unusual construction history while shielding the transition between its disjointed floorplans. Views from outdoor “Club OneEleven” down Clark Street are spectacular, if marred a bit by the building's neighbor to the south. But rather than cram lower south-facing floors with low-light apartments, Related conceded that space to back-of-house, building systems and some amenities. The luxury rentals are targeted to “people who are really interested in having an urban life,” Van Horn said, underscoring the building's singular position in this section of the Loop not typically known for residential developments. Take a look inside OneEleven with these photos by Scott Frances.
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Perkins+Will Canada’s VanDusen Gardens Orchid

StructureCraft fabricates an orchid-shaped roof that supports vegetation and Living Building Challenge principles.

After serving patrons at one of Vancouver’s oldest botanical gardens for nearly 100 years, the VanDusen Gardens Visitors Centre had fallen dangerously into disrepair. Perkins+Will Canada conceived of a new, orchid-shaped center that meets CaGBC’s LEED Platinum ratings, and is the country’s first structure to target the International Living Building Challenge with features like geothermal boreholes, a 75-square meter photovoltaic array, and a timber roof that supports vegetation. To help fabricate the wooden structure to Perkins + Will Canada’s vision, the team contracted StructureCraft, a Vancouver-based design-build studio specializing in timber craftsmanship and structural solutions. Initial designs for the 19,000-square-foot building were delivered to StructureCraft as Rhino files. The uniquely shaped rooftop, which mimics an outline of the indigenous British Columbia orchid, had to be economically fabricated in a way that took net carbon effects into account. Within Rhino plugins—mainly Grasshopper—and with the help of strucutral engineers Fast + Epp, the StructureCraft team sliced the shape of the building into 71 long, curved panels of repeatable geometries. “Each curve is unique, so there’s a different radii for each beam,” said Lucas Epp, a structural engineer who worked on the project. “We optimized the global geometry of the roof so the radii of all the beams were in our fabrication tolerances but still achieved the architect’s desired aesthetic.”
  • Fabricator StructureCraft
  • Designers Perkins + Will Canada
  • Location Vancouver
  • Date of Completion October 2011
  • Material Glulam, FSC-certified plywood, thermal insulation and vapor barrier, thermal barrier, mineral wool, fabric, moisture barrier
  • Process Rhino, Grasshopper, Autodesk, sawing, nailing, gluing, pressing
Also within Rhino, the team integrated all of the building’s services into each of the panels. Since much of the piping and wiring for other trades like insulation, sprinklers, and electric utilize flexible formats and conduits, modularizing the panels significantly reduced site time from months, to weeks. And to protect the wooden structures, moisture barriers and closed-cell thermal insulation were applied throughout. The parametric model was then imported to Solids modeling software to develop a bespoke fastening system. StructureCraft used jig and table sawing methods to mill panels of Glulam, chosen for its flexibility and strength. Timber battens were affixed as cladding in sizes that were thin enough to naturally accommodate the curves of each panel. Solid timber support columns, carved on StructureCraft’s in-house lathe, taper at both ends to Perkins + Will Canada’s design specifications. Business development engineer Brian Woudstra, who worked on the project, attributed the accuracy of fabrication and the speed of installation to the expansive capabilities of parametric modeling. “We could model every joist, Glulam panel, and ceiling batten to help with conflict detection and feasibility,” he said. “We always prefabricate our projects in our shop, so it’s like a kit of assemblies that all clicks into place.”
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June Architecture Billings Index Show Numbers Are Still on the Rise

Numbers are staying strong. AIA's Architecture Billing Index for the month of June has revealed steady, but positive growth. The June ABI score of 51.6 reflected only a slight drop from May's score of 52.9, and still indicates a general upswing for the non-residential construction industry. More projects will likely be on the horizon. The new projects inquiry index reported a significant climb in numbers to 62.6 from 59.1 the previous month. “With steady demand for design work in all major nonresidential building categories, the construction sector seems to be stabilizing,” said AIA Chief Economist, Kermit Baker, in a statement.  “Threats to a sustained recovery include construction costs and labor availability, inability to access financing for real estate projects, and possible adverse effects in the coming months from sequestration and the looming federal debt ceiling debate.” Across the country, the numbers were generally up with the exception of the West, which experienced a slight dip to 51.2 from 52.1 in May. It was, however, a particularly robust month for the Northeast which came out with a score of 55.6. The South also finished strong with an uptick to 54.8 from 50.9 last month in June. And even the Midwest saw progress with a score of 48.3. All sectors remain on solid footing but institutional has slowed down a smidgen: commercial / industrial (54.7), multi-family residential (54.0), mixed practice (52.4), institutional (51.8).
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Ismael Leyva Architects’ Skinny Residential Tower Set To Rise in Tribeca

Back in October 2010, ground was broken at 19 Park Place—which also has frontage on Murray Street directly across from AN's office. As Curbed reported nearly three years ago, the 25-foot-wide site was set to be the home of the Tribeca Royale, a futuristic, 21-story condominium tower designed by New York-based Ismael Leyva Architects and developed by ABN Reality. Signage on the construction site and a press release that landed in our mailbox today assure that the project is still going forward as planned, but a peek out of the office window confirms that progress on this Jetsonian tower has been moving at a stone-aged pace. Ismael Leyva Architects' design fits 24 residences into a 292-foot tower on the narrow site. The upper 11 floors contain full-floor units, with duplexes on the 7th and 8th floors. Every unit will feature windows on Park as well as Murray. The 53,000-square-foot project also includes a double height lobby, gym, residents’ lounges, and ample terraces. “Our goal with the Tribeca Royale was to create a state-of-the-art residential building that showcases unique urban design given the constraints of the site, while efficiently maximizing space,” said Ismael Leyva in a statement. “This design offers unique residences in a very desirable downtown location” While AN eagerly awaits its shinny new neighbor, it seams like construction crews have been doing more digging than building over the past few years. A worker on site confirmed that problems with the foundation have been the cause of the delay, but with activity on the site seemingly never ceasing, one can assume that something must be going up soon.  

Grimshaw Releases Video on Construction of Pulkovo Airport in St. Petersburg Russia

Grimshaw has released a video in which firm partner Mark Middleton along with several members of the project team take viewers to the construction site of Pulkovo Airport in St. Petersburg, Russia. Appearing in and around the cavernous terminal, which will one day service 17 million passengers per year, the architects break down the cultural and geographic inspirations behind the design (golden onion domes, the city's islands and rivers) as well as its environmental and structural considerations (low-angle sunlight, expressive steel vaulting). The result is as clear and concise a description of the motivations and preoccupations of contemporary international architecture as can be found anywhere.