Is this the world's most futuristic venue? Like most of Las Vegas, the forthcoming MSG Sphere will be built to dazzle the eyes—and ears. The 18,000-seat venue will feature what's known as beamforming audio, an acoustics technology developed by the German company Holoplot that uses planar audio waves to send sound directly to a specific location. Unlike typical speakers, which diffuse sound in spherical waves that bounce on every surface, beamformed audio is so precise that two people sitting close by can hear two different sounds without interference. The venue hopes to leverage interactive technology by providing high-speed internet for each seat. That way, fans can not only document their experience on social media, but interface with artists on stage during live performances. Up top, screens will span the 180,000-square-foot ceiling, and bass can be pumped through the floor of the sphere. Developer Madison Square Garden Company hopes the latter feature could be especially appealing to fans of mainstream electronic dance music (EDM): It hopes to book big EDM acts like Swedish House Mafia and Deadmau5, according to USA Today. Outside, the Sphere will feature 190,000 linear feet (36 miles) of LED lighting, so spectators could watch a concert going on inside, or have their retinas burned by a solid luminous ball, depending on the day. A camera system deployed throughout Las Vegas will collect and project images of the city onto the facade, too. Even though Madison Square Garden Company, the same team behind New York's eponymous venue, is behind the project, there will be no basketball or hockey at the Sphere (there may be boxing or MMA, though). The project will break ground later this year, and the developers estimate the venue will be open by 2020.
Posts tagged with "concerts":
Cincinnati’s U.S. Bank Arena unveils major overhaul and expansion to stay relevant amid regional competition
A major renovation and expansion project planned for Cincinnati's U.S. Bank Arena could further change the face of the city's rapidly evolving riverfront. Nederlander Entertainment and AEG Facilities, the downtown arena’s owners, have not specified a cost or timeline for the project, but U.S. Bank will have to compete with a $70 million overhaul of Fifth Third Arena on the University of Cincinnati campus. Cincinnati architect Michael Schuster’s MSA Sport firm is leading the redesign of U.S. Bank, while Moody Nolan and Populous have the helm on the Fifth Third project. Writing in the Cincinnati Business Courier, Steve Watkins reported that the project may be an attempt to stave off arena irrelevance for Cincinnati, where the shadow of Louisville, Kentucky's Yum Center grows long:
I wrote in spring 2014 that the city needs a new or vastly renovated arena to compete with surrounding cities and lure many big-time events. At the time, some experts said Cincinnati will remain behind other cities without a brand-new facility. Peter Marrocco, vice president of business development and marketing at Walnut Hills-based HGC Construction, said a proper overhaul would cost $100 million, but even that might not work. “My concern is that’s not even going to get you up to par with Yum Center,” he said. “I don’t even think $100 million is going to be enough. We’d be putting a Band-Aid on a bleeding wound.”While the expansion adds only 500 regular concert seats, it will balloon the amount of club seats from 352 to 1,750. It will also add 40–60 suites in a new middle level closer to the stage. The lack of such suites apparently contributed to the arena losing its bid to host the 2016 Republican National Convention. (That convention will be held in Cleveland.) More images of the U.S. Bank Arena project, courtesy MSA Sport:
What can you do with a vacant lot? Urban activists in Louisville have set out to show just how much with an ongoing pop-up festival of sorts at 615-621 West Main Street, an empty plot of land in the heart of downtown where REX's Museum Plaza skyscraper was once set to rise. They're calling it ReSurfaced. The mission is to repurpose a downtown lot as “an urban laboratory for innovation, community gather, and as an entertainment venue, showcasing our local creativity, breweries, and talent” for five weeks. Open Thursday through Sunday each week through October 25, ReSurfaced events include hip hop concerts, Shakespeare performances, puppet shows, a Pecha Kucha conversation, and a beer garden. According to the event's Facebook page, ReSurfaced is about “Transforming and activating our underutilized surface lots and vacant spaces to bring back the walkable urbanism Louisville once enjoyed.” Louisville has thousands of vacant lots, a problem that earlier this year prompted the city to launch "Lots of Possibility," a design competition sponsored by the mayor's office. Read more at ReSurfaced's website, where you can find a full schedule of events, and a full list of sponsors. They're also updating events from a Twitter account, @CityCollab.
Unfrozen Music Santa Monica Main Library Saturday, October 26th, 2013 7:00-9:00pm Martin Luther King Jr. Auditorium 601 Santa Monica Blvd., Santa Monica, CA It's that time of year again: time for local architects to put down their laptops and pick up their musical instruments. This Saturday, October 26, Shimahara Illustration will hold its fifth annual Unfrozen Music concert at the Santa Monica Main Library. The concert program includes six short sets performed by Los Angeles architects. AN's West Coast Editor, Sam Lubell, will MC the event. Performers include Alice Kimm (principal of John Friedman Alice Kimm Architects and Director of undergraduate programs at USC) on piano, Jonathan Ward (Partner at NBBJ) on acoustic bass, Terence Young (Design Director for Aviation, Transportation, and Retail Entertainment at Gensler) on cello, and many more. The concert series takes its name from a quote by theorist Johann Wolfgang von Goethe: "I consider architecture to be unfrozen music." This year's event will feature digital animations corresponding to each piece, a new wrinkle that will bring in a visual element; fitting considering who is performing.