Every year at about this time, Los Angeles' design community comes together for a good cause—and a chance to show off their ingenuity working with an unusual building material. We’re talking Canstruction LA, which just wrapped its eighth outing. Like other Canstruction events nationwide, Canstruction LA invites teams of architects, engineers, builders, and designers to design and build sculptures entirely out of canned food. The 2014 competition produced an array of impressive designs and—most importantly—donated 28,551 cans of food to the Los Angeles Regional Food Bank. Canstruction LA is put on by an all-volunteer steering committee under the auspices of the Society for Design Administration. Julie D. Taylor, Hon. AIA/LA, who serves on the committee, first read about the Canstruction program in a magazine. “[I] thought, this would be great for my clients to do,” said Taylor, who is the principal of Taylor & Company, a public relations firm for creative professionals. “I called up the national organization and said, ‘Who’s doing it in LA?’ They said, ‘No one. Why don’t you do it?’” So Taylor did, and the event keeps getting better. This year’s participants donated 7,000 more pounds of food than last year’s. Because the design teams are responsible for obtaining the cans, “it’s a major commitment for the firms that contribute,” said Taylor. Participants must also agree to a set of ground rules: they’re limited in size to a 10- by 10- by 8-foot cube; they have to use nutritious food, and the labels have to stay on. The designers can use a few additional materials to hold their creations together, but the sculptures should be mostly cans. The participating teams submitted drawings to the event organizers ahead of time. “Every year I look at them and I go, ‘There’s no way they’re going to be able to do that,” said Taylor. “And every year they knock me out.” Once on site, the designers have just one all-nighter to put their sculptures together. A jury of art, architecture, and culinary experts reviews the creations and awards several prizes, including the Juror’s Favorite, Best Use of Labels, Best Meal, and Structural Ingenuity. Visitors to the exhibition of finished works can vote for a People’s Choice honoree for one dollar, with all proceeds going to the Los Angeles Regional Food Bank. This year’s Juror’s Favorite was FOOD FIGHT! by PCL Construction Services, KPFF Consulting Engineers, and Callison, a face-off between a container of french fries and an apple that reflects on Angelenos’ struggle to access nutritious foods. Best Use of Labels went to Reflecting Hunger, by Steinberg Architects, which is based on Anish Kapoor’s Cloud Gate sculpture in Chicago. CANimal Style Trio, by American Society of Civil Engineers Younger Member Forum, which imagines a health-conscious update to the classic fast-food meal, took Best Meal. The spiraling Pineapple Twist, by NBBJ and Thornton Tomasetti won both Structural Ingenuity and People’s Choice. Honorable Mention went to CAN Get some Satisfaction, a Rolling Stones-inspired challenge to hunger by LARGE Architecture and HKS Inc. Canstruction LA 2014 took place for the second time at the Farmers and Merchants Bank in downtown Los Angeles as part of the Downtown Art Walk. “Being open during the Downtown Art Walk is incredible,” said Taylor. “The number of people who go through, and the diversity of people, is fabulous, and so that’s been a really big boon. We hope to be downtown for many, many years and engage the downtown community.”
Posts tagged with "Competitions":
A nonprofit in Detroit is calling on artists and designers “to breathe new life into the historical viaducts at Second and Cass Avenue in Midtown.” In partnership with the New Economy Initiative, Midtown Detroit, Inc. will sponsor public art and light installations in the TechTown District of Midtown Detroit. Accepted proposals win $75,000 per viaduct. The deadline to apply is Wednesday, April 30. Applicants can propose interventions for one or both viaducts. Apply here. The two viaducts, located between Baltimore and Amsterdam Streets in TechTown, were fully operational railroad bridge grade separations. Originally constructed in 1934, they’ve fallen into disrepair. While Detroit’s been happy for international design attention in recent years, this competition has a residency requirement. It’s open to “all professional artists, architects, designers, design firms and/or teams consisting of these entities located in the following eight southeast Michigan counties: Genesee, Lapeer, Livingston, Macomb, Oakland, St. Clair, Washtenaw and Wayne.” Non-residents can join a design team as long as the project lead can prove physical residency in southeast Michigan. Read the full list of guidelines here.
Each year eVolo Magazine hosts a competition soliciting new visions for vertical living. This year's iteration of the nine-year-old Skyscraper Competition received 525 projects from 43 countries. Out of this vast field, three winners were announced with Yong Ju Lee of New York–based firm E/B Office taking first prize for his project Vernacular Versatility. The winning design looks to the traditional domestic architecture of its creator's homeland. Lee's building uses the beam and girder system of the curved roofs commonly found on Korean Hanoks in order to construct a contemporary skyscraper. Second place went to Mark Talbot and Daniel Markiewicz for their Car and Shell Skyscraper: Or Marinetti's Monster, a vertical suburb that arrived with a bombastic manifesto in the mode of its futurist namesake and all the plug-in trappings and immense scale of mega-structural architecture. YuHao Liu and Rui Wu of Canada took third with Propogate Skyscraper: Carbon Dioxide Structure. Their approach harnesses carbon dioxide gases in order to generate a material that allows the building to grow organically around a basic guiding framework. Many of the highly theoretical entries seem to be essentially exercises in sleek and sexy renderings, but provide food for thought none the less. Twenty additional submissions were tabbed for honorable mention by a jury consisting of Wiel Arets (principal Wiel Arets Architects, dean of the Illinois Institute of Technology’s College of Architecture), Derek Pirozzi (architectural designer Oppenheim Architecture and winner of 2013's competition), Carol Willis (director Skyscraper Museum, professor at Columbia University), and Dan Wood (principal WORK Architecture Company, professor at Yale University) among others. Competition winner Lee will receive a $5000 prize and a press kit from competition sponsor v2com. The honorable mentions are featured below.
A video illustrating the general concept behind the elevated park. (Courtesy The 11th Street Bridge Park Design Competition) Washington D.C. is using the rebuilding of a local bridge as an opportunity to create a new 900-foot elevated park across the Anacostia River. Building Bridges Across the River at THEARC and the D.C. Office of Planning are hosting a competition for the design of this developing project. Participants are invited to think of the initiative as a blank slate sitting upon the extant structural piers, the only holdovers from the old bridge that will be preserved. A community design charette held on December 7, 2013 to discuss the park. (Courtesy The 11th Street Bridge Park Design Competition) Organizers have laid out four goals for the new design: "connect two diverse communities, re-engage residents with the Anacostia River, improve public health, and become an anchor for economic development.” The communities in question are the historic districts of Anacostia and Capital Hill. Efforts have been made to incorporate local opinions into the park's design. Over 200 meetings have been conducted with public figures and residents in the surrounding area. An environmental education center, a performance area, urban agricultural facilities, a cafe, and kayak and canoe launches are some of the suggestions that have emerged from these consultations. University of Washington public health scholar Dr. Howard Frumkin, Carol Mayer Reed of landscape firm Mayer/Reed, and Howard G. Robinson III, Professor of Urban Design and Dean Emeritus at Howard University will be members of the jury deciding upon the winning design this coming fall. Backers are expecting the park to cost in the range of $25 million, $500,000 of which has been raised already.
Arnhem, Netherlands is in the midst of commissioning designs for ArtA, a new cultural center planned for the city. Proposals from an impressive list of four international firms are being considered for the space, which is to house the Museum Arnhem and the Focus Film Theater. Beyond accommodating both exhibition and theater programming, the structure is also meant to act as a link between the city and the waterfront of the adjacent Rhine River. SO-IL, NL architects, Bjarke Ingles Group (BIG), and Kengo Kuma are the four studios shortlisted for the project. SO-IL presented a modular design composed of five units of varying size. A central staircase leads visitors deep into the interior of the structure, while each unit is strategically pierced by large openings that provide views of the river and the surrounding city. In keeping with the two pronged program of the center, BIG elected to place a black box and a white box at either pole of their proposal. These archetypes of museum and theater architecture are fused by a twisted volume and diagonal arts plaza. The torqued form creates new types of semi-protected public spaces in the plaza designated to host the center. Both NL Architects and Kengo Kuma arrive to the competition armed with stepped structures. Kengo Kuma offer a series of offset stacked glass rectangles partially clad in red clay tile, an arrangement that also generates a number of rooftop terraces. The Rhine is metaphorically invited into the site in the form of cascading reflecting pools. NL Architects envisions a more uniformly staggered facade in the form of a large staircase-shaped structure growing in size and stature as it approaches the waterfront. These, too, are coupled with rooftop green space and a sculpture garden, while the steps rest upon an expansive and largely open multifunctional art square.
Not easily seen, a new installation by Spanish architecture group Citylaboratory is worth the trek. ROTUNDA was created as part of Quebec's International Garden Festival (International Festival des Jardins de Metis) an annual event that includes a competition soliciting innovative garden designs from studios across the world. Rotunda was one of 6 proposals selected from 293 submissions ultimately selected for realization this summer. The Citylaboratory creation is designed to make a minimal impact on its forest setting. The shallow black basin in the form of an oblong circle is crafted in steel and only makes contact with the ground at a slight foundation point. Once filled with water the form dematerializes into its woody surroundings, an ever-shifting canvas for its floral and faunal cohabitants. The architects make clear that following its inauguration, ROTUNDA is not meant to be refilled but rather "left to evolve over time." In being abandoned to the elements the installation thus becomes an abstract barometer for shifts in the forest's climate. Temperature, humidity, and precipitation will all have their say in directing the shifting fate of the structure. Beyond perhaps an obvious function as a birdbath, Citylaboratory feel that the accumulation of leaves, dust, and pollen will make ROTUNDA a source of growth and cultivation for forest life of all kinds. All 6 gardens will open May 31.
[ Editor's Note: The following is a selection of reader-submitted comments from the online feature about AN's recent Reimagine the Astrodome competition. It appeared as a letter to the editor in a recent print edition, AN01_02.05.2014_SW. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email email@example.com. ] Three of these are not serious, and the one with merit, the “sky dome” closely resembles a proposal I published over two years ago. Naturally we think that is a great concept, but the devil is in the details. We will continue to pursue our proposals, which are the result of over six years of research and collaboration. We will also continue to pursue the Orbital Experience, our original version of the “sky dome.” And we are fully date stamped so no one need think about challenging our intellectual property position on that. You guys are not connected to reality. Chris Alexander Astrodome Tomorrow Incredible article! First you assemble a team of, presumably, the brightest lights in the area as judges. Then you put out a call to the entire country for the highest and best visions for a re-imagined Astrodome—a call to artists, architects, engineers calculated to unleash the collective genius and spirit of Astrodome-followers everywhere. The stage was set perfectly for you to launch your new edition with a fabulous piece of journalism. Everyone was waiting. You had our attention. Harris County and the HCSCC set the lowest possible bar for you to meet or exceed with a plan that not even 150,000 people out of a population of 4 million wanted to support. Finally, after a month of agonizing over everything that came in, you did it. Congratulations on a job, well, done (note the punctuation). You managed to do something no one on the planet would have thought possible. You managed to make the County’s New Dome Experience look inspired and visionary. J. M. Arpad Lamell Lamell & Associates See the competition winners at: archpaper.com/news/articles.asp?id=6936
The winners of the AIA New York's biennial design competition have been been announced. The Emerging New York Architects (ENYA) committee selected from 120 proposals submitted as a part of QueensWay Connection: Elevating the Public Realm, which was intended to drum up ideas that would contribute to the proposed re-purposing of an elevated railway in Queens. Entrants were tasked with designing a vertical gateway for the elevated viaduct portion of the 3.5 mile–long track currently under consideration for the High Line treatment. A jury consisting of Claire Weisz of WXY Architecture + Urban Design, Matthew Johnson of Diller Scofidio + Renfro and project manager of the High Line, and Margaret Newman from the New York Department of Transportation among others convened on January 18th to anoint Carrie Wibert the winner and recipient of the $5000 ENYA prize. Nikolay Martynov's Queens Bilboard finished second, followed by Song Deng's Make It! Grow It! Jessica Shomekaer won the Student Prize while Queens local Hyontek Yoon received honorable mention for Upside Down Bridge. These proposals, along with others submitted to the competition will go on display July 17th in an exhibition at the Center for Architecture that will be supplemented by a series of discussion panels. The exhibit should come on the heels of the completion of the ongoing feasibility study undertaken by WXY and dlandstudio Landscape Architecture & Architecture. The project is not without its detractors, with some locals clamoring for the re-activation of the track for rail transportation as a means of alleviating congestion in the borough. Advocates of the Queensway question the feasibility of such a move and also claim that the park would link communities, improve quality of life, and enable safer bike and foot traffic.
Dutch firm MVRDV has won a competition to design a new public/private art depot for the Museum Boijmans van Beuningen in Rotterdam. While the design has been selected, the fate of the project remains in the balance. City council officials have until the end of the year to decide whether or not to go ahead with construction. The winning design (top) resembles a large shiny flowerpot, a cylindrical glass volume that tapers at the bottom and is capped by a sculpture-park. The curved facade's distortion of the surrounding landscape recalls the way Anish Kapoor's Cloud Gate engages its own Chicago context. The need for the project stems from problems with the museum's current depot, which is situated below sea-level and thus at risk of flooding. Beyond elevating the stored artworks to safety, the new design is also an opportunity to make some of them available for public view. A route will zig-zag through the various floors to offer glimpses of the depot for those visiting the space. The path culminates in the rooftop park which also would feature a restaurant. MVRDV beat out other finalists MAD/Nio, Neutelings Riedijk, Koen van Velzen and Harry Gugger with Barcode Architects, though not without controversy. At one point the firm was disqualified due to what was deemed a breach of the tender procedure. They were later reinstated after winning their case in the court of justice of Rotterdam.
The Toledo Shipping Channel is the most heavily dredged port in the Great Lakes. Each year massive barges haul up to one million cubic yards of mud and debris, scooped from the bottom of Lake Erie at the mouth of the Maumee River, to elsewhere in the lake and to confined disposal facilities. “A minor portion” of dredged material is “beneficially used,” according to a sediment management plan supplied to the Toledo Harbor Dredge Task Force in 2012. That’s a missed opportunity, say some environmental advocates and landscape architects like Sean Burkholder, a professor of landscape and urban design at SUNY/University of Buffalo. In February he’s calling for entrants to the North Coast Design Competition to help re-envision Toledo’s waterfront. This year's competition is called “Designing Dredge.” According to the competition:
The city of Toledo is currently reconsidering a series of highly visible landscapes along its river waterfront. These sites are either undergoing construction due to the installation of large stormwater mitigation infrastructure or were small dredge storage facilities that have reached design capacity … The competition reaches out to designers and planners of all ages and abilities and calls for ideas that re-envision the role of the riverfront in Toledo and how this new role can embrace the realities of dredging while enhancing the overall quality of public space within the city.Five sites along the Maumee, totaling more than 170 acres, are available for development. Competition entrants are also asked to design a Dredge Research Site for future research projects exploring the uses of dredge material. About that material—it will be treated and trucked into the sites for landscaping, but the competition details warn its high silt content worsens its drainage characteristics and bearing capacity. Landscape Architecture Magazine has a Q&A with Burkholder about the competition and its implications for development across the Great Lakes region. You can learn more about the North Coast Design Competition at northcoastdesigncompetition.com.
Chicago Mayor Rahm Emanuel has been very vocal about his ambitions to increase tourism in the city, and he once again upped that goal to 55 million annual visitors by 2020—an almost 20 percent jump from current numbers. Riding high on news of record hotel occupancy last year, Emanuel said Wednesday that Chicago would launch an international design contest to light up the city at night. As with previous initiatives, like the Downtown Riverwalk extension, the lighting design competition would highlight the Chicago River. Lou Raizin, president of Broadway in Chicago, will lead the light-up Chicago initiative. The Illinois Coalition for Responsible Outdoor Lighting called it the idea "frivolous" and environmentally harmful. But the plan to make Chicago America's city of light is more about creating buzz than addressing light pollution. The City reports that it has already seen a 15 percent jump in visitors since 2011. But as Fran Spielman of the Chicago Sun-Times reported, even the president of tourism agency Choose Chicago acknowledged a lighting festival alone won’t bring nine million more people to the city by 2020:
“We’re going to need some of the big festivals that may be in other parts of the world. Or we’re going to create some new ones,” [Don] Welsh said, pointing to a planned, citywide celebration of the Chinese New Year.That citywide Chinese New Year celebration runs from Jan. 31 through Feb. 14.
Louisville Mayor Greg Fischer started 2014 off with a call to citizens: Help the city come up with creative ideas to redevelop vacant land. Local and far-flung designers are invited to re-imagine the land in a new competition. The winners of the Lots of Possibility competition will be awarded a total of $38,000 to put their vision into action. That money comes from local grant funding. A jury will choose six finalists in each of the competition’s two categories: residential or commercial use; and proposals involving temporary or interim use of vacant lots. Up to two winners will get $15,000 for long-term residential or commercial development, while up to two more could receive a one-year land lease and $4,000 to implement temporary ideas. “The rules for this competition are simple—be creative and be bold,” Fischer said in a press release. Louisville recently launched its VAPStat (Vacant and Abandoned Property Statistics) program to share public information about abandoned properties, foreclosure and redevelopment opportunities. There are more than 6,000 vacant lots in the area, with a high concentration in western Louisville. A 2013 study estimated about half of the approximately 6,000 vacant properties would “be remedied through normal market forces.” The Louisville/Jefferson County Landbank Authority and the Urban Renewal Commission own many more sites that they’re working to redevelop. More than 250 lots (list) have been made available for the Lots of Possibility competition. “[T]he faster the number of VAP properties are reduced,” reads the VAPStat study, “the sooner they become revenue-producing real estate and the sooner they start to have positive effects on their surrounding neighborhoods.” Sponsoring the competition are the Department of Community Services and Revitalization, Vision Louisville and the Mayor’s Innovation Delivery Team, funded in part by a grant from Bloomberg Philanthropies. The competition page lists as inspiration St. Louis' Sustainable Land Lab, Youngstown, Ohio's Lots of Green program, and Flint, Michigan's Flatlot competition. Entries are due Feb. 24. The winners will be announced in April. Entry information here.