Not easily seen, a new installation by Spanish architecture group Citylaboratory is worth the trek. ROTUNDA was created as part of Quebec's International Garden Festival (International Festival des Jardins de Metis) an annual event that includes a competition soliciting innovative garden designs from studios across the world. Rotunda was one of 6 proposals selected from 293 submissions ultimately selected for realization this summer. The Citylaboratory creation is designed to make a minimal impact on its forest setting. The shallow black basin in the form of an oblong circle is crafted in steel and only makes contact with the ground at a slight foundation point. Once filled with water the form dematerializes into its woody surroundings, an ever-shifting canvas for its floral and faunal cohabitants. The architects make clear that following its inauguration, ROTUNDA is not meant to be refilled but rather "left to evolve over time." In being abandoned to the elements the installation thus becomes an abstract barometer for shifts in the forest's climate. Temperature, humidity, and precipitation will all have their say in directing the shifting fate of the structure. Beyond perhaps an obvious function as a birdbath, Citylaboratory feel that the accumulation of leaves, dust, and pollen will make ROTUNDA a source of growth and cultivation for forest life of all kinds. All 6 gardens will open May 31.
Posts tagged with "Competitions":
[ Editor's Note: The following is a selection of reader-submitted comments from the online feature about AN's recent Reimagine the Astrodome competition. It appeared as a letter to the editor in a recent print edition, AN01_02.05.2014_SW. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email firstname.lastname@example.org. ] Three of these are not serious, and the one with merit, the “sky dome” closely resembles a proposal I published over two years ago. Naturally we think that is a great concept, but the devil is in the details. We will continue to pursue our proposals, which are the result of over six years of research and collaboration. We will also continue to pursue the Orbital Experience, our original version of the “sky dome.” And we are fully date stamped so no one need think about challenging our intellectual property position on that. You guys are not connected to reality. Chris Alexander Astrodome Tomorrow Incredible article! First you assemble a team of, presumably, the brightest lights in the area as judges. Then you put out a call to the entire country for the highest and best visions for a re-imagined Astrodome—a call to artists, architects, engineers calculated to unleash the collective genius and spirit of Astrodome-followers everywhere. The stage was set perfectly for you to launch your new edition with a fabulous piece of journalism. Everyone was waiting. You had our attention. Harris County and the HCSCC set the lowest possible bar for you to meet or exceed with a plan that not even 150,000 people out of a population of 4 million wanted to support. Finally, after a month of agonizing over everything that came in, you did it. Congratulations on a job, well, done (note the punctuation). You managed to do something no one on the planet would have thought possible. You managed to make the County’s New Dome Experience look inspired and visionary. J. M. Arpad Lamell Lamell & Associates See the competition winners at: archpaper.com/news/articles.asp?id=6936
The winners of the AIA New York's biennial design competition have been been announced. The Emerging New York Architects (ENYA) committee selected from 120 proposals submitted as a part of QueensWay Connection: Elevating the Public Realm, which was intended to drum up ideas that would contribute to the proposed re-purposing of an elevated railway in Queens. Entrants were tasked with designing a vertical gateway for the elevated viaduct portion of the 3.5 mile–long track currently under consideration for the High Line treatment. A jury consisting of Claire Weisz of WXY Architecture + Urban Design, Matthew Johnson of Diller Scofidio + Renfro and project manager of the High Line, and Margaret Newman from the New York Department of Transportation among others convened on January 18th to anoint Carrie Wibert the winner and recipient of the $5000 ENYA prize. Nikolay Martynov's Queens Bilboard finished second, followed by Song Deng's Make It! Grow It! Jessica Shomekaer won the Student Prize while Queens local Hyontek Yoon received honorable mention for Upside Down Bridge. These proposals, along with others submitted to the competition will go on display July 17th in an exhibition at the Center for Architecture that will be supplemented by a series of discussion panels. The exhibit should come on the heels of the completion of the ongoing feasibility study undertaken by WXY and dlandstudio Landscape Architecture & Architecture. The project is not without its detractors, with some locals clamoring for the re-activation of the track for rail transportation as a means of alleviating congestion in the borough. Advocates of the Queensway question the feasibility of such a move and also claim that the park would link communities, improve quality of life, and enable safer bike and foot traffic.
Dutch firm MVRDV has won a competition to design a new public/private art depot for the Museum Boijmans van Beuningen in Rotterdam. While the design has been selected, the fate of the project remains in the balance. City council officials have until the end of the year to decide whether or not to go ahead with construction. The winning design (top) resembles a large shiny flowerpot, a cylindrical glass volume that tapers at the bottom and is capped by a sculpture-park. The curved facade's distortion of the surrounding landscape recalls the way Anish Kapoor's Cloud Gate engages its own Chicago context. The need for the project stems from problems with the museum's current depot, which is situated below sea-level and thus at risk of flooding. Beyond elevating the stored artworks to safety, the new design is also an opportunity to make some of them available for public view. A route will zig-zag through the various floors to offer glimpses of the depot for those visiting the space. The path culminates in the rooftop park which also would feature a restaurant. MVRDV beat out other finalists MAD/Nio, Neutelings Riedijk, Koen van Velzen and Harry Gugger with Barcode Architects, though not without controversy. At one point the firm was disqualified due to what was deemed a breach of the tender procedure. They were later reinstated after winning their case in the court of justice of Rotterdam.
The Toledo Shipping Channel is the most heavily dredged port in the Great Lakes. Each year massive barges haul up to one million cubic yards of mud and debris, scooped from the bottom of Lake Erie at the mouth of the Maumee River, to elsewhere in the lake and to confined disposal facilities. “A minor portion” of dredged material is “beneficially used,” according to a sediment management plan supplied to the Toledo Harbor Dredge Task Force in 2012. That’s a missed opportunity, say some environmental advocates and landscape architects like Sean Burkholder, a professor of landscape and urban design at SUNY/University of Buffalo. In February he’s calling for entrants to the North Coast Design Competition to help re-envision Toledo’s waterfront. This year's competition is called “Designing Dredge.” According to the competition:
The city of Toledo is currently reconsidering a series of highly visible landscapes along its river waterfront. These sites are either undergoing construction due to the installation of large stormwater mitigation infrastructure or were small dredge storage facilities that have reached design capacity … The competition reaches out to designers and planners of all ages and abilities and calls for ideas that re-envision the role of the riverfront in Toledo and how this new role can embrace the realities of dredging while enhancing the overall quality of public space within the city.Five sites along the Maumee, totaling more than 170 acres, are available for development. Competition entrants are also asked to design a Dredge Research Site for future research projects exploring the uses of dredge material. About that material—it will be treated and trucked into the sites for landscaping, but the competition details warn its high silt content worsens its drainage characteristics and bearing capacity. Landscape Architecture Magazine has a Q&A with Burkholder about the competition and its implications for development across the Great Lakes region. You can learn more about the North Coast Design Competition at northcoastdesigncompetition.com.
Chicago Mayor Rahm Emanuel has been very vocal about his ambitions to increase tourism in the city, and he once again upped that goal to 55 million annual visitors by 2020—an almost 20 percent jump from current numbers. Riding high on news of record hotel occupancy last year, Emanuel said Wednesday that Chicago would launch an international design contest to light up the city at night. As with previous initiatives, like the Downtown Riverwalk extension, the lighting design competition would highlight the Chicago River. Lou Raizin, president of Broadway in Chicago, will lead the light-up Chicago initiative. The Illinois Coalition for Responsible Outdoor Lighting called it the idea "frivolous" and environmentally harmful. But the plan to make Chicago America's city of light is more about creating buzz than addressing light pollution. The City reports that it has already seen a 15 percent jump in visitors since 2011. But as Fran Spielman of the Chicago Sun-Times reported, even the president of tourism agency Choose Chicago acknowledged a lighting festival alone won’t bring nine million more people to the city by 2020:
“We’re going to need some of the big festivals that may be in other parts of the world. Or we’re going to create some new ones,” [Don] Welsh said, pointing to a planned, citywide celebration of the Chinese New Year.That citywide Chinese New Year celebration runs from Jan. 31 through Feb. 14.
Louisville Mayor Greg Fischer started 2014 off with a call to citizens: Help the city come up with creative ideas to redevelop vacant land. Local and far-flung designers are invited to re-imagine the land in a new competition. The winners of the Lots of Possibility competition will be awarded a total of $38,000 to put their vision into action. That money comes from local grant funding. A jury will choose six finalists in each of the competition’s two categories: residential or commercial use; and proposals involving temporary or interim use of vacant lots. Up to two winners will get $15,000 for long-term residential or commercial development, while up to two more could receive a one-year land lease and $4,000 to implement temporary ideas. “The rules for this competition are simple—be creative and be bold,” Fischer said in a press release. Louisville recently launched its VAPStat (Vacant and Abandoned Property Statistics) program to share public information about abandoned properties, foreclosure and redevelopment opportunities. There are more than 6,000 vacant lots in the area, with a high concentration in western Louisville. A 2013 study estimated about half of the approximately 6,000 vacant properties would “be remedied through normal market forces.” The Louisville/Jefferson County Landbank Authority and the Urban Renewal Commission own many more sites that they’re working to redevelop. More than 250 lots (list) have been made available for the Lots of Possibility competition. “[T]he faster the number of VAP properties are reduced,” reads the VAPStat study, “the sooner they become revenue-producing real estate and the sooner they start to have positive effects on their surrounding neighborhoods.” Sponsoring the competition are the Department of Community Services and Revitalization, Vision Louisville and the Mayor’s Innovation Delivery Team, funded in part by a grant from Bloomberg Philanthropies. The competition page lists as inspiration St. Louis' Sustainable Land Lab, Youngstown, Ohio's Lots of Green program, and Flint, Michigan's Flatlot competition. Entries are due Feb. 24. The winners will be announced in April. Entry information here.
The design team at MODU, in collaboration with Ho-Yan Cheung of Arup, have created an urban public space for the 5th China International Architecture Biennial. Their design pays homage to Beijing's iconic Olympic Park, while drawing attention to environmental issues in the country’s densely populated capital. The biennial committee has also commissioned designs from leading international architects such as Wang Shu, Zaha Hadid, and Mohsen Mostafavi. The dual-purpose structure not only creates a unique civic space, but also acts as a barometer for the air quality in Beijing. This “room in the city” concept does not attempt to separate people from polluted outdoor air and filtered indoor air by means of physical boundaries. Instead, the structure highlights the air pollution issue through the use of punctured openings in the walls and ceiling panels, as well as a large elliptical roof which frames the Olympic Observation Tower. On clear days, the tower can be seen perfectly through the roof frame, but on days when the pollution creates a dense grey fog, the landmark virtually disappears from sight. The outdoor room is made from recycled materials and, according to its designers, represents a new era of socially responsive design. At the end of November, the structure will be installed in six other cities in China.
Earlier this year, Building Trust International put professional and student architects and designers to work with the hope of turning outmoded city spaces into exciting, imaginative places through its international design competition, PLAYscapes. Winning entries focused on transforming disused, forgotten parts of cities into playscapes have now been announced. The winner of the professional category is Cape Town Gardens Skatepark in South Africa, an initiative to transform a vacant public space into a dedicated area for skateboarders. The reuse-based project is currently underway and seeks to set a precedent for similar enterprises. The winner of the student category is Bring a Pal and Have Fun, by a student team from Lusiada University of Lisbon. With a self-sustaining, locally managed proposal, the scheme demonstrates versatility and emphasizes the community and history of the space. Before you get back to work, be sure to check out the honorable mentions and more than 100 Student Professional entries here.
Through Stormproof, an open international design competition for building resilient cities, Terreform One has pursued many viable solutions for a stormproof future. Students and professionals were challenged with preparing cities for imminent confrontations of extreme climate change. Twenty finalists were chosen from 168 teams comprised of 310 participants based in over fifteen countries, and by employing complex designs such as barrier islands to mitigate storm and flood impact, participants have recommended solutions that revive and repurpose present infrastructure. Finalists include SLIDE, a resilient scheme for stabilizing mudslides in Los Angeles by recycling debris to produce an opportunity for open ended growth, and Hybrid Edge, an approach that suggests the re-invention of the coastline edge of Dowtown Miami by conflating urban and wetland ecologies. Others, such as A Working Waterfront for NY Harbor utilize shipping infrastructure as coastline defense through an ecologically-minded tactic. The jury involves a renowned panel of designers including Stan Allen, Principal, SAA, former Dean of Princeton University School of Architecture, Michael Arad, partner of Handel Architects, and Dan Barasch, Co-Founder of The Low Line, among several others. Jurors will meet to select the winners by the end of the month. Explore all of the finalists here.
Proving the beauty and sustainable capability of steel construction, the winning projects of the Association of Collegiate Schools of Architecture (ACSA) 2012-2013 Steel Design Student Competition have been announced. The competition, launched last spring, called for comprehensive and environmentally thoughtful steel designs in two categories. The first, Building to Bridge, sought a plan for a long-span pedestrian bridge whose location would be enriched by the connection it created. And the second, Open, allowed for full flexibility in student design ideas of steel construction. The ACSA chose winners whose projects represented “creative and innovative use of structural steel in the design solution, successful response of the design to its surrounding context, and successful response to basic architectural concepts.” Building to Bridge Category, First Place: Stream_Line Stream_Line by Christopher Garrow, Heather Martin, and Kaitlin Shenk of Philadelphia University designs a pedestrian walkway connecting the north and south ends of Philadelphia, Pennsylvania. Building off existing abandoned Reading Viaduct railroad tracks, Stream_Line provides an exterior green pathway and an interior pathway for protection from the elements, an exhibition space, a café, and a gift shop. Similar to the High Line in New York City, the bridge is meant for congregation. Situated over Interstate 676, its transparent façade lights up at night “to provide an after hour presence.” The overall project uses sensible materials, like recyclable wood, in addition to its steel construction and plans the bridge's multiple levels for optimized solar shade. Renderings Courtesy ACSA. Open Category, Winner: Injection Trevor Larsen and Ben Pennell of California Polytechnic State University have reimagined a performance arts center in their winning project, Injection. A steel cube sliced horizontally and vertically to create two voids, then stacked and heavily trussed, is a design that aims to insert “randomness, improvisation, and intimacy into the architecture of musical performance.” The entire building contains three theater spaces, one partially sunken below ground and two “floating” within the steel truss structure. The façade on each side of the center is of a different opacity, corresponding to its solar exposure. The vertical plane of the cube that receives the most light is constructed of photovoltaic cells and assorted ventilation spaces. Renderings Courtesy ACSA. Open Category, Winner: Inverted Landscapes Responsibility for the environmental health of the Tijuana River Watershed is shared the two countries that border it: the United States and Mexico. Inverted Landscape, created by Byron Marroquin and Sal Vargas of Woodbury University, designs an international forum space as a physical steel bridge floating over the water itself. Creating large steel landmasses that parallel the landscape in an inverted view, the project provides a Bi-National Auditorium for debate and collaboration on policies regarding the shared body of water. The jury commended Inverted Landscape’s thoughtfulness on the properties of steel; the design could not be constructed in any other material. Renderings Courtesy ACSA.
Designing for a specific space can be a challenge, but try designing a chair predestined to become a contemporary statement in the newly-refurbished Weston Library, part of the Bodleian Libraries at Oxford, which has commissioned only its third new chair in 400 years. Earlier this year, three partnerships—Amanda Levete and Herman Miller, Barber Osgerby and Isokon Plus, and Matthew Hilton and SCP Ltd—were shortlisted to compete for the prestigious prize, which has officially been awarded to Edward Barber and Jay Osgerby with Isokon, for their low, round-backed design. Barber Osgerby's contemporary interpretation of the competition brief resulted in a surprisingly slender, three-legged oak design that unites craft heritage and sculptural form to inventively meet reader requirements. The victorious prototype represents a scholarly design approach, with early inspiration drawn from awareness of the library's history and culture. The chair will be produced for installation in the newly-renovated Weston Library over the next year. Bodleian’s estates manager Toby Kirtley told The Guardian that the institution “wanted something that would be iconic and representative of the library. It should be contemporary in style, but not out of place in a heritage setting—innovative and original, without being too experimental and risky.” Barber Osgerby seems to have hit the mark, as Bodley's Interim Librarian Richard Ovenden said, "the winning chair is characterized by a strong identity, creative approach, comfort and suitability for intense study and research." The commission was last granted in 1936 to Giles Gilbert Scott, who designed two heavy, leather-clad bucket seats to furnish the New Bodleian Library building, which is currently undergoing an approximately $105 million renovation by Wilkinson Eyre Architects, and it is set to open in October 2014. Judges included Librarian Sarah Thomas, Director of the V&A Professor Martin Roth, and industrial designer of Kenneth Grange, among others.