Socrates Sculpture Park and the Architectural League have selected Jason Austin and Aleksandr Mergold as the winners of their Folly 2014 competition. Commenced in earlier this year and launched in 2012, the contest's name and theme derive from the 18th and 19th century Romantic practice of architectural follies, or structures with little discernible function that are typically sited within a garden or landscape. Austin and Mergold's SuralArk was deemed the most deserving contemporary interpretation of the tradition, and will be erected within the park's Long Island City confines by early May. The winning submission takes equal parts inspiration from an upturned ship hull and a suburban home to arrive at its final form. Measuring 50 feet long and 16 feet tall, the design and its context are meant to speak to the increasingly ambiguous distinctions between city, suburban environments, and rural living. In a nod to its greater surroundings, the structure will be coated in the same vinyl sidings frequently found coating the walls of Queens residences. Such paneling will allow light to filter through the building's exterior, an effect that becomes more dramatic with night fall. The resonance of the ark form grows when one considers the East River's uninvited entry to and eventual submergence of the Park during 2012's Hurricane Sandy. A jury of Chris Doyle, Artist; John Hatfield, Socrates Sculpture Park; Enrique Norten, TEN Arquitectos; Lisa Switkin, James Corner Field Operations; and Ada Tolla, LOT-EK judged 171 entries from 17 countries before choosing the Austin and Mergold design. The pair currently work at a Philadelphia-based architecture and landscape firm that bears their name. They will be granted unfettered access to the Sculpture Park's studios and facilities throughout April in order to oversee the execution of SuralArk which should be open to the public on May 11th and remain on the grounds through August 3rd.
Posts tagged with "Competitions":
The Guggenheim will launch a competition in early June to design their new branch in Helsinki. Working alongside the Finnish Association of Architects, the Foundation is seeking proposals for a currently vacant site alongside the city’s South Harbor. The competition comes three years after the city expressed interest in a Guggenheim outpost. But, according to the Art Newspaper, despite the competition, a new branch is not certain. The paper reported, “The Guggenheim announced that a decision to go ahead with the project would be taken after the architectural competition is completed." The competition comes as the Guggenheim faces heated backlash for their planned museum in Abu Dhabi, which has a dismal record on workers’ rights.
Every year at about this time, Los Angeles' design community comes together for a good cause—and a chance to show off their ingenuity working with an unusual building material. We’re talking Canstruction LA, which just wrapped its eighth outing. Like other Canstruction events nationwide, Canstruction LA invites teams of architects, engineers, builders, and designers to design and build sculptures entirely out of canned food. The 2014 competition produced an array of impressive designs and—most importantly—donated 28,551 cans of food to the Los Angeles Regional Food Bank. Canstruction LA is put on by an all-volunteer steering committee under the auspices of the Society for Design Administration. Julie D. Taylor, Hon. AIA/LA, who serves on the committee, first read about the Canstruction program in a magazine. “[I] thought, this would be great for my clients to do,” said Taylor, who is the principal of Taylor & Company, a public relations firm for creative professionals. “I called up the national organization and said, ‘Who’s doing it in LA?’ They said, ‘No one. Why don’t you do it?’” So Taylor did, and the event keeps getting better. This year’s participants donated 7,000 more pounds of food than last year’s. Because the design teams are responsible for obtaining the cans, “it’s a major commitment for the firms that contribute,” said Taylor. Participants must also agree to a set of ground rules: they’re limited in size to a 10- by 10- by 8-foot cube; they have to use nutritious food, and the labels have to stay on. The designers can use a few additional materials to hold their creations together, but the sculptures should be mostly cans. The participating teams submitted drawings to the event organizers ahead of time. “Every year I look at them and I go, ‘There’s no way they’re going to be able to do that,” said Taylor. “And every year they knock me out.” Once on site, the designers have just one all-nighter to put their sculptures together. A jury of art, architecture, and culinary experts reviews the creations and awards several prizes, including the Juror’s Favorite, Best Use of Labels, Best Meal, and Structural Ingenuity. Visitors to the exhibition of finished works can vote for a People’s Choice honoree for one dollar, with all proceeds going to the Los Angeles Regional Food Bank. This year’s Juror’s Favorite was FOOD FIGHT! by PCL Construction Services, KPFF Consulting Engineers, and Callison, a face-off between a container of french fries and an apple that reflects on Angelenos’ struggle to access nutritious foods. Best Use of Labels went to Reflecting Hunger, by Steinberg Architects, which is based on Anish Kapoor’s Cloud Gate sculpture in Chicago. CANimal Style Trio, by American Society of Civil Engineers Younger Member Forum, which imagines a health-conscious update to the classic fast-food meal, took Best Meal. The spiraling Pineapple Twist, by NBBJ and Thornton Tomasetti won both Structural Ingenuity and People’s Choice. Honorable Mention went to CAN Get some Satisfaction, a Rolling Stones-inspired challenge to hunger by LARGE Architecture and HKS Inc. Canstruction LA 2014 took place for the second time at the Farmers and Merchants Bank in downtown Los Angeles as part of the Downtown Art Walk. “Being open during the Downtown Art Walk is incredible,” said Taylor. “The number of people who go through, and the diversity of people, is fabulous, and so that’s been a really big boon. We hope to be downtown for many, many years and engage the downtown community.”
A nonprofit in Detroit is calling on artists and designers “to breathe new life into the historical viaducts at Second and Cass Avenue in Midtown.” In partnership with the New Economy Initiative, Midtown Detroit, Inc. will sponsor public art and light installations in the TechTown District of Midtown Detroit. Accepted proposals win $75,000 per viaduct. The deadline to apply is Wednesday, April 30. Applicants can propose interventions for one or both viaducts. Apply here. The two viaducts, located between Baltimore and Amsterdam Streets in TechTown, were fully operational railroad bridge grade separations. Originally constructed in 1934, they’ve fallen into disrepair. While Detroit’s been happy for international design attention in recent years, this competition has a residency requirement. It’s open to “all professional artists, architects, designers, design firms and/or teams consisting of these entities located in the following eight southeast Michigan counties: Genesee, Lapeer, Livingston, Macomb, Oakland, St. Clair, Washtenaw and Wayne.” Non-residents can join a design team as long as the project lead can prove physical residency in southeast Michigan. Read the full list of guidelines here.
Each year eVolo Magazine hosts a competition soliciting new visions for vertical living. This year's iteration of the nine-year-old Skyscraper Competition received 525 projects from 43 countries. Out of this vast field, three winners were announced with Yong Ju Lee of New York–based firm E/B Office taking first prize for his project Vernacular Versatility. The winning design looks to the traditional domestic architecture of its creator's homeland. Lee's building uses the beam and girder system of the curved roofs commonly found on Korean Hanoks in order to construct a contemporary skyscraper. Second place went to Mark Talbot and Daniel Markiewicz for their Car and Shell Skyscraper: Or Marinetti's Monster, a vertical suburb that arrived with a bombastic manifesto in the mode of its futurist namesake and all the plug-in trappings and immense scale of mega-structural architecture. YuHao Liu and Rui Wu of Canada took third with Propogate Skyscraper: Carbon Dioxide Structure. Their approach harnesses carbon dioxide gases in order to generate a material that allows the building to grow organically around a basic guiding framework. Many of the highly theoretical entries seem to be essentially exercises in sleek and sexy renderings, but provide food for thought none the less. Twenty additional submissions were tabbed for honorable mention by a jury consisting of Wiel Arets (principal Wiel Arets Architects, dean of the Illinois Institute of Technology’s College of Architecture), Derek Pirozzi (architectural designer Oppenheim Architecture and winner of 2013's competition), Carol Willis (director Skyscraper Museum, professor at Columbia University), and Dan Wood (principal WORK Architecture Company, professor at Yale University) among others. Competition winner Lee will receive a $5000 prize and a press kit from competition sponsor v2com. The honorable mentions are featured below.
A video illustrating the general concept behind the elevated park. (Courtesy The 11th Street Bridge Park Design Competition) Washington D.C. is using the rebuilding of a local bridge as an opportunity to create a new 900-foot elevated park across the Anacostia River. Building Bridges Across the River at THEARC and the D.C. Office of Planning are hosting a competition for the design of this developing project. Participants are invited to think of the initiative as a blank slate sitting upon the extant structural piers, the only holdovers from the old bridge that will be preserved. A community design charette held on December 7, 2013 to discuss the park. (Courtesy The 11th Street Bridge Park Design Competition) Organizers have laid out four goals for the new design: "connect two diverse communities, re-engage residents with the Anacostia River, improve public health, and become an anchor for economic development.” The communities in question are the historic districts of Anacostia and Capital Hill. Efforts have been made to incorporate local opinions into the park's design. Over 200 meetings have been conducted with public figures and residents in the surrounding area. An environmental education center, a performance area, urban agricultural facilities, a cafe, and kayak and canoe launches are some of the suggestions that have emerged from these consultations. University of Washington public health scholar Dr. Howard Frumkin, Carol Mayer Reed of landscape firm Mayer/Reed, and Howard G. Robinson III, Professor of Urban Design and Dean Emeritus at Howard University will be members of the jury deciding upon the winning design this coming fall. Backers are expecting the park to cost in the range of $25 million, $500,000 of which has been raised already.
Arnhem, Netherlands is in the midst of commissioning designs for ArtA, a new cultural center planned for the city. Proposals from an impressive list of four international firms are being considered for the space, which is to house the Museum Arnhem and the Focus Film Theater. Beyond accommodating both exhibition and theater programming, the structure is also meant to act as a link between the city and the waterfront of the adjacent Rhine River. SO-IL, NL architects, Bjarke Ingles Group (BIG), and Kengo Kuma are the four studios shortlisted for the project. SO-IL presented a modular design composed of five units of varying size. A central staircase leads visitors deep into the interior of the structure, while each unit is strategically pierced by large openings that provide views of the river and the surrounding city. In keeping with the two pronged program of the center, BIG elected to place a black box and a white box at either pole of their proposal. These archetypes of museum and theater architecture are fused by a twisted volume and diagonal arts plaza. The torqued form creates new types of semi-protected public spaces in the plaza designated to host the center. Both NL Architects and Kengo Kuma arrive to the competition armed with stepped structures. Kengo Kuma offer a series of offset stacked glass rectangles partially clad in red clay tile, an arrangement that also generates a number of rooftop terraces. The Rhine is metaphorically invited into the site in the form of cascading reflecting pools. NL Architects envisions a more uniformly staggered facade in the form of a large staircase-shaped structure growing in size and stature as it approaches the waterfront. These, too, are coupled with rooftop green space and a sculpture garden, while the steps rest upon an expansive and largely open multifunctional art square.
Not easily seen, a new installation by Spanish architecture group Citylaboratory is worth the trek. ROTUNDA was created as part of Quebec's International Garden Festival (International Festival des Jardins de Metis) an annual event that includes a competition soliciting innovative garden designs from studios across the world. Rotunda was one of 6 proposals selected from 293 submissions ultimately selected for realization this summer. The Citylaboratory creation is designed to make a minimal impact on its forest setting. The shallow black basin in the form of an oblong circle is crafted in steel and only makes contact with the ground at a slight foundation point. Once filled with water the form dematerializes into its woody surroundings, an ever-shifting canvas for its floral and faunal cohabitants. The architects make clear that following its inauguration, ROTUNDA is not meant to be refilled but rather "left to evolve over time." In being abandoned to the elements the installation thus becomes an abstract barometer for shifts in the forest's climate. Temperature, humidity, and precipitation will all have their say in directing the shifting fate of the structure. Beyond perhaps an obvious function as a birdbath, Citylaboratory feel that the accumulation of leaves, dust, and pollen will make ROTUNDA a source of growth and cultivation for forest life of all kinds. All 6 gardens will open May 31.
[ Editor's Note: The following is a selection of reader-submitted comments from the online feature about AN's recent Reimagine the Astrodome competition. It appeared as a letter to the editor in a recent print edition, AN01_02.05.2014_SW. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email email@example.com. ] Three of these are not serious, and the one with merit, the “sky dome” closely resembles a proposal I published over two years ago. Naturally we think that is a great concept, but the devil is in the details. We will continue to pursue our proposals, which are the result of over six years of research and collaboration. We will also continue to pursue the Orbital Experience, our original version of the “sky dome.” And we are fully date stamped so no one need think about challenging our intellectual property position on that. You guys are not connected to reality. Chris Alexander Astrodome Tomorrow Incredible article! First you assemble a team of, presumably, the brightest lights in the area as judges. Then you put out a call to the entire country for the highest and best visions for a re-imagined Astrodome—a call to artists, architects, engineers calculated to unleash the collective genius and spirit of Astrodome-followers everywhere. The stage was set perfectly for you to launch your new edition with a fabulous piece of journalism. Everyone was waiting. You had our attention. Harris County and the HCSCC set the lowest possible bar for you to meet or exceed with a plan that not even 150,000 people out of a population of 4 million wanted to support. Finally, after a month of agonizing over everything that came in, you did it. Congratulations on a job, well, done (note the punctuation). You managed to do something no one on the planet would have thought possible. You managed to make the County’s New Dome Experience look inspired and visionary. J. M. Arpad Lamell Lamell & Associates See the competition winners at: archpaper.com/news/articles.asp?id=6936
The winners of the AIA New York's biennial design competition have been been announced. The Emerging New York Architects (ENYA) committee selected from 120 proposals submitted as a part of QueensWay Connection: Elevating the Public Realm, which was intended to drum up ideas that would contribute to the proposed re-purposing of an elevated railway in Queens. Entrants were tasked with designing a vertical gateway for the elevated viaduct portion of the 3.5 mile–long track currently under consideration for the High Line treatment. A jury consisting of Claire Weisz of WXY Architecture + Urban Design, Matthew Johnson of Diller Scofidio + Renfro and project manager of the High Line, and Margaret Newman from the New York Department of Transportation among others convened on January 18th to anoint Carrie Wibert the winner and recipient of the $5000 ENYA prize. Nikolay Martynov's Queens Bilboard finished second, followed by Song Deng's Make It! Grow It! Jessica Shomekaer won the Student Prize while Queens local Hyontek Yoon received honorable mention for Upside Down Bridge. These proposals, along with others submitted to the competition will go on display July 17th in an exhibition at the Center for Architecture that will be supplemented by a series of discussion panels. The exhibit should come on the heels of the completion of the ongoing feasibility study undertaken by WXY and dlandstudio Landscape Architecture & Architecture. The project is not without its detractors, with some locals clamoring for the re-activation of the track for rail transportation as a means of alleviating congestion in the borough. Advocates of the Queensway question the feasibility of such a move and also claim that the park would link communities, improve quality of life, and enable safer bike and foot traffic.
Dutch firm MVRDV has won a competition to design a new public/private art depot for the Museum Boijmans van Beuningen in Rotterdam. While the design has been selected, the fate of the project remains in the balance. City council officials have until the end of the year to decide whether or not to go ahead with construction. The winning design (top) resembles a large shiny flowerpot, a cylindrical glass volume that tapers at the bottom and is capped by a sculpture-park. The curved facade's distortion of the surrounding landscape recalls the way Anish Kapoor's Cloud Gate engages its own Chicago context. The need for the project stems from problems with the museum's current depot, which is situated below sea-level and thus at risk of flooding. Beyond elevating the stored artworks to safety, the new design is also an opportunity to make some of them available for public view. A route will zig-zag through the various floors to offer glimpses of the depot for those visiting the space. The path culminates in the rooftop park which also would feature a restaurant. MVRDV beat out other finalists MAD/Nio, Neutelings Riedijk, Koen van Velzen and Harry Gugger with Barcode Architects, though not without controversy. At one point the firm was disqualified due to what was deemed a breach of the tender procedure. They were later reinstated after winning their case in the court of justice of Rotterdam.
The Toledo Shipping Channel is the most heavily dredged port in the Great Lakes. Each year massive barges haul up to one million cubic yards of mud and debris, scooped from the bottom of Lake Erie at the mouth of the Maumee River, to elsewhere in the lake and to confined disposal facilities. “A minor portion” of dredged material is “beneficially used,” according to a sediment management plan supplied to the Toledo Harbor Dredge Task Force in 2012. That’s a missed opportunity, say some environmental advocates and landscape architects like Sean Burkholder, a professor of landscape and urban design at SUNY/University of Buffalo. In February he’s calling for entrants to the North Coast Design Competition to help re-envision Toledo’s waterfront. This year's competition is called “Designing Dredge.” According to the competition:
The city of Toledo is currently reconsidering a series of highly visible landscapes along its river waterfront. These sites are either undergoing construction due to the installation of large stormwater mitigation infrastructure or were small dredge storage facilities that have reached design capacity … The competition reaches out to designers and planners of all ages and abilities and calls for ideas that re-envision the role of the riverfront in Toledo and how this new role can embrace the realities of dredging while enhancing the overall quality of public space within the city.Five sites along the Maumee, totaling more than 170 acres, are available for development. Competition entrants are also asked to design a Dredge Research Site for future research projects exploring the uses of dredge material. About that material—it will be treated and trucked into the sites for landscaping, but the competition details warn its high silt content worsens its drainage characteristics and bearing capacity. Landscape Architecture Magazine has a Q&A with Burkholder about the competition and its implications for development across the Great Lakes region. You can learn more about the North Coast Design Competition at northcoastdesigncompetition.com.