Suburban folk mark the change of seasons with spring peepers, the sound of leaf blowers, and first frosts. City dwellers rely on other environmental cures: pumpkin spice lattes, heat season, and festive public art installations. Last week, the Flatiron/23rd Street Partnership Business Improvement District (BID) and the Van Alen Institute welcomed crowds to SOFTlab's Nova, the 2015 winner of the Flatiron Public Plaza Holiday Design Competition. Perched inside North Flatiron Public Plaza at the intersection of Broadway, Fifth Avenue, and 23rd Street, Nova invites passersby into a kaleidoscopic interior to view area landmarks—the Empire State Building, the Flatiron, and the Met Life Tower—on its mirrored surfaces and through its many exposures. When activated by sound, LEDs pulse to intensify the psychedelic visuals. The design has definite antecedents in SOFTlab's pavilion at this year's SXSW music festival in Austin, Texas. Here too, the firm partnered with 3M to create a multicolored neon canopy that showcased the company's products. Van Alen and the Flatiron/23rd Street Partnership invited New York–based architecture and design firms Bureau V, Method Design, Sage and Coombe, Studio KCA, and SOFTlab to submit proposals for the competition. Competition jurors included Van Alen and the Flatiron/23rd Street Partnership directors and board members; Michael Bierut, partner, Pentagram; Aleksey Lukyanov, partner, Situ Studio; and Wendy Feuer, NYC Department of Transportation's Assistant Commissioner of Design + Art + Wayfinding. "The installation illustrates how interactive public art can change the perception of an environment thereby allowing people to experience it in a new way," Feuer explained in a statement. "We count on organizations like the Partnership to commission these exciting installations making NYC streets ever more inviting." This is the holiday design competition's second year. Last year, INABA won the competition with their installation, New York Light. See the gallery below for more images of Nova.
Posts tagged with "Competitions":
Eavesdrop> Everyone’s a winner? Mitchell Joachim and Michael Sorkin square off with rival anti-Guggenheim competitions
What is it about architect Mitchell Joachim that he cannot let go of his Oedipal desire to go after his former "father" employer Michael Sorkin? Not happy about the direction of Sorkin’s non-profit Terreform, Joachim went out and founded his own 501c3, Terreform ONE. Most recently, Sorkin co-organized and sponsored The Next Helsink—with Checkpoint Helsinki, Terreform, Occupy Museums, and Global Ultra Luxury Faction (G.U.L.F.)—a protest “call for ideas” to the high profile Guggenheim Helsinki Design Competition. This alternative competition received hundreds of entries and allowed multiple voices to critique the official Guggenheim one. With Sorkin’s project about to publish a book of its entries, Joachim has now posted online a page of his own where he declares Terreform One the winner of “The New Official Alternative Award Winners of the Guggenheim Helsinki architecture and urban design counter-competition.” It is hard to tell how Mr. Joachim wants us to take the competition. His "winning" design features a bare rear-end with windows. Also, the “competition” seems not have had jurors and or even a call to submit. He claims it was co-sponsored by Anonymous Finland, the Libertarian Anti-Ellsworth Toohey League, Occupy Helsinki, and Eco-communalism. This anti-anti-competition seems to believe it is showing up Next Helsinki, but who can save Sorkin from Joachim? Politico doesn't seem to mind all the fuss, however. The online magazine recently profiled Joachim in the video below.
Chicago-based PORT Urbanism will work with the Downtown Cleveland Alliance to turn a forbidding underpass near Cleveland's warehouse district into a vibrant pedestrian space, now that the Chicago-based firm has been selected as the winner of a design competition to revive the Main Avenue Bridge. Speaking to the Cleveland Plain Dealer's Steven Litt, PORT principal and Ohio native Christopher Marcinkoski said the hope is to "make a space that's exciting and comfortable for the pedestrian, but that's also efficient and clear for vehicular traffic coming through it." The Main Avenue Bridge spans the Cuyahoga River just south of the $500 million Flats East Bank development. Litt describes the existing condition that prompted the design competition:
The dark and shadowy underside of the bridge, which rises above Main Avenue as the road descends west of West 9th Street at the edge of the Warehouse District, can feel confusing to motorists and unwelcoming to pedestrians.The firm's proposal, which comes with a tentative budget of $800,000, beat out plans from two other finalists: New York's Balmori Associates and fellow Chicagoans Latent Design. That money will have to come quickly, as the project is scheduled to open before the Republican National Convention meets in Cleveland next year.
In August in Dessau, Germany, a jury in the design competition for the construction of the Bauhaus Museum awarded two first prizes. By a majority vote, the joint winners are from New York and Barcelona with third and fourth place teams hailing from Zürich and Toronto. The design to be constructed from the shortlist of two is yet to be selected. According to the Bauhaus, the competition has shown that the museum typology is in a transitional phase. “The vertical is over—a new theme is flexibility," Chris Dercon, Director of the Tate Modern in London and one of the material prize jurors, said in a statement. "However, the new development has no clear direction. The two first prizewinners are very diverse. It will be a chance to start the discussion in the international public and with experts. To be the beginning of the New, Dessau and the Bauhaus are ideal places. This is exciting.” The winners were: Architects: Young & Ayata Michael Young, Kutan Ayata New York Landscape architect: Misako Murata New York Architects: Gonzalez Hinz Zabala Roberto González Peñalver, José Zabala Rojí, Anne Katharina Hinz Barcelona, Spain Landscape architect: Roser Vives de Delás Barcelona, Spain Third Place: Architects: Berrel Berrel Kräutler AG Maurice Berrel Zurich, Switzerland Landscape architect: ASP Landschaftsarchitekten AG Florian Seibold Zurich, Switzerland Fourth Place: Architects: Ja Architecture Studio Nima Javidi Toronto, Canada Landscape architects: JA Architecture Studio Behnaz Assadi Toronto, Canada Both joint winners will receive $36,800 in prize money while the third and fourth place teams will take home $20,100 and $12,300 respectively. The Bauhaus staid that it felt reinforced by its decision to have the competition open for international entries as Claudia Perren, Director and CEO of the Bauhaus Dessau Foundation and building contractor, stated that it is a "first-class competition.” The idea was also conceived to "offer young offices and international architects a real chance" which has no doubt been taken—the competition received over 800 entries.
SXSW Eco's Place by Design (PxD) competition recently announced an ambitious list of finalist projects. Each design represents the competition's belief in the impact of quality design and the utilization of space to develop the interactive relationship between people and place. "The Place by Design Finalists envision public space as something greater than a backdrop for human activity," the SXSW Eco website explains. "These projects push everyday places to become an integral part of a community and a force for social, economic and environmental change." The finalists fall into five categories—Art + Interaction, Data + Tech, Resilience, Social Impact, and Urban Strategy. Each is composed of a centralized theme that integrates a responsive environment. One of the projects, presented by Mouna Andraos and Melissa Mongiat, showcases musical swings activated by playground enthusiasts all of ages. When all swings are used, it creates a harmonious tune that promotes community engagement and invites singing swingers everywhere. Another project, Ribbon Gardens, aims to address food scarcity in food deserts. Ribbon Gardens, made through a "customized, easy to assemble kit of parts" to create "functional food production areas." "Design profoundly shapes how we interact with and care for the places we inhabit," the Place by Design competition page states. "Good design fosters vibrant, well-maintained communities, while poor design can lead to fractured urban landscapes that lack a sense of place." The Place by Design finalists will present their projects at the SXSW Eco on October 5th through the 7th at the Austin Convention Center. View a full list of finalists on the Place by Design website.
To address the urgent and emerging issue of urban development in China, Creativersal and the International Union of Architects (UIA) staged the Mount Lu Estate of World Architecture (MOLEWA) competition. The program took a long-range and somewhat utopian view of the matter. "Rather than an unchecked flow to the big cities, the strategy endeavors to evolve existing medium-sized population centers naturally into prosperous, sustainable, clean and rationally distributed 'new cities'," states the competition website. "To be viable, these cities must not only be functionally complete and efficient, but also beautiful and pleasant." Responding to an existing master plan of the site, a riverside city in the foothills of Mount Lu called Ruichang with a population of 430,000, professional and student teams were invited to propose solutions for residential and commercial/cultural sectors. Diverse—but apparently not definitive, as the jury declined to award a first prize—the submissions came from 40 countries. Instead, they recognized two second-place winners and three third-place winners in each of the two categories. Work on the 20-hectare project is expected to commence in 2016. The third-place winners in the residential division: A second-place winner of the residential category: An Honorable Mention entrant in the residential category: The third-place winners of the commercial/cultural category: A second-place winner in the commercial/cultural category:
In May Barack and Michelle Obama ended months—perhaps years—of speculation over where the 44th President would site his presidential library, choosing the University of Chicago as the host of the hotly anticipated legacy project. Dozens of proposals were winnowed down to one, prepared by U of C with the help of Skidmore, Owings & Merrill. The Barack Obama Presidential Library—that is, the actual project—does not yet have an architect, however, and the Chicago Sun-Times is reporting that a call for submissions is nigh. They quote anonymous sources saying “a very general” request will go out “very soon," suggesting the first couple and their nonprofit team of advisors on the subject do not yet have a specific designer in mind. The library, which many hope will be an economic boon for the South Side, will be based in either Washington or Jackson Parks. That decision remains controversial, and may factor into the winning design—from whomever might propose it.
The Architect's Newspaper is thrilled to announce its 3rd Annual Best of Design Awards. It’s a unique opportunity to showcase your great buildings, building elements, and other architectural-based categories that are not covered by other competitions. This year, AN's Best of Design Awards has expanded to include 18 categories. Here are just a few of the new additions to this year’s categories: Building of the Year Since AN publishes four regional editions—East, West, Midwest, and Southwest, we’re seeking the best new building in each of these regions. Architectural Models Whichever form is your favorite—virtual or analog, interior or exterior, landscaping or urban— show the world how you build, just at a smaller scale. Your model does not need to have come to fruition. All scaled architecture types are eligible. Temporary Installation Whether your installation is a site-specific exhibition or it created an entirely new site, enter your work that showcases materials, techniques and invention. Urban Design Built or unbuilt, enter your design plans that focus on groupings of buildings, street and public spaces to create a more sustainable and functional neighborhood or city. Young Architects Award Emerging architects or firms often have the talent but don’t always get the glory. This category seeks to celebrate the work of young practices (10 years or less) or professionals (35 years or less). All project types are eligible. Competition entrants will be judged by a jury that includes Craig Dykers, founding partner of Snøhetta; Julio Braga, principal of IA Interior Architects; and Ana Garcia Puyol, computational designer at Thornton Tomasetti and winner in the student built work category of last year's Best of Design Awards. For each category winner and honorable mentions, the jury will be looking at a project’s strength of presentation, evidence of innovation, creative use of new technology, sustainability, and, most importantly, good design. Registration is open through October 9th and the submission deadline is November 2nd. Much more information about the competition, including past years’ winners, see the Best of Design Awards site.
The Pulitzer Foundation in St. Louis will reprise its PXSTL competition, which last year brought an airy, steel-framed pavilion courtesy of Freecell Architecture to the empty lot across the street from the Tadao Ando–designed arts institution. Like last year, PXSTL will be a national design-build competition culminating in a temporary structure on the lot across Washington Avenue from the Pulitzer Foundation. Over a six-month period in the summer of 2017, the winning pavilion will host a series of programs and events organized by the Foundation in collaboration with the Sam Fox School of Design & Visual Arts at Washington University in St. Louis. The winning designers, who will be announced in the spring of 2016, will collaborate with the Pulitzer and a team of graduate students from the Sam Fox School to realize the structure, according to a press release published Tuesday. The installation will follow the opening of a new addition to the museum designed by Ando, which includes 3,700 square feet of new gallery space. (Read AN’s Q&A with Tadao Ando here.) The acronym PXSTL stands for the Pulitzer, the Sam Fox School, and St. Louis—a moniker the Pulitzer's press material says “underscores the lot as a site of intersection for the two institutions and the city, united by a common goal to encourage revitalization through design.”
An expanse of sustainable timber just clinched the Chicago Architecture Biennial's Lakefront Kiosk Competition
Officials with the Chicago Architecture Biennial today announced the winners of the Lakefront Kiosk Competition, choosing a team whose stated goal was “to build the largest flat wood roof possible.” Dubbed Chicago Horizon, the design is by Rhode Island–based Ultramoderne, a collaboration between architects Yasmin Vobis and Aaron Forrest and structural engineer Brett Schneider. Their pavilion uses cross-laminated timber, a new lumber product that some structural engineers call carbon-negative for its ability to displace virgin steel and concrete while sequester the greenhouse gas carbon dioxide during its growth. Ultramoderne's long, flat roof “aims to provide an excess of public space for the Architecture Biennial and Chicago beach-goers,” according to the project description. Their design rose above 420 other entries from designers in more than 40 countries, and will receive a $10,000 honorarium, as well as a $75,000 production budget to realize the kiosk. BP is providing those funds as part of a $2.5 million grant to the inaugural biennial. Three teams—Lekker Architects, Tru Architekten, and Kelley, Palider, Paros—were finalists for the top honor. Fala Atelier, Kollectiv Atelier, and Guillame Mazars all received an honorable mention. The Biennial has posted a selection of submissions to the Lakefront Kiosk Competition on its Pinterest page.
After the biennial, Chicago Horizon "will find a permanent home in Spring 2016, operating as a food and beverage vendor, as well as a new public space along the lakefront.During the Biennial three other kiosks will be installed along the lakefront. Details on those are due to be announced next week, but here are the preliminary project descriptions:
The Cent Pavilion, designed by Pezo von Ellrichshausen in collaboration with the Illinois Institute of Technology, is a forty-foot tower meant to convey silent and convoluted simplicity. Rock, the kiosk designed by Kunlé Adeyemi in collaboration with the School of the Art Institute of Chicago is a pop-up pavilion a public sculpture composed from the raw and historic limestone blocks that once protected the city’s shoreline. Summer Vault, designed by Paul Andersen of Independent Architecture and Paul Preissner of Paul Preissner Architects, in collaboration with the University of Illinois, Chicago, is a lakefront kiosk that consists of basic geometric shapes combined to create a freestanding hangout within the park.
Design professionals are being sought for a consulting role to provide a conditions assessment of the historic First Presbyterian Church complex in Stamford, Connecticut. As part of a multi-year campaign to repair, conserve, restore, and upgrade the complex, the selected team will be expected to complete an architectural analysis of the current conditions of the building and provide recommendations for its rehabilitation and restoration as part of Phase I. Phase II will see the implementation of these concepts by the same selected team. The complex in question includes the magnificent Wallace K. Harrison-designed sanctuary, completed in 1958, the 56-bell carillon tower, a community/education wing, and the surrounding 10-acre grounds. Over 20,000 pieces of faceted glass dapple the hushed sanctuary with its vaulted roof in sun-drenched color. The church itself is often likened to a fish, a symbol of early Christianity, and it, along with its sweeping complex, occupies an eminent spot on the Connecticut State Register of Historic Places. The conditions assessment in Phase I will help anticipate capital needs and outside grant funding needs in 2016 from the State Historic Preservation Office of the Connecticut Department of Economic and Community Development, as well as private foundations. Specifically, the chosen architect should earmark and document comprehensive repair needs for the envelopes, structure and MEP systems, and the interior finishes, and then also provide recommendations and a phasing framework for the restoration. The facade itself is notoriously water-permeable and lacks weatherproofing, made from béton glass secured to side wall concrete panels with caulking. As such, high on the checklist for the chosen architect is to examine the extent of moisture infiltration of the sanctuary Dalle de verre and improve climate control in the sanctuary to facilitate summer use. The architect should also observe the structural movement of the Carillon Tower, with the end objective of establishing a preliminary project scope and expected cost of repairs in compliance with SOIS, budget, and schedule. The Highland Green Foundation and Fish Church Conservancy will oversee the entire multi-year restoration campaign, and will provide the architect with digital files of the original construction drawings of the complex. Leaders of the proposed teams must attend a mandatory walk-through at the church on July 9, 2015, at 10:00 a.m. RFQs must be received at the church office (1101 Bedford St) by 3:00 p.m. on July 24, 2015. For more information about entry requirements and the judging panel, click here.
Competition or PR stunt? That's up to you to decide, but there is no debate that the Guggenheim Helsinki Design Competition has provoked some interesting conversations around issues of the cultural institution in the globalized 21st century. On June 23, the Guggenheim will announce a winner, from the 1,715 official entries, all of which you can see here. However, the most interesting parts of the competition will probably be auxiliary to the building chosen on next Tuesday. In October 2014, the list was trimmed to a more manageable (and anonymous) six finalists. One of the spin-offs of the Helsinki competition is Next Helsinki, an alternative call-for-proposals that solicited new ideas about how the museum can bring its centrally located, waterfront site to life through the continuation of emergent urban trends. Rather than simply create another icon, Michael Sorkin explained on the website, organizers initiated the competition because of an “outrage at the march of the homogenizing multi-national brand culture emblematized by the imperial Guggenheim franchise—the cultural equivalent of Starbucks—was what launched us.” However, they also did it because they care about the city of Helsinki. “The feeling of love came from our mutual affection for Helsinki, from a sense that it is a singular place, unique in setting, form, and culture. Understanding the impetus to acquire a Guggenheim as a pursuit of the vaunted Bilbao effect, the idea that some gaudy global repository would put a tired place on the map, we wondered why a city so indelibly fixed in the urban firmament, so superb, would ant to surrender such a fabulous site to some starchitect supermarket,” Sorkin continued. For more on the Next Helsinki project, and to see the shortlisted projects, see their website.