The winners of the AIA New York's biennial design competition have been been announced. The Emerging New York Architects (ENYA) committee selected from 120 proposals submitted as a part of QueensWay Connection: Elevating the Public Realm, which was intended to drum up ideas that would contribute to the proposed re-purposing of an elevated railway in Queens. Entrants were tasked with designing a vertical gateway for the elevated viaduct portion of the 3.5 mile–long track currently under consideration for the High Line treatment. A jury consisting of Claire Weisz of WXY Architecture + Urban Design, Matthew Johnson of Diller Scofidio + Renfro and project manager of the High Line, and Margaret Newman from the New York Department of Transportation among others convened on January 18th to anoint Carrie Wibert the winner and recipient of the $5000 ENYA prize. Nikolay Martynov's Queens Bilboard finished second, followed by Song Deng's Make It! Grow It! Jessica Shomekaer won the Student Prize while Queens local Hyontek Yoon received honorable mention for Upside Down Bridge. These proposals, along with others submitted to the competition will go on display July 17th in an exhibition at the Center for Architecture that will be supplemented by a series of discussion panels. The exhibit should come on the heels of the completion of the ongoing feasibility study undertaken by WXY and dlandstudio Landscape Architecture & Architecture. The project is not without its detractors, with some locals clamoring for the re-activation of the track for rail transportation as a means of alleviating congestion in the borough. Advocates of the Queensway question the feasibility of such a move and also claim that the park would link communities, improve quality of life, and enable safer bike and foot traffic.
Posts tagged with "Competitions":
Dutch firm MVRDV has won a competition to design a new public/private art depot for the Museum Boijmans van Beuningen in Rotterdam. While the design has been selected, the fate of the project remains in the balance. City council officials have until the end of the year to decide whether or not to go ahead with construction. The winning design (top) resembles a large shiny flowerpot, a cylindrical glass volume that tapers at the bottom and is capped by a sculpture-park. The curved facade's distortion of the surrounding landscape recalls the way Anish Kapoor's Cloud Gate engages its own Chicago context. The need for the project stems from problems with the museum's current depot, which is situated below sea-level and thus at risk of flooding. Beyond elevating the stored artworks to safety, the new design is also an opportunity to make some of them available for public view. A route will zig-zag through the various floors to offer glimpses of the depot for those visiting the space. The path culminates in the rooftop park which also would feature a restaurant. MVRDV beat out other finalists MAD/Nio, Neutelings Riedijk, Koen van Velzen and Harry Gugger with Barcode Architects, though not without controversy. At one point the firm was disqualified due to what was deemed a breach of the tender procedure. They were later reinstated after winning their case in the court of justice of Rotterdam.
The Toledo Shipping Channel is the most heavily dredged port in the Great Lakes. Each year massive barges haul up to one million cubic yards of mud and debris, scooped from the bottom of Lake Erie at the mouth of the Maumee River, to elsewhere in the lake and to confined disposal facilities. “A minor portion” of dredged material is “beneficially used,” according to a sediment management plan supplied to the Toledo Harbor Dredge Task Force in 2012. That’s a missed opportunity, say some environmental advocates and landscape architects like Sean Burkholder, a professor of landscape and urban design at SUNY/University of Buffalo. In February he’s calling for entrants to the North Coast Design Competition to help re-envision Toledo’s waterfront. This year's competition is called “Designing Dredge.” According to the competition:
The city of Toledo is currently reconsidering a series of highly visible landscapes along its river waterfront. These sites are either undergoing construction due to the installation of large stormwater mitigation infrastructure or were small dredge storage facilities that have reached design capacity … The competition reaches out to designers and planners of all ages and abilities and calls for ideas that re-envision the role of the riverfront in Toledo and how this new role can embrace the realities of dredging while enhancing the overall quality of public space within the city.Five sites along the Maumee, totaling more than 170 acres, are available for development. Competition entrants are also asked to design a Dredge Research Site for future research projects exploring the uses of dredge material. About that material—it will be treated and trucked into the sites for landscaping, but the competition details warn its high silt content worsens its drainage characteristics and bearing capacity. Landscape Architecture Magazine has a Q&A with Burkholder about the competition and its implications for development across the Great Lakes region. You can learn more about the North Coast Design Competition at northcoastdesigncompetition.com.
Chicago Mayor Rahm Emanuel has been very vocal about his ambitions to increase tourism in the city, and he once again upped that goal to 55 million annual visitors by 2020—an almost 20 percent jump from current numbers. Riding high on news of record hotel occupancy last year, Emanuel said Wednesday that Chicago would launch an international design contest to light up the city at night. As with previous initiatives, like the Downtown Riverwalk extension, the lighting design competition would highlight the Chicago River. Lou Raizin, president of Broadway in Chicago, will lead the light-up Chicago initiative. The Illinois Coalition for Responsible Outdoor Lighting called it the idea "frivolous" and environmentally harmful. But the plan to make Chicago America's city of light is more about creating buzz than addressing light pollution. The City reports that it has already seen a 15 percent jump in visitors since 2011. But as Fran Spielman of the Chicago Sun-Times reported, even the president of tourism agency Choose Chicago acknowledged a lighting festival alone won’t bring nine million more people to the city by 2020:
“We’re going to need some of the big festivals that may be in other parts of the world. Or we’re going to create some new ones,” [Don] Welsh said, pointing to a planned, citywide celebration of the Chinese New Year.That citywide Chinese New Year celebration runs from Jan. 31 through Feb. 14.
Louisville Mayor Greg Fischer started 2014 off with a call to citizens: Help the city come up with creative ideas to redevelop vacant land. Local and far-flung designers are invited to re-imagine the land in a new competition. The winners of the Lots of Possibility competition will be awarded a total of $38,000 to put their vision into action. That money comes from local grant funding. A jury will choose six finalists in each of the competition’s two categories: residential or commercial use; and proposals involving temporary or interim use of vacant lots. Up to two winners will get $15,000 for long-term residential or commercial development, while up to two more could receive a one-year land lease and $4,000 to implement temporary ideas. “The rules for this competition are simple—be creative and be bold,” Fischer said in a press release. Louisville recently launched its VAPStat (Vacant and Abandoned Property Statistics) program to share public information about abandoned properties, foreclosure and redevelopment opportunities. There are more than 6,000 vacant lots in the area, with a high concentration in western Louisville. A 2013 study estimated about half of the approximately 6,000 vacant properties would “be remedied through normal market forces.” The Louisville/Jefferson County Landbank Authority and the Urban Renewal Commission own many more sites that they’re working to redevelop. More than 250 lots (list) have been made available for the Lots of Possibility competition. “[T]he faster the number of VAP properties are reduced,” reads the VAPStat study, “the sooner they become revenue-producing real estate and the sooner they start to have positive effects on their surrounding neighborhoods.” Sponsoring the competition are the Department of Community Services and Revitalization, Vision Louisville and the Mayor’s Innovation Delivery Team, funded in part by a grant from Bloomberg Philanthropies. The competition page lists as inspiration St. Louis' Sustainable Land Lab, Youngstown, Ohio's Lots of Green program, and Flint, Michigan's Flatlot competition. Entries are due Feb. 24. The winners will be announced in April. Entry information here.
Proving the beauty and sustainable capability of steel construction, the winning projects of the Association of Collegiate Schools of Architecture (ACSA) 2012-2013 Steel Design Student Competition have been announced. The competition, launched last spring, called for comprehensive and environmentally thoughtful steel designs in two categories. The first, Building to Bridge, sought a plan for a long-span pedestrian bridge whose location would be enriched by the connection it created. And the second, Open, allowed for full flexibility in student design ideas of steel construction. The ACSA chose winners whose projects represented “creative and innovative use of structural steel in the design solution, successful response of the design to its surrounding context, and successful response to basic architectural concepts.” Building to Bridge Category, First Place: Stream_Line Stream_Line by Christopher Garrow, Heather Martin, and Kaitlin Shenk of Philadelphia University designs a pedestrian walkway connecting the north and south ends of Philadelphia, Pennsylvania. Building off existing abandoned Reading Viaduct railroad tracks, Stream_Line provides an exterior green pathway and an interior pathway for protection from the elements, an exhibition space, a café, and a gift shop. Similar to the High Line in New York City, the bridge is meant for congregation. Situated over Interstate 676, its transparent façade lights up at night “to provide an after hour presence.” The overall project uses sensible materials, like recyclable wood, in addition to its steel construction and plans the bridge's multiple levels for optimized solar shade. Renderings Courtesy ACSA. Open Category, Winner: Injection Trevor Larsen and Ben Pennell of California Polytechnic State University have reimagined a performance arts center in their winning project, Injection. A steel cube sliced horizontally and vertically to create two voids, then stacked and heavily trussed, is a design that aims to insert “randomness, improvisation, and intimacy into the architecture of musical performance.” The entire building contains three theater spaces, one partially sunken below ground and two “floating” within the steel truss structure. The façade on each side of the center is of a different opacity, corresponding to its solar exposure. The vertical plane of the cube that receives the most light is constructed of photovoltaic cells and assorted ventilation spaces. Renderings Courtesy ACSA. Open Category, Winner: Inverted Landscapes Responsibility for the environmental health of the Tijuana River Watershed is shared the two countries that border it: the United States and Mexico. Inverted Landscape, created by Byron Marroquin and Sal Vargas of Woodbury University, designs an international forum space as a physical steel bridge floating over the water itself. Creating large steel landmasses that parallel the landscape in an inverted view, the project provides a Bi-National Auditorium for debate and collaboration on policies regarding the shared body of water. The jury commended Inverted Landscape’s thoughtfulness on the properties of steel; the design could not be constructed in any other material. Renderings Courtesy ACSA.
Designing for a specific space can be a challenge, but try designing a chair predestined to become a contemporary statement in the newly-refurbished Weston Library, part of the Bodleian Libraries at Oxford, which has commissioned only its third new chair in 400 years. Earlier this year, three partnerships—Amanda Levete and Herman Miller, Barber Osgerby and Isokon Plus, and Matthew Hilton and SCP Ltd—were shortlisted to compete for the prestigious prize, which has officially been awarded to Edward Barber and Jay Osgerby with Isokon, for their low, round-backed design. Barber Osgerby's contemporary interpretation of the competition brief resulted in a surprisingly slender, three-legged oak design that unites craft heritage and sculptural form to inventively meet reader requirements. The victorious prototype represents a scholarly design approach, with early inspiration drawn from awareness of the library's history and culture. The chair will be produced for installation in the newly-renovated Weston Library over the next year. Bodleian’s estates manager Toby Kirtley told The Guardian that the institution “wanted something that would be iconic and representative of the library. It should be contemporary in style, but not out of place in a heritage setting—innovative and original, without being too experimental and risky.” Barber Osgerby seems to have hit the mark, as Bodley's Interim Librarian Richard Ovenden said, "the winning chair is characterized by a strong identity, creative approach, comfort and suitability for intense study and research." The commission was last granted in 1936 to Giles Gilbert Scott, who designed two heavy, leather-clad bucket seats to furnish the New Bodleian Library building, which is currently undergoing an approximately $105 million renovation by Wilkinson Eyre Architects, and it is set to open in October 2014. Judges included Librarian Sarah Thomas, Director of the V&A Professor Martin Roth, and industrial designer of Kenneth Grange, among others.
Take a ferry over to Governors Island in New York Harbor before September 22 and you'll stumble across a massive white cloud made up of thousands of reused milk jugs. Venture inside that cloud, and you'll be mesmerized by thousands more plastic soda bottles partially filled with blue liquid that creates an otherworldly gradient of filtered light overhead. The so-called Head in the Clouds pavilion, plopped in a grassy field on the island, is part of the annual FIGMENT festival, a celebration of arts and culture that brings a series of imaginative installations, including an unorthodox miniature golf course. In partnership with AIANY's Emerging New York Architect (ENYA) committee and the Structural Engineers Association of New York, the "City of Dreams" competition selects a pavilion designed by a young designer or practice to be built the following summer, and this year's shortlist has just been announced. Previous winners include 2010's Living Pavilion by Ann Ha, Burple Bup in 2011 by Bittertang, and this year's Head in the Clouds pavilion by Brooklyn-based Studio Klimoski Chang Architects. A winner will be selected by October 31, 2013. Dreamcatcher ManifoldArchitectureStudio (Brooklyn, NY) Project team: Kit von Dalwig, R.A., AIA; Philipp von Dalwig, Dipl. Ing., Assoc. AIA, LEED AP; Andreea Toca; Jane Chua From the Figment Project: "Dreamcatcher, a pavilion where imaginations are lifted, elevating your dreams, captures dreams at the idyllic meeting point of Governors Island, where people from all parts of New York can gather and encounter an experience unlike any other. We are proposing a simple, circular, lightweight structure that captures a changing collection of balloons. Why balloons? Because they’re joyful, uplifting and downright dreamy. Choose your shade, let your balloon go, and dream a little dream." Governor’s Cup CDR Studio (New York, NY) with Sustainable Engineering Services Project team: Lea H. Cloud, AIA, LEED AP BD + C; Jonathan Dreyfous, AIA, LEED AP; Victoria A. Rospond, AIA; Katya Zavyalova; Michael Baskett, AIA; Trevor Messinger; Tiffany Jin; and Yelena Rayster From the Figment Project: "The Governor’s Cup Pavilion hovers in a cluster of trees on the northern side of the Parade Ground. Recycled plastic cups, sourced and discarded throughout the city, are supported by zip-ties from overhead cables, forming a dense knitted structure unspooling from the branches. Strapping and turn-buckled cabling leave the trees unscathed. Crocheted repurposed cups infill areas between the undulated tape structure and branches, creating an airborne topography and shadow play. The configuration forms an outdoor room, shimmering in the sun and echoing with breeze-driven sound. The Greenpoint non-profit Arts@Renaissance will claim the Pavilion for their courtyard gallery space." MÖBI water tower pavilion STUDIO V Architecture (New York, NY) with FTL Design Engineering Studio and Plaxall Project team: Jay Valgora, AIA; Nic Goldsmith, FAIA; Andrew Kirby; James Andrew Scott; Karen Zabarsky; Lucas Lind; Laurie Mendez; Zhongtian Lin; Dilpreet Gil; Natasha Amladi From the Figment Project: "Inspired by the infinite surfaces and curves of a Möbius strip, MÖBI water tower pavilion expresses the potential of adaptation, life cycle, and reuse of materials in the urban landscape. New York City’s ubiquitous and iconic water towers are transformed through STUDIO V’s design into a gathering space that celebrates Governors Island. Constructed from recycled redwood and cedar planks rescued from decommissioned water tanks, MÖBI offers a pre-fabricated, ecological construction process and multi-use environment that will afterwards be repurposed yet again—as wooden deck and furniture for our design for the LIC Biergarten. Much like Governors Island, MÖBI is designed for continuous adaptation and interpretation to serve the NYC community." Urban Accordion afoam (New York, NY) Project team: Lina Bondarenko, Xiao Chen, Sunchung Min, Mario Mohan, Marvin Nardo, Michael Nartey, Wei-Yi Tseng, Tanawat Vichaiwatanapanich, Yaya Wang, Andrew Weigand, Wanjing Xiao, Ye Zhang From the Figment Project: "Our present city is overrun by private buildings, limiting access to public space. Urban Accordion is a microcosm of an alternate urban condition: a City of Dreams. Four fabric ‘blocks’ expand and contract, creating different levels of enclosure to suit a range of programming, while the space contained by the structures forms a larger communal area for events and chance encounters between the juxtaposed programs. Urban Accordionis a new urban condition: a flexible assembly for serendipity and public events that fluctuates to meet users’ demands." ArtCloud IKAR (Warsaw, Poland) Project team: Igor Bialorucki; Konrad Kedzierski; Anna Granacka; Rafal Boguszewski From the Figment Project: "The future of the city will be determined by a creative mix of technology and culture, and an even more creative reuse of materials. As cities are an amazingly rich source of materials the ArtCloud Pavilion reuses clapboards and transforms them to a free-form structure that is composed for 99% with modules. The system allows visitors to choose and personalize their own piece of ArtCloud. Modular architecture makes people more carefully consider issues of optimization and prefabrication, and saves time and energy during construction. Without a doubt ArtCloud is a direct path to wiser thinking about sustainable living."
Are you eager to put your architectural design skills to the test? Here are some exciting upcoming competitions that will be sure to present you with the type of challenge you’ve been waiting for. AN's editors have combed through our online listing of architecture and design competitions to bring you five of the most interesting competitions happening right now. If you’d like your competition to be included in the listing, please submit it here. Reimagine the Astrodome. To launch The Architect’s Newspaper’s Southwest edition and to kick-off YKK AP’s expansion in the region, AN and YKK AP are hosting an Astrodome Reuse Design Ideas Competition. Architects, artists, designers, and students from the city of Houston, the state of Texas, and across America are invited to submit their concepts on how the Astrodome might be reimagined, repurposed, and reused. First place will receive $2,500, second and third place will receive $1,000 each, and two honorable mentions will each receive $250. The top three and two honorable mentions will be published in print in AN’s inaugural Southwest edition. The registration deadline has been extended to Monday, September 23. Registration Deadline (Extended): Monday, September 23, 2013. Submission Deadline: Tuesday, October 1, 2013. Bay Bridge House Student Design Competition. Bay Bridge House (BBH) is holding a design competition for design and architecture students to create a unique design for the Bay Bridge House. The project consists of building an incredibly advanced eco-sustainable house using recycled bridge materials as the structure. The designs must utilize as much of the old bay bridge as possible. BBH will apply for Historic Landmark status and LEED certification once the house is built. The design contest winner's name will be on the plaque on the Bay Bridge House and listed in publications and articles regarding the project design. Registration Deadline: Sunday, October 13, 2013. Submission Deadline: Sunday, October 20, 2013. 2013 Southern California Development Forum Design Awards. The Southern California Development Forum Design Awards welcomes nominations for its 2013 Design Awards, which recognize contributions to the business environment and Southern California communities. Award categories include Commercial Buildings, Education Buildings, Transportation, and Civic Buildings, among others. For built awards, projects must have been completed between October 2010 and October 2013, and for unbuilt awards, projects must have been started between October 2010 and October 2013. Registration Deadline: Friday, October 25, 2013. Submission Deadline: Friday, October 25, 2013. Pratt Journal of Architecture Call for Submissions. The Pratt Journal of Architecture has issued a call for submissions in the form of previously unpublished written and/or visual content for the latest volume of its journal. Architects, artists, philosophers, students, economists, and futurists are invited to submit. Pratt Journal's interest is in the evolution of an action that rules our lives as creators and as students. An editorial board consisting of students and faculty in the Pratt Institute School of Architecture will review the submissions. Submission Deadline: Friday, November 1, 2013. eVolo 2014 Skyscraper Competition. eVolo Magazine invites architects, students, engineers, designers, and artists to participate in the eVolo 2014 Skyscraper Competition, an annual Awards for high-rise architecture that recognizes outstanding ideas redefining skyscraper design. Participants should consider technological advancements, sustainable systems exploration, and innovative urban and architectural methods to solve economic, social, and cultural problems. Three cash prizes will be awarded, and winners and special mentions will be published in several print magazines including eVolo_08. Registration Deadline: Tuesday, January 14, 2014. Submission Deadline: Monday, January 20, 2014.
Are you eager to put your architectural design skills to the test? Here are some exciting upcoming competitions that will be sure to present you with the type of challenge you’ve been waiting for. AN's editors have combed through our online listing of architecture and design competitions to bring you five of the most interesting competitions happening right now. If you’d like your competition to be included in the listing, please submit it here. Place from Space. Place from Space is a design competition that explores the transformation of vacant lots in Cincinnati, Ohio into community spaces. With the goal of activating underutilized spaces to energize communities, design proposals should bring value to the neighborhood and create a sense of place, be creative and encourage community interaction, and should consider environmental impact by focusing on the deconstruction plan, re-use of materials, and productive elements of the design. The competition takes place in two parts, and the grand prize winner's design will be constructed in 2014. Submission Deadline: September 29, 2013. reGEN Boston: Energizing Urban Living. Boston Society of Architects Housing Committee and Emerging Professionals Network have launched reGEN Boston: Energizing Urban Living, an ideas competition that pits proposed solutions for two Boston Harbor sites against each another to find the best ideas. Proposals attempt to reconnect citizens with the Boston waterfront and include housing geared towards all walks of life. The competition is divided in three components: Multi-Generational Housing, Public Space, and Unique City Infrastructure. A $2,000 first prize, $1000 second prize, and $750 third prize will be awarded and selected entries will be on display at two gallery exhibits. Registration Deadline: October 1, 2013. Submission Deadline: October 18, 2013. SOILED — No.5 — Cloudscrapers. SOILED, an architectural periodical that claims to "make a mess of the built environment and the politics of space, one issue at a time," has issued a call for submissions in the form of narratives, critical essays, mappings, diagrams, photographs, comics, and speculations that focus on build objects in the aerial environment, where everything is inter-connected and fluid. In seeking to explore the relationship between the built and the diffuse, Cloudscrapers encourages ideas about cloud computing, climate modification, and disaster preparedness for its upcoming issue. Submission Deadline: December 1, 2013. Living Cities Design Competition. Demographers predict that New York City will be home to one million more residents by 2040. Unless new residential towers are built, finding housing will be a struggle for hundreds of thousands of them. The Living Cities design competition, co-presented by Metropolis Magazine, Steel Institute of New York, and Ornamental Metal Institute of New York, seeks architecture and engineering professionals and students to explore the idea of 30- to 40-story, multi-use residential towers using steel structural systems. The grand prize is $10,000. Registration Deadline: January 3, 2014. Submission Deadline: January 3, 2014. Centennial Festival of Riverboats Pavilions Design Competition. The Belle of Louisville, the oldest operating steamboat in the country, will be celebrating a century of service in October, 2014 at the Centennial Festival of Riverboats in Louisville’s Waterfront Park. The Festival Committee invites architects, designers and artists to participate in a design competition to develop a small-scale multipurpose pavilion to be utilized along the Waterfront. Entries should indicate the form, material, and fabrication strategy while conveying the design's relation the site and event. Entrants will be part of a public exhibition at the Kentucky Museum of Art and Craft in Louisville’s Museum District of West Main Street. Cash prizes will be awarded. Registration Deadline: February 28, 2014. Submission Deadline: March 28, 2014.
New York City's Van Alen Institute (VAI) is turning 120 next year, and to celebrate, the institute is taking its message of inspired architecture and urbanism to the street. The storefront space on West 22nd Street has been home to the institute's popular LOT-EK–designed bookstore and event space, organized around a stack of bleachers made from reclaimed wooden doors painted highlighter yellow. VAI's new director, David van der Leer, is tackling the redesign and expansion of the sidewalk space to maximize the organization's public visibility as it evolves its mission into the 21st century. Three finalists—Collective-LOK, EFGH Architectural Design Studio, and Of Possible Architectures (OPA)—were selected from over 120 respondents to VAI's "Ground/Work" competition earlier this year, and now their schemes have been revealed. EFGH Architectural Design Studio Hayley Eber, Frank Gesualdi, Spencer Lapp, Pat Ruggiero, and Ani Ivanova. Project statement from the Van Alen:
A microcosm of the space of the city, the new Van Alen Institute is imagined as a container for dynamic life. As an institution committed to the expansion of the definition of “public architecture” and the processes that shape the public realm, the VAI needs a home that embodies that ambition. Recognizing the dramatic proportions of the existing site as an opportunity, the proposed new Ground/ Work space turns a long skinny ground floor volume into a virtue: it maximizes the street level space, creating a single room - a large “grand hall” - that strives to reach the scale of the street, and extend the life of 22nd Street into the heart of the Institute. Through the easy manipulation of three mobile components in the space, The Media Wedge, The Bleacher and the Hinge Table, the VAI can be radically transformed by a few employees in a short amount of time. When one asks “What is the new space of the Van Alen Institute; A Workspace, Exhibition space, Lecture Hall, Book/ Media Outlet, Public Forum, Conference space, Performance Space or Party space?” The only suitable answer is All of the Above.View more information on the proposal at the Van Alen website. Collective-LOK Jon Lott, William O’Brien Jr., and Michael Kubo Project statement from the Van Alen:
The new institutional home of the Van Alen has to be many things at once. The brief requires curatorial flexibility for a breadth of public programming including exhibitions, lectures, reading groups, and book launches; a comfortable and efficient office environment for different scales and modes of work ranging from formal to casual; a framework that can grow to include the second floor and basement as the institution expands in the future; and a mobile street seat that will bring the Van Alen’s mission into the urban realm. To accommodate this range of scenarios within a limited square footage, we propose a Screen Play: a mechanism to order these spatial, curatorial, and temporal scenarios through a subtle interplay of surfaces that creates a complex and ambiguous presence in the city. The project proposes five strategies of screen play to enable and give shape to the broadest possible range of uses.View more information on the proposal at the Van Alen website. Of Possible Architectures Vincent Appel, Ethan Lay-Sleeper, Jaime Magaliff, Paul Miller, Heather Murtagh, Franklin Romero Jr., and Emily Ruopp, in collaboration with Jay Atherton. Project statement from the Van Alen:
The VAI has developed a legacy of architectural projects through competitions and commissions. The Van Alen Stairs, inspired by the TKTS Steps, capture this legacy most succinctly. The Stairs achieve an architecture of relational tectonics. We have identified relational tectonics as the dimension of architecture which intentionally provokes relationships between people, their behavior, and their environment...For the next iteration of the Van Alen Institute, we propose a translation of the Van Alen Stair into the Van Alen Table. The dimensions of the Table are precisely calibrated to the VAI's space. The Table allows for the full gradient of programs to easily expand and contract along, around, and in between its 70' length. This table presents those using it — whether reading, lounging, working, etc. — in a way that is both comfortable, natural, and uncanny. The experience is just off-center from typical expectations.View more information on the proposal at the Van Alen website. The public is invited to weigh in on their favorite designs through September 10, which will be evaluated by a jury later this month. The competition jury includes Stephen Cassell (Architecture Research Office), Winka Dubbeldam (Archi-tectonics), Mark Gardner (Jaklitsch/Gardner Architects), Mark Robbins (International Center of Photography), Ada Tolla (LOT-EK), Marc Tsurumaki (LTL Architects), David van der Leer (Van Alen Institute), and Marc Kushner (Hollwich Kushner). The winning design team will be announced in late September and construction is expected to begin by the end of the year.
To launch the forthcoming Southwest edition of the Architect's Newspaper, and to kick-off YKK AP's expansion into the region, AN and YKK AP have teamed up to host Reimagine The Astrodome, an Astrodome Reuse Design Ideas Competition. The competition is open to anyone who wishes to participate, whether it be professional architects and engineers or students and artists. Registration opened yesterday afternoon and will close on September 17. Entrants who register by September 6 will get $10 off the registration fee, which is $50 for professionals and $20 for students. The top five proposals, which will be selected by a jury of prominent architects and educators in Houston on October 4, will receive cash prizes and be published in the first issue of AN Southwest, cover date November 6, which will be distributed at the Texas Society of Architect's 2013 design expo and convention in Fort Worth. Register today!