Posts tagged with "Competitions":

2019 Ragdale Ring

Ragdale, the nationally acclaimed artist residency program in Lake Forest, Illinois, invites architects, artists, and designers to apply for the opportunity to design, build, and exhibit the 2019 Ragdale Ring, a temporary theatre to house summer concerts, performances, and events.

We are seeking inventive, site-responsive, large-scale submissions that explore intersections of architecture, sculpture, landscape, public art, and performance disciplines. Proposals that consider contemporary, fanciful, and functional interpretations of the original Ragdale Ring, designed by architect Howard Van Doren Shaw in 1912 as an outdoor garden theatre, are encouraged (see Shaw’s design below).

A jury of architects, artists, and architectural historians will select a single project to realize at full scale on Ragdale’s grounds. The winning designers will receive a $15,000 production grant to fund the project as well as a three-week design-build residency for a team of up to ten individuals. The residency will include a large studio, housing, and three meals per day in May and June 2019. The project must be completed by June 14.

Proponents can register online at any time until close of registration on 8 of March 2019. Release of the results will be on 22 of March 2019. More information is available here. Submit your application here.
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Calling all poet-architects! Zócalo is looking for place-based poetry

Two roads diverge in a career, And sorry I could not travel both… That's how the Robert Frost poem goes, right? No? Okay, well, moving on—if you're an architect who has dreamed of writing poetry or maybe a poet who loves to read about architecture, then we have the competition for you. Zócalo Public Square, the online "knowledge enterprise" nonprofit is looking for the poem that "best evokes a connection to place." According to Zócalo: "'Place' may be interpreted by the poet as a place of historical, cultural, political, or personal importance; it may be a literal, imaginary, or metaphorical landscape." They're not looking for just any old poem; they want ones that you have written (and presumably are better than the poorly plagiarized verse above). Poems also must be previously unpublished and poets must be based in the U.S. The deadline for entry is February 4. This is the ninth year of the competition, and previous winners have written about Tucson, Cleveland, and San Diego, among other places. Winners receive $500, a published interview, and the applause of place-appreciating people around the world. For more information, see the Zócalo Public Square Poetry Prize site here. We'll leave you with our own favorite lines from Le Corbuspeare: To architect, or not to architect: that is the question. Whether ’tis nobler in the mind to suffer The slings and arrows of outrageous clients, Or to take arms against a sea of troubles, And by opposing end them. To die: to sleep.
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Competition opens to redesign Buffalo's old elevated rail line

Across the country, cities are reimagining old industrial landscapes as innovative parklands and restorative ecologies as a way to connect urban dwellers with nature and protect the environment. A new design ideas competition in Buffalo, New York, aims to revitalize the city’s 1.5-mile elevated DL&W rail corridor as a multiuse urban nature trail and greenway. The project is set not only to spur economic development for Buffalo but to reshape the city, becoming a local attraction much like the Toronto’s Bentway or Atlanta’s Beltline. Organized by the Western New York Land Conservancy (WNYLC), the competition invites architects, designers, landscape architect, urban planners, and artists to submit visionary concepts of the corridor as a nature-filled connector for downtown Buffalo, its waterfront, and the surrounding historic neighborhoods. The project is backed by several major sponsors, including M&T Bank and the Ralph C. Wilson, Jr., Legacy Funds, a group that’s part of the late Buffalo Bills owner’s namesake foundation which, just last month, pledged to invest $200 million in both Buffalo and Detroit’s parks and trails systems. The corridor is owned by Niagara Frontier Transportation Authority and has long been a focal point of potential redevelopment for residents and city officials alike. Last year, the WNYLC published a community vision for the site that will guide its future design. “After listening to the community’s hopes for the DL&W corridor, we are excited to give designers from Western New York and around the world a chance to show us how they would bring those hopes to life,” said Nancy Smith, executive director of the WNYLC in a statement. “This spring we will share the designs with the community and ask the community what they think of the ideas, what they like, and what they would do differently.” The competition will be judged by a jury of architects, educators, planners, and consultants including representatives from the University of Buffalo, Stoss Landscape Urbanism, and Friends of the High Line. The proposals will be unveiled online next spring and will also be featured in several public exhibitions in Buffalo. Three winners, including the jury’s favorite as well as the community’s pick, will receive monetary awards ranging from $1,000 to $7,500. To enter the competition, participants must register for free by emailing dlw@wnylc.org. For more information on submission guidelines and the competition brief, see here. An optional site visit for applicants will be held on January 4, 2019, and submissions are due February 15.
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Architects vied for gourd glory in this pumpkin carving competition

It’s October, and that can only mean one thing: New York–based architecture teams congregating to carve pumpkins at the Center for Architecture. During this year’s Pumpkitecture! competition, 20 teams battled it out for a chance to take home the coveted Pritzkerpumpkin and People’s Pumpkin Award. Of course, despite the full range of talent on display, not every team could take home 2018’s top honors. The jury, consisting of Laila Gohar, chef and conceptual artist, Jing Liu, principal and co-founder of SO-IL, Harry Parr, director of Bompas & Parr Studio, and Omar Sosa, founder of Apartamento Magazine, ultimately awarded the Pritzkerpumpkin to Alloy for their high-concept “Jack-in-the-box”, and the People’s Pumpkin to SITU’s “Pretentioulicious desiccated pumpkin strands.” Teams entered pumpkins that ranged from high-brow—see SOFTlab’s quartered and reflected pumpkin, or SITU’s aforementioned popular vote-winning spiralized vegetable strings—to more classic takes on the jack o’lantern typology. Much like the first Hat Party on the High Line earlier this year, each firm brought a taste of their distinctive design philosophy to their entry.

WASTE: LAGOS LANDFILL STADIUM

Rapid urban growth and growing inequality has created a global crisis in housing that increasingly segregates the rich from the poor. Though not fully understood, there is a clear and parallel relationship between the size of a city and its level of socio-economic disparity: the larger the city, the less equal it tends to be. Physical and social segregation, which both reflects and perpetuates socio-economic disparity within a city, is a growing concern in cities worldwide - including Mumbai. The long-term success of a city depends on the collective well-being of all its inhabitants. To what extent can architecture support social inclusion and break down spatial segregation within the megacity? arch out loud challenges competition entrants to design a mixed residence development on one of the last undeveloped sections of Mumbai’s coastline. Entrants will design for both the indigenous fishing community that has occupied the site for hundreds of years - as well as a new demographic drawn to the affluent neighborhood that now encompasses the site. Proposals should identify architectural and planning solutions that support integration between these socio-economically distinct communities. JURY Neil Denari - Neil M Denari Architects | UCLA AUD Joshua Ramus - Founding Principal, REX Zeina Koreitem - Founder, MILLIØNS | Harvard GSD Thom Moran - Founder, T + E + A + M | University of Michigan Taubman College Tei Carpenter - Founder, Director, Agency-Agency | Columbia GSAPP Ahmed ElHusseiny - Founder, AE Superlab Olalekan Jeyifous - Artist/ Designer, Vigilism.com Nate Appleman - Director, HOK Sports Recreation & Entertainment Ola-Dele Kuku - Architect & Artist Andres Jaque - Founder, Andres Jaque Architects - Office for Political Innovation | Columbia GSAPP REWARDS Prizes total to $8,000 OVERALL WINNER - $5,000 + AO feature and certificate 3 Runners up - $1,000 each + AO feature and certificate 10 Honorable Mentions - AO feature and certificate Directors Choice - AO feature and certificate CALENDAR Advanced Registration: Jul 23 - Sep 10 Early Registration: Sep 11 - Oct 29 Regular Registration: Oct 30 - Dec 16 Submission Deadline: Dec 17 To register and view more info and models visit www.archoutloud.com/waste

Call for Entries: Baghdad Design Centre September 9th

Tamayouz Excellence Award is delighted to invite students, designers and architects worldwide to transform the current unused site of the Old Governorate Building into the Baghdad Design Centre in the city's Cultural District, Al-Rusafa. The competition hopes to see a new architectural approach that helps Baghdad celebrate its architecture and heritage. The transformation of the site into a Design Centre that showcases the best of contemporary design and is also a space of creative collaboration forms the basis of the brief. Whilst creating a new and optimistic vision for the future of design within Iraq the proposals should also set a benchmark for the respectful treatment of cultural heritage in a true fusion of the old and the new. ELIGIBILITY Architects, students, engineers and designers are invited to participate in this prize. Participation can be on an individual or team basis (maximum of four team members). We encourage the participation of multidisciplinary teams. SCHEDULE 09 / February / 2018 - Start of Early bird registration. 06 / June / 2018 - Start of the Standard registration. 01 / September / 2018 - Last week for registration. 06 / September / 2018 - Closing date for Registration. 09 / September / 2018 - Closing date for Submissions. November / 2018 - Announcement of Results. December 2018 - Annual Tamayouz Excellence Award Ceremony. All Deadlines are 11:59 pm GMT (London) PRIZES PRIZE WINNER: $5000 + The Rifat Chadirji Statuette + Trip to the 2018 Award Ceremony (Flights & Hotel covered by the organisers) 2nd & 3rd PRIZES: $1000 Each + Certificate + Trip to the 2018 Award Ceremony Flights & Hotel covered by the organisers) PEOPLE'S CHOICE AWARD $500 + Certificate 7 x Honourable Mentions: Certificates TOP 20 & TOP 50 Published on our website and social media pages THE AWARD CEREMONY: An invitation to attend the Tamayouz Award Annual Ceremony for the Top Three mentioned above (Flight and Accommodation costs covered by the organisers of the prize; Tamayouz Excellence Award), Every year Tamayouz International Award chooses a different city to host the ceremony, in 2017 it was held in Amman - Jordan. This year’s City will be announced later in the year. Download the information related to this competition here. The site is the old Baghdad Governorate Building in Al-Rusafa side of Baghdad (old Al-Rusafa area), the site lies between Al-Rasheed st. to the north, Al-Mutanabbi st., Al-Shuhadaa Bridge and Madrasa Mustansiriya to the east, the Abbasid Palace to the west and Al-Qishla and Tigris river to the south. The partially remaining building fabric on the competition site is what was once the Old Baghdad Governorate Building built in the early 20th century. The Old Baghdad Governorate building was heavily damaged (only the skin of the building remains) due to the looting and the vandalism in the week that followed the 2003 US invasion of Iraq.  The site is currently underused, and have not been properly maintained. The competition site and the skin of the old building are now called Al-Multaqa (the meeting point), where people usually meet before heading to the crowded surrounding areas.

London Affordable Housing Challenge

London is home to some of the most expensive properties in the world, making access to affordable housing almost impossible to all but the very rich. According to a report by UBS Wealth Management, London homes are the second most over-priced in the world, and closely behind Vancouver in its “bubble risk rating”. London house prices increased by 25% from 2014-2016, mainly due to foreign investment and low interest rates, making it the second-least affordable housing bubble in the world after Hong Kong. For the London Affordable Housing Challenge, participants are asked to design a pilot-phase concept for affordable housing within Britain’s capital city. In order to be successful, designs need to be easily rolled out to increase the capacity of housing stock, while at the same time with minimal use of land and resources. Successful designs will be flexible enough to be adapted to any location across the city, and accommodate different inhabitant capacity requirements. No minimum size or amount of residential units per block is defined. As there is no one specified location for this challenge, participants are free to create designs in a London location of their choice, as long as it fits in with the brief of supplying affordable housing to residents. This architecture competition requires for both prudent planning and out of the box thinking. Winning participants will need to apply unique strategies as well as creative designs to tackle the housing crisis, while at the same time remaining in keeping with the city’s situation and heritage. COMPETITION PROGRAMME: Design a pilot-phase concept for affordable housing within London, which can be easily rolled out to increase capacity of housing stock, and is minimal in its use of land and materials. No minimum size or amount of residential units per block is defined. The proposals should be flexible enough to adopt to different sizes for various inhabitant capacity requirements. Designs for the London Affordable Housing Challenge should be able to adapt to various locations across the city. The designs should also be adaptable, allowing adjustments to be made in order to suit different residential capacity requirements. PRIZES: 3 winning proposals 2 special awards and 6 honourable mentions will be selected. Bee Breeders will award a total of US $6,000 in prize money to competition winners as follows: 1st Prize - US $3,000 2nd Prize - US $1,500 3rd Prize - US $500 + 6 honourable mentions BB Student Award - US $500 BB Green Award - US $500 COMPETITION SCHEDULE: Early Bird Registration: APRIL 30 - JUNE 5 Advance Registration: JUNE 6 - JULY 17 Last Minute Registration: JULY 18 - OCTOBER 9 Closing date for registration: OCTOBER 9, 2018 Closing date for submission: NOVEMBER 5, 2018 (11:59pm GMT) Announcement of the winners: NOVEMBER 28, 2018 More information - LONDONHOUSING.beebreeders.com

Seduction Pavilion

YAC – Young Architects Competitions – and the Foundation Fashion Research Italy – in cooperation with the Cineteca di Bologna - launch “Seduction Pavilion”, an architectural competition to design and realize an installation that will became a real landmark of an exhibition that the Foundation is going to dedicate to the endless beauty of aspiring female celebrities and pin-ups. A cash prize of € 10,000 + realization of the 1st prize project will be awarded to winners selected by a well-renowned jury made of, among the others, Patricia Urquiola (Studio Urquiola), Fabio Novembre (Studio Fabio Novembre), Ippolito Pestellini Laparelli (OMA), Claudio Silvestrin (Claudio Silvestrin Architects)

  • BRIEF

Refinery, elegance and seduction. The female universe has always been a sacred horizon, a mysterious threshold that has been inspiring a wide range of expressions of human culture. For women the first simulacra were sculpted by human hands, for women the Caryatids of the Acropolis of Athens were created. The sensuality captured by the ancient oral tradition of the Aeneid and the Old Testament is the female sensuality.

The characters of the woman are countless. They have been dotting the history of humankind in the enduring pursuit of an ever-changing beauty. Cinema and fashion have been celebrating such a bewitching and generating power for decades in an ongoing story of seduction and elegance.

Therefore, the Foundation Fashion Research Italy and the Cineteca di Bolognaaim at paying tribute to this female horizon, to this story of beauty and deep dignity. They will do so, by creating an architectural installation. Through a selection of rare photographs, it will describe the forgotten world of failed female stars: enchanting beauties that have almost been part of the Hollywood and Italian star system but never achieved fame.

How to represent the world of aspiring female celebrities and pin-ups? How to express- through architecture- the seducing power of the female universe? 

By answering these questions, designers will have the opportunity to pay tribute to the seducing fascination of nameless female stars. They will have the chance to create their own museum installation, which will be in the world a symbol and expression of style and femininity. Moreover, it will redeem the celebrity dream of stars that never achieved fame.

It will be located at the entrance of the Foundation Fashion Research Italy. It will be displayed to the world during the first edition of the Fashion Film Festival curated by the Cineteca di Bologna. The installation will welcome visitors with a story of sensuality and beauty able to connect them to a fragment of one of the most stunning and mysterious mosaics of history: the woman.

  • JURY

- Patricia Urquiola(Studio Urquiola)

- Ippolito Pestellini Laparelli (Oma)

-  Fabio Novembre (Studio Fabio Novembre)

-  Claudio Silvestrin (Claudio Silvestrin Architects)

-  Alberto Masotti (Fashion Research Italy)

- Gian Luca Farinelli (Cineteca di Bologna)

- Flaviano Celaschi (University of Bologna)

- Carlotta Zucchini (The Plan)

  • PRIZES

1st   PRIZE  5.000 € + REALIZATION

2nd  PRIZE 3.000 €

3rd  PRIZE  1.000 €

2 GOLD MENTIONS 500  € each

10 HONORABLE MENTIONS

30 FINALISTS

  • CALENDAR

11/06/2018 “early bird” registration – start

08/07/2018 (h 11.59 pm GMT) “early bird” registration – end

09/07/2018 “standard” registration – start

05/08/2018 (h 11.59 pm GMT) “standard” registration – end

06/08/2018 “late” registration – start

09/09/2018 (h 11.59 pm GMT) “late” registration – end

12/09/2018 (h 12.00 pm – midday - GMT) material submission deadline

More information on: www.youngarchitectscompetitions.com

Contact us at: yac@yac-ltd.com

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Here are the winners of L.A. County's accessory dwelling unit competition

In recent years, L.A. County’s homeless population has elevated by astronomical levels, climbing over 23 percent in just 2017 alone. As part of the county’s overall Homeless Initiative, last September, the L.A. County Arts Commission launched Part of the Solution: Yes To ADU, a design competition soliciting innovative uses for accessory dwelling units (ADU) in single family lots. The winners were announced late last month. There are up to 1.3 million dwellings in the county that could accept such lots, points out L.A. Country Arts Commission Civic Art Project Manager Iris Anna Regn. Officials hope the competition winners will get designers more involved in policy strategy, and help homeowners visualize how to develop ADUs on their properties. Competition winners were selected anonymously from a pool of 43 professional and student entries. First place went to recent graduates Lilliana Castro, Allen Guillen and Cheuk Nam Yu, who suggested eliminating dwellings’ fences and walls to create more open neighborhoods and better integrate dwellings into the city. Their pre-fabricated constructions, imbedded with green wall panels, solar roofs, and art walls, would be cheaper, easier, and faster to install. Two teams —Anonymous Architects and Esther Ho — tied for second. Anonymous proposed a modular solution built around recycled plastic packaging that could be customized with elements like solar balloons, water tanks, gardens, and even bird houses. Ho proposed another modular solution, called the Barcode House, which could be easily adapted to varied uses, from dorm rooms to small businesses. Two Honorable Mentions went to Bureau Spectacular and Wes Jones Partners. Bureau Spectacular's Backyard Urbanism suggested that ADUs could perform other uses besides housing, like recreation spaces or laundromats. Jones suggested the use of shipping containers, their designs kept simple but elegant to fit into their contexts. The competition-winning proposals, and a handful of others, will be exhibited throughout the county for the next few months, including a panel discussion at Downtown LA's Institute for Contemporary Art on May 24. Already the Arts Commission has shared the visions via events at East LA College and the AC Bilbrew Library. “This is an important new typology that people are being asked to do all time now,” pointed out Regn. “It won’t just provide new housing options, but it could help people stay in their neighborhoods and keep communities together." Of course ADUs will not provide the only solution to L.A.’s homeless and affordable housing crisis. It’s just one of many strategies, added Regn. “Everything needs to be thought about now—supportive housing, mental health, social enterprise, much more— to solve this humanitarian crisis.”

Dancing – Alternative Designs for Clubs

Summary  The aim of the “dancing” competition is to develop design proposals for the nightclub typology, intended as a place to experience entertainment in relation to music: listen, perform, dance. The participants are asked to create innovative and unconventional projects on this theme, questioning the very basis of the notion of a club. Recently a series of new initiatives have emerged in relation to music entertainment and dance. While festivals and morning discos have extended the duration of musical events over the limited span of one night, silent discos and flash mobs exceeded the boundaries of the club, reinventing the way and the place where music events were occurring. In the meantime, music and dance have been used also for therapies and training, as means of self-improvement and realization.Technological advances and streaming services made music much more accessible, increasing consumption and drastically facilitating production and distribution. Within this context, with critical thinking and creative attitude, the participants are urged to create an artifact, merging considerable programmatic innovation and valuable design tools. the proposal can be a device, a piece of furniture, an interior design project, a pavilion, a building or an urban plan. The scale of intervention, program dimensions and location are not given and they can be arranged by the participants to better suit their project. Prizes WE DO NOT BELIEVE IN ONE WINNER Non architecture competitions wants to be unconventional also in the way it rewards its participants. The winners will be in fact three, all equally important. In addition 9 honourable mentions will be awarded. Each one of the 3 jury members will select one winner and four honourable mentions. The prizes are the following: Winners (3 Prizes) 1,000 euros Publication in the Non Architecture Competitions books Publication on the Non Architecture Competitions website Reviews in digital magazines and several architecture blogs 3 Books by DOM Publisher Honourable Mentions (9 Prizes) Publication in the Non Architecture Competitions books Publication on the Non Architecture Competitions website Reviews in digital magazines and several architecture blogs Finalists Publication in the Non Architecture Competitions books Jury & Calendar  Rebeca Sanchez & Miquel Clot – Directors at Ledscontrol Lukas Feireiss – Founder of Studio Lukas Feireiss Marc Roma Trepat Perez – Architect at B\TA & co-founder of Heads&Tails; INC 1–15 February 2018 – Special Registration (30 €) period 16 February-15 March 2018 – Early Registration (45 €) period 16 March -15 April 2018 – Regular Registration (60 €) period 16 April -27 April 2018 – Late Registration (75 €) period 15 April 2018 – Submission opened on our website 30 April 2018 – Submission Deadline (23.59 GMT+0) 21-26 May 2018 – Winners announcement 21 April 2018 – Call for Papers for the “Dancing – Non Architectural Clubs” book starts 21 May 2018 – Call for Papers for the “Dancing – Non Architectural Clubs” book ends 1 September 2018 – The “Dancing – Non Architectural Clubs” book is available DOWNLOAD THE BRIEF HERE

Coexist: Rethinking Zoos

· introduction ·  Future of zoos will be decided in the next few years. We are facing radical changes in the concept. Over the decades we have been proved that animal captivity, in most cases in terrible conditions, has affected badly their quality of life and their expected lifetime. The raison d’être and the welfare of the more than 3.5 million animals that they contain around the world are increasingly questioned. These places, emerged between the eighteenth and nineteenth century, deeply linked to colonialism and the discovery of new worlds, must evolve adapting to the new needs. The question is how to do so.  · a change of direction ·  Over time, zoos mission has evolved, from being just collections of animals, a symbol of power and greatness of many empires, almost exclusively for the enjoyment of the population, to fulfill other objectives. This evolution goes hand in hand with a growing scientific interest and greater possibilities for research and study. This growing respect for the animals around us means that more and more people are working to look after and maximize animal welfare. · challenge · Archstorming is calling for proposals to create an infrastructure that rethinks the zoo concept and gives it a twist, this time thinking about animals and their conservation over the exhibition to humans. The project is located in the current Zoo of Barcelona. The animal species that will be located in the zoo, as well as their distribution, will be at the discretion of the participant. In the same way, the reuse or elimination of the current infrastructures of the Barcelona Zoo will also be optional. · deadlines · JANUARY​ 15th       EARLY REGISTRATION OPENS     (40€/team)* FEBRUARY 14th      EARLY REGISTRATION CLOSES    (40€/team)* FEBRUARY 15th      REGULAR REGISTRATION OPENS     (60€/team)* MARCH 14th     REGULAR REGISTRATION CLOSES    (60€/team)* MARCH 15th     ADVANCED REGISTRATION OPENS     (80€/team)* APRIL 18th      SUBMISSION DEADLINE MAY 3rd      WINNERS ANNOUNCED · prizes · Prizes totaling 5.700€, broken down as follows: 1st PRIZE - 4.000 € 2nd PRIZE - 1.000€ 3rd PRIZE - 500€ PEOPLE’S CHOICE AWARD - 200€ + 10 honorable mentions

ASA International Design Competition: Vex Agitated Vernacular

1.DESIGN BRIEF

This year’s ASA International Design Competition aims to upend the typical associations of vernacular architecture and design. The term ‘VEX’ can be approached from a multitude of perspectives, all to challenge, or agitate, the stereotypes of what vernacular should or should not be.

One tends to assume that vernacular architecture is in opposition to modern architecture and lifestyle. There is the perception that vernacular is something that is traditional and therefore is considered to be technologically ‘inept’ or ‘crude.' This relegates vernacular design to irrelevance in today’s society and also implies that it is immutable and static, and ‘unimprovable.’

The challenge of the competition is for participants to create a new type of vernacular with characteristics not commonly associated with vernacular design. The competition is looking to showcase new vernacular design that is mutable, inventive and capable of self-renewal.

The goal is to re-think vernacular as something that can assume performative roles and possess generative potentials. The Jury will reward entrants that can demonstrate vernacular design that is dynamic and is particularly suited to innovation, invention and relevance.

VEX asks:  How can Vernacular agitate the status quo?

- Can Vernacular be a catalyst, a variable, a process, rather than a static element?

- Can Vernacular be a language from which others can spring from and use?

2. SUBMISSION REQUIREMENTS

Each submission must include the following contents:

2.1. The participant can select any specific site as the site of their design. The subject can be architecture, urban design or interior design.

2.2.  After identifying the site, provide conceptual drawings, analytical drawings, sections, plans, renderings or perspective drawings in any scale. Demonstrate how vernacular quality modifies the subject and the resulting design outcome.

3. DELIVERABLES

3.1. Five (5) Graphic Slides: Square Format 420×420 mm each

-  High resolution PDF @ 300 dpi (maximum file size of combined 5 PDF slides: 20* MB)

-  Recommendation: font size used in the graphics should not be less than 11 pt. for

   printing clarity.

-  File name: Firstname_Lastname_300.pdf

3.2. Project Description in English, maximum 300 words

Files that do not meet the specified requirements will not be taken into consideration.

For more details on deliverables and submission process please refer to the competition website.

4. AWARDS

First prize: 4,000    USD

Second prize:  2,000    USD

Third prize: 1,000    USD

Honorable Mention: 3 x 500    USD

5. COMPETITION TIMELINE

-  Official Announcement of competition:  January 30, 2018

-  Online Submission for competition begins: January 30, 2018

-  Deadline for submissions: March 31, 2018

-  Announcement of shortlisted entries: April 15, 2018

-  Finalist Judging and Awarded entries: May 6, 2018

6. REGISTRATION & SUBMISSION

-  Registration is free.

-  Register and submit online at www.asacompetition.com

7. ELIGIBILITY TO PARTICIPATE

-  Open to students, architects, urban planners, designers, artists and thinkers.

-  Submit as an individual or as a team.

-  No restrictions on age, gender or nationality.

-  No limits on the number of submissions.

-  Work cannot be published elsewhere before.

-  Submission cannot be built work or completed projects.

-  The entrant should have legal rights and copyrights to all the material submitted.

   If the project contains any material or elements that are not owned by the entrant,

   the submission shall be excluded from any consideration.  If it is later known that

   rights have been violated, the prize and award will be recalled.

-  The copyright of the project belongs to the entrant.

-  All materials submitted may be displayed and/or published at the discretion of

   The Association of Siamese Architects under Royal Patronage.