OMA has been selected to design the Bogotá Centro Administrativo Nacional (CAN) new civic center, situated at the heart of the city’s main axis, Calle 26. Steered by partner-in-charge Shohei Shigematsu, the 680-acre mixed-use design occupies a footprint as large as Washington, D.C.’s National Mall and will operate as the city’s government headquarters with intermixed residential, educational, retail, and cultural developments, all which encourage continuous activity within separate districts. The design intends to integrate civic and public life while connecting to local destinations. CAN will form a new public axis in Bogotá, unifying green, infrastructural, and programmatic networks. The site is divided into three districts, including an institutional/governmental area that connects to the current cultural and park spaces, an office zone linked to the current financial district, and an educational campus that links to the University City of Bogotá. The multi-use program will be tied together by a green path that extends into Bogotá’s decidedly popular pedestrian and cycling CicloVia system. Shigematsu described the development as one that attains “clear urban density while accommodating programmatic diversity.” The winning design will move Bogotá’s historic downtown center, master-planned between 1947 and 1951 by Le Corbusier. CAN will be the second largest constructed institutional master plan in Latin America, with Oscar Neimeyer’s 1960s Brasilia being the largest. The project will be carried out in partnership with local architect Gomez + Castro, mobility consultant Carlos Moncada, financial consultant Oscar Borerro, and sustainability consultant Esteban Martinez. [beforeafter] [/beforeafter]
Posts tagged with "Competitions":
Are you eager to put your architectural design skills to the test? Here are some exciting upcoming competitions that will be sure to present you with the type of challenge you’ve been waiting for. AN's editors have combed through our online listing of architecture and design competitions to bring you five of the most interesting competitions happening right now. If you’d like your competition to be included in the listing, please submit it here. QueensWay Connection: Elevating the Public Realm. The Emerging New York Architects committee has announced its sixth biennial ideas competition. QueensWay Connection supports Friends of the QueensWay and the Trust for Public Land in their attempts to revitalize an abandoned elevated railway and turn it into a greenway. The competition, which is looking to supplement the ongoing feasibility study by offering ways the park can be activated and turned into a viable green space, is open to design students and professionals who have completed their education within the past 10 years. Cash prizes of up to $5,000 will be awarded. Submission Deadline: January 1, 2014. Louisville Children's Museum Competition. Designing a Louisville Children's Museum, Revitalizing a Downtown Edge is an ideas competition sponsored by the Construction Specifications Institute and the American Institute of Architects. Louisville lacks a museum dedicated to children specifically between 2-13 years of age, and the competition seeks designs for the museum, which will consist of a 5-level structure including space for up-to-date exhibits, a Museum Shop, play space, auditorium, and administration offices. The top three entries will earn cash awards of $6,000, $3,000, and $1,000 and entries from the final round will be on exhibit at Museum Hotel 21c in downtown Louisville. Registration Deadline: February 10, 2014. Submission Deadline: February 10, 2014. Seattle Design Jam. The Seattle Design Jam competition is all about physical outdoor constructions. Through interactive structures and exhibits, the competition encourages public curiosity and discussion about the festival's theme: Design in Health. Through the creation of an urban playground, Design Jam will explore physical, mental, social, and nutritional health. The competition is searching for ideas that contribute to an urban playscape within the festival space. Submissions must be physical installations, and the use of recycled or reused materials is strongly encouraged. The grand prize consists of $500 and a one month Makerhaus Studio membership. Registration Deadline: September 15, 2013. Submission Deadline: September 20, 2013. 2014 Ed Bacon Student Design Competition. How will driverless cars shape the Philadelphia of tomorrow? Advances in driverless technology will cause major transformations for American cities in the coming century. The annual competition, which challenges university-level students to address design issues that relate to global urban centers, aims to explore how roadways, sidewalks, intersections, signage, traffic signals, and the relationship between buildings, roadways, pedestrians, cyclists, and vehicles will change. First prize will receive a $5,000 award and an awards ceremony will be held in Spring 2014. Registration Deadline: October 3, 2013. Submission Deadline: November 1, 2013. Suburbia Transformed 3.0. To explore the aesthetics of landscape experience in the era of sustainability, the Suburbia Transformed 3.0 recognizes residential works that venture beyond "green" to address the aesthetic quality of human experience in the process. The call for entries is searching for built and unbuilt residential landscapes and the jury will choose up to twelve projects in each category: built work; professional visionary (unbuilt) work, and student visionary (unbuilt) work. Winning submissions will be exhibited at the James Rose Center and will become part of a traveling exhibition focused on contemporary residential design. Registration Deadline: February 18, 2014. Submission Deadline: March 20, 2014.
Just as soon as they were announced, deliberation has begun on the nineteen semi-finalists in the 2013 Buckminster Fuller Challenge. In the spirit of architect Buckminster Fuller’s call for revolutionary scientific design, this international design competition summons participants to innovate sustainable, long-term solutions for “humanity’s most pressing problems.” This year, the jury has chosen projects that vary in subject and method, re-envisioning current global systems or addressing specific gaps within them. Each submission is judged on adherence to Buckminster Fuller's idea of a "preferred state model," one whose initial conception leads to the most desirable outcome. Criteria include relevant vision, comprehensive strategy, anticipation of future effects, ecological responsibility, feasibility, verifiability, and opportunity for replication in similar conditions. Projects must also be accurately timed for advantageous change. The semi-finalist projects are: · The Loowatt System · Regenerating Healthy Soils Through Sustainable Sanitation (SOIL) · Mushroom Packaging (Ecovative) · Public Laboratory for Open Technology and Science · Bioenergy Value Chain · Healthy Watersheds for Clean Energy · TBS River Regeneration · The Green Chemistry Commitment · International Bridges to Justice Training Resource Center · Voltree Acoustic Early Detection Sensor System · 100,000 Homes Campaign · Eliminating Poverty Through the “Traffic Light” Strategy · Echale a tu Casa · MASS Design Lab: Building Systematic Change · Build Change’s Homeowner-Driven Technical Assistance for Safer Housing · PITCHAfrica: Waterbank Schools · Ento · Olazul: Ecological Shrimp Aquaculture · Agroforestry Reconnecting People and Nature The 2013 entries focus mostly on global topics concerning ecological and condition of life improvements. Holistic solutions that are locally and globally applicable, they range from the introduction of insects into the Western diet to a design laboratory dedicated to socially responsive architecture. The jury will continue deliberation into the next six weeks, concluding with a final, in-person negotiation on October 7th. On this date, they will also host a public discussion at Marfa Dialogues in New York City. See details of each semi-finalist entry here.
The Metropolitan Planning Council in Chicago announced the winners of its “Active Union Station” competition, which is meant to enliven the railroad hub's underused public spaces. Although it’s the nation’s third busiest train station and gets more daily traffic than Midway Airport, Chicago's Union Station remains basically a waypoint on a longer trip. Two winners and a runner-up hope to change that. “Blah Blah Blob!” will take over the Plaza of Fifth Third Center, and “trainYARD” will sprout in the Great Hall. “I Searched High and Low for You” is the runner-up. The visual inspiration for Latent Design & Cleveland Urban Design Collaborative’s “Blah Blah Blob!” is, in part, the rip-stop nylon canvas elementary school teachers used to inflate around giddy students during recess. “Remember how much fun this was?” asks the entry’s visual plan. “Yeah, you do.” Astroturf completes the experience inside the brightly colored blob, which will move around the plaza throughout the exhibit’s duration. “trainYARD” brings the park lawn indoors, “putting it right in the middle of their daily routine.” The design by SPACETIME includes recycled-grass areas for tetherball, croquet and bocce, as well as picnic tables and lawn chairs. Runner-up “I Searched High and Low for You,” by Ann Lui and Craig Reschke, envisions a slew of red hammocks along Union Station’s Canal Street arcade, slung over a row of what appear to be floating orbs high overhead. Their appearance would be striking, acting as a “beacon for the city,” and a gallery of hammocks — not to mention their almost sculptural accent to the arcade’s parade of columns — would bring some activity to a lonely corridor. View the full list of entries here. The winners will receive $5,000 to implement their ideas between Aug. 24 and Sept. 2. Fifth Third Bank sponsored the competition, which served as the Metropolitan Planning Council’s fifth annual Placemaking Contest.
Are you eager to put your architectural design skills to the test? Here are some exciting upcoming competitions that will be sure to present you with the type of challenge you’ve been waiting for. AN's editors have combed through our online listing of architecture and design competitions to bring you five of the most interesting competitions happening right now. If you’d like your competition to be included in the listing, please submit it here. The Eco-Porn Competition. To investigate tropes in architectural representation, Reality Cues is conducting a competition series exploring the techniques and conventions architects depend on to convey space, form, and use. The first competition of the series is called Eco-Porn. For some, the issue of sustainability has generated resourceful design, but for others has created a pressure to make architecture merely seem green. The competition aims to uncover if there is value in this deception. Three cash prizes will be awarded and the bonus round winner will receive a 6-foot tall inflatable palm tree cooler. All winners and honorable mentions will be included in Reality Cues’ premier issue of Tropes. Registration Deadline: September 21, 2013. Submission Deadline: September 21, 2013. Richard H. Driehaus Award. The Richard H. Driehaus Foundation Award for Architectural Excellence in Community Design recognizes the importance of great architecture and craftsmanship to city life. Projects must be located in Cook County, completed within the past five years, demonstrate superior design quality responsive to the neighborhood context, and directly respond to residents' needs. The winner will receive $15,000 and runners-up will receive $3,000 and $2,000 respectively. The awards presentation will be in conjunction with the Chicago Neighborhood Development Awards annual event. Submission Deadline: September 12, 2013. Duravit Designer Dream Bath Competition. Duravit USA has announced its first North American design competition. Architects and designers are invited to use Duravit's 2013 launches (the Starck 2, Happy D.2, and DuraStyle) as inspiration to imagine an ideal bath space. Based on the successful use of Duravit products to solve design challenges and the overall creativeness of the project, a panel of design experts will choose the winner. The winner will be awarded the Duravit products included in his or her project up to a value of $15,000 and up to three other entries will receive honorable mentions. Submission Deadline: September 16, 2013. 2013 Dwell Vision Award. In partnership with Big Ass Fans, Dwell celebrates design innovation and skill by awarding a winning entry for excellence in modern design. The 2013 Dwell Vision Award invites projects completed between 2012 and today that are technically and artistically revolutionary. Submissions show a new method, material, or concept that advances modern design. The top three submissions will be featured on dwell.com, and the grand prize consists of the first custom-designed Dwell Vision Award, an editorial feature in Dwell magazine, and an awards dinner with design luminaries. Submission Deadline: August 30, 2013. Hatch Live. Based in Soho, New York City, Hatch Live is a multi-day industrial design competition sponsored by Hatch Hub with Rhino 3D. Calling all aspiring designers, the inaugural series consists of four fast-paced rounds that take place in October and November. Each participating designer must use Rhino 3D to generate an original 3D object. The winning designer will receive $4,000, a brunch, and portfolio review with Dan Rubenstein, former editor-in-chief of Surface magazine. The runner-up will receive $500. Submissions open on August 31. Registration Deadline: October 2, 2013. Submission Deadline: October 2, 2013.
In response to Hurricane Sandy, the Department of Housing and Urban Development (HUD) launched the Rebuild by Design competition to develop strategies to increase the resiliency of urban and coastal areas in the face of extreme weather events and climate change. According to HUD's website, the goal of the competition is "to promote innovation by developing regionally-scalable but locally-contextual solutions that increase resilience in the region, and to implement selected proposals with both public and private funding dedicated to this effort. The competition also represents a policy innovation by committing to set aside HUD Community Development Block Grant Disaster Recovery funding specifically to incentivize implementation of winning projects and proposals. Examples of design solutions are expected to range in scope and scale—from large-scale green infrastructure to small-scale residential resiliency retrofits." The shortlist of 10 teams—including architects, landscape architects, university groups, developers, engineers and others—has been announced. Interboro Partners with the New Jersey Institute of Technology Infrastructure Planning Program; TU Delft; Project Projects; RFA Investments; IMG Rebel; Center for Urban Pedagogy; David Rusk; Apex; Deltares; Bosch Slabbers; H+N+S; and Palmbout Urban Landscapes. PennDesign/OLIN with PennPraxis, Buro Happold, HR&A Advisors, and E-Design Dynamics WXY architecture + urban design / West 8 Urban Design & Landscape Architecture with ARCADIS Engineering and the Stevens Institute of Technology, Rutgers University; Maxine Griffith; Parsons the New School for Design; Duke University; BJH Advisors; and Mary Edna Fraser. OMA with Royal Haskoning DHV; Balmori Associaties; R/GA; and HR&A Advisors. HR&A Advisors with Cooper, Robertson, & Partners; Grimshaw; Langan Engineering; W Architecture; Hargreaves Associates; Alamo Architects; Urban Green Council; Ironstate Development; Brooklyn Navy Yard Development Corporation; New City America. SCAPE Landscape Architecture with Parsons Brinckerhoff; SeARC Ecological Consulting; Ocean and Coastal Consultants; The New York Harbor School; Phil Orton/Stevens Institute; Paul Greenberg; LOT-EK; and MTWTF. Massachusetts Institute of Technology Center for Advanced Urbanism and the Dutch Delta Collaborative with ZUS; De Urbanisten; Deltares; 75B; and Volker Infra Design. Sasaki Associates with Rutgers University and ARUP. Bjarke Ingels Group with One Architecture; Starr Whitehouse; James Lima Planning & Development; Green Shield Ecology; Buro Happold; AEA Consulting; and Project Projects. unabridged Architecture with Mississippi State University; Waggoner and Ball Architects; Gulf Coast Community Design; and the Center for Urban Pedagogy.
Even as New Yorkers throng to the beaches in the Rockaways, the remnants from Hurricane Sandy still linger. One such vestige is the damaged boardwalk that once stretched from Far Rockaway to Rockaway Park in Queens. The New York City Department of Parks and Recreation with the help of the New York City Economic Development Corporation (NYCEDC) issued a Request for Proposals (RFP) in July seeking designs for the 4.7-mile boardwalk, and now the August 14th deadline is nearing. The RFP calls for a multifaceted approach that incorporates a range of flood protection measures such as seawalls and dunes: "The design shall provide for protective structures that are more resilient and able to withstand storm and tidal forces that may impact the coastline in future years." The proposals will focus on the coastal area from roughly Beach 20th to Beach 126th. The Parks Department anticipates that they will select a group of finalists within the next several weeks, and present the designs to the public and Community Board 14 sometime in September.
Non-profit ArtPlace America has awarded creative placemaking grants to 54 recipients who were selected from more than 1,200 applicants. Totaling $15.2 million, the grants will support art projects in 44 neighborhoods across the United States, as well as a statewide project in Connecticut. Grant amounts range from $33,000 to $750,000, with the average grant at approximately $280,000. The idea behind the grants is to assist in turning urban communities into more welcoming and prosperous places for present and future residents through art and design projects. ArtPlace America is a partnership of national and regional foundations, as well as banks and federal agencies dedicated to encouraging creative placemaking. The partnership believes that art can be an essential part of revitalizing neighborhoods. Integrating art and design in public spaces, the theory goes, can help communities imagine new futures, hopefully ones that lead to redevelopment and the strengthening of businesses and the economy. Peruse the complete list and images of ArtPlace America 2013/2014 grants online. Office of Neighborhood Development: $250,000 Performing Arts Center Trust Adrienne Arsht Center for the Performing Arts, Miami, FL From ArtPlace America: Building on momentum from its publicly-embraced master plan and the burst of public and private investment in its once-dormant neighborhood, the Adrienne Arsht Center will become one of the first major performing arts centers in the country to create its own Office of Neighborhood Development dedicated to accelerating and sustaining the creative evolution of its rapidly-changing, downtown Miami surroundings. Broad Avenue Water Tower Depot: $350,000 Binghampton Development Corp/Historic Broad Business Association, Memphis, TN From ArtPlace America: Binghampton Development Corporation and Historic Broad Business Association will transform an active warehouse loading dock on Historic Broad Avenue into an outdoor arts venue, convert a 140 foot tall water tower into an iconic public art beacon and activate The Water Tower Depot with eight weekends of community dance, followed by eight months of community-based programming. Old Town Artists Residency: $150,000 Bunnell Street Arts Center, Homer, AK From ArtPlace America: Old Town Artists Residency program will galvanize the community around Homer’s Old Town neighborhood through the creation and presentation of new work by artists in residence that activates the arts center’s space and surrounding outdoor sites including the Old Town People’s Garden Greenway. 12th Avenue Arts: $150,000 Capitol Hill Housing Foundation, Seattle, WA From ArtPlace America: Capitol Hill Housing will develop the new 12th Avenue Arts building, transforming a 29,000 sq ft surface parking lot on Seattle’s Capitol Hill into a vibrant mixed-use development combining arts, housing, retail and public safety uses. The Great Chicago Fire Festival: $250,000 Redmoon Theater, Chicago, IL From ArtPlace America: Redmoon will conceptulize, plan, implement, and produce the inaugural Great Chicago Fire Festival, a city-wide ephemeral placemaking event developed in partnership with the City of Chicago. Pittsburgh Central Northside Artway Connector: $300,000 City of Asylum Pittsburgh, Pittsburgh, PA From ArtPlace America: Through permanent and temporary public artworks, community-based residencies for international artists, and free multi-lingual literary and jazz performances, City of Asylum/Pittsburgh will bring vacant properties and public spaces to life in a joyful walkway that celebrates the liberating power of creative expression and draws residents and tourists to the community’s soon-to-be redeveloped Federal-North business district. CoSign: $200,000 American Sign Museum, Cincinnati, OH and Covington, KY From ArtPlace America: The American Sign Museum will expand its innovative CoSign initiative that pairs artists, small businesses, and sign fabricators to design and install a critical mass of unique handcrafted signage in neighborhood business districts by refining its process and materials and testing implementation in two additional neighborhoods. It will also create a toolkit to help communities replicate CoSign locally and nationally. The Idea Foundry in Franklinton: $350,000 Franklinton Development Association, Columbus, OH From ArtPlace America: The dynamic and acclaimed “makerspace,” the Columbus Idea Foundry will become a partner and anchor tenant in a completely renovated neighborhood warehouse. With neighbors consisting of the Center of Science and Industry museum and a burgeoning arts collective, The Idea Foundry will complete an innovation triangle in Franklinton that blends the arts, the sciences and enterprise. OhHeckYeah: $200,000 Brian Corrigan, Denver, CO From ArtPlace America: OhHeckYeah transforms public space into a temporary street arcade that leverages the power of play to promote Denver’s cultural offerings while amplifying the community’s creative talent. Silent Lights: $33,000 Artist Build Collaborative, Brooklyn, NY From ArtPlace America: Working in partnership with NYCDOT, Artist Build Collaborative will install Silent Lights, a series of six gates that light up sequentially based on the intensity of sound and vibrations from oncoming traffic, to a safer, inviting experience for pedestrian commuters as they traverse a loud, poorly lit and busy underpass linking Red Hook, Brooklyn to its closest subway stop. The Walter Soboleff Center: $475,000 Sealaska Heritage Institute, Juneau, AK From ArtPlace America: The Walter Soboleff Center, a 29,000 square foot cultural arts center, will stand in the center of downtown Juneau, adjacent to the historic district, one block from the waterfront, and in close proximity to the State Capitol and the shops and restaurants frequented by residents, the legislature, and hundreds of thousands of tourists whose cruise ships dock at the wharf each summer. Through its design and programming the Center will establish Juneau as the primary destination for authentic Alaskan Native art experiences.
In the wake of Hurricane Sandy, architects have been called to arms to both engage in the immediate recovery efforts and to come up with design solutions that will make New York City's buildings more resilient and sustainable in the long-term. The latest in a flood of new Sandy-inspired design initiatives was launched yesterday by New York Restoration Project (NYRP), dubbed "EDGE/ucation Pavillion Design Competition," asking a group of hand-picked, up-and-coming architecture firms to create a storm-resistant pavilion in Sherman Creek Park right on the Harlem River. The structure, located on a former illegal garbage dumping site, would serve as a boating facility and outdoor classroom for a number of activities such as wetland exploration and oyster gardening. The NYRP undertook a major clean-up of the polluted 5-acre area in 1996 and has since transformed it into a healthy and verdant public space for recreation and boating. The project is expected to cost $900,000. With the help of Susanna Sirefman of Dovetail Design Strategists, the NYRP selected eight Manhattan and Brooklyn-based firms, that include: Bade Stageberg Cox, Desai/Chia Architecture, HOLLER Architecture, KNE Studio, Lang Architecture, Taylor and Miller Architecture + Design, Urban Data & Design, and WORKac. The firms will submit their proposals on September 16th, and the following month, a Technical Advisory Group made up of leaders in the field—such as Adrian Benepe, Director of City Park Development for Trust of a Public Land and Thomas Christoffersen of BIG—will select the five finalists. A new jury—including NYRP founder Bette Midler, James Polshek of Ennead Architects, and Christopher Sharples of SHoP Architects—will then look over the submissions. A winning proposal will be announced in late November 2013.
With the rise of Instagram and the proliferation of smart phones and digital cameras, we're all amateur photographer's these days. And now's your chance to snap a photo of One World Trade Center in Lower Manhattan for your chance to win a trip to the top of the tower with two friends! The Port Authority of New York and New Jersey is sponsoring the photo competition, calling for cellphone snapshots to be submitted via its Facebook page or with Twitter hashtag #OneWTCBestPhotos through August 25. Snap early and tell your friends, though, as winners will be chosen by the number of popular votes they receive online. For more details, head over here.
The Van Alen Institute has announced three finalists for its competition Ground/Work, which called on emerging designers and architects to reimagine the institute’s New York storefront. In celebration of Van Alen’s 120th anniversary, the competition furthers the institute’s ambition to bring innovative architectural ideas into the public dialog by reframing the organization’s relation to the street. Young designers were invited to consider the Van Alen's shifting role within New York City through the redesign of its physical space, integrating all of its functions and creating a more visible and accessible presence on the ground floor of 30 West 22nd Street. From over 120 teams, representing more than 350 young designers up to ten years out of school, three finalists were selected: Collective-LOK, EFGH, and Of Possible Architectures. “We are thrilled by the jury’s selections, and look forward to the finalists’ imaginative visions for Van Alen as a center for innovative projects and public programs,” said David van der Leer, Executive Director of Van Alen Institute, in a statement. “Ground/Work is an opportunity to recognize emerging talents in architecture while bringing fresh creativity to the Institute during an exciting period of change.” Finalists were selected by a jury consisting of Stephen Cassell (Architecture Research Office, and Board of Trustees, Van Alen Institute), Winka Dubbeldam (Archi-tectonics, and University of Pennsylvania), Mark Gardner (Jaklitsch/Gardner Architects), Mark Robbins (International Center of Photography, and Board of Trustees, Van Alen Institute), Ada Tolla (LOT-EK), Marc Tsurumaki (LTL Architects), and David van der Leer (Van Alen Institute). The three chosen teams will present their proposals to the jury in September, following which the finalist will have four months to finalize their design before construction is set to begin this winter. The three winning teams each present innovative, interdisciplinary approaches that diverge from the traditional architectural practice, reflecting Van Alen’s mission to support and promote pioneering young designers. Below are self-descriptions of the three firms. Collective–LOK is a team formed by Jon Lott (PARA-Project), William O'Brien Jr. (WOJR), and Michael Kubo (over,under). Our approach is shaped by an architectural mindset, but draws on a broad range of interests — historical, conceptual, curatorial, and cross-disciplinary — in order to shape discourse on design in the public realm. Our interest in the potentials of collaboration is rooted in an engagement with the history and methods of architectural practice as scholars, educators, and practitioners. We take inspiration from the rich legacy of firms that have shared a commitment to collaboration as the means to create a socially and culturally progressive architecture. EFGH (Hayley Eber, Frank Gesualdi, Spencer Lapp, Pat Ruggiero, and Ani Ivanova) is a New York-based architectural design practice founded in 2007 by principals Hayley Eber and Frank Gesualdi. The studio actively engages projects across scales: from the projective design of large urban sites to innovation at the scale of custom furniture, and everything in between. We explore design as an extensive network of interrelated and often competing issues, interrogating them along the way. Our design process reflects an intense curiosity mixed with a drive for experimentation. Of Possible Architectures (OPA) (Vincent Appel, Ethan Lay-Sleeper, Jaime Magaliff, Paul Miller, Heather Murtagh, Franklin Romero Jr., Emily Ruopp, in collaboration with Jay Atherton) is a creative practice working across spheres of architecture, social sculpture, large scale public art, and urbanism. OPA is committed to architecture as an act of cultural production and focuses on radically innovative, often self-initiated, cultural projects. What we do is based on optimistic speculations for how people and the built environment affect one another.
Submissions to the “Redesigning Detroit” competition matched the enthusiasm of its sponsor, Rock Ventures / Quicken Loans, in envisioning a future for the once iconic J.L. Hudson’s department store on Woodward Avenue downtown. Demolished 15 years ago, the 25-story tower left a physical and symbolic gap in the city’s urban fabric that the competition asked its entrants to repair. "You couldn't ask for a more exciting piece of property to redevelop, and one that can have such a profound impact on how Detroit feels about itself and sees itself," said Reed Kroloff, outgoing director of the Cranbrook Academy of Art and advisor on the competition. The juried competition garnered 200 submissions. Winners were awarded $15,000 for first place, $5,000 for second place and $2,500 for third place, but it’s unclear what will be built. Jim Ketai, who manages Dan Gilbert’s real estate entity, mentioned plans for two residential towers on the Hudson site in a Q&A with AN. The goal of the competition from the sponsor’s standpoint was apparently to get a conversation going. Per their usual MO, Rock Ventures made one stipulation: it had to include retail. Here are the winners: First Place: “MINICITY Detroit” Davide Marchetti and Erin Pellegrino; Rome, Italy Second Place: “Detroit Entrepreneurial Center (DEC),” Efrain Velez, Juan Nunez, Marko Kanceljak; Kalamazoo, Michigan Third Place: “Highwave Detroit,” Team Rossetti/Metrogramma; Southfield (soon to be Detroit), Michigan Three projects also won a public voting round, earning cash prizes of $2,500, $1,000 an $500 respectively: First Place: “Hudson’s Quarter,” Emilie M. Rottman and James G. Ramil; Washington DC Second Place: “Exten(D),” Extending Life in the D, Beyond the 9 to 5, Smith Group JJR-Diana Khadr, Tengteng Wang, Alexa Bush, Kyle Johnson, Jessie McHugh; Detroit, Michigan Third Place: “Blue Fountain Tower,” Salvador Parra Espinosa and Selene Serna Contreras, De San Bernadino; Toluca, Mexico