Posts tagged with "Collaboration":

While Google is photographing your street, its cars will also be mapping the air city dwellers breathe

Will we call it Air View? Google is collaborating with San Francisco–based, pollution-tech start-up Aclima to begin assessing air quality in metropolitan areas across the United States. Cars Google uses to capture its popular Street Views have been equipped with Aclima's environmental sensors and will be able to detect pollutants such as Methane, Carbon Dioxide, and Black Carbon. https://youtu.be/Ggkab1lKj6g In a test drive back in August 2014, three Google cars equipped with these sensors collected 150 million data points after driving 750 hours around Denver. The study, conducted by NASA and the EPA, successfully mapped the change in outdoor air patterns and has confirmed the effectiveness of mobile sensing."We have a profound opportunity to understand how cities live and breathe in an entirely new way by integrating Aclima's mobile sensing platform with Google Maps and Street View cars," Aclima CEO and co-founder Davida Herzl said on the company's blog. The Aclima–Google Street View cars are said to be maneuvering around the Bay Area next. They will eventually branch out to other cities to collect data that could help create healthier cities for people to live in. In the future, Aclima hopes to make the data accessible to the public.

Letter to the Editor> Together Again

[Editor's Note: The following are reader-submitted comments in response to a back-page comment written by Lawrence W. Speck (“TogethernessAN 01_11.06.2013_SW), which called on the architecture profession to regard its creations as collaborative efforts, rather than the products of solo geniuses. Opinions expressed in letters to the editor do not necessarily reflect the opinions or sentiments of the newspaper. AN welcomes reader letters, which could appear in our regional print editions. To share your opinion, please email editor@archpaper.com] I am sorry to say that architects do NOT make buildings! To identify the field of architecture as an Industry leads to the inevitable subordination of architecture not as an intellectual pursuit capable of a transformative role in society to one of simply propping up the Status Quo. Architecture is a social art therefore not controlled by the hand of the artist/architect in isolation but this idea of architects as part of an industry is sadly true for most architecture practiced in the USA. Carlos Brillembourg Tamayo Carlos Brillembourg Architects Wonderful article, particularly the point about starting with the schools. ASLA’s annual student awards program features a Student Collaboration category where entries are required to be the work of multidisciplinary teams. The landscape architecture students not only recruit students from other design disciplines, but often engage students studying biology, hydrology, IT, cartography, public health, humanities, etc., to be on their teams. Year after year, our awards juries remark on the consistent strength of the entries in this category compared to the other six categories. Ann Looper Pryor Publisher, Landscape Architecture Magazine

Product> Designtex Collaborates with 3M Architectural Markets

Designtex, a domestic supplier of textiles and wallcoverings, has announced a collaboration with 3M Architectural Markets as the exclusive distributor of its DI-NOC Architectural Finishes for North America. While it has been a major success in the Japanese market for the past 15 years, 3M launched the product at this past NeoCon, held annually at Chicago's Merchandise Mart. Available in more than 500 patterns and colors, the finish can achieve the look of materials in unexpected places to meet building codes, fire codes, even standards for weight restrictions on cruise ships. The pressure-sensitive adhesive also allows for ease of application, thanks to a micro-grid pattern that pushes air out from beneath the film and activates a proprietary resinated bond. The film can also be easily removed and reapplied for up to 24 hours, at which point the glue cures. DI-NOC is stable in hot, cold, dry, and humid climates, and can be heat formed around curves and corners for a monolithic appearance. The E-Series is also available in a non-vinyl option—realized in polyester—though this option cannot be heat formed. Both the vinyl and polyester films can be laser-cut to maximize material use and precision.

Event> Oct 11-12: AN’s Facades & Fabrication Conference…And Look Who’s Coming!

Chicago's collective IQ, no doubt already impressive, may rise a few points even higher this Thursday and Friday. The city is hosting a gathering of international thinkers and innovators who specialize in the tools that enable the creation of some of the world's most high-tech and visually arresting building skins. The conference, Collaboration: The Art and Science of Building Facades, is sponsored by The Architect's Newspaper and Enclos. On Thursday, the conference features a high-powered line-up of speakers on Thursday, including Fernando Romero of FREE as the keynote. Then on Friday, the conference turns practical with a series of hands-on workshops that will lead participants through the very latest tools, programs, and applications. For example, Florin Isvoranu of Austria-based firm Evolute, which has collaborating with Zaha Hadid, Asymptote and others, will host a workshop on parametrically driven optimization of freeform facades, a topic that even has industry experts signing up to learn something new. From students to seasoned veterans, those currently attending include staffers from firms like Sapa, Thornton Tomasetti, Interface, Cannon Design, Adrian Smith + Gordon Gill Architcture, Perkins + Will, NBBJ, SOM, and KieranTimberlake, with roles ranging from engineer to BIM manager, market analyst to company president. PhD candidates, MArchs, and undergrads are flocking in from area universities and colleges including The School of the Art Institute, IIT, and Cranbrook Academy, as well as a hefty contingent of 12 students and three profs from the University of South Dakota State University's new Department of Architecture (DoArch). Collaboration is the industry conference you can't afford to miss. There's still time to sign up! Registration details here.

AN Facades Conference A Hit On The West Coast

The West Coast edition of AN’s 2012 Facades Conference, “The Art and Science of Building Facades,” held at the UCSF Mission Bay Conference Center on July 26 examined the state of the art in building envelope design. The common thread: collaboration. The first speaker, Phil Williams, VP of Webcor Builders, set the tone by emphasizing early team integration in developing innovative design. Dennis Sheldon, CTO of Gehry Technologies, spoke on how their software facilitates a deeper and more integrated collaborative process between architects, contractors, and fabricating teams. Several consultants and fabricators were represented, including Enclos, Kreysler, Thornton Tomasetti, Front, Element, Seele, Cambridge, and Firestone, who similarly called for early input into the design process. Academic innovators in fabrication and parametrics included Jason Kelly Johnson and Andrew Kudless from CCA, Lisa Iwamoto from UC Berkeley, Chris Lasch from University of Arizona, and Marcelo Spina from Sci-Arc. The highlight was keynote speaker Craig Dykers of Snøhetta, who presented projects ranging from their Alexandria Library in Egypt to the upcoming addition to SFMOMA. Dykers touted the idea of reversing the conventional design process, using a "geological approach—materials before form."  He also emphasized the importance of talking to others in fields outside of architecture, long before any lines are drawn. The third segment in AN's Facades Conference will take place later this year in Chicago.

Who Builds Your Architecture?

Who builds your architecture? "Not architects," said Reinhold Martin. "By definition, architects do not build; they make drawings, write contracts, and do all these other things." At New School's Vera List Center on May 3, a roundtable facilitated debate and speculation on the rights of the lesser-discussed "workers" that make architecture happen. Organized by Kadambari Baxi, Mabel Wilson, and Beth Stryker, in collaboration with The New School's Vera List Center for Art and Politics, the discussion focused on Dubai and the Middle East, but the implications of these issues are felt world-wide. Reports of widespread worker abuse in global projects in developing countries are common now, and the panel sought to shed light on these sometimes horrific problems. Reinhold Martin, author of The Organizational Complex: Architecture, Media, and Corporate Space, moderated the panel consisting of sociologist Andrew Ross, architects Peggy Deamer and Fred Levrat as well as Human Rights Watch senior researcher on the Middle East Bill Van Esveld. The problem is that the high cost of architecture is often offset by the low cost of labor. Big name architects often continue practicing despite the possibility of potential human rights abuses. Nicolai Ouroussoff said that Steven Holl Architects' Vanke Center in Shenzhen, China "demonstrates what can happen when talented architects are allowed to practice their craft uninhibited by creative restrictions (or, to be fair, by the high labor costs of most developed societies)." There are reports that workers immigrate from one country to another, are misled into jobs that they did not sign up for—jobs that pay much less than they were told—and they sign contracts that make them essentially indentured servants, as they cannot quit due to immigration and labor laws. What are the responsibilities of the architect in this scenario? Deamer feels that the problem is two-fold. It is a problem of the owners, not the architects. The owner has the power to change how things are done. What architects can do is think of everyone as a designer, from the fabricator to the bricklayer. Then, architects start to see themselves as workers, not as annointed ones. Everyone is equal. Ross agreed. "The creative profession has been degraded...we are no longer in control," he said. His work with the Gulf Labor Coalition has been to pressure NYU, the Guggenheim, and the Abu Dhabi Government into fair labor practices at sites in the Middle East. He said that often architects do not respond to his pleas to cooperate with human rights groups and unions. These are often difficult situations, with clients' interests and authoritarian states making the contracts, making activism more complicated. Schools are implicated, too. Often schools teach students how to subvert union labor, or at least they teach that architects cannot have a say in this debate. Does "Who builds?" come down to criticism? By using the word "starchitect," a term Martin prefers not to use, critics are not only elevating them above the realm of "service" or labor, into "anointed ones," using Deamer's term. These architects often cannot even pay their own employees a fair wage, so how would we expect them to care about workers half-way around the world? The panel raised many initial questions, while searching for answers. Will solutions come from architects, or are they impotent to change anything, given their role within the forces of capital? Will change come from an engaging conversation aimed at clients? Or will this be a student-led movement? From the tenor of the discussion, what is important is that we are finally talking about these issues, and that these abuses are being brought to light.

Profile> Kevin Patrick McClellan & Brad Bell

On February 17, Kevin Patrick McClellan and Brad Bell will lead RHINO Design, a workshop focused on the digital design program Rhino, as part of DAY 2 of the upcoming COLLABORATION conference on fabrication and facades in NYC. Kevin Patrick McClellan is a designer, artist, and founder of Architecturebureau, a design research office exploring complex systems and their material effects on form. After receiving his Masters in Architecture and Urbanism in the DRL from the Architectural Association School of Architecture with a Project Distinction in 2005, he subsequently worked in New York for Kevin Kennon and in London with Zaha Hadid Architects. There he led the development of two highly publicized temporary installations, one for the Serpentine Gallery titled Lilas and the second for Swarovski Crystal Palace exhibited in the 2008 Milan Furniture Fair. He teaches design studio at the University of Texas at San Antonio. Kevin is a founder and co-director of TEX-FAB *Digital Fabrication Alliance, a regional platform for the dissemination of issues related to computational fabrication. Brad Bell is an Assistant Professor at the University of Texas Arlington where he researches and teaches on the integration of digital fabrication technologies into the architectural design process. He has lectured, taught, and written on the uses of such technologies for the past 10 years and has been an invited critic at schools of architecture throughout the United States. Brad is a founder and co-director of TEX-FAB *Digital Fabrication Alliance, a regional platform for the dissemination of issues related to computational fabrication. And as principal of brad bell studio, he has completed projects in Colorado, Texas, Louisiana, and Oklahoma. His practice focuses on adapting contextual and regional construction methodologies with new digital fabrication techniques. TEX-FAB co-founders Brad and Kevin will present the day-long workshop, Rhino Design, and will cover user interface navigation and provide a broad understanding of the different tool sets and workflow options within the software. Step-by-step design problems will address both Solids Modeling, NURBS Modeling and documentation methods. Advanced techniques for complex geometries and the use of the paneling tools plug-in will be covered in the afternoon session.