Posts tagged with "China":
Chicago-based UrbanLab has a knack for combining water infrastructure with architecture and landscape to find new urban forms. In the 2014 Venice Biennale, the studio presented the Free Water District (FWD), an urban-scale multiuse, multi-environment development that would encourage industry through a controlled, but free, use of Great Lakes water. In its latest commission, UrbanLab has been asked to address an even more complex urban situation in China.
The Yangming Archipelago in Changde, Hunan, China, will be a new district that will accommodate 600,000 people in five square miles. Changde is part of a larger program in China to implement large water-infrastructure projects in order to improve urban water quality. At the heart of the project is an island-filled lake, which will act as an ecological, as well as a social and cultural space. The Yangming Archipelago also includes a dense system of public transportation and housing, integrated into eco-boulevards.
Eco-boulevards, a concept that can be found in many of the studio’s proposals, put water at the center of urban improvement. The idea is based on case-by-base performance-based infrastructural landscapes. These rich boulevards would come in many forms and sizes, but they would all function as more than a space for vehicular movement, providing social, ecological, and energy amenities. The boulevards would traverse the city with integrated water-filtration and water-retention technologies,a space for vehicular movement, providing social, ecological, and energy amenities. The boulevards would traverse the city with integrated water-filtration and water-retention technologies, a space for vehicular movement, providing social, ecological, and energy amenities. The boulevards would traverse the city with integrated water-filtration and water-retention technologies, both passive and active. The stitching of nature to the larger urban environment would connect formerly disparate parts of the city with a common civic space.
With work ranging from houses and storefronts to city-scale master plans, Chicago-based UrbanLab fluidly navigates architecture and urbanism. Regardless of scale, the studio addresses complex social and ecological issues with straightforward yet ambitious proposals—while managing to introduce a hint of levity in every design.
Midwest editor Matthew Messner sat down with UrbanLab to talk about the Yangming Archipelago and how the studio works with water as a design component.
The Architect’s Newspaper: How does UrbanLab approach water as a resource for architecture and urbanism?
UrbanLab: Water, we believe, is the primary infrastructural framework and life-support system of cities. We think water infrastructure has the capability to unlock questions of how to best shape urban form and support healthy lifestyles. Today, the ways in which cities address their water challenges will be critical to their ability to prosper and grow. We see water scarcity as typically the result of shortsighted or poor planning strategies (or lack thereof) that use water only once before relegating it to waste. In this simple, linear model, water is typically castoff after its first use, at which time it becomes successively more polluted. We think this is crazy: Water is rarely so toxic that it can’t be salvaged and recycled again and again. As Buckminster Fuller remarked, “Waste is merely a resource in the wrong place.” So too is “waste” water that is routinely ejected out of cities instead of being kept and put back to work. Alternatively, UrbanLab’s water-based urbanism projects view water as part of a circular economy and ecology, where it keeps its value after each use, and ultimately returns to an original source.
How does this play out in the studio’s projects?
Each of our projects is a “bowl” of varying size and shape in which water circulates in semi-closed loops. Shifting to looping circular models that store water, from linear models that discard water, can replace scarcity with abundance, and help solve challenges of long-term supply and demand. We’re very interested to combine water infrastructures with architecture and landscape to find new urban forms.
How is water-based urbanism deployed in the current Changde project?
Our client, Changde’s planning bureau, aims to realize the plan in the next five to ten years. Currently, the project site is sparsely developed farmland bordered by high-density superblocks. At the center of the site is a highly polluted lake that is prone to flooding. Our primary design concept is a continuation of ideas we’ve been developing: To reimagine water as an amenity (not a problem) for people. The lake is re-planned as a bowl-shaped “central water park” for the entire city.
What are some the ecological aspects of the design?
To help clean the lake, water-filtering infrastructures, or eco-boulevards—an idea we’ve been working on through several projects—pre-treat storm water runoff. Eco-boulevards are connected to additional water-filtering infrastructures such as tree-lined feeder roads, storm-water parks, and in-block rain gardens. Together, the streets and open green spaces are a porous framework of sub-bowls that naturally absorb and clean rainwater before [it enters] the lake. A fine-grained urban grid accommodates a mix of transportation options within and between eight new subdistricts. Compared to contemporary, car-centric urban grids in China that encircle gated superblocks, the geometry of our compact grid allows for a highly efficient bus transit system, reducing energy use and pollution. Bus stops and transfer nodes are planned within a 10-minute pedestrian walk to all new developments. In the lake, a group of new islands is planned. The “Central Business District Island” contains the most prominent new commercial buildings, and a chain of “Cultural Islands” contains new civic venues and gardens. The islands filter lake water and naturally enhance biodiversity and the living environment.
New York firm Diller Scofidio + Renfro (DS+R) has trumped nine other studios in a competition to masterplan a man-made island in Haikou Bay, China. In doing so, DS+R beat off Foster + Partners, UN Studio, and fellow New York practice Morphosis Architects to design 250-acre plot of land.
The crescent-shaped island is officially known as the South Sea Pearl Artificial Island and is located in China's Hainan province. It will be joined to Hainan—itself a large island off the south Chinese coast—by a bridge. Chinese developer HNA Group, the group funding the project, wants to create an eco-tourism hub complete with a hotel complex, theme park, yacht harbor, and cruise ship port. The total price tag will be $1.25 billion."Our studio worked for a couple of months to imagine how to take this amount of land and how to consolidate all the building program in the smallest footprint possible, but also in a very natural land form," said Elizabeth Diller, a partner at DS+R, in an interview with Chinese news service CCTV. "It's a stitching of nature and culture together, so we’re very excited about that," she added. Meanwhile, Ni Qiang, the mayor of Haikou, spoke of the economic implications and what the project will mean to the island in a general sense. "This island will not only help boost local economic growth and create more jobs but also bring some of the world's most advanced concepts in urban development to China,” he said. Construction is expected to begin in 2017 and take approximately a decade, wrapping up in 2027. The other offices that competed were: Office of Architecture in Barcelona; Seoul-based Iroje Architects & Planners; Rotterdam-based KuiperCompagnons; Los Angeles-based The Jerde Partnership, Beijing-based CCDI, and internationally-based Boston International Design Group.
Braving temperatures as low as -22°F, Iwan Baan is no stranger to shooting in the extreme. Armed with his camera, tripod, and Canada Goose Parka, the esteemed Dutch architectural photographer has produced a series on Beijing-based MAD Architects' Harbin Opera House in China's Northernmost province.
His work, unlike most in the industry focuses on people, not buildings. "My pictures are always very much about the users of the place," Baan says in a film covering the shoot. "I'm not trying to create timeless images which could be in any moment in time. They always should very much have a connection to a specific place, time, people, a context, a culture and this kind of thing."https://www.youtube.com/watch?v=xzvG8D-PI5M
"So people are, in that sense, a very important part," he explains. However, despite the alternative choice of focus, his work still conveys the fluid curvature of MAD's Harbin Opera House. Cast against a snow-white sky, the meandering white aluminum panels can be seen elegantly rising from the snow.
In this medium, the building's intentions of emulating the sinuous nature of its marshy surroundings and adjacent frozen riverbank are well and truly achieved. Even among fading light, the opera house's relationship with the site remains intact through Baan's lens from both interior and exterior perspectives.
“Harbin is very cold for the most of the year, so I envisioned a building that would blend into the winter landscape as a white snow dune arising from the wetlands,” says Ma Yansong, principal architect and founder of MAD Architects.
“Opera design normally focuses on internal space, but here we had to treat the building as part of its natural environment—one outside the urban context,” Yansong adds.
Traditionally, opera house photography evokes silent spaces, that, by contrast are designed to be anything but. Here, the acoustic properties of the space embedded within the theatrical grandeur are enhanced. With his uncanny habit of seeing things differently, Baan however, captures crowds on their feet in rapturous applause. Outside he shoots tourists, dog walkers, and local ice fishers setting an enlivened scene.
Purist's needn't worry though, as shots without any intrusive people also feature.
In related news, MAD has released a video showcasing their Invisible Border Installation for the Interni's Open Borders exhibition at the 2016 Milan Design Week. A descending veil, comprised of translucent polymer strips can be seen fluttering in the wind as it is loosely held in an undulating form, suspended from the Loggia of the Cortile d’Onore.https://www.youtube.com/watch?v=CwYvelwAlc4