ARTECHOUSE, a technology-focused art exhibition platform conceived in 2015 by Sandro Kereselidze and Tati Pastukhova, has been presenting digitally inspired art in Washington D.C. and Miami. Now they’re coming to New York, “a clear next step for [their] mission,” with an inaugural exhibition by Refik Anadol. The Istanbul-born, Los Angeles-based Anadol is known for his light and projection installations that often have an architectural component, such as the recent animation projected on the facade of the Frank Gehry-designed Walt Disney Concert Hall. For ARTECHOUSE in New York (also Anadol’s first large exhibition in New York), he’ll be presenting Machine Hallucination. The installation will create what he calls “architectural hallucinations” that are derived from millions of images processed by artificial intelligence and machine learning algorithms. “With Refik, it’s been a collaborative process for over a year and a half, bringing a new commission, Machine Hallucination to life,” explained Kereselidze and Pastukhova. “We have worked closely with Refik to develop the concept for this exciting new work, thinking carefully about how to most effectively utilize and explore our Chelsea Market space.” ARTECHOUSE is especially suited to visualizing Refik’s “data universe” with a floor-to-ceiling, room-wrapping 16K laser projector that the creators claim features “the largest seamless megapixel count in the world,” along with 32-channel sound from L-ISA. The more than 3 million photos, representing numerous architectural styles and movements, will be made to expose (or generate) latent connections between these representations of architectural history, generating “hallucinations” that challenge our notions of space and how we experience it—and providing insight into how machines might experience space themselves. It makes us consider what happens when architecture becomes information. Of the work, Anadol said, “By employing machine intelligence to help narrate the hybrid relationship between architecture and our perception of time and space, Machine Hallucination offers the audience a glimpse into the future of architecture itself.” Machine Hallucination will inhabit the new 6,000-square-foot ARTECHOUSE space in Chelsea Market, located in an over-century-old former boiler room which features exposed brick walls and a refurbished terracotta ceiling, which according to its creators, “supplies each artist with a unique canvas and the ability to drive narratives connecting the old and new.” ARTECHOUSE will be opening to the public early next month.
Posts tagged with "Chelsea Market":
This weekend, 256 public and privately-owned sites across New York City will open their doors to thousands of architecture and history nerds for the 13th annual Open House New York (OHNY) Weekend. All sites are free to visit, though some require registration in advance. Gregory Wessner, executive director of OHNY, said the event is an "opportunity to get an audience to look at the city through different disciplinary lenses." This year, 1,200 volunteers will staff 256 sites. Wessner explained the selection criteria: sites are evaluated for their architectural, cultural, and historical significance; location; proximity to public transportation; period, style, and typology. Last year, OHNY Weekend attracted approximately 75,000 visitors over two days. 80 percent of those visitors were New Yorkers. Given the depth and breadth of the offerings, it's impossible to privilege one site over another, though Wessner said he's particularly excited about City Hall. City Hall, he believes, "represents what's great about OHNY. It represents the seat of government, which most of us don't get to go into, and welcomes the public to go in and look around." New York's Beyer Blinder Belle renovated the palatial 1812 structure this year. A little-known architectural mecca is Bronx Community College. From 1959–1970, New York University (then owner of the campus) commissioned Marcel Breuer to design four buildings. DOCOMOMO New York/Tri-State will lead tours of Breuer's buildings on Saturday and Sunday. Also on campus: the Beaux-Arts Gould Memorial Library and Hall of Fame (Stanford White, 1900) and North Hall and Library (Robert A.M. Stern, 2012). Though the weekend is the group's biggest event, OHNY operates throughout the year, organizing tours and talks to encourage dialogue around major issues affecting the city's built environment. The Final Mile is a yearlong exploration of the "challenges and choices for an equitable and resilient food system" in New York. Food manufacturing, Wessner stated, is the fastest growing manufacturing sector in the city, and drives real estate development (think Smorgasburg and Chelsea Market). Tomorrow, Friday, OHNY is leading tours of food manufacturing facilities as a lead-up to the weekend. Visitors should check the OHNY Weekend for updates ahead of their trip. See the gallery below for more images of featured sites.
In spite of angry protests from neighborhood advocates and preservation groups, New York City Council unanimously approved plans Tuesday afternoon to upzone Chelsea Market. The developer, Jamestown Properties, intends on building 300,000-square-feet of office space designed by Studios Architecture that will sit right on top of current Chelsea Market. To move things along in their favor, Jamestown had agreed to give around $12 million to the High Line and $5 million to a fund to build affordable housing, in addition to another $1 million to help launch an internship program at the nearby Fulton Houses. Jamestown called this decision a win for the city’s economy: “As approved today by the New York City Council, the expansion of Chelsea Market will provide an important economic boost to New York City, creating more than 1,200 long-term jobs and 600 construction jobs.” Several local organizations, however, are upset with the outcome. In an email sent to Chelsea Now, Andrew Berman, Executive Director of the Greenwich Village Society for Historic Preservation, released this statement: “It’s deeply disappointing that they are allowing a beloved New York City landmark to be disfigured and one of the city’s most congested neighborhoods to be further overdeveloped. In spite of the pleas of the vast majority of this neighborhood’s residents, once again the interests of real estate developers have won out.”
In a unanimous vote today, the New York City Planning Commission approved Jamsestown Properties' plans for expansion at Chelsea Market with few modifications. The building was rezoned to be included in the Special West Chelsea District, thereby allowing developers to increase density after a significant contribution is made to the High Line. Much to the quite literal relief of High Line visitors, this likely means bathrooms will finally find their way to the southern section of the park. The latest designs by Studios Architecture set the massing of the Tenth Avenue addition back away from the park, which Planning Commissioner Amanda Burden expressed concern about during a review session. Jamestown Properties has also agreed provide funds and space for park amenities, like bathrooms, as well funds for affordable housing in Community Board 4 district. "While affordable housing bonuses are not normally associated with commercial buildings, there are special features of the West Chelsea district regulations which make this possible,"said Burden. "I believe this will be a great addition to the West Chelsea neighborhood," she continued. "The additional office space will serve what has become a destination for creative and technology industries, and this new development will provide critical amenities to the High Line." Nevertheless, community activists remain concerned about traffic and congestion from the park and resulting building boom. This was no secret to those attending CB4 meetings, but the controversy roared into the open with Jeremiah Moses' oped piece in Sunday's New York Times under the head, "Disney on the Hudson," which claimed "the park is destroying neighborhoods as it grows." The sound-off got a swift response from the many, including Friends of the High Line founders Joshua David and Mark Hammond who found Moses' claims "an unfortunate simplification of our past and current reality." The current reality for parks is a public/private financing model, thus David and Hammond's support for the Jamestown project and the resulting park amenities it provides. "This is clearly a deal between the Friends, City Planning, and Jamestown," said Save Chelsea's David Holowka. He noted that the majority of the massing will gravitate toward the park rather than the Ninth Avenue. Regardless of where the bulk will land, some will never be appeased with further expansion. "The amenities are cold comfort," said Andrew Berman of the Greenwich Village Society for Historic Preservation. "The development will increase traffic and congestion to an area that’s already busting at the seams." Berman added that the West Chelsea Special District already allows for substantial growth for many years to come. The measure will now go before City Council and speaker Christine Quinn, whose district includes the Chelsea Market. The expansion is considered by some to be a litmus test of where the mayoral candidate's loyalties lie, with the NIMBYs or the development community.
Seems the bad news is about to get worse for Jamestown Properties. The developer's plans to add 330,000 square feet to New York's Chelsea Market met with resistance from the Community Board 4 and Borough President Scott Stringer, both of whom gave conditional nays to the proposal designed by Studios Architecture. Now with City Planning's public hearing set for this Wednesday, Commissioner Amanda Burden has clearly indicated that she is not pleased with the an addition proposed to hover over the High Line along Tenth Avenue. "I remain concerned about the massing and how it effects the High Line experience," Burden said a pre-hearing review session today. The two additions to the market include 90,000 square feet addition on Ninth Avenue and a 240,000 square foot addition along Tenth Avenue. As much of the building's mid-block remains excluded from Jamestown's plan, it seems likely that area will come in to play. "They do have a whole block," the commissioner said. Though not exactly in line with BP Stringer's suggestion to move all of the massing to Ninth Avenue, it does mean that High Line view planes fundamental to the Special West Chelsea District remain a concern for the commissioners. Jamestown has already indicated that it is willing to decrease the height of the Ninth Avenue addition from 150 feet high to 130 feet. The addition along Tenth Avenue dropped from 230 feet to 184 feet. Exposed steel trusses at Tenth were redesigned to be clad in a "contextual" terracotta and a wide cantilevered gap has been cosmetically anchored back to the original building with corner posts, despite the fact that the engineering for the cantilever remain in place. Now with the suggestion of moving the building back toward the middle of the block, we'll see what other design tricks the architects at Studios can pull off as the restraints tighten.
In what many are calling an opening shot in the 2013 mayoral race, Manhattan Borough President Scott Stringer has recommended a conditional disapproval of the Chelsea Market expansion proposal. The recommendation is in cahoots with Community Board 4 which voted to only allow the project if it provides off-site affordable housing and a 20 percent reduction in height along Tenth Avenue. As City Council Speaker Christine Quinn represents Chelsea, The New York Times coverage of the expansion been through the prism of the upcoming race, which will likely see Quinn face off with Stringer, among others. And with Google just across the street from the proposed development, big tech sector businesses will be studying the speaker's move as closely as her local constituency.
Last night Community Board 4 voted not to support Jamestown Properties proposal to add 330,000 feet to the Chelsea Market building. The design morphed significantly from the initial multi-volume glass box approach introduced in 2010, to a steel-trussed cantilever form fronting Tenth Avenue shown late last year, to its current terracotta clad contextual approach. Throughout, Studios Architecture principal David Burns has presented plans before a resistant community who cherish the market and are suddenly overrun with High Line tourists. The much-maligned ULURP process that brought the proposal to CB4 has foes on both sides of the development fence. Community activists feel that their advisory role doesn’t have sharp enough teeth, while architects and developers feel it’s a bloated process that waters down planning and design. The extreme metamorphosis of the Chelsea project seems to be a poster child for the give and take approach. “The original purpose was to relate by contrast, as a foil, and now they’re not even doing that,” said architect and Save Chelsea board member David Holowka. The architect was referring to the Tenth Avenue section, where a cantilevered form jutted out over the old structure, with a large void separating the old market from the new addition on top. The exposed trussed structure formed a box that sat within a brise-soleil clad box facing the east. Though the trussed structural solution remains, Burns said that to address the community’s desire for further contextualization, the trusses will now be clad in terracotta, to cooperate with a warehouse building across Tenth Avenue. The intentionally disjointed gap between the two structures will now be enclosed in glass and brick detailing in an effort to ground the building, thus hiding engineering that allows the addition to metaphorically float free from the past. “We want to make sure there’s not false sense historicism,” said Burns. The use of terracotta would bring the color into coordination with the variegated brick below, without adding too much weight. Along Ninth Avenue, the composition remains much the same though a reduction in height allows widows of the new addition to align with those in the older building. But Holowka still found the efforts lacking. “No amount of design massaging will change what a zoning atrocity this is,” he said. As the High Line runs through Chelsea Market, the architect also called into question the zoning change will allow Jamestown to build within the footprint of the park. Even with the recent elimination of the hotel component, many voiced concern that the added pedestrian traffic will devastate an already congested area. Despite a strong turnout from Jamestown's tenants who testified that the company was a landlord who nurtured their small business, many in the community smelled something fishy. One noted that the new agreement would transfer the ground floor from 80 percent food vendors to 50 percent, the community board wants 60 percent. The board also wants offsite affordable housing to be provided within CB4 district. Still others thought the whole thing was a real estate sham. "Jamestown buys, builds, sells, leaves; that’s what they do," said resident Stephen Jobes. Caitlin Cahill, a professor of environmental psychology and urban studies at CUNY Grad Center was even more blunt. "It's so shady and so corrupt, it's not even subtle," she said. She urged to board to flat out halt the project--to no avail.