Posts tagged with "Charles Eames":

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Ray and Charles Eames come alive in Oakland exhibit

The World of Charles and Ray Eames, a sprawling exhibition focusing on the life and works of the one of the 20th century’s most iconic design duos, is making the final stop of its worldwide tour at the Oakland Museum of California.

The Eames Office–produced exhibition aims to re-present Charles and Ray Eames’s oeuvre for a new generation, and includes over 400 objects, including project prototypes, photography, toys, and other design objects.

The show also contains some never-before-seen items on loan from the Eames Office. Billed as an “intimate and inspiring” reappraisal of the Eames’s legacy, the exhibition will also screen the newly restored Glimpses of the U.S.A., a short film highlighting the commonalities between daily life in the United States and what was then the Soviet Union.

The World of Charles and Ray Eames The Oakland Museum of California 1000 Oak Street Oakland, California Through February 17
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On View> Philadelphia Museum of Art shows off design objects by Vitra

  Vitra—Design, Architecture, Communication: A European Project with American Roots Philadelphia Museum of Art, Perelman Building, Collab Gallery 2525 Pennsylvania Avenue, Philadelphia, PA Through April 26, 2015 In its new exhibition, Vitra—Design, Architecture, Communication: A European Project with American Roots, the Philadelphia Museum of Art explores the history of the famous Swiss furniture company from its early licensing partnership with Herman Miller to new collaborations with world-renowned contemporary designers, such as Verner Panton, Antonio Citterio, and Jasper Morrison.     Vitra’s evolution will be tracked through a collection of about 120 design objects, furniture, models, publications, and videos. This will be supplemented by archival material and historic objects from the Vitra Design Museum in Germany. These materials include a plywood toy elephant by Charles and Ray Eames, a series of Alexander Girard’s Wooden Dolls, and George Nelson’s 1948 furniture catalogue for Herman Miller.
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On View> Pasadena's Williamson Gallery puts Ray Eames in the spotlight

Ray Eames: In the Spotlight Alyce de Roulet Williamson Gallery Art Center College of Design, Hillside Campus 1400 Lida Street, Pasadena Through May 4 Ray Eames: In the Spotlight features; letters, sketches, notes, photographs, paintings, films, process drawings, furniture, and collections that follow the great American designer’s interests and interactions with key places, people and institutions. Taken altogether, the presentation is an intimate study of Ray Eames’ world and seeks to get to the heart of her intensive hands-on creative process and the “way-it-should be-ness” that defined how Ray and Charles Eames lived and worked. In the Spotlight allows visitors to make their own connections to this great body of work, to explore their own creativity, and to apply Eames’ tools to their own lives.
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Conservation Case Study on the Eames House

Charles and Ray Eames designed their Pacific Palisades home in 1949 as part of the Case Study Program, which was begun by John Entenza, editor of Arts & Architecture Magazine. The program invited some of the best architects of the day to share their ideas for using new materials and methods to construct well-designed, mass-producible housing. The two-part, rectangular house was constructed of prefabricated materials and off-the-shelf products. Now, the  Getty Conservation Institute (GCI) has made the mid-20th century modern architecture landmark a subject of its Conserving Modern Architecture Initiative. The Eames House Conservation Project, as it is called, is revealing challenges related to utilizing contemporary materials in a landmark structure, even one of modern vintage. GCI scientists are developing a long-term conservation plan in collaboration with the Eames Foundation and project architects Escher GuneWardena. However, inspections of the house have already produced results. GCI conservator Emily MacDonald-Korth's paint excavation revealed hand-mixed grays, likely created by Ray Eames. Conservator Arlen Heginbotham identified the wood on a living room wall as a species of eucalyptus similar to the large eucalyptus trees on the property. The foundation is also looking at the environment of the site. The house is situated in a meadow overlooking the ocean.
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PRODUCT> Herman Miller's Special Edition Eames LTR Table

Herman Miller launched their Select Program in 2008 to offer their customers an extra way to connect with the brand and enhance their collections with limited edition pieces. As part of their 2012 program, Herman Miller is offering the Eames Wire Base Low Table (also referred to as the LTR table) in three special colors on sale now until Spring 2013, when production will end. You might be asking yourself what's so special about red, yellow and blue that gives the beloved wire base tables limited edition status. Ray Eames, who many acknowledge for her gift of using color and for her reintroduction of bright color choices into the home, studied under abstract expressionist Hans Hoffman, whose bold blocks of primary colors had a clear influence on her. To celebrate Ray's 100th birthday this year, Herman Miller chose to release the LTR table in her three favorite colors, cobalt blue, red-orange and yellow gold, which she used for the exterior panels of the Case Study House #8 she and Charles designed. Eames fans who can't afford to collect their properties can at least take home a part of their inspiration with the LTR table. And for young furniture collectors just starting out, the LTR is a great place to begin. The Wire Base Low Tables, first introduced in 1950, are veneered in ash, treated with a rich aniline stain with a corresponding powder coated wire base. They're available for $294. HermanMiller_WireBaseTable2
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Event> Eventually Everything: The 2012 D-Crit Conference May 2

Eventually Everything: The 2012 D-Crit Conference Wednesday, May 2, 12:30–7:00 p.m. Visual Arts Theatre 333 West 23rd Street No charge for admission; Registration required On May 2 the School of Visual Arts Design Criticism MFA program, a.k.a. D-Crit, presents its third annual thesis conference, and this year's line-up promises to be intriguing, covering an array of subjects--"Main Street, USA and the Power of Myth," "Graphic Ornament in Interior Architecture," "Towers to Town Homes: Public Housing, Policy, and Design in the US" to "Missing the Modern Gun: Object Ethics in Collections of Design," to name a few. The list of thesis topics alone makes a statement about the possibilities of design criticism and how D-Crit aims to push its limits. To encompass this eclectic collection of research and ideas, the students invoked that ultimate master of the mash-up, Charles Eames, who once said "Eventually everything connects—people, ideas, objects..." Connecting the dots at this afternoon conference will be Julie Lasky of Change Observer, who will emcee and preside over four themed panels—Calculated Nostalgia; Working/Not Working; Speaking Surfaces; Man, Machine, and Morality—each featuring several high-profile keynotes, including media historian Stuart Ewen, Pentagram partner Michael Bierut, 2×4 founding partner Michael Rock, cultural historian Jeffrey Schnapp, and Interboro Partners principal Daniel D’Oca. Student presentations are grouped within the panels, and, lest you need further convincing, just have a look at the slick video teasers of the ten MFA candidates' upcoming talks. For more information, visit the Eventually Everything website or view the full program here. To attend, sign up for free registration, and follow @dcritconference for updates.