Tribeca's R & Company gallery at 82 Franklin Street is highlighting two Brazilian greats: Lina Bo Bardi (1914–1992) and Roberto Burle Marx (1909–1994). But act fast! Furniture by Bo Bardi and tapestries by Burle Marx are on display through the end of this week—the exhibit closes April 30. Lina Bo Bardi is best known for her monumental architecture, such as the sturdy São Paulo Museum of Art or the rugged SESC Pompéia in São Paulo. But her work in this exhibit, Lina Bo Bardi + Roberto Burle Marx, represents a much smaller scale. Furniture designed from the 1950s through the 1980s and executed in wood, metal, and leather show how her Brazilian modern thinking translated to the size of a chair. Designs dually showcase strong geometry and classic Brazilian curves that are a hallmark of her larger built work. In fact, a dining set on view in the exhibit was designed with Marcelo Ferraz and Marcelo Suzuki for the SESC Pompéia. Complementing Bo Bardi's furniture are textiles and totems by Roberto Burle Marx, generally regarded as the father of Brazilian landscape architecture. Playful patterns and geometric shapes are present in a variety of Burle Marx's larger projects such as the iconic Copacabana boardwalk, a modern interpretation of historic Portuguese paving designs; collaborations with Oscar Niemeyer in Brasilia; and private estates throughout the country. Zoom out on these landscape designs and you can see a clear connection between the large-format works and his smaller textiles and tapestries. In addition to landscape architecture, Burle Marx was a trained artist and sculptor with a keen interest in Brazilian folk art, themes that appear in his colorful wooden totems on display in this exhibit. Check out these works for yourself at R & Company in Tribeca through April 30.
Posts tagged with "Chairs":
More than seventy years after their creation, a collection of classic office furniture by Jean Prouvé is being updated and released to the market. Dutch fashion purveyor G-Star, in conjunction with Swiss furniture manufacturer Vitra, have developed "Prouvé Raw," a collection of ten pieces that include chairs, desk and wall lighting, conference tables, and writing desks. And Rem Koolhaas also plays a role in this revival. In 2014, OMA and Koolhaas completed a new headquarters for G-Star. Observing an affinity between the architecture and the Prouvé pieces that was mirrored by the design philosophy of the fashion house, a decision was made to outfit the offices, conference rooms, and canteens of the new building with the seven-decade-old furnishings. In cooperation with the Prouvé family, Vitra adapted the French designer’s furnishings to meet the needs of today’s office. Desks have been modularized, and fitted with concealed runs for cables and pop-up power outlets. The swiveling desk chair has a more stable five-branch base. Teaming up with art directors at G-Star, color and material palettes were created that are true to the aesthetic of both Prouvé and the Dutch company. Several shades of industrial green, and leather and fabric upholstery complement the steel and solid-wood furnishings. The Prouvé Raw collection debuts next month at Salone in Milan.
Named M&O Designer of the Year, Nendo is contributing a Chocolatexture Lounge to the Maison et Object exposition in Paris later this month. Dubbed "a deliciously regressive space," it houses a selection of chairs created by Oki Sato (aka Nendo) for such manufacturers as Moroso, Emeco, and Cappellini—all upholstered in cocoa brown textiles. They will be set among an array of 2,000 aluminum pipes, which, the designer said, will be painted and installed to evoke "a rippling, large molten-chocolate wave." But there is more to the lounge than confectionary allusions: There's an actual chocolate creation that will be available. Visitors to the booth will have the opportunity to purchase one of 400 boxes of chocolates that have been preciously rendered in distinctly non-Platonic solids. On the tongue, the texture of each morsel will be different—assuming one can bear to eat such exquisite and rare entities. This isn't the studio's first foray into such sweet design. In 2014, they created chocolate villages to populate ice cream cakes by Häagen-Dazs (below). In light of Nendo's affinity for chocolate as a material, the recognition as designer of the year, we'll say, is just desserts.
Vitra—Design, Architecture, Communication: A European Project with American Roots Philadelphia Museum of Art, Perelman Building, Collab Gallery 2525 Pennsylvania Avenue, Philadelphia, PA Through April 26, 2015 In its new exhibition, Vitra—Design, Architecture, Communication: A European Project with American Roots, the Philadelphia Museum of Art explores the history of the famous Swiss furniture company from its early licensing partnership with Herman Miller to new collaborations with world-renowned contemporary designers, such as Verner Panton, Antonio Citterio, and Jasper Morrison. Vitra’s evolution will be tracked through a collection of about 120 design objects, furniture, models, publications, and videos. This will be supplemented by archival material and historic objects from the Vitra Design Museum in Germany. These materials include a plywood toy elephant by Charles and Ray Eames, a series of Alexander Girard’s Wooden Dolls, and George Nelson’s 1948 furniture catalogue for Herman Miller.
Fleurt, the winning design for the Battery Conservancy America's "Draw Up a Chair" competition, has been described as an “archetypal floral form” and even a “whimsical suggestion of sun-loving flowers floating in a field.” But it is much more than that. Fleurt “announces openness and photogenic warmth” and creates a “memorable, diaphanous landscape.” Fleurt “stretches out” with its “lounging curves.” Fleurt is, yes, fine, technically a chair. Fleurt comes to us from the mind of Canadian designer Andrew Jones who just won New York’s first-ever, open-call competition to create a moveable chair for a city park. The contest, which was launched in 2012 by the New York City Parks Department and the Battery Conservancy, received 679 submissions from across the Americas. From there, a jury selected 50 finalists and then prototypes of five of those designs were fabricated and exhibited to the public. And then, after 4,000 comments were collected, the jury picked Fleurt as the winner. And if it wasn't clear from the above descriptions of said chair, the competition organizers were very, very excited to announce that. Very excited. If you can slice through all the adjectives surrounding Fleurt, it is possible to get a sense of just the basics. The chairs are made of perforated steel and will be fabricated in varying shades of blue. The floral aesthetic is realized through petal-shaped armrests that may or may not be comfortable. “I don’t like the way it forces you to make a decision with your arms,” one sitter told the New York Times after trying out the Fleurt. To be fair, his wife disagreed with that assessment, saying “I’m not bothered by the arm rests." Soon enough you, too, can weigh-in on the Great Fleurt Armrest Debate of 2014 as the chairs are expected to arrive on the Battery Oval in Lower Manhattan by the end of the year.
Once again, top-drawer design talents—Ronan and Erwan Bouroullec, Konstantin Grcic, Ingo Maurer, Nendo, and Daniel Libeskind among them—claimed the limelight at the last Salone del Mobile. More than 300,ooo attendees navigated the halls of the Rho exhibition center, while closer to the center of Milan, satellite shows and exhibitions drew crowds to more avant-garde events. Here's a selection of our favorite pieces. Rival Artek While created as a work chair for the home office, this swiveling seat has a distinctive presence. Fabricated of birch, in high- and low-back styles; leather and fabric upholstery. Designed by Konstantin Grcic. Flying Flames Ingo Maurer Repositionable downlights and dimmable LED “candles” are held by magnets to a ceiling-mounted canopy that contains an integrated electronic ballast. Designed by Moritz Waldemeyer and Ingo Maurer and team. SU Collection Emeco These simple stools are offered with seats of reclaimed oak, recycled polyethylene, or an eco-friendly “concrete” material, atop legs of anodized aluminum or wooden legs. Designed by Nendo. 22nd Floor Moroso Folded steel and aluminum comprise an all-in-one seating and table unit. Varying the palette of textiles and surface materials creates a custom design. Designed by Tord Boontje. Carbon Fiber Chair Coalesse Weighing less than five pounds and capable of supporting 300 pounds, this stacking chair takes full advantage of the technical properties of carbon fiber. Designed by Michael Young. Shanty Summer BD Barcelona Design Each of the corrugated door panels fronting this cabinet opens in a different direction. Available in several color schemes. Designed by Doshi Levien. Paul Smith & Maharam Carl Hansen & Son Modern classics including the Wing Chair, the Shell Chair, CH28, and the CH163 sofa all receive the signature striped treatment. Textiles by Paul Smith & Maharam; chair designed by Hans Wegner. Paragon Artemide A body of extruded aluminum in matte black or anodized grey finishes, this blade-like floor fixture uses a dimmable LED lamp. Designed by Daniel Libeskind. N=N05 Casamania Breaking apart the components of a traditional sofa, this chair’s seat and backrest float separately, but are linked together by a thin exposed framework. The integral side table is made of ash wood. Designed by Luca Nichetto and Nendo. Big Will Magis This wheeled work or dining table extends to seat eight. The witty wheel-like pair of legs slide for easy expansion. Designed by Philippe Starck. Tuareg Foscarini This tubular fixture’s three LED light sources adjust 360 degrees and can be operated independently, allowing it to be used as a reading lamp, wall lamp, or floor lamp. Designed by Ferruccio Laviani.
This weekend, design firm Bade Stageberg Cox will transform Times Square with the help of nearly 50 reclaimed chairs painted taxicab yellow. The chairs will be arranged like theater seats and Times Square will be the stage. "As the plaza is occupied throughout the day, the chairs' movement and rearrangement becomes a performance about the ways in which people inhabit the public realm and shape it to suit their needs," said the firm in a statement. The installation is part of their Street Theater series, and coincides with New York City Design Week.
At the tip of Lower Manhattan, a three-acre green space in the 22-acre Battery Park may soon be home to a field of flower-shaped seats, a sea of brightly colored rocking chairs, or a plethora of pivotable chaise lounges. Last summer, the Battery Conservancy Americas launched the "Draw Up a Chair" design competition, the first of its kind from the New York City Parks Department, calling for a moveable, outdoor chair to fill the oval lawn of Battery Green. The new park is currently under construction as part of rebuild efforts after last year’s Hurricane Sandy devastated the area. From a previously condensed pool of 50, the Conservancy has chosen the top five proposals, from firms spanning four countries. Each unique design is stackable, weatherproof, and made of recycled materials. Full-scale prototypes of each Top 5 chair design will be on display for public examination and comfort testing in Battery City’s Castle Clinton National Monument from April 2014 through June 2014. The winner will be announced next June and awarded a $10,000 prize. U Rock Team Project by Davi Deusdara, Érica Martins, Tais Costa, Rafael Studart, and Alencar Falcão Brazil “The U Rock chair gives you the choice of sitting straight in a comfortable and beautiful chair or to rock it out in a fun, cool new take on the classic rocking chair. You just have to flip it over. Its design is friendly to all ages and being light, stackable and easy to carry around, it also contributes to many different social arrangements and situations.” The chair is made of PETE plastic bottles in combination with glass fiber for a lightweight, recycled material seat. Pivot Chair Simon Kristak and Aiden Jamison of Independent Design Group United States "The Pivot Chair is a study in dualities, ripe with qualities that encourage and accommodate different programs one finds at Battery Park. Lightweight yet durable, static yet moving, neutral yet specific, the Pivot Chair has two physical phases: upright and reclined, and the chair is set in these two positions by “pivoting” about a central leg. This allows the user to define their mode, passive or active, while within Battery Park." Its bent tube frames with metal slats or extended metal mesh infill are cost effective and can be manufactured locally. Fluert Andrew Jones of Andrew Jones Design Canada "The design impulse for Fleurt came from imagining how a field of chairs could poetically respond to the lawn of Battery Park. Using a single chair in repetition, the view across the lawn is transformed by the whimsical suggestion of sun-loving flowers floating in a field. The chair is conceived as an open blossom; seat, back and arms are abstracted as petals and synthesized into an archetypal floral form. Constantly rearranged by visitors to the park, the chairs create a memorable, diaphanous landscape." Fluert chairs are made of a thin steel shell, welded and then powder coated and its base is a single bent tube. In soft blues and mauves, the chair’s colors are representative of the first blooming bulb flowers. South Chair Jason Bird, Designer United States "The South Chair concept for the Battery Park Conservatory has been designed as a unique, contemporary form for outdoor movable seating. Robust construction and marine grade, exterior materials makes this design not only a long term proposition, but the soft curves, flexible backrest and color options provide a playful aesthetic and comfortable seat for a large percentage of the public." A single tube frame creates an "infinite loop" and the seat and backrest are fabricated of recycled milk cartons. This material is also used for boat decking, making the South Chair resistant to salt spray and sun damage. Maple Chair Maria Camarena Bernard of Maria Camarena Design Mexico "For manufacturing three Maple Chairs a sheet of aluminum of 0.2 x 96 x 48 inches is used. The entire chair is a single piece, which with cuts and folds acquires the desired form. This will make greater use of the materials and the waste is recyclable. ...The leaves on the seat and back are pictures of Silver maple leaves, a common tree in the region. The white aluminum, the pattern of the leaves and the soft and subtle shape claim to be a mantle, which instead of be placed in the grass for a picnic became a chair." View more details on each design here.
Designing for a specific space can be a challenge, but try designing a chair predestined to become a contemporary statement in the newly-refurbished Weston Library, part of the Bodleian Libraries at Oxford, which has commissioned only its third new chair in 400 years. Earlier this year, three partnerships—Amanda Levete and Herman Miller, Barber Osgerby and Isokon Plus, and Matthew Hilton and SCP Ltd—were shortlisted to compete for the prestigious prize, which has officially been awarded to Edward Barber and Jay Osgerby with Isokon, for their low, round-backed design. Barber Osgerby's contemporary interpretation of the competition brief resulted in a surprisingly slender, three-legged oak design that unites craft heritage and sculptural form to inventively meet reader requirements. The victorious prototype represents a scholarly design approach, with early inspiration drawn from awareness of the library's history and culture. The chair will be produced for installation in the newly-renovated Weston Library over the next year. Bodleian’s estates manager Toby Kirtley told The Guardian that the institution “wanted something that would be iconic and representative of the library. It should be contemporary in style, but not out of place in a heritage setting—innovative and original, without being too experimental and risky.” Barber Osgerby seems to have hit the mark, as Bodley's Interim Librarian Richard Ovenden said, "the winning chair is characterized by a strong identity, creative approach, comfort and suitability for intense study and research." The commission was last granted in 1936 to Giles Gilbert Scott, who designed two heavy, leather-clad bucket seats to furnish the New Bodleian Library building, which is currently undergoing an approximately $105 million renovation by Wilkinson Eyre Architects, and it is set to open in October 2014. Judges included Librarian Sarah Thomas, Director of the V&A Professor Martin Roth, and industrial designer of Kenneth Grange, among others.
Make the most of summer with a range of furnishings and finishings for hospitality, retail, and public urban spaces that can withstand the elements. Sponeck Chair & Table GreenForm Designer and architect Julia von Sponeck connected two curved sheets of fiber cement for a sturdy yet forgiving outdoor seating solution (above). Optional felt covers in gray, red, or a vibrant chartreuse coordinate with the body’s cement gray or custom coloring. Dimensions measure 31-by-24-by-20 inches with a seat height of 10 inches, while the coordinating 20-inch square table matches the seat height. Hedge-A-Matic greenscreen Define outdoor space with greenscreen’s fiberglass planters. They come in a curved or straight 48-by-18-inch base in 21 colors with a gloss, orange peel, sand, or matte finish. A 3-inch-deep powder-coated screen—also available in a curved or flat profile—is available in green, silver, black, or white for an overall height of 58 inches. Quartz Series Kornegay Design Informed by the facets of raw quartz crystals, Kornegay Design captures both the sharp edges and smooth surfaces in this collection of pre-cast concrete planters. Weighing just less than 2,200 pounds, the furnishings can withstand extreme weather and heavy pedestrian traffic. Four sizes range from 27 inches to 39 inches in height, and 23½ inches to 36½ inches in width, in a range of custom-mixed pigment dyes. Bicicleta Nanimarquina Inspired by a visit to India—where bicycling is one of the most popular transportation methods—Nanimarquina’s hand-loomed Bicicleta is made from repurposed 130/140 bicycle inner tubes. The 100 percent recycled area rug features a springy pile height of just under 1½ inches with an overall size of 5.6 feet by 7.9 feet. Decking Resysta This decking material is extruded from 60 percent rice husks, 22 percent salt, and 18 percent mineral oil. Its unique construction makes it ideal for outdoor applications. It can withstand rain, sun, snow, and salt water with or without a proprietary surface glazing that comes in 21 shades. Unlike conventional wood decking, Resysta features a Class A fire NFPA fire rating, and is also resistant to pest and fungal growth. Vigor Royal Botania Kris Van Puyvelde designed this outdoor dining table, which features thick, rough-hewn teak or mahagony boards dovetailed to a powder-coated aluminum frame for a handcrafted touch. The table measures 126 inches in length and 43 inches in width, with an overall height of 30 inches. Sled-based stools and a bench are also available for a complete dining collection. Rocking Chair SIXINCH Belgian furniture company SIXINCH recently established headquarters in Indiana to bring more than 50 products to the U.S., including the Rainer Mutsch-designed Rocking Chair. Made from rotational molded plastic, the chiseled outdoor piece comes in 20 bright colors and measures 25½ inches in height and 38½ inches in width, with a seat height of 15 inches. Spring Wildspirit Strips of steam-bent bamboo form Spring, a tabouret for use across a wide range of applications thanks to the fibrous material’s inherent strength and flexibility. Designed by Erik Jansen, its classic hourglass shape is suitable for backless seating or an ad hoc side table. Spring measures 19.7 inches in height and 16.1 inches in diameter.
An ambitious designer used Rhino to design and fabricate 20 variations on a chair in four months.For a designer aiming to streamline the gap between design and manufacturing, parametric modeling tools are a natural solution. LA-based Alexander Purcell Rodrigues found a place to work in just such a way at the Neal Feay Company (NF), a 60-year old fabrication studio in Santa Barbara, California, that is known for its exceptional metalworking. Together, the designer and the fabrication studio created the Cartesian Collection of chairs, aptly named for the analytic geometry that helped facilitate close to 20 design variations on the same aluminum frame in just under four months. “Not only were we pushing the boundaries of aluminum fabrication, the aim was to simultaneously create a lean manufacturing process,” said Rodrigues. Using Rhino with a Grasshopper plugin, Rodrigues developed a design for a chair that weaves together the simplicity of Western design with the complex ornamentation of traditional Eastern aesthetics. While the lines of the chair are clean and smooth, intricate embellishments on the back traverse multiple planes and angles, all on a shrunken scale. The time savings involved in designing with Rhino allowed the creation of another 19 variations on the theme. Rather than working with large billets of aluminum, Rodrigues and NF’s Alex Rasmussen opted to fabricate the chair from ½-inch stock, with an option for wooden legs or an upholstered seat. “The most difficult thing was the back rest because it required the most unconventional process,” said Rasmussen. “Once it was bent into a the basic form, the back was put into a four-axis machine that works in an X, Y, Z, and rotational axis to apply texture.” An anodized finish, which transitions between two colors for an ombré effect, adds to the bespoke appearance. Working collaboratively to solve hiccups in the fabrication process was a key component to the success of the project, and experimenting with tool paths helped create new patterns. Manipulating the original design in Grasshopper accounted for even minute deflections in the real-world fabrication scenario. “With this formula, you can play with variables that go in a hundred directions and multiply quickly,” Rodrigues said of the freedom of working in the program. “The world is your oyster in Grasshopper.” The team worked with aluminum for the frame of the chairs, a material choice that was made in part due to the fact that NF specializes in the material. In addition, the lightweight metal allowed a greater degree of accuracy than injection or press molding. “You can get all the screw caps and holes so exact with a precision of perfection you can’t recreate in other materials,” said Rodrigues. “And experimenting with the ombré anodized finish, NF pushed the boundaries very well, for something so thin and elegant.”
AN had boots on the ground at the 2013 Milan Furniture Fair, taking the air and parsing the differences. This year saw an abundance of collaborations between furniture designers and architects. What follows is the second half of our greatest hits, everything from modular shelving and sleek hardware to design-forward consoles and practical seating. View even more architect-designed furniture from Milan in the first section of our roundup here. Parrish Collection Emeco In conjunction with its collaboration with Konstantin Grcic on the mobile interiors of the new Parrish Art Museum, Emeco released the Parrish Collection of modular indoor–outdoor chairs and tables. Chairs are available with three recycled aluminum frame designs that can be combined into four seat options, including one made of locally sourced wood from Lancaster, Pennsylvania. Ovetto Wallsystem FLOS Continuing his collaboration with Flos, Antonio Citterio designed the new Ovetto wall light for functional up- and down-lighting on walls. The light can be mounted on a rosette or in its own socket. Other additions to the Wallsystem collection include a long-necked Minikelvin design and Disco, a pivoting head that allows for adjustable directional lighting. Tools for Life Knoll Celebrating 75 years of design at this year’s Salone, Knoll introduced its new Tools for Life collection designed by Rem Koolhaas’ practice, OMA. The twelve-piece collection is designed to facilitate the flow between office and social life with adjustable tables and consoles available in a range of Knoll finishes. Dream Chair Carl Hansen & Son Pritzker Prize–winning Japanese architect Tadao Ando and Carl Hansen & Son teamed up to pay tribute to Danish furniture designer Hans Wegner, one of Ando’s own influences. Designed with a single piece of bent plywood atop a bent plywood base, the chair is also available in oak and American walnut with optional leather upholstery. Stack Shelving Paustian Designed by professor and architect Anders Brix, Paustian’s Stack shelving system is made up of stacking elements that lock into each other, allowing the shelves to be assembled without tools. Elements are available in six colors and are easily reconfigured based on evolving needs at home or at the office. ColoRing Collection Schemata Architects Young Tokyo-based architect Jo Nagasaka, founder of Schemata Architects, reinterprets the traditional technique of Udukuri, in which a wood surface is polished to reveal its coarse grain pattern, applying bright paint leftover from construction sites before polishing the surface smooth. The collection includes a variety of tables, chairs, benches, and stools.