Posts tagged with "Canada":
The growing plane is shrouded in the intimacy of Le caveau (the cave) - a four-sided room of stacked gabions full of stones. Stone that allows light to filter through its gaps and washes the room with its shadows. It is a room of reflection. It is a room for dreamers. Just as the plane levitates before us, we are held in the balance of the stone and life itself. The personification of our own imaginations suspended in time. The primitive plane symbolizes a beginning - the seed and the soil, the tilted horizon between earth and sky.Carbone by Coache Lacaille Paysagistes: Maxime Coache, landscape architect; Victor Lacaille, landscape designer and Luc Dalla Nora, landscape architect) Nantes, France According to the Festival:
This installation evokes the cycle of production as a parallel to the carbon cycle. The garden landscaped or the landscape gardened. Regenerating the forest and sowing where we have harvested brings nature back to life. Transmit the love of landscape to those who will outlive us. A sculpted tree trunk, partially cut into pieces helps to illustrate the primary material used to build furniture. A stump and its roots, a tree trunk cut into parts and five modules made of timber, some lightly burned on the surface. A young tree grows where the tree might have grown tall had the tree not fallen.Cyclops by architect Craig Chapple Phoenix, Arizona According to the Festival:
Cyclops is a singular object on the landscape as well as a singular frame of the landscape. Made up of 258 8-meter long timber and 1 x 6 boards, they are held in a concentric ring by 2 steel rings suspended from the surrounding trees by stainless steel cables. Cyclops is held in a tenuous balance with the environment that provides for it. The central 1.5 m opening at the bottom of the cone is a highly-charged occupiable space for the viewer to both view the canopy in a new way but also truly feel the focus of the suspended weight as the physical latent force in the trees themselves. The viewer finds himself playing the central role of the work in rediscovering their relationship to the energy in their environment.La Maison de Jacques by intern architects Romy Brosseau, Rosemarie Faille-Faubert and Émilie Gagné-Loranger Québec, Canada According to the Festival:
La maison de Jacques (or Jack’s House from the children’s fable Jack and the Beanstalk) is different from the one we know. You might think you have just stepped out of a children’s story. The house is a green grove that is enveloped in bloom. You enter by walking on stepping stones that traverse a ground-cover made of small. Once inside, you wander between the rows of beans of tightly winding their way up a light wooden structure. The walls divide the space into a series of small hidden gardens, singular in their proportions. These cocoons are ideal hiding places for a game of hide-and-seek. One remains a secret, inaccessible...TiiLT by SRCW: Sean Radford, architect and Chris Wiebe, designer Winnipeg, Canada According to the Festival:
Finding roots in the formal geometries of the labyrinth and the many informal camping traditions in the Canadian landscape, TiiLT is a transformable and inhabitable place for visitors to act, or to idle, however they may be inclined. Each structure may be flipped between two orientations, responding to the position of the sun, offering alternating views and shifting pathways through the site. The toggling movement conjures a school of fish, or a flock of birds, flitting in opposite directions yet connected as a whole. The straw-like lightness of the structures and brilliant yellow skin recall a field of floral blooms, contrasting the surrounding green landscape and blue sky.
Toronto's ambitious plan for a linear garden under the Gardiner Expressway is made of 55 "outdoor rooms"
At six stories high, this is the tallest living Biofilter wall in North America.Neatly contained behind a glass and steel structure is Diamond Schmitt Architects and Nedlaw Living Walls’ latest creation: a 1,370 s.f. vertical living wall assembly, located within a prominent skylit atrium in Vanier Hall, a Social Sciences building on the University of Ottawa’s campus. What appears as a vertical leafy green decorative wall is actually a sophisticated system fully integrated into the building’s air handling system. Contaminated indoor air is drawn through the filtration mechanism—made of plant and root media—where microorganisms consume airborne pollutants as food, breaking them down into water and carbon dioxide. The biofilter effectively cleanses over 13,800 CFM of air. Birgit Siber, Principal at Diamond Schmitt Architects, has incorporated over a dozen large living wall installations in her projects: “One of the things I find so elegant about the initiative of using plants on a large scale within buildings is that it contributes to the indoor environment on so many fronts.” Not only does the wall cleanse dust and odor from the indoor air, but in the atrium, the living wall frames the school’s collaborative social space and functions as an acoustical attenuation device. The living wall can be seen prominently from the exterior, contributing to the school’s identity. The cost of the assembly was determined to be “cost neutral” by the University’s administration, which is seeking a LEED Gold Certification for the building. Biofiltration is a product of research developed at the University of Guelph’s Controlled Environment System Research Facility (1.5 hours west of Toronto), and resulted from an investigation done for the International Space Agency to purify air at a proposed lunar base. Siber teamed with researcher Dr. Alan Darlington, founder of Nedlaw Living Walls, to develop an installation to showcase his research 12 years ago. From this early collaboration between Siber and Darlington, a “no waste” spirit has driven the development of the system, which continues to evolve through seven built versions. Darlington attributes these developments to an underlying desire to improve building performance, “We’ve done a lot of work to streamline and make this as efficient as possible without losing the aesthetics of this system.” The wall at Vanier Hall is loaded with creative features to close the energy “loop holes” found in traditional building systems. Storm water runoff and HVAC condensation are captured and reused for watering the hydroponic plants, while a sophisticated daylight-integral lighting system limits electricity usage used for plant growth to adjust lighting conditions on the plants. The biofiltration living wall system is scalable, having been deployed by Diamond Schmitt Architects and Nedlaw Living Walls in city halls, offices, and universities. It has been developed in coordination with both new construction and renovation projects. Darlington notes that under ideal conditions, roughly 10 square feet of biofilters can generate enough “virtual” outside air for 5-10 people. Diamond Schmitt Architects currently have two US projects under construction – a mixed use tower in Buffalo, and a stacked sequence of four two-story living walls in an academic building at the University of Michigan in Ann Arbor. Architect Birgit Siber of Diamond Schmitt Architects will be speaking at the upcoming Cities Alive conference in New York City on October 6th on a panel discussion from 10:30am-noon entitled, "Living Walls Biofilters: Design, Operating Costs and Return on Investment."