The Orbit is also following in the footsteps of the earlier proposed project in Toronto by Sidewalk Labs. An offshoot of Alphabet Inc., Sidewalk Labs has redesigned the old industrial waterfront district of Quayside to resemble an Innovative Development and Economic Acceleration (IDEA) district. Both Canadian plans are idealistic in nature and check many of the boxes required for sustainable and sensitive development in contemporary discourse. However, their main drawback is that they are digital master plans, and their biggest ideas, from infrastructure to real estate, require the intervention and cooperation of many different parties—these outside partnerships undermine the authoritative leadership proposed by a utopian plan and jeopardize the guarantees the designers see (although Sidewalk Labs is definitely making progress).
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“The committee is of the opinion that the approval of (the) variance would allow for a new build that does not respect the landscape and character of the heritage features of the historic properties that surround the site, specifically those of the Rideau Canal, Major’s Hill Park and the Parliamentary Precinct, in contravention of the policies currently in place for compatible design and protection of views to these sites.”But Clewes, who has attempted to explain his design decision over the last few years, said the addition was imagined with the utmost respect for the historic site. In a 2016 interview with Maclean's, he claimed the hotel’s use of limestone and deeply incised windows was considered in the new project in order to complement the existing building. “We’ve chosen to reinterpret that... but in a much more contemporary manner, which is a series of vertical windows in a somewhat whimsical pattern—some have likened it to a bar code,” he said. “What we’re trying to say is, look, the hotel is the most important building here, and we were simply trying to respond to that.” If Clewes’s proposal was realized, it would be built on the site of a former parking garage located at the rear of the hotel. To signify the separation between the historic building and its contemporary predecessor, the architect added in a glazed structure so that “there’s a very clear distinction between what is old and what is new.” But it’s not enough. Larco Investments has already secured heritage and site-plan approvals from the city council but has failed in trying to minimize the required setback for an addition to the hotel property. The reduction, according to Ottawa Citizen, would project out towards the park and “represents an increase in density on the site.” It's expected that Larco Investments will appeal the decision with the Local Planning Appeal Tribunal.
“I hope the Oberlander Prize will spur landscape architects to innovate, be inventive and generate new ideas, and to be leaders in their community. Landscape architecture is ideally suited to deal with the environmental, social and ecological challenges we face now and the challenges we must plan for in the future. Landscape architects are a combination of artists, designers, choreographers, and scientists; they must also be leaders, especially in dealing with the effects of climate change. Through careful research, innovation, collaboration with allied professionals, and design excellence, landscape architecture can become a global leader in addressing the important issues we all face.”Oberlander is a highly-decorated, award-winning design professional whose influence most recently earned her the ranking of Companion of the Order of Canada, the highest level of the Order of Canada. Though she was born in Germany, Oberlander immigrated to the United States for a brief time to study at Smith College and the Harvard Graduate School of Design. In 1951, she became a community planner in Philadelphia, eventually working alongside Dan Kiley on both the Schuylkill Falls public housing project led by architect Oskar Stonorov and the Millcreek housing project led by Louis Kahn. Two years later she established her own practice in Vancouver and quickly garnered attention for her environmentally-thoughtful design. At Expo ‘67 in Montreal, she created the Children’s Creative Center, an innovative playground that led her work on 70 playground projects in her lifetime. “It was the consensus of the Prize Advisory Committee,” said Birnbaum in a press release, “which helped shape the Prize, and TCLF’s Board of Directors that Cornelia Oberlander’s inspiring and trailblazing career in the field of landscape architecture exemplifies the critical values and ideals of the Prize, and that she is someone who embodies the Prize criteria of creativity, courage, and vision.” TCLF is in the process of raising $4.5 million to endow the prize forever and has received individual commitments of $10,000 each from donors within its 100 Women Campaign. The inaugural recipient will be announced in 2021.
The complaints have focused primarily on the structure's external appearance, which currently resembles something less graceful than a flagship library branch. It has been compared to everything from a naval destroyer to a fall-out shelter, with some simply calling the building “ugly,” and have laid the blame at the recladding led by Toronto's Teeple Architects. Others have been quick to contrast the Edmonton design to its neighbor to the north, Calgary’s brand new public library, which opened to great fanfare late last year. Executed by Snøhetta and DIALOG, the Calgary project was popular with the general public and remained consistent from renderings through realization, leaving some Edmontonians to wonder what went wrong in their own city.urging patience for the public. The building’s appearance, they insist, will improve as it comes closer to completion. Protective materials will be removed, lights will be switched on, people will fill the space, and the full effect of the original design as represented in the drawings will be realized.
“It’s going to be amazing,” Martinez told Global News Canada. She may very well be right, and the controversy at hand may be little more than a distant memory by February, but at this stage in construction, residents can do little more than trust the process.
Despite support from Mayor Naheed Nenshi and a strong campaign by the Calgary 2026 Bid Corporation, which saw the Games as an opportunity to “put the city back on the map,” the message was clear: 56 percent of voters opposed the project. Critics say Calgary can now use the budget money it would have invested in the Olympics to take on new, much-needed public projects similar to the dazzling new Central Library, designed by Snøhetta, which opened last week. Though yesterday’s vote was non-binding, the mayor and local city officials say they’ll respect their constituents’ decision and officially suspend Calgary’s Olympic bid at a council meeting on Monday. Finding a solid host site is proving more challenging for the International Olympic Committee (IOC) year after year. Out of the seven countries that submitted bids for 2026, Sion, Switzerland, Sapporo, Japan, and Graz, Austria all withdrew earlier this year. The IOC eliminated Eruzum, Turkey, from the list in October due to its lack of experience hosting large-scale sporting events. Stockholm's plan for the games puts some sporting venues two hours outside the city—a potential cause for IOC concern, and its incoming government coalition is determined to get rid of taxpayer funding for the events. Italy’s joint bid for Milan and Cortina d’Ampezzo was just finalized this month after Turin, the 2006 Olympic host city, dropped out of the effort. The Italian government supports the decision but says it won't offer a single euro to help. The IOC is set to make its final decision for 2026 in June.
Unofficial #yycvote results for Vote 2018: 304,774 Ballots Cast 132,832 FOR Calgary hosting (43.6%) 171,750 AGAINST Calgary hosting (56.4%)— City of Calgary (@cityofcalgary) November 14, 2018