Sopheap Pich: A Room Indianapolis Museum of Art 4000 Michigan Road Indianapolis, Indiana Through August 24 Among the currently running exhibitions in the Indianapolis Museum of Art is a bamboo installation that embodies the essence and culture of Cambodia. Entitled A Room, this brainchild of acclaimed Cambodian contemporary artist Sopheap Pich furnishes the Efroymson Family Entrance with approximately 1,200 bamboo strips. The bamboo strips, both natural and artificial, are arranged into a circular curtain that extends 40 feet from the floor to its peak. The area inside the bamboo curtain measures 26 feet in diameter and is illuminated by natural light filtered through or between the bamboo pieces, making it an ideal location for visitors to meditate. Pich is distinguished by his consistent use of bamboo and rattan strips in his art installations. In this particular case, the light coming through the bamboo strips emulates the sensation of standing in a bamboo forest in Cambodia.
Posts tagged with "Cambodia":
At its 37th session held from June 16 to 27, 2013 in Phnom Pehnh and Siem Reap-Angkor, Cambodia, the UNESCO World Heritage Committee added 19 sites to the World Heritage List. The new additions bring the list to 981 noteworthy destinations. To be included on the World Heritage List, sites must be of exceptional universal significance and satisfy at least one out of ten selection criteria, which are frequently improved by the Committee to reflect the advancement of the World Heritage notion itself. The following cultural sites have been inscribed on the World Heritage List. · Al Zubarah Archaeological Site, Qatar · Ancient City of Tauric Chersonese and its Chora, Ukraine · Bergpark Wilhemshöhe, Germany · Cultural Landscape of Honghe Hani Rice Terraces, China · Fujisan, Japan · Golestan Palace, Iran · Hill Forts of Rajasthan, India · Historic Centre of Agadez, Niger · Historic Monuments and Sites in Kaesong, Korea · Levuka Historical Port Town, Fiji · Medici Villas and Gardens in Tuscany, Italy · Red Bay Basque Whaling Station, Canada · University of Coimbra – Alta and Sofia, Portugal · Wooden Tserkvas of the Carpathian Region, Poland & Ukraine · El Pinacate and Gran Desierto de Altar Biosphere Reserve, Mexico · Mount Etna, Italy · Namib Sand Sea, Namibia · Tajik National Park, Tajikistan · Xinjiang Tianshan, China
The US National Academy of Sciences has published the results of a survey performed in April 2012 of the forests of Cambodia, which uncovered a monumental, intricate landscape of low-density urban sprawl connected to ancient ruins of Angkor Wat that dates back to more than 700 years, invalidating archaeologists’ current understandings of pre-industrial urbanism. Until now, scholars have based their thoughts of medieval cities around the world on European cities. This study has revealed a colossal low-density urban system with working citadels and vast infrastructures in Cambodia. Lara Dunston of The Guardian wrote that the “high-tech survey of Khmer Empire sites has rocked the archaeological world and captured travelers’ imaginations.” The densely populated, sophisticated landscape system consists of and links Angkor cities such as Angkor Wat, Angkor Thom, and Bayon, along with seldom visited medieval city ruins of Phnom Kulen, Beng Mealea and Koh Ker, over 62 miles away. Koh Ker, 75 miles from Siem Reap, and Beng Mealea, 32 miles away, were thought of as isolated structures, but the study has revealed that they were actually large outlying service centers for Angkor.
Cambodian Rattan The Metropolitan Museum of Art 1000 Fifth Avenue New York, NY Through July 7 Sopheap Pich is a contemporary Cambodian painter and sculptor known particularly for his unique rattan and bamboo sculptures. He uses these two culturally meaningful materials to create organically flowing, three-dimensional, open-weave forms. Most of his works emulate the naturally fluid forms of human anatomy and plant life. For example, “Morning Glory,” a mesh sculpture inspired by the blooming vine that served as an important source of nourishment for the Cambodian population during the 1970s, gently slinks across the floor before gracefully opening into a delicate flower. This exhibition features ten of the Cambodian artist’s most important works, which appear to be weightless, but deliver deep and complex statements about culture, faith, nature, the rich, and the sometimes-tragic history of Cambodia.