Posts tagged with "California":
San Francisco–based architects Bohlin Cywinski Jackson (BCJ) have completed work on the Mountainside Stellar Residences and Townhomes, a ski-in, ski-out complex of residences and townhomes located on the slopes of Northstar, an upscale community located beside Lake Tahoe on the California-Nevada border.
The project, designed in partnership with developers West Partners and Mountainside Partners, consists of six detached residences and 11 clustered townhomes, each designed to maximize views of the surrounding landscape and to operate on a year-round basis. The homes represent an attempt by the firm to reinterpret the upscale ski chalet for a contemporary area and are designed with sustainability and technology at their forefront and are built to achieve LEED Gold certification.
Located amid a grove of Jeffrey pine and Douglas fir trees, the detached residences are themselves clustered on a compact site overlooking ski slopes and a mountainside lift, with the homes visually grouped together by their mirrored floor plan configurations. Each 3,400-square-foot structure is entered from above and features a double-height, upper-level great room living area topped by a large, wood-clad roof overhang. The overhang shields an outdoor loggia that extends from the indoor living areas and is supported by a simply articulated post-and-beam assembly. A black-stained cedar wood shingled wall separates the living wing of each home from the bedroom areas, one of which is a master suite. That suite is cantilevered slightly over the ski slope and is wrapped on three sides by floor-to-ceiling glass walls. All of this rests above a blonde cedar wood siding-wrapped base containing two smaller bedrooms, a guest master suite, and a media and entertainment room.
The townhomes, each roughly 2,200 square feet in size, cascade down a gentle slope, except here, instead of having shifts in facade geometry indicate different aspects of program within a single home, the townhomes shift in geometry as ownership changes from one unit to the next. The clusters of paired townhomes—with the odd, eleventh townhome existing as a freestanding structure— are each topped by one of two halves of a thickened, sloping gabled roof plane. These roofs extend beyond the exterior walls of each unit and are wrapped in the same blonde cedar wood as the single-family homes. The roof planes turn down along the shared party wall between the units, giving each side a more individualized expression and massing. Like the detached homes, the townhouse units also feature groundfloor outdoor spaces that connect to an interior great-room configuration, except that here, bedrooms are located on the floor above. Each structure is clad in the same mix of blonde, gray, and black cedar planks.
2016 Best of Design Award in Landscape > Private: Modern Vineyard by Jeffrey Gordon Smith Landscape Architecture
The Architect’s Newspaper (AN)’s inaugural 2013 Best of Design Awards featured six categories. Since then, it's grown to 26 exciting categories. As in years past, jury members (Erik Verboon, Claire Weisz, Karen Stonely, Christopher Leong, Adrianne Weremchuk, and AN’s Matt Shaw) were picked for their expertise and high regard in the design community. They based their judgments on evidence of innovation, creative use of new technology, sustainability, strength of presentation, and, most importantly, great design. We want to thank everyone for their continued support and eagerness to submit their work to the Best of Design Awards. We are already looking forward to growing next year’s coverage for you.
Landscape > Private: Modern Vineyard by Jeffrey Gordon Smith Landscape Architecture
Architect: Jeffrey Gordon Smith Landscape Architecture Location: Paso Robles, CA
Jeffrey Gordon Smith Landscape Architecture selected a subdued color palette accentuated with Mediterranean grasses and timeworn olive trees to define this 72-acre vineyard in the Paso Robles wine region. In order to create a poetic exchange among the landscape, architecture, and surrounding environment, the firm softened the structure’s modern aesthetic with grasses that mirror the native vegetation as it fluctuates through the seasons, creating a strong sense of connection with the region.
Landscape Contractor D’Alfonso’s Native LandscapesArchitect Ferguson-Ettinger Architects, Inc. Structural Engineer Craig Dobbs Isokern Fireplaces Earthcore Doors LaCantina Doors
Honorable Mention, Landscape > Private: Dorchester Art + Housing CollaborativeLandscape Architecture: site design group, ltd. Location: Chicago, IL
Located on the South Side of Chicago, Dorchester Art + Housing Collaborative is a unique development of 36 rehabilitated units that serve as mixed-income housing for artists, arts professionals, and those with a creative impulse, designed to foster community collaboration around the arts.
Honorable Mention, Landscape > Private: Gateway Plaza Landscape
Architect: Forum Studio Location: Richmond, VA
Positioned as a portal to downtown, this urban plaza weaves art, design elements, ample seating, and greenery through the site to catalyze a new urban vitality and serve as a model for sustainability.
Tom Wiscombe Architecture (TWA) has been selected as the winner for “The Sunset Strip Spectacular Pilot Creative Off-Site Advertising Sign Request for Proposal” (RFP) competition for a site located at 8775 Sunset Boulevard in West Hollywood, California.
TWA’s proposal reinvents the billboard as an overall typology, replacing the static, image-based, automobile-centric qualities with digitally driven, interactive, and public-space–making approaches.
The RFP comes as the City of West Hollywood, California, seeks to modernize the ubiquitous billboards that dot the Sunset Strip, a 1.5-mile stretch of Sunset Boulevard that cuts across the city’s northwestern edge. The municipality’s RFP called on designers to “design a technologically advanced, engaging, one-of-a-kind, billboard structure” while also inspiring “a 21st century vision with contemporary digital and interactive technologies, media, and multidimensional graphic design.”
TWA’s proposal reinvents the billboard as an overall typology, replacing the static, image-based, automobile-centric qualities with digitally driven, interactive, and public-space–making approaches. The scheme takes the typical “sign-on-a-stick” billboard and rotates it 90 degrees so that the short edge of the sign rests on the ground. In the process, the billboard transforms from a sign to a bell tower and, in the architect’s words, “speaks to a world where commercial and cultural content can be hybridized, and media is no longer just a way of advertising but a way of life.”
These two, now-vertical billboard planes are then bent and folded into a configuration that allows for human occupation. The billboard assembly is placed onto the site, which is articulated in the manner of a public plaza.
Wiscombe described the project this way: “Just a few months ago, Elton John and Lady Gaga did a pop-up duet right nearby our site, in support of his AIDS Foundation. I like to think of ‘The Belltower’ as a contemporary catalyst and venue for civic engagements like that. We are also committed to making it into a kind of digital testing ground for artists, who will be curated by our partner MoCA. They will essentially be able to take it over for periods of time. I think that fusing together the worlds of art and commerce will give the project life and force us out of our habitual modes of consuming media.”
Santa Monica to make all new single-family residential construction net-zero energy starting in 2017
Construction on Los Angeles–based Lorcan O’Herlihy Architects’ (LOHA) 95,000-square-foot San Joaquin Housing projects at University of California, Santa Barbara (UCSB) is nearing completion.
The firm is designing two of four housing clusters on the 15-acre North Campus, one of the areas where the 20,000-student university is concentrating construction efforts as it aims to increase its student population by up to 5,000 new students over the next nine years. The San Joaquin Housing area is to contain housing for 1,000 of those new residents.
LOHA’s schemes are manifested as a pair of two- to three-story clustered apartment blocks joined by external circulation and communal spaces. The structures themselves are organized in shifting geometries, with rhomboid volumes projecting over, into, and from an activated courtyard. Walkways are made up of articulated armatures that attach to the buildings’ facades and project into the courtyard. The courtyard’s exterior-facing walls feature punched openings and are marked by white siding, while dark surfaces line the courtyard’s interior. Though the overall project aims for a certain kind of scalar contextuality, this organizational scheme is decidedly daring: Social hubs, such as reading rooms, dining areas, and other gathering spots are distributed along these pedestrian routes, with some of these volumes elevated one or two stories above grade. Construction photographs show a staccato filigree of painted steel supports framing out the walkways between plywood- and Tyvek-wrapped buildings.
The San Joaquin Housing complex, abutting the northern edge of the adjacent, unincorporated community of Isla Vista west of UCSB, is being developed as part of a multi-architect housing expansion for the university master planned by Skidmore, Owings and Merrill (SOM). LOHA’s two adjacent complexes will be joined by two low-rise apartment blocks from L.A.’s Kevin Daly Architects (KDA) and two housing towers by SOM. Philadelphia-based architects Kieran Timberlake will also be designing a dining facility in the complex.
New construction is the result of the campus’s 2010 “Long Range Development Plan” (LRDP), set in motion to plan for the campus’s growth in its ecologically sensitive, largely suburban coastal community. The university’s growth rate dictated in that document, one percent per annum, is designed to mirror that of the neighboring city of Santa Barbara. Perhaps California’s state and local agencies should take note of this latest housing construction: It seems someone has finally figured out how to build housing to meet the community’s needs in a timely fashion without offending the neighbors too much.
In Lawndale, California, Rudolph Park host a myriad of paths of which feature a range of interactive spaces and landscape elements interspersed on the way. Not long ago, however, the 1.5-acre lot contributed little to the city and the state's South Bay area, which was deemed "park poor" due to its lack of pedestrian access to such park. Two non-profit organizations From Lot to Spot (FLTS) and The Trust for Public Land (TPL) worked with Laguna Beach, CA and Pasadena, CA-based landscape architecture firm EPTDESIGN to rejuvenation Rudolph Park. Upon its re-opening, Lawndale Mayor Robert Pullen-Miles described it as "the crown jewel of the city." The Architect's Newspaper spoke to the firm to discuss their approach and reasoning behind their design decisions.
The Architect's Newspaper: What informed the development of the “intellectual” and unstructured play experiences created for children’s areas? Why was this focused on?
EPTDESIGN: The park’s program was developed through community workshops led by FLTS and TPL. Program elements included green space, an amphitheater, a climbing wall, natural play, a restroom, a walking loop, fitness equipment, play for all ages, a picnic area, and a gently rolling lawn. EPTDESIGN developed a concept narrative to tie the program elements together. A narrative based on the site’s natural history grew from the public’s stated desire to have a “natural” space, and as a way to distinguish the park from others in the general area...that centered on a singularly themed play structure.
Could you explain the thought process behind the various topographical elements that feature throughout?
Lawndale sits where the coastal dunes once met the inland prairie, a land characterized by [a] unique topography of dunes and vernal pools. The park seeks to reintroduce the neighborhood to the dunes and prairie that once formed their landscape and to the ecosystems of the hills that frame the region. The park is divided into three zones: The Dunes, Prairie, and Hills. As a result, this playful topographic design allows the visitor to traverse high and low spots. [It] also highlights the site's low-impact stormwater strategy. To enter the site, one crosses over a vegetated swale and infiltration basin where all stormwater is collected.With regards to the climbing wall, how does the form and arrangement link to the overall scheme? What material is this and how was the wall constructed?
The concept narrative espoused playful topography as a way to tie the design to the site’s natural history, but the grading was also a very useful design tool to promote safety. The climbing wall and restroom were both grant-funding-contingent program elements that posed site security challenges. Both are large vertical elements that could obstruct sightlines from the street. Through the use of creative grading, the restroom was built into a constructed hillside. The climbing wall was oriented perpendicular to the street, sharing the same earthwork as the restroom structure, thus eliminating hiding spots. Behind and above the restroom and climbing wall, the finish grade slopes away gently, allowing unobstructed sightlines to the back of the park while creating a universally accessible route from the lowest spot in the park up to the highest.
The 50-foot-long climbing wall is an innovative feature, and an expression of horizontal strata, which involved extensive collaboration between the landscape architect, civil and structural engineers, architect, artist, and contractors. The climbing face is built from precast concrete modules that are anchored to a structural retaining wall. To keep cost down, there are only four different modules. Through the use of 3D modeling, the modules were laid out to create a varied and unexpected yet climbable texture while...avoiding the tacked-on look of off-the-shelf climbing wall handholds and integrating artwork.
I would also ask the same thing about the tiles. Are they featured throughout the park or just those pictured?
The tile work was done by artist Frank Bauer. EPTDESIGN worked with Bauer on the subject matter and locations. There are multiple pieces, and they are displayed in each of the three zones. Within the Dunes zone, ceramics were placed in a water runnel, and feature three-dimensional pieces for kids to discover. In the Prairie, tile work can be found in the entry plaza. And in the Hills zone, ceramic flower mosaics were placed in the climbing wall niches. All are intended to be “touched” and not just for visual display.
Claremont Custody Center in Coalinga, California is set to be repurposed as a medical marijuana production facility, after Coalinga city officials jointly agreed to sell the building to a local firm, Ocean Grown Extracts, to the tune of $4.1 million—conveniently covering the city's $3.8 million debt.
Prior to closure, the prison had a capacity of more than 500 inmates though operations were put to an end when California Department of Corrections and Rehabilitations decided to shut the facility down in 2011. Now, after lying empty for half a decade, the building will now become a high-security factory for cannabis oil extraction.
“It’s like the Grateful Dead said: ‘What a long, strange trip it’s been,’” Coalinga Mayor Pro Tem Patrick Keough told the Fresno Bee after he and council members voted 4-1 in favor of the plan. “We listened to the citizens and created a package that was reflective of our population.”
“You can never do anything that satisfies everyone,” Keough added, “but we were pretty darn close to doing that.” It has also been reported that the 77,000-square-foot building is due to create approximately 100 new jobs as well ending a "long journey to medical cannabis legalization for Coalinga" despite medical marijuana use being legal in California for quite some time.
Co-owner of Ocean Grown Extracts Casey Dalton explained the firm has their eyes set on operations being up and running before the end of the year. “We’re thrilled to be able to offer 100 jobs and make safe medicine available for patients,” she said. “We appreciate Coalinga taking a chance not only on us, but on the industry.”
In order for the firm to carry out extraction, the facility must be secured under locked gates with no public access with 24-hour surveillance. As for the building's interior, much of it will remain as it was left. Meanwhile, all employees are subject to stringent background checks which must be passed, plants must have tracking devices on them and the plant must also have techniques for odor control.