Posts tagged with "Calgary":

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Canadian music finds a new home at Calgary’s National Music Centre

Looming over 4th Avenue in Calgary's East Village is the new home for the National Music Centre (NMC). Known as "Studio Bell" and designed by Brad Cloepfil of Portland and New York-based firm Allied Works Architecture, the 160,000 square foot structure comprises two volumes connected by a skybridge.

Clad in terra-cotta, the building appears to shelter the historic King Edward Hotel, a venue renowned for its jazz scene. As for Studio Bell's programming, five levels are dedicated to exhibition space, displaying more than 2,000 objects of musical memorabilia and significance meant to inform and inspire visitors. Here, emphasis will placed on Canadian music.

In addition to this, recording, teaching, and event spaces, along with galleries, will be available for workshops and other programming. The galleries will be adaptable, doubling-up as low-key performance venues while alterable for the needs of exhibitions. A Canadian Music Hall of Fame can serve as a performance hall for an an audience of 300 people. The centerpiece of the building, the hall offers mobile acoustic walling and overlooks the lobby.

“They turn their heads; they’ve never seen a building like this in Calgary and I think a lot of people never expected such a building to ever be built in Calgary,” said NMC president and CEO Andrew Mosker. “We invented an institution,” said Brad Cloepfil. “[Mosker] had a dream of an institution that was more than a museum, kind of more than everything. A kind of music institution that doesn’t exist—education, performance, everything.” “Entering from the street, the building is filled with the reverberation of voices and music, drawing visitors up into five floors of performance, exhibit, and collections spaces,” Cloepfil added. “The apertures at each gallery create a threshold of sound, introducing the content and programs of the particular exhibition. The spaces between are filled with silence, with views that frame the city and landscape beyond.”
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CTBUH Names Best Tall Buildings for 2013

After reviewing over 60 entries from around the world, The Council on Tall Buildings and Urban Habitat (CTBUH) has selected this year’s winners of its annual Best Tall Buildings. Regional winners from Canada, China, the United Kingdom, and the United Arab Emirates have been announced, while an overall winner will be revealed at the CTBUH 12th Annual Ceremony in November. Projects are recognized for their impacts on the development of tall buildings and the urban environment, and for sustainability. For the Americas, the winner is The Bow (Calgary, Canada) by Foster + Partners, a 780-foot-tall curved commercial tower, which curves toward the sun to capture daylight and heat. The bow-shaped design maximizes views of the Rocky Mountains. According to Juror Antony Wood, the building functions well from an environmental urbanistic perspective. Category finalists include Devon Energy Center (Oklahoma City, USA) and Tree House Residence Hall (Boston, USA). The top tower in the Asia & Australasia region was OMA's whimsical CCTV (Beijing, China). The distorted form of the building, which operates as Beijing’s state television headquarters, is the result of complex programmatic, planning and seismic requirements. Category finalists include C&D International Tower (Xiamen, China), Park Royal on Pickering (Singapore), Pearl River Tower (Guangzhou, China), and Sliced Porosity Block (Chengdu, China). Europe's mixed-use The Shard (London, UK) by Renzo Piano Building Workshop is another winner. The “vertical city” involves 25 floors of office space, three floors of restaurants, a 17-story hotel, 13 floors of apartments, and four observation levels. The structure rests at the core of a revitalized commercial district. Category finalists include ADAC Headquarters (Munich, Germany), New Babylon (The Hague, Netherlands), and Tour Total (Berlin, Germany). In the Middle East & Africa, Sowwah Square (Abu Dhabi, UAE) captures a win. The complex, which encloses the Abu Dhabi Securities Exchange with four office towers and a two-story retail podium, utlizes a sustainable design method. Category finalists include 6 Remez Tower (Tel Aviv, Israel) and Gate Towers (Abu Dhabi, UAE). This year the CTBUH Board of Trustees awarded the Lynn S. Beedle Lifetime Achievement Award to Henry Cobb, founding partner of Pei Cobb Freed & Partners and the Fazlur R. Khan Lifetime Achievement Medal to Clyde Baker, senior principal engineer at AECOM.
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ACADIA Design and Fabrication Competition Winners Announced

Three winning designs to be fabricated by Brooklyn-based Flatcut.

This October, winners of the ACADIA (Association for Computer Aided Design in Architecture) design and fabrication competition will show off their parametric chops as part of the organization’s annual conference, now in its 30th year. Announced last week, winners were chosen from 15 finalists by a jury that included Tod Williams of TWBTA, Chris Sharples of SHoP Architects, Tom Wiscombe of Emergent, Dror Benshetrit of Studio Dror, and Thomas Christoffersen of BIG. The competition sought designs in three categories—furniture, partitions, and lighting—and entrants were encouraged to propose hybrid material assemblies that minimized waste and maximized material performance. Tomer Ben-Gal, founder of Brooklyn-based fabrication studio and competition co-sponsor Flatcut, served as technical advisor. Flatcut will fabricate the winning designs in its 100,000-square-foot Passaic, New Jersey, machine shop before they are sent to the conference, held at the University of Calgary, where they will be displayed from October 11-16.
  • Fabricator Flatcut
  • Designers Alison MacLachlan, Bryan Gartner, Richard Cotter, Elizabeth Boone, Adam Buente, Kyle Perry, Andrew Saunders
  • Location International
  • Status Design phase
  • Materials Rubber, heavyweight felt, aluminum, silicone, 3form Ecoresin, aircraft suspension cable
  • Process CNC milling, laser cutting, pressure press
Furniture: RECIP Designs in the furniture category had to be produced using two sheets of flat materials, one rigid and one flexible, no larger than 5 feet by 10 feet. Any material that would be available for sourcing by Flatcut was considered valid. The winning design, RECIP, is a modular furniture system by three students at the University of Calgary’s Faculty of Environmental Design. The project explores scoring techniques applied to 1/8-inch-thick recycled rubber, which is then folded into self-reinforcing and interlocking toothed panels and laminated to heavyweight felt batting. The team showed judges how the rigid yet flexible system could be folded into chairs, tables, shelving, or spatial dividers, then dismantled and recycled at the end of its life. “I think what attracted us [to RECIP] innately in a contemporary way is the fusion of two different materials and the way they performed together,” said competition judge Tom Wiscombe in his comments. “It involved certain types of techniques, like fusing, melting and different modes of manufacturing rather than using a single known tooling process.” Click here to see a PDF of the project boards. Partition: Hyperlaxity Partition category designs were permitted to use three 5-by-10-foot sheets of material to build their designs. The winner, Hyperlaxity: Parabolic Ligaments, was a collaboration between SOM’s Elizabeth Boone and PROJECTiONE design and fabrication studio founded by Adam Buente and Kyle Perry in 2010. The design uses aluminum components, including hundreds of v-clips, o-rings, i-bars, and triangular plates, joined by hexagonal silicone tendons with slits that allow the material to stretch over the aluminum pieces. Judge Dror Benshetrit said the non-modular form pushed parametric design. “I like how technically the inner rings, together with the other shapes create different opposite hexagon forms,” he said. Click here to see a PDF of the project boards. Lighting: Luminescent Limacon Like the furniture category, designs in the lighting category had to be produced using two sheets of rigid and flexible materials within the machine-able dimensions. Inspired in part by the fanciful linen collars of 17th-century Europe, the winning design is made with folded and nested ruffles of laser-cut 3form Ecoresin held together with a lattice of aircraft suspension cable, which produces tensile and compressive forces to create the light’s structural stability. Designer Andrew Saunders, an assistant professor of architecture Rensselaer Polytechnic Institute in New York, derived the pendant’s shape from a Limacon curve. The variables of this equation can be changed to produce different lighting effects based on conditions and performance criteria. “That it is two systems, one of a surface system and one of a kind of vector, is what I think together makes it look so beautiful and elegant,” commented Wiscombe. Click here to see the project boards.

The Future Is Video

When CAD rose up in the '80s and began replacing hand-drawing as the preferred means of rendering architecture-to-be, practitioners began decrying the death of the field. Obviously that was not the case, but in our increasingly digitized age/culture/lives, where sexy renderings predominate (to the cost of real architectural discourse, some might say, and probably rightly) on blogs and, uh, architectural websites and beyond, videos are becoming an increasingly important component of the process of placemaking. Or at least competitionwinning, as the above video by SPF:architects shows. When we first turned it up on Curbed today, we were taken aback by the lengths (some might call it desperation, but in these hard times, who can blame them) the firm had gone to to convince the judges of the worthiness of their entry in a competition to design Calgary's new Cantos project, billed as the only "national music centre" in Canada. Turns out, though, all entrants had to produce a video, including Diller Scofidio+Renfro, allied works architecture, Atelier Jean Nouvel, and the lone Canadian firm, Montreal's Saucier + Perotte. Since the LA-based SPF's is naturally Hollywood flashy, how do the other four stack up? Hey! We recognize that cut-out. Rip off! Playing the buildings? Where have we seen that before? For a Pritzker Prize-winner, this sure is chintzy. Dig the tunes.