What would it be like to approach the city from the perspective of an animal pushed out of its home by development, water falling during rain, or a windblown seed wanting to take root? What structures and spaces could be created or adjusted to make the city a more welcoming place for nature and wildlife? How could nature improve the urban environment if things were designed to welcome the natural world instead of seeing wildlife as unwelcomed invaders? This special event will start with a short tour around NatureStructure by exhibition curator Scott Burnham, followed by a session in which participants will brainstorm ideas for a more nature-centric city and draw on the windows of BSA Space gallery, sketching their ideas for a more harmonious relationship between nature and the city. All skill levels are welcome. You do not need to be a master sketcher to participate. Snacks, beer, and wine will be provided. Places are limited so reserve your spot today!
Posts tagged with "BSA Space":
There was a moment in the late 1960s when architects (almost always working in groups) wanted to literally lift their projects off the ground and allow them to float over the everyday landscape. Groups like Haus-Rucker-Co, the French Utopie group, and Ant Farm were all inspired by earlier experiments of Archigram, Cedric Price, Buckminster Fuller, and engineers like Frei Otto. Though these experiments were almost always created for gallery exhibitions or one-off installations (Ant Farm placed a large inflatable bubble at UC Berkeley to warn students about the dangers of pollution in 1970) these works continue to inspire architects and every decade they seem to get rediscovered by a new generation. A current exhibition The New Inflatable Moment at the Boston Society of Architects (BSA) is bringing the work back yet again and even cites a previous show, the 1998 exhibition and book The Inflatable Moment: Pneumatics and Protest in '68 by Marc Dessauce and The Architectural League of New York, for inspiration and precedent. The French historian of modernism Caroline Maniaque also wrote about inflatables in 2004 for a different generation. The BSA exhibition also highlights recent projects by Diller Scofidio + Renfro, Grimshaw, Anish Kapoor/Arata Isozaki, the late Otto Piene, and Norman Foster. But the exhibit also includes even newer projects by Graham Stevens, Chico MacMurtrie, and Berlin’s raumlabor. The idea of these projects also includes an element of idealistic utopianism and there is nothing wrong, at the moment, with idealism in architecture. The show still has a few weeks to run (through September 30th) so if you're in Boston visit the BSA Space (290 Congress Street, Boston, MA, 02210). Admission is free. Opening hours: 10:00 am to 6:00 pm on weekdays, and 10:00 am to 5:00 pm on weekends and holidays.
Boston's BSA Space is exploring the evolution of inflatables at its newest exhibit, The New Inflatable Moment, on display through September. The exhibition was inspired by The Inflatable Moment: Pneumatics and Protest in ’68, a 1998 book and exhibition by Marc Dessauce and The Architectural League of New York, which explored the relationship between inflatable technology and utopia. “With this exhibition, we revisit the moment of the 1960s explored by Dessauce to suggest that utopian thought is re-emerging today in architecture and art as evidenced by projects involving inflatables,” said curators Mary Hale and Katazyrna Balug in the exhibit description. From the advent of the hot air balloon to the studies of inflatable houses on Mars, the evolution of inflatable structures will be displayed in an interactive timeline created by Boston-based design agency Certain Measures. The timeline provides context for the different projects on display, showing them adjacent to corresponding sociopolitical moments in history. A series of installations, photos, videos, and models will also populate the exhibit, depicting the ways inflatables have embodied the radical and experimental thinking of architects and artists throughout history. Work by the likes of Buckminster Fuller, Ant Farm, Diller Scofidio + Renfro, and many others, will explore the experimental designs of this bubble-like architecture as well as the advancements in technology that are pushing inflatables into the future, and into space. “The exhibition reveals some of the most visionary architectural minds working with new methods of display and communication,” said Laura Wernick, chair of the BSA Foundation, on the exhibit’s web page. “Its premiere at BSA space will empower designers to similarly think and work in new ways to create a better future and motivate the general public to believe in it.” An opening reception for the exhibit will be held on Wednesday, May 17 at 6 p.m. The exhibition is currently open and runs through September 3, 2017. For more information about the exhibit please visit the BSA Space website here.
Stereotype: New directions in typography The Boston Society of Architects 290 Congress Street, Suite 200 Boston, MA Through May 25 The Boston Society of Architects (BSA) is currently exploring the boundaries and possibilities of traditional typography with an exhibition called Stereotype: New directions in typography. To delve into the future of the form—and to raise questions about what is next for it—the BSA is presenting works from 14 up-and-coming and established designers from around the world. “By exploring the opportunities at the intersection of technology and design, this new breed of artists is expanding the boundaries of traditional typography and integrating elements from the fields of animation, craft, performance, nanoscience, and graffiti into their work,” said the BSA in a statement. To push past a conventional understanding of typography as purely two-dimensional, the exhibition incorporates “time, movement, and the third dimension.”
Rights of Way: Mobility and the City BSA Space 290 Congress Street, Suite 200 Boston Through May 26 Rights of Way: Mobility and the City examines transportation and mobility in the global city through dozens of examples of how the city is shaped by the ways people move through it. Curated by James Graham and Meredith Miller of architecture studio MILLIGRAM-office, the exhibition seeks to demonstrate that our urban environment is a result of a complicated set of negotiations between designers, policy makers, the private sector, and individual residents. The show proclaims that each resident of the metropolis has a right to mobility and access to opportunity within the urban area while showing how those public rights are often at play in the shared commons of any given city. The exhibition examines large-scale urban futures, contemporary examples of innovative design for transit and public space, historical attempts at remaking the city, and individual adaptations of mobility systems. Rights of Way also includes three projects from the 2012 Audi Urban Future Award, focusing on three mega-regions: the Pearl River Delta in China’s Guangdong Province; São Paulo, Brazil; and the Boston–Washington, D.C. (BosWash) Corridor. Displays include renderings, drawings, photography, videos, infographics, and a media library that allows visitors to delve further into the issues raised by the exhibition content.
Reprogramming the City Boston Society of Architects Space 290 Congress Street, Suite 200 Boston, MA Through September 29 BSA Space presents a mixed-media exhibition, Reprogramming the City, curated by urban designer Scott Burnham. The works on display—videos, photographs, media stations, renderings, models—explore how the built environments of cities around the world are being retrofitted to accommodate new urban inhabitants and visitors. The exhibit also includes examples of urban infrastructure and systems that are being reimagined to reinvent a more functional urban landscape. There are 40 innovative examples from London, Amsterdam, Copenhagen, Hong Kong, and Boston that seek to develop new ways of urban design from within the city.