Posts tagged with "Brooklyn":

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New Jersey goes Brooklyn with new sustainable food hall

You can’t keep artisanal pickles, earthy micro-brews, and locally-sourced popsicle sticks in Brooklyn forever. At a certain point, these gluten-free, all-vegan treats are going to want to explore the world beyond Williamsburg. Like so many Brooklyn residents before them, they're headed for New Jersey

No, the Brooklyn Flea isn't relocating to the Garden State, but Inhabitat reported that a pre-World War I warehouse and adjacent lot in Long Branch is being transformed into a very Brooklyn-esque food hall and beer garden. According to the site, the 14,500-square-foot space has a rooftop garden and small batch brewery that will churn out "nano-brews." Aside from those tiny beers, the so-called Whitechapel Projects will also have community and arts spaces.

Fittingly, the project comes courtesy of some Brooklyn architects and designers including RAFT Landscape Architecture, Matt Burgermaster of Mabu Design, David Cunningham Architecture Planning, and Brooklyn Grange, which operates "the world's largest rooftop soil farms." The Asbury Park Press reported that bricks and timbers from the existing warehouse will be repurposed for the project and that an old elevator shaft will be preserved and topped with lights.

As Inhabitat explained, the multipurpose space could do more than dish up beers and artisanal snacks—it could have a significant economic impact for the Jersey Shore: "The Whitechapel Projects’ progressive-minded mission combined with a prime beachside location is expected to be immensely supportive to the local economy of Long Branch, New Jersey, a previously grief-stricken area post-Sandy." The project is expected to open next summer.  

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Herringbone Whisky Bar by Taylor and Miller

Owner-built interior explores the transition from two dimensions to three.

For his latest venture, The Montrose in Park Slope, Brooklyn, whisky bar proprietor and former contractor Steve Owen (with partners Michael Ferrie and Alex Wade) wanted a rough, industrial look evocative of an Old World distillery. "He was coming at it sort of from an antique perspective, as a pastiche," said B. Alex Miller, partner at Taylor and Miller Architecture and Design. "We were thinking of it in a different way." Taylor and Miller, who had worked with Owen on several projects when he was a practicing contractor, noticed the prevalence of wood herringbone patterning on the walls and floors of the spaces Owen was inspired by. "We'd done some other herringbone studies," said Miller. "We said, 'This is something that's often done in a high-end scenario. Let's pare it down to the barest of essentials, just do it out of 2-by-4 pine, do it in grain on the walls.'" The design of The Montrose became, said Miller, "a very basic exercise in transitioning from a two-dimensional to a three-dimension pattern," in which individual boards were pulled away from the wall in the z direction. Working in Rhino, the architects explored multiple iterations of the form, including the different textures created when a unit was defined as a single stick versus a two-board L. The ceiling, along which boards are arrayed lengthwise, also received a three-dimensional treatment. "There were some really interesting relationships in the ceiling," observed Miller, "almost like a musical score."
  • Fabricator Steve Owen
  • Designers Taylor and Miller Architecture and Design
  • Location Brooklyn
  • Date of Completion 2013
  • Material pine boards, nails, screws
  • Process Rhino, hanging, hammering, drilling
Though the herringbone patterning was developed almost entirely on the computer, Taylor and Miller wanted to avoid the sense of an overly precise, machine-made space—hence the use of standard lumber. "We're often looking at very basic materials, at how to do it in a repetitive way so that the human intervention is felt," said Miller. "We wanted to make it a little more than a highly fabricated, laser-cut, pristine sort of thing." Owen built The Montrose's interior himself. "Because he was a friend, and a contractor, we could remove a lot of the documentation that would normally be required," said Miller. In fact, Owen soon abandoned the digital models Taylor and Miller passed along. "Once he figured out the system, we were able to give him just data points, just coordinates," said Miller. "It was a feedback loop: he was interpreting what we gave him. He said, 'Okay, just give me the z data off the wall.' We joked that he was seeing the Matrix a little bit." The installation itself was "dumb, in a good way," said Miller, requiring nothing more than nails and the occasional screw. "When we're doing something like this that we know is hyper-labor-intensive, it can't be complicated from an install point of view. There's nothing overly polished; it's just dirty." That messiness is exactly what Miller most appreciates about the finished product. "When we go in there now, some of the curves are a little bit rough," he said. "You can see these—they're mistakes, frankly, but I love the space because of it. This is not a highly precious thing, this is not a highly sculptured piece. It's someone interpreting our concept."
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Brooklyn Bridge Park unveils 14 tower designs amid community debate

All the top names in New York City architecture are vying for a piece of Brooklyn Bridge Park, but whether any of their designs will be realized still remains to be seen. As community groups try to block Mayor de Blasio’s controversial plans to bring affordable housing to Michael Van Valkenburgh's celebrated park, the Brooklyn Bridge Park Corporation has unveiled 14 design proposals for two coveted development sites on Pier 6. Those proposals were unveiled just hours before a Brooklyn Bridge Park Corporation meeting that was packed with community members voicing their strong opposition to any new development in the park. The RFP that the corporation issued in May called for two towers—one 315 feet and the other 155—that are 30 percent affordable. This plan has been met with plenty of opposition, and even a lawsuit, from local groups who claim the towers will block views, eat up green space, and not provide appropriate funding for the park. Under a Bloomberg-era deal, revenue from private development at the park is intended to cover its upkeep and maintenance costs. At the meeting, local residents asked the corporation to reevaluate that plan and pursue other forms of funding. Most were adamantly opposed to new residential towers at the 85-acre park. "This is about developer's greed," shouted one woman during the meeting who was quickly met with applause. There were two individuals with signs that read "Parks for All / Not Condo$ for a Few" and even kids stationed right in front of the corporation's members with homemade signs that read "Save Our Park" and "We Love Our Park." Ultimately, the corporation voted 10-3 not to revisit the funding plan. It will, however, complete a new environmental review of the site. As the Wall Street Journal reported on Tuesday, if the lawsuit can be resolved, a decision on the site should be made by the end of the year and construction could start about year after that. The proposals for the pier, which were barely mentioned at the meeting, came from architects including Morris AdjmiPelli Clarke Pelli,Bjarke IngelsDavis Brody Bond, and Selldorf Architects, among others. You can check out all 14 proposals in the slideshow below, which reveal a wide variety of tower aesthetics rendered with most of the standbys we've come to expect in modern visualizations—hot air balloons, regular balloons, and plenty of birds. Surprisingly, not a single kayak.    
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New York City and Investors Make Multi-Million Dollar Bet on Sunset Park in Brooklyn

With tens of millions of dollars, New York City hopes to jumpstart a transformation of Brooklyn’s Sunset Park neighborhood into a hub for artists and tech companies. As the Wall Street Journal reported, the city is spending $100 million to transform part of the Brooklyn Army Terminal—an old navy-supply hub—into space for light manufacturing. That investment is just one piece of the millions of dollars flowing into the neighborhood from real estate investors. While the money will be significant, giving new life to Sunset Park's industrial corridor will take more than artisanal pickles and startups. It will take great public space and significant improvements to the neighborhood's streetscape. At this point, however, it's not clear if that type of investment is in the cards. About 20 blocks north of the Brooklyn Army Terminal is Industry City, a six-million square foot former industrial complex that currently includes startups, artist spaces, and light manufacturing. The impressive space hosted events for this year's New York Design Week and will soon be home to the Brooklyn Nets practice facility. To continue the building's transformation, a group of investors has purchased a 49 percent stake in the complex and plans to lease remaining space to food manufacturers with connected retail spaces. The idea here is to attract locals and tourists to the site. Nearby is the Liberty View Industrial Plaza, another early 20th Century naval supply center, which has received $80 million from some deep-pocketed individuals who want to create affordable space for small companies pushed out of the Garment District. As the Journal noted, all this investment could be muted by the fact that these buildings are pretty difficult to get to from the subway and the neighborhood's residential and commercial centers. "After decades of neglect, roads in Sunset Park are filled with potholes, some sewer lines are aging and walking from the residential areas to the factories requires a nerve-racking trip across the Gowanus Expressway," reported the Journal. "Fixing all that will require significant investment." The mayor's Vision Zero plan could play a role in making that connection safer and more attractive. The waterfront side of these buildings could use some work as well. Where DUMBO and Brooklyn Heights have the Brooklyn Bridge Park, Sunset Park has concrete piers. There is one glimmer of hope, though. The Bush Terminal Pier Park, the ever-delayed park, which has been under construction since 2009, may finally open this fall.
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Local Group Tries to Block Affordable Housing at Brooklyn Bridge Park

As AN covered earlier this month, Mayor de Blasio’s plan to bring affordable housing to Brooklyn Bridge Park has received steep opposition from local groups in neighboring Brooklyn Heights. They contend new housing development will eat up public space and that under-market housing would not provide necessary funding for park maintenance. Under a Bloomberg-era plan, revenue from private, market-rate development would help cover upkeep at the Michael Van Valkenburgh Associates-designed park. Under de Blasio, 30 percent of the two proposed towers for the park–one 31 stories and the other 16–would be subsidized. The groups opposing that plan have now formalized their opposition against it. According to the Wall Street Journal  the park neighbors opposing the project filed a motion in State Supreme Court in Brooklyn on Friday to stop the city from selecting a developer for the project. The publication reported, "the suit being heard Friday cited the enormous popularity of the park, the growth of the surrounding neighborhoods, increasing traffic and overcrowded schools. It seeks to force the park corporation to redo a required environmental impact statement that dates to 2005. The suit also said the original plans required that housing be developed only if it was needed to pay for the park." In the meantime, Gothamist reported that the rising condos designed by Marvel Architects are already blocking views of the Brooklyn Bridge and Midtown Manhattan.
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Mayor de Blasio Goes All In on Urbanism in Downtown Brooklyn

In the decade since it was rezoned, Downtown Brooklyn has grown up in a big way. Just look at its skyline and the new apartment towers and hotels that call it home. The open air between those buildings will soon be filled because development isn't slowing down—it's just getting started. But the next decade of change in Downtown Brooklyn could offer much more than the first. That's because as new buildings rose, the area’s street-level never kept pace: public space is still scarce and underused, streets are hard to navigate and dangerous, and educational and cultural institutions have been disconnected. Today, however, Mayor de Blasio announced strategies to change all that by injecting the booming district with new (or refurbished) parks, redesigned streetscapes, new retail, and better connections between its many cultural and educational institutions. These investments could be transformative in their own right, but are especially notable given Mayor de Blasio’s hesitancy to talk about the importance of urban design. To be clear, New York City’s commitment to safe, livable streets did not die when Mayor Bloomberg walked out the door. In de Blasio's New York, there have been new bike lanes and the like, but the mayor doesn't speak about these issues with the force of his predecessor. That seemed to change today as this plan goes all in on urbanism. “This is one of the city’s great success stories, and we have an incredible opportunity to take these stunning communities, parks, and institutions and knit them together,” Mayor de Blasio said in a statement. “The investments we are making will help Downtown Brooklyn continue its rise, generate good jobs, and make this a more dynamic neighborhood to live and work.” The plan starts where Downtown Brooklyn starts—at the mouth of the Brooklyn Bridge. The City plans to transform the 21-acre patchwork of underused parks and public plazas between the bridge and Borough Hall into a “great promenade and gateway into Brooklyn.” The renovated space, known as the "Brooklyn Strand," will be designed to better connect with the area's transit hubs and the celebrated Brooklyn Bridge Park, designed by Michael Van Valkenburgh Associates. This strategy follows a study commissioned by the Brooklyn Tech Triangle - a cluster of tech companies in Downtown Brooklyn, the Brooklyn Navy Yard, and DUMBO. It was led by WXY. While not mentioned explicitly, Vision Zero factors into this plan though the City's strategies to make certain corridors more bike and pedestrian friendly. This includes a multi-million dollar transformation of the Brooklyn side of the Brooklyn Bridge—a plan that was conceived under Bloomberg and is slated to break ground next year. Over on Willoughby Street, the City will "explore non-traditional roadway design that recognizes and accommodates the heavy use of the area by pedestrians." ARUP is working with the city on that redesign. The City has also pledged to build a new one-acre public park in Downtown Brooklyn and refurbish two others—Fox Square and BAM Park. The latter has been closed to the public for decades, but will be spruced up by WXY. Fox Square will be renewed by AKRF, with Mathews Nielsen. To boost business in Downtown Brooklyn, the City will offer-up some of its own ground-floor space to retail tenants. It may also consolidate its 1.4 million square feet to provide affordable office space for businesses. And there are plans to launch a consortium between Downtown Brooklyn’s 11 colleges to “better connect the tech, creative, and academic communities.” This is intended to best prepare students for jobs at Brooklyn’s Tech Triangle. The Economic Development Corporation will provide $200,000 in seed funding to kickstart that initiative. As part of this plan, the emerging Brooklyn Cultural District, which straddles the blurry border between Downtown Brooklyn and Fort Greene, could get its very own Businesses Improvement District (BID). The City said it will work with the over 60 cultural groups in the district to market the area as a preeminent cultural hub. Of course, at this point, these are all fairly vague proposals—just ideas on paper unbound by hard deadlines. But this announcement shows that as Downtown Brooklyn builds toward the sky, the City will refocus on the people walking, biking, studying, and working on the streets below.
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New York Design Commission Announces Excellence in Design Winners

Winners of the 32nd Annual Awards for Excellence in Design were announced last night at the Thomas Leeser–designed BRIC Arts Media House in Brooklyn’s emerging Cultural District. Mayor Bill de Blasio was on hand to honor the winning projects, which were selected by the city’s Design Commission. "While Brooklyn is my home borough, I am proud to be awarding a diverse group of projects representing all five New York City boroughs," the mayor said in a statement. "This year's winners exemplify the Design Commission's mission to enhance every New Yorker's quality of life through public design, regardless of their size or location of the project."  The 10 winning proposals are all unbuilt, but two special recognition awards were awarded to Tod Williams Billie Tsien’s LeFrak Center in Prospect Park and Louis Kahn’s Four Freedoms Park on Roosevelt Island. Cornell Tech's First Academic Building According to the New York Design Commission:
Cornell Tech's first academic building establishes an inspiring atmosphere for graduate-level research that will foster interdisciplinary collaboration with shared work areas and flexible learning spaces. The dynamic facade features bronze-colored perforated metal panels with strategic openings to the glass curtain wall beneath to control natural lighting and capture views of Manhattan and Queens. A monumental stair tower extrudes from the main structure above the lobby space to unmistakably mark the entrance along the central pedestrian walkway. The expansive undulating canopy does double duty in shading the roof surface to reduce thermal load and supporting an array of photovoltaic panels. At the ground level, an outdoor cafe offers views south to the central plaza and lawn, which will ultimately form the heart of the campus.
Four Directions from Hunters Point According to the New York Design Commission:
Whether tucked between book shelves, pushing up through the roof deck, or peeking out of the Q in the library's sign, Julianne Swartz's portal lenses serve to engage, orient, and disorient the viewer. Each lens presents a different optical distortion of the vista beyond-capturing a wide angle of the sky, inverting the Manhattan skyline, or multiplying focal points of the library's garden. Taken together, the portals mirror the fundamental purpose of a library, where visitors seek out information, find themselves transported to new realities, and come away with a different perspective.
Sunset Park Playground Reconstruction According to the New York Design Commission:
This sensitive playground reconstruction maximizes play value while respecting the aesthetic established in the 1930s, when Robert Moses included the original playground as part of the Works Progress Administration reconstruction of Sunset Park. Within an enlarged footprint, undulating pathways define the perimeter, separate play spaces by age group, and unite all users at a central spray shower with in-ground jets. By incorporating grade changes, these paths double as play features-challenging children to climb, balance, and explore. The planting palette adds multi-stem trees, shrubs, and groundcovers to complement the mature shade trees and incorporate seasonal interest.
Peace Clock According to the New York Design Commission:
Located across First Avenue from the United Nations headquarters, Lina Viste Grønli's sculpture celebrates the legacy of Trygve Lie, the first Secretary-General of the United Nations. The Peace Clock is a 17-foot-diameter brass kinetic sculpture that functions abstractly as a clock. Twice a day, the hands of the clock form the Campaign for Nuclear Disarmament Symbol-more colloquially known as the Peace Sign. Inspired by the history of the UN's formation and Lie's dedication to peace and fundamental human freedom, Grønli's clock stands as a reminder that time is both fleeting and infinite, always offering the opportunity to achieve world peace.
Joseph A. Verdino Jr. Grandstand According to the New York Design Commission:
Since its inception 60 years ago, the South Shore Little League has been a vibrant community institution, enriching the lives of thousands of children. The new grandstand, named in memory of a young player, is formed by a series of glue-laminated bents clad in a perforated metal screen with white painted supergraphics and a standing seam metal roof. With covered seating for 275 spectators, an elevated press box, a conference room, and protected dugouts, this simple yet elegant structure is a home run!
Conference House Park Pavilion According to the New York Design Commission:
Perched at the water's edge, not far from the 17th-century stone Conference House, the pavilion presents a simple yet contemporary complement to the historic structure. Set atop piles to raise it out of the floodplain, the structure forms a light and airy overlook and event space. The pavilion's arched canopy layers translucent fiberglass over naturally moisture-resistant, glue-laminated cedar rafters to maximize natural light while shielding visitors from sun or inclement weather. A series of stone walls set into the upland lawn offers an attractive seating option but also works to control runoff along the slope.
New York Botanical Garden's East Gate Entrance, Edible Academy, and Family Garden According to the New York Design Commission:
The redesign of the east entrance literally bridges the gap from the neighboring community to the Botanical Garden's horticultural collections and programming. Visitors follow a winding path through a verdant slope and cross a domestic hardwood pedestrian bridge over the valley to find the state-of-the-art Edible Academy and Family Garden. Employing simple shed structures, the design showcases sustainable features, including a greenroof system, solar panels, and geothermal heating and cooling. With classrooms featuring glass hangar doors for easy access to the garden plots and a decked overlook with views of the Bronx River, the Edible Academy and Family Garden promises to be an engaging and bucolic learning space.
Alley Pond Environmental Center According to the New York Design Commission:
Set back from the busy thoroughfare of Northern Boulevard, the environmental center is nestled at the edge of Alley Pond Park. The redesigned center nearly doubles the size of the current facility, enhancing the staff's ability to serve the 50,000 schoolchildren who visit annually. While a glazed brick facade presents a buffer to the road, the classrooms have large windows providing views into the park, and access to an exterior deck. The two facade treatments are unified by a sloped standing-seam metal roof, which folds down to drain water into an adjacent rain garden. By incorporating good environmental building practices, the Center's new home is itself a teaching tool, helping the Center achieve its mission to preserve the city's natural landscape.
SPECIAL RECOGNITION FOR COMPLETED PROJECTS  FDR'S Four Freedoms Park According to the New York Design Commission:
Four Freedoms Park commemorates President Franklin D. Roosevelt and celebrates the freedoms articulated in his famous 1941 State of the Union speech: Freedom of Speech and Expression, Freedom of Worship, Freedom from Want, and Freedom from Fear. Designed by Louis I. Kahn, the project was only realized nearly 40 years after his death. The design capitalizes on the island's thin, triangular tip with a tapered lawn extending from the top of a grand entry stair, flanked with allées of littleleaf linden trees. The symmetrical plan focuses the visitor's gaze toward the threshold of an openair room partially enclosed with monumental slabs of granite, which contain an excerpt from Roosevelt's speech. A master statesman and a master architect have, between them, given us a remarkable public space in which to contemplate these four essential freedoms.
LeFrak Center at Lakeside According to the New York Design Commission:
Constructed of rough-hewn granite and cloaked in earthen roofs, the LeFrak Center maintains a respectful low profile within the surrounding landmarked park. The one-story structures are linked with a bridge at roof level and frame an open-air elliptical skating rink and a regulation sized hockey rink. The hockey rink's monumental canopy features a midnight blue ceiling carved with silver shapes inspired by figure skating footwork. In the warmer months, the rinks are thawed out for roller skating, special events, and a water play feature for children. Combined with the restoration of the lakeside landscape, the construction of the LeFrak Center is the most ambitious capital project in Prospect Park since the park was completed in 1867.
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SHoP Architects Designing Brooklyn’s Newest, Tallest Tower

SHoP Architects has racked up another major project in Brooklyn. The firm behind the Barclays Center and the Domino Sugar Factory redevelopment, is designing Brooklyn’s newest, tallest tower. NY YIMBY spotted building permits for 340 Flatbush Avenue Extension in Downtown Brooklyn, where the firm’s 775-foot-tall, 495-unit building will rise. SHoP's high-rise will top Brooklyn's current tallest tower—388 Bridge Street—by about 200 feet, but its reign at the top could be brief. In June, the New York Times reported that enough air rights could be picked up on the same block as the SHoP tower—at the site of Junior's Cheesecake—to build a 1,000-foot-tall tower. There are no renderings for SHoP’s project just yet, but it will likely be a major improvement for Downtown Brooklyn's skyline, which is quickly filling-up with generic glass towers.
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Brooklyn Dominates 2014 Municipal Art Society MASterworks Awards

For over 120 years, the Municipal Art Society has been an important organization in New York City's efforts to promote a more livable environment and preserve the best of its past. It's successful preservation campaigns and advocacy for better architecture—such as its advocacy to rebuild a better Penn Station—are well known. Now the organization has announced its annual MASterworks Awards, and of the nine buildings selected this year as honorees, many are in Brooklyn, confirming that borough's continuing upgrading evolution. The Weeksville Heritage Center (Caples Jefferson Architects) has won the top honor, “Best New Building,” while “Best Restoration” goes to the Englehardt Addition, Eberhard Faber Pencil Factory (Scott Henson Architect). The “Best Neighborhood Catalyst” award will be given to the BRIC Arts Media House & Urban Glass (LEESER Architecture), and “Best New Urban Amenity” will go to LeFrak Center at Lakeside (Tod Williams and Billie Tsien Architects). Brooklyn Bridge Park (Michael Van Valkenburgh Associates) will be recognized as “Best Urban Landscape.” Additionally, this year’s MASterworks also recognized two new design categories. “Best Adaptive Reuse” will be awarded to The Queens Museum (Grimshaw Architects) and the NYC DDC Zerega Avenue Emergency Medical Services Building (Smith-Miller Hawkinson Architects) will take home the award for “Best New Infrastructure.” Finally, “Best Green Design Initiative” honors will be given to Edible Schoolyard at P.S. 216 (WORKac) and P.S. 261 School and Community Playground (SiteWorks Landscape Architecture). The MASterworks Awards, recognize projects completed in the preceding year that exemplify excellence in architecture and urban design and make a significant contribution to New York’s built environment.
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Towers by Thomas Leeser and Enrique Norten Break Ground in Brooklyn

Construction has started on two towers set to rise in the BAM Cultural District in Fort Greene, Brooklyn. Unlike most new projects in the area, one of the buildings to rise off Flatbush Avenue, a 32-story structure designed by Brooklyn-based architect Thomas Leeser, will not be luxury apartments, but a 200-room boutique hotel run by Marriot. The tower is one of the most architecturally distinct high-rises to arrive in Brooklyn in quite some time, with prominent, asymmetrical carve-outs along its glass facade that make it appear as if someone—or something—has slashed through its skin with a knife. The hotel includes a performance space in the basement, a bar on the roof, and a restaurant at ground level that overlooks a new public plaza. The hotel is sited between the H3 Hardy-designed Theatre for a New Audience, which opened last year, and a mixed-use, 27,000-square-foot project designed by Dattner and SCAPE. Nearby on the corner of Flatbush and Lafayette avenues, Enrique Norten of TEN Arquitectos is building another 32-story tower on a wedge-shaped lot. According to AN's earlier reporting, that tower "includes approximately 50,000-square-feet of creative and cultural space that will be shared by BAM, 651 ARTS, and the Brooklyn Public Library. In addition, the tower will include approximately 23,000-square-feet of ground-level retail, as well as approximately 300 to 400 apartments, 20 percent of which will be affordable." Adjacent to the tower is a 16,000-square-foot plaza.
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Brooklyn’s Kentile Floors Sign to Be Disassembled And Relocated

A compromise has been reached in the heated battle over the fate of Brooklyn's iconic Kentile Floors sign. The New York Times reported that the sign's owner will dismantle the structure and donate its red letters to the Gowanus Alliance, a local group which plans to reinstall the sign nearby. For that to happen, though, the eight-story, 50-year-old sign must first be removed from its current rooftop home without breaking. "There are some hurdles to clear," reported the Times. "The permits require that the 20-foot-high letters be reduced to four-by-four-foot sections and sent down a debris chute off the roof." City Councilman Brad Lander, who recently launched a petition to save the sign, told the paper he hopes the letters can be removed with a pulley and not "crammed down a chute."    
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Garrison Architects Debuts Post-Disaster Housing for New York City

New York City’s Office of Emergency Management has opened a full-scale prototype of its temporary housing units that would shelter those displaced from the next Sandy-like storm. The OEM describes "The Urban Post-Disaster Housing Prototype Program," as a “multi-story, multi-family interim housing solution that will work in urban areas across the country.” The prefabricated structures are designed by Garrison Architects and intended to be dispatched quickly after an emergency and assembled on-site. The individual housing units are currently on display in Brooklyn and range in size from 480-square-feet to 813-square-feet. According to Gothamist, the temporary homes include bedrooms, a bathroom, a balcony, a kitchen, and storage space. They measure 40-feet wide by 100-feet long. The prototype will be tested in the coming months by city officials and local universities. In the next few weeks, a gallery will open inside the structure to explain the project's development process to the public. This is not the first time Garrison has been tasked with creating resilient, modular structures for New York City. Last summer, the firm’s 35 prefabricated lifeguard stands and bathrooms opened at Rockaway Beach. But shortly after they appeared, some of the stations began rusting and leaking. At the time, DNA Info reported that the railing on one station had to be secured with duct tape. And since July, two of the stations have been covered in a tarp, placed behind a locked fence, and guarded around-the-clock with security. A Parks Department spokesperson told DNA that the bathrooms will be reinstalled later this year.