Time and its degenerating aspect came under scrutiny in a public installation by Los Angeles–based artist Sam Falls. Light Over Time casts everyday outdoor objects such as benches, scales, and seesaws in an experiment of the long-term effects of sunlight, rain, and temperature on diverse materials including painted aluminum, heat-sensitive tiles, and colored glass. https://vimeo.com/116682135 Peeling paint, scratches, cracks and general harbingers of wear-and-tear evoke the passage of time, an existential pulse point for Falls. “Temporality defines life for me; our growth and movement forwarding, our aging and our death,” he said in statement. Fascinated by the representation of light in photography, Falls used it as his muse. “I use photography as a starting point because it’s the best tool for representation–light is how we see,” he said. Untitled (Maze), is a series of powder-coated modular sculptures bolted together, cubicle-like, and painted in garish colors. One side is painted with UV protective paint and hence doesn’t age, while the other side is susceptible to the elements and degenerates. “As more time passes, a layer of protected pigment that exists beneath the layer of unprotected UV pigment will emerge and sort of rebirth the sculpture, bringing it back to its original form,” said Falls, describing a process comparable to snakeskin shedding. In Light Rooms, viewers step into a human-sized rectangular shelter with a marbled glass ceiling. Sunlight projects the colors of the stained glass into the tiny room, with just enough space for the head and shoulders, the dappled light ebbing and flowing according to the brightness outside. Meanwhile, Untitled (Wind Chimes) reveals new colors beneath the surface of the painted clapper when played, while Untitled (Thermochromatic bench) features heat-sensitive tiles that change color in response to light, shadows and temperature. By combining quotidian objects such as windows, benches and playgrounds, the artist attempts to underscore the passage of time and our engagement with the objects around us. The exhibition was on view at the MetroTech Center in Brooklyn until May 15, 2015.
Posts tagged with "Brooklyn":
As multi-use, coworking-type spaces continue to be all the rage, East Williamsburg is hopping on the bandwagon with a tentatively named ‘Morgantown’ creative community. Planned on an industrial lot on Johnson Avenue, the large complex will comprise office spaces, a retail corridor, rooftop dining, and communal courtyards. An “on-site artisanal food production space” is also in the works and will be located at the courtyards planned on Bogart and White Street, according to brokerage firm TerraCRG, which represents the property owner. The lot will have more than 40,000 square feet of outdoor space and over 23,000 square feet of office space, not including retail. The lot was the former headquarters of commercial printing company A.J. Bart, which recently sold the land plot for $26.75 million. The structure is projected to be three stories tall, according to DTZ, the commercial real estate firm responsible for attracting tenants. According to renderings, a mural will cover an entire wall facing Johnson Avenue. Construction of the complex is starting immediately, with a projected completion date of early 2016. Tenants, however, should be free to move in starting late this year.
It is not surprising that the Barclays Center has been a polarizing building. It was born out of one of New York’s most controversial development schemes, it draws big crowds to the heart of Brownstone Brooklyn, and, of course, has a bold architectural form and facade that people tend to really love or really hate. https://vimeo.com/128175007 But no matter what you may think of the SHoP Architects–designed arena, it hasn’t seemed quite finished since Jay Z inaugurated the building with eight sold out shows back in 2012. Because above the arena’s rippling steel skin was a bare white roof (save for the Barclays logo) that looked, more or less, like a bald spot. Now, that’s changing as the Barclays Center’s long-promised green roof is taking shape. While the 135,000-square-foot space will not be publicly accessible, it is designed to reduce noise output from the arena, capture rainwater, and provide nice views from the street, as well as from the new towers rising above it. The undisclosed cost of the project is being covered by a joint venture between Forest City Ratner and the Shanghai-based Greenland Holding Group, which has joined the Pacific Park Brooklyn project, formerly known as Atlantic Yards. The Architect’s Newspaper was recently granted exclusive access onto the Barclays Center’s roof to see the installation process. See for yourself in our video above.
Bureau V’s experimental music venue with a high-tech vibe set to open in a former Williamsburg sawmill
Brooklyn designers Bureau V have completed National Sawdust, an experimental performance venue in Williamsburg, Brooklyn that will be home to the Original Music Workshop (OMW). The name of the venue comes from the existing building’s history as a sawmill. OMW is a nonprofit led by composer Paola Prestini, whose advisory board includes heavy-hitters such as James Murphy, Laurie Anderson, Suzanne Vega, and Philip Glass. The 3,000-square-foot space in the heart of Williamsburg at North 6th Street and Wythe Avenue was a collaboration between Bureau V and Arup. It was originally conceived back in 2012 with an estimated opening of 2013. In 2014, it was still unfinished, and a Kickstarter campaign raised over $100,000. Now the project is slated for an opening in October. The design is a mix of a traditional European theater and a black-box space, combining the “crafted beauty of the former” with the “experimental programming and roughness of the latter.” The particular history of the site will add another layer of spatial interest to the building, as its industrial past is conflated with a high-tech present. The result is a sublime collision of new and old: technology and ruin, progress and history, refinement and grit. The acoustics are state-of-the-art and were developed with Arup. For more details on the design, see AN's original 2012 coverage.
One Fish, Two Fish – Brooklyn’s Gotham MetalWorks Fabricates Historical Reproduction for New York Landmark Building
Gotham MetalWorks in Brooklyn. Normally, recreating an item like this involves creating a plaster cast, something impossible with an item made of four separate pieces. Instead, the craftsman at Gotham MetalWorks created a rubber mold, then a plaster cast of each piece, sharpening detail after each imaging. The final piece was stamped in copper using a pneumatic press, precisely reproducing the architectural element. “We are likely the only metal shop in the region with the capability to have done this reproduction with the precision and authenticity that the client required,” said Branch Manager Doug Kisley. Gotham MetalWorks has a long standing history with landmark buildings throughout NYC. Because these buildings require specific replication of existing materials during restoration or renovation, approval can be an arduous process for contractors and architects. With an extensive knowledge of historical preservation coupled with CAD and state-of-the-art techniques, Gotham MetalWorks focuses on achieving the desired result of both client and contractor, while adhering to the Landmarks Commission codes.
When it opened in 2013, the Squibb Park Bridge that zigzagged between Brooklyn Heights and Brooklyn Bridge Park instantly became one of the most thrilling pieces of the waterfront retreat. The HNTB-designed pedestrian bridge was designed to have some bounce in it, so getting to the park was more than a typical pedestrian experience, it was a fun little adventure. At least for the humans voyaging across it—dogs hated it. The petrified, why-are-you-doing-this-to-me looks on their faces as the wood structure ebbed and flowed were haunting. But while the Squibb Park bridge may have seemed a little precarious, everything was surely fine. The movement was just part of the fun. The Brooklyn Bridge Park said so right on its website: "Walk across the award-winning Squibb Park Bridge and you may notice a little spring in your step. That’s because it was designed to be lightweight and flexible like the trail bridges in our state and national parks." See, totally stable. Well, maybe not. By last summer, the bridge wasn't just springing, it was swaying. So in August, the bridge was closed. That was supposed to be temporary, but the bridge is still off limits today. Back in February, the Brooklyn Paper reported that the structure needed $700,000 in repairs—nearly a quarter of the bridge's initial cost. Those repairs were supposed to wrap up in the Spring. So now Spring has arrived—almost peak Brooklyn Bridge Park season—and the bouncy bridge is still inaccessible. “At this point, because of the movement we notice, it would be overly optimistic to say we could solve this in two to three weeks," Regina Myer, president of the Brooklyn Bridge Park Corporation told the New York Times. Engineers are apparently studying the structure's movements. The bridge is still expected to open later this spring, but no exact date has been given. And there has not been a full accounting of exactly what caused the problems. A spokesperson has said the issue could come down to a "misalignment." Park officials told the Times that the solution will include installing cross braces, which a park spokesperson said would make the bridge "a little less bouncy than it was before." One would hope.
AN is participating in some great events during the upcoming NYCxDesign—the city's annual celebration of all things design. If you live in New York, or are in town from May 8–19, here are some key happenings to keep on your radar. In addition, at all these events and shows you'll get the chance to pick up a copy of AN's first special residential interiors issue, which is packed with information on other design happenings around town, highlights from the local art scene, stories on the latest trends in the field, and pages and pages of gorgeous homes. Hope to see you around town! BKLYN Designs Come see the upstarts in Brooklyn and visit the AN/AIANY New Practices Lounge. AN's Editor-in-Chief William Menking is conducting a panel with the new faces of Brooklyn architecture. Sunday, May 10th, 3pm-4pm Brooklyn Expo Center 72 Noble St, Brooklyn Frieze Art Fair Make your way to Randall's Island for one of the world's top contemporary art festivals. May 14-17 Randall's Island Park Duravit + The Architect's Newspaper Join AN at one of New York's best bathroom showrooms for a special event celebrating new collections from Philippe Starck and Christian Werner. Friday, May 15, 6-8pm Duravit NYC 105 Madison Avenue RSVP Here designjunction edit New York Check out an excellently curated display of interior design elements from leading global brands. May 15-18 ArtBeam 540 W 21st Street WantedDesign Visit Wanted's original platform for promoting design and see AN's Editor-in-Chief William Menking is moderating "Bright Architecture," a conversation on lighting, innovation, & architecture. May 16, 5:45-6:45pm. Terminal Stores 269 11th Avenue ICFF Now on its 27th year, this is the United States' biggest contemporary design showcase. Come say hi to AN staffers at booth #1870. May 16-19 Javits Center 655 West 34th Street
Speculation about the future of Park Slope's local cinema, the Pavilion Theater, is finally giving way to more concrete plans. The Real Deal reported that Hidrock Realty, who bought the Prospect Park West property in 2006 for $16 million, will likely overhaul the neighborhood movie theater and turn it into 24 residential units including 8,000 square feet of commercial space. The developer also owns the adjacent vacant lot. Architecture Outfit released two possible schemes for the theater back in December, but now real estate blog 6sqft revealed that the architect of record is Morris Adjmi, whose trademark style creating contextual yet modern buildings has made him a favorite with the Landmarks Preservation Commission—think the popular Wythe Hotel he completed in 2012. As part of the Park Slope Historic District, the exterior of the art deco theater will be preserved, but the interior, which isn't landmarked, could undergo a substantial renovation. A spokesperson for Hidrock told the Real Deal that a "sophisticated and "reasonably sized" theater could possibly replace the Pavilion. However, the cinema's lease through 2022, which includes the option of a 10-year renewal, could be a not-so-small hiccup in the fruition of Hidrock's plans for park-side, luxury housing.
As new apartment buildings continue to rise in Gowanus, Brooklyn, New York City's Department of Environmental Protection (DEP) has announced plans to install 90 bioswales nearby in hopes of cleaning the neighborhood's eponymous—and oh-so-polluted—canal. DNAinfo reported that starting this summer, the DEP will plan the so-called "curbside gardens" in hopes of soaking up about 8 million gallons of stormwater runoff, ultimately helping the overall ecological well-being of the Gowanus Canal. "Investing in green infrastructure is a cost-effective way to improve the health of the Gowanus Canal, green neighborhood streets and clean the air we all breathe," said DEP Commissioner Emily Lloyd in a statement to DNAinfo. This bioswale program is part of New York City's larger, multi-billion dollar effort to use green infrastructure to capture stormwater and beautify streets. As AN reported last fall: "Thanks to a landmark 2012 settlement with state environmental officials, New York City finally is taking major steps to manage stormwater near contaminated waterways that don’t comply with the Clean Water Act, such as the Gowanus Canal and Newtown Creek. The initiative includes an ambitious plan to spend $2.4 billion on green infrastructure, which can include streetscapes designed with materials such as structural soil and permeable pavers."
Thomas Balsley’s geometric pedestrian plaza reclaims roadway for neighbors in Clinton Hill, Brooklyn
After years of planning and workshops, Brooklyn's Community Board 2 recently approved a redesign of Putnam Triangle Plaza in Clinton Hill. The $3.75 million project, led by Thomas Balsley Associates, will significantly upgrade and expand the existing plaza that opened in 2011. The new space comes with a gray geometric paving pattern, new lighting, benches, tables, chairs, and bike racks, along with twice as many plantings and trees. There will also be new space for public art and events. The green light for the project comes months after Thomas Balsley Associates presented four options for the site to community members. That was the final stage in the plaza's public review process that had become notably heated; some local stakeholders decried the current plaza and the expensive plan to expand it. DNAinfo reported that the project will be primarily funded by the federal Transportation Enhancement Program with money also coming from New York City's PlanNYC and some local officials. Construction on the plaza is slated to start summer 2016 and last about one year.
If approved, this terraced building will rise in Williamsburg, Brooklyn, bringing the neighborhood new office space for tech and creative companies—and momentarily interrupting its unceasing march of bland and boxy new apartments. The "Williamsburg Generator," as it has been dubbed, would be the neighborhood's first ground-up speculative office building in four decades—but it is not a done deal just yet because the Gensler and HWKN–designed building sits within an area zoned for manufacturing. The Wall Street Journal reported that the project's developer, Toby Moskovits, who heads the women-led Heritage Equity Partners, will seek a special permit to get the project approved. While it would include 20 percent light manufacturing, some are already saying it is not appropriate for the industrial-zoned area. This issue will certainly be hashed out when the project enters ULURP in the next few weeks. As for its design, the Generator's brick and glass exterior is intended to evoke the neighborhood's industrial past while still giving it that glassy, modern feel. According to a press release from the development team, the interior layouts will be flexible and modular to accommodate the startups that will populate its halls. A public passageway will also cut through the building's two main volumes.
Last week, ODA: Architecture unveiled a dramatic rendering of a megaproject for Gowanus, Brooklyn, featuring a cluster of semi-transparent stepped pyramids. But almost as soon as the design was released, the site's owners stepped in as buzzkills, disavowing any connection with the ODA proposal. After the sleuths at 6sqft identified the future home of the ziggurats as 175–225 Third Street—thanks to a bit of graffiti pictured in the renderings—the owners, Kushner Companies and LIVWRK, released a statement indicating that they had already passed on ODA's pitch. "The developers are not working with ODA on this project and these designs do not represent our vision for this site or the Gowanus," they said. "We are committed to putting forth an outstanding plan that respects the context of the neighborhood and responds to the voices of local stakeholders." While we now know that ODA, which is currently working on other New York City projects including 10 Montieth Street in Bushwick, will not be bringing their pinwheel of Mesopotamian-inspired structures to the canal front, much about the future of the site remains uncertain. Last June, The Real Deal reported that the parcel could be rezoned to allow a mixed-use development of over one million square feet, to include 150,000 square feet of retail. The immediate area is ripe for commercial growth, with a Whole Foods located across the street and other large residential complexes going up nearby.