Although she was born in South Africa, Denise Scott Brown has become one of the United State’s most influential architects, a leader in postmodernism, co-author of Learning from Las Vegas (1972), a staunch advocate for women’s rights, and the mastermind behind projects such as the Sainsbury Wing of London’s National Gallery, the Seattle Art Museum, the Allen Memorial Art Museum, the capitol in Toulouse, and Franklin Court in Philadelphia. Today, in honor of Scott Brown’s 85th birthday, we rounded up just a few of her many notable moments over the years. On her years at the University of Pennsylvania… “Robert and I entered planning school hoping to study early modern planning ideas, like Arturo Soria y Mata’s linear city. We thought it was an interesting solution to urban-rural disconnection in mass cities. Trains, we suggested, should travel at 100 miles an hour. When teachers observed that would be too fast for transit stops, we replied, ‘That doesn’t matter!’ We were early modern machine romantics.” On winning the Jane Drew prize… “There is an irony in it because I knew Jane Drew. I hold very different opinions from the ones she held,” said Scott Brown, speaking to Laura Mark in the Architects’ Journal (AJ). “When we met over the years sometimes it was up and down,” Scott Brown added. “I gave a lecture once and I said something about Walter Gropius and there was a lot of shouting from the back of the room and it was Jane Drew. She was quite a down right woman and I’m a down right woman. She might mind that I have been given the prize—but I don’t. I’m very happy that people want me to have a prize and that she should have a prize named after her.” On winning the AIA Gold Medal… “It was worth being a witch.” On postmodernism… “So we do postmodernism, Philip Johnson does pomo. It doesn't have all that thought behind it and it doesn't even have the thought about aesthetics that we've done behind it. I call pomo 'limp,' and think what we do is lasting and part of modernism's long-past departure.” On party etiquette… Former dean Robert A.M. Stern recounted a 1969 party in which “I had to peel Denise Scott Brown away from fighting with Paul Rudolph in my apartment over the subject of the way Denise and Bob Venturi had treated Rudolph’s Crawford Manor.” Scott Brown and Venturi had “savaged” the building in Learning From Las Vegas. Stern describes architect Ulrich Franzen telling him: "Bob, you better go into the library, Denise is about to kill Paul Rudolph." On being a woman in architecture… “There’s a million ways to be a woman. There’s a million ways to be a mother. And there’s a million ways to be an architect."
Posts tagged with "Birthdays":
Richard Rogers turned 80 years old this week, making him the same age as Willie Nelson. You might think that’s a pointless comparison, but the Italian-born, British, self-described “left-winger” architect and the pot-smoking Texan Outlaw Country singer have more in common than one might at first suspect. At around the same time that Shotgun Willie was changing America by uniting the hippies and the red necks through music, Rogers and his buddy/collaborator Renzo Piano were converting critics into fawning admirers and altering the face of architecture with their design for the Centre Pompidou. “We thought of ourselves as bad boys who wanted to change the world, with the funny idea that you could do it through architecture,” is the way Piano put it in a recent article in The Guardian.
Happy 126th birthday, Mies van der Rohe! Google and San Francisco-based artist Willie Real are already celebrating with today's Google Doodle of Mies' iconic Crown Hall built in 1956 at the Illinois Institute of Technology in Chicago, where Mies was director of the College of Architecture. The Mies van der Rohe Society spoke with Real about his design and architectural ambitions. Here's a sample:
What was the most important thing to convey about Mies in the doodle, and how was it achieved? Celebrating Mies’ legacy was definitely a challenge. Mies did so many great buildings that are worthy of a doodle but it was pretty evident from the get go that highlighting what many consider his masterpiece was the way to go.Read the full interview here. Or for another take on the famous architect, check out this creative tribute video.
HAPPY B-DAY, MR. ARCHITECT On October 12, Richard Meier turned 75. His birthday bash for 150 was held that night at the Four Seasons, or rather under a white tent on Park Avenue alongside the Seagram Building fountains. Eavesdrop didn’t find anyone on the B-List who was invited, but all the A’s were there including Peter Eisenman, Michael Graves, David Rockwell, Robert A.M. Stern, City Planning Commission chair Amanda Burden with TV talker Charlie Rose, and President of the American Academy in Rome Adele Chatfield-Taylor with playwright John Guare. A Meier follower tells us that his 50th was held at his duplex on East 72nd Street, where he raised eyebrows by exiling his mother to a far corner of the room, while putting Burden on his right. Interior designer Rose Tarlow hosted his 60th birthday on the tennis court of the house he designed for Norman and Lisette Ackerberg in Malibu. This time, he was sent into his fourth quarter of a century by daughter Ana, who arranged everything in no-surprise white. No roasts among the toasts made by family and friends, with Meier himself going only slightly off-color in his effusive compliments to his lovely offspring. The cake was a layered white slab. ET TU, GUY? Buried but not deep enough for our eagle eyes is this passage in the October issue of literary journal The Believer, from an engaging interview with Guy Nordenson: “Frank Gehry’s relationship to engineering and construction says: the cruder the better. You visit the Disney Concert Hall and, in the office of the musical director, there’s this gigantic gusset plate that’s part of one of the trusses in the system. It’s exposed and fire-protected. One of the architects who worked on the project described it to me as a train crash in a room. It’s monumentally messy.” TURNING THE PAIGE It’s that time of the month again when bets are placed in showrooms across the nation. What is the future of Paige Rense and, for that matter, Architectural Digest? Authoritative rumor has it that AD’s eons-long editrix has been told she’s out at the end of the year. One shelter magazine editor-in-chief reports having been interviewed and insists that Condé Nast is going through the usual suspects one by one. We’re guessing that’s Deborah Needleman, editor-in-chief of defunct Domino; Stephen Drucker of House Beautiful; and Margaret Russell, the editor-in-chief of Elle Décor. But La Rense is not likely to shuffle off quietly. According to a prominent designer, she recently arranged a skit to impress bosses Si Newhouse and Chuck Townsend. Honorees on her coveted AD 100 list gave testimony to a group of advertisers that AD is still the number one shelter magazine in the world and that, hard times notwithstanding, they should continue to buy pages. Take away? Paige is essential to Si’s ongoing health and wealth. Another source says that Si only makes major personnel changes twice a year—right after Labor Day and right after New Year’s. Look for the other Louboutin to drop around January 2, 2010. Send engineering tips and ad pages email@example.com. A version of this article appeared in AN 17_10.21.2009.