The renderings just keep coming. And, after a recent groundbreaking, a building will too. With projects on their way in New York, Phoenix, Washington, D.C., Miami, Paris, Copenhagen,and Tianjin, China, Bjarke Ingels has just broken ground again, this time on the Faroe Islands off the coast of Denmark, where, in typical BIG fashion, he will lay down the largest building on the small, self-governing archipelago. Located on a hillside outside the capital-town of Torshavn, the new Marknagil Education Center will gather three of the country’s educational institutions under one roof. The building will house more than 1,200 students and 300 teachers—from Faroe Islands Gymnasium, Torshavn Technical College, and the Business College of Faroe Islands—within a white, cylindrical vortex. The building focuses inward while integrating itself into the landscape, centering around an open rotunda designed as a gathering point for cross-disciplinary exchanges, while reaching out into the surrounding hills with rectangular projections. BIG has released a substantial collection of renderings for the project, a selection of which can be viewed below.
Posts tagged with "BIG-Bjarke Ingels Group":
The Bjarke Ingels Group, along with Tess, Transsolar, Base, Transitec, and Michel Forgue, have revealed their winning design for EuropaCity, a 200-acre urban cultural and commercial destination located between Paris and Roissy. Combining the forms of a dense European city with an open landscape, EuropaCity is set to be a retail, cultural, and leisure city of unprecedented scale. Modeled on the European urban experience and equipped with cutting edge green technologies, the development will serve as a retail and cultural hub for the region as well as a laboratory and showcase for sustainable design. The project will contain concert halls, spas, and retail oriented around an internal avenue and based on traditional European urban models, with integrated infrastructures for bicycles and electric-powered public transit. The entire project will be caped in a massive landscaped green roof, containing, of course, ski slopes, hiking trails, urban farming, rolling hills, sloping valleys, and unmatched views of the Paris skyline. The mega-development will be linked directly to the Paris Metro and the Charles de Gaul Airport. “EuropaCity will be an experimental hybrid between urbanism and landscape design,” said Bjark Ingels in a statement. “Center and periphery overlapped in simultaneous coexistence of a recreational open landscape of rolling hills superimposed on an urban neighborhood of walkable streets, plazas, and parks.” While EuropaCity will be fully powered through solar, biofuels, and geothermal, BIG hopes to reach for another level of sustainability with the project by crafting a high quality of public life within the area and providing solutions by which we can improve the quality of the urban environment.
After a tumultuous few years, Miami’s real estate market is on the rise once again. When the recession hit the city in 2007, new developments came to a dramatic halt and abandoned construction sites became ubiquitous. But now, a surge of new projects—running the gamut from residential and retail to hotels and cultural institutions—are cropping up around Miami with many more slated for construction in the next few years. And some heavy hitters, such as Zaha Hadid, Rem Koolhaas, Herzog and de Meuron, and Bjarke Ingels, have signed up to lend their design sensibility to Miami's changing landscape. The Miami Herald reported that the city now boasts 20 new condo towers with an additional five towers in the works for neighborhoods just north and south of downtown Miami. AN has compiled a list of the most significant projects taking shape in the Magic City. Collins Park Garage by Zaha Hadid Your typical parking garage is usually a utilitarian, aesthetically bland structure that falls short on imagination. The city of Miami, however, has been reversing this trend and has commissioned architects to elevate the run-of-the-mill car park into a one-of-a-kind piece of architecture that draws visitors. Zaha Hadid is the latest architect to put her spin on the parking garage. For Collins Park, she has designed a sleek, curving structure that offers 400 parking spaces and retail on the ground level. The car park is in the process of being built. 1000 Museum by Zaha Hadid Zaha Hadid is leaving her imprint on Miami. Next up, she'll design a high-end residential tower, One Thousand Museum, for local developers Gregg Covin and Louis Birdman, that will be located on Biscayne Boulevard in Downtown Miami across from what will be Museum Park. According to Miami Condo Investments, the luxury high-rise will consist of 83 units and will run from $4 million up $12 million. Jade Signature by Herzog & De Meuron It seems like Herzog & De Meuron always have something brewing in Miami. The firm just released renderings of their new luxury condo, Jade Signature, located right on the ocean in Sunny Isles Beach. The planned 650-foot-tall, 55-story tower, though, might be over the Federal Aviation Administration’s height limit since any building over 499-feet at that location is considered dangerous. Asi Cymbal Building by TEN Arquitectos Developer Asi Cymbal has selected Enrique Norten and TEN Arquitectos to design a new mid-rise commercial building in Miami’s Design District. The development will consists of high-end retail, parking, offices, event space, and rooftop restaurant. The developer and Curbed Miami are currently holding a competition to name the new building. Portside Miami PortMiami launched a competition in 2011 commissioning plans for a new commercial district, dubbed the World Trade Center, and just recently revealed finalist PlusUrbia’s designs, which consists of a mix of infrastructure updates and major commercial and residential development. PlusUrbia’s plan includes new cruise-ship terminals and berths, and according to Curbed, skyscrapers, an expanded marina, hotels, retail, and luxury towers. SLS Hotel by Arquitectonica and Philippe Starck The chatter in Miami is that local developer Jorge Perez of the Related Group plans on building a 132-room SLS hotel designed by Arquitectonics with interiors by Philippe Starck, in addition to 450 condos ranging in size from 720 to 1,500 square feet, in the Brickell area. The 51-story tower is currently under pre-construction and is expected to be complete in 2015. The Patricia and Phillip Frost Museum of Science by Grimshaw The new Patricia and Phillip Frost Museum of Science (formally the Miami Science Museum), designed by Grimshaw Architects, is a $273 million complex that will house galleries, a planetarium, and wildlife center. This 250,000-square-foot building, located in Museum Park, will function like a “living building” with a vegetated roof and neighboring wetlands. The project is expected to be completed by 2014. Miami Marine Stadium This modernist 6,566-seat stadium perched on the Virginia Key has been abandoned for over twenty years, but now, steps are being taken to bring it back to life. Cuban-American architect Hilario Candela’s concrete modernist stadium is the first purpose-built venue for powerboat racing in the US. A few years ago, the stadium, now listed as a National Treasure, received $3 million in funding from Miami-Dade County Commissioners to preserve the modernist stadium and also turn it back into a water sports venue with concerts. At the end of last year, the Marine Stadium site plan, which includes a “Flex Space Park” and “Maritime Center” for operations and amenities, won the city’s approval, and next it goes in front of the Miami City Commission and the Miami Sports and Exhibition Authority. Once the plan gets the green light, Friends of Miami Marine Stadium will focus their efforts on fundraising for the stadium. The Grove at Grand Bay by Bjarke Ingels Group The once popular celebrity-frequented Grand Bay Hotel will become the site of Bjarke Ingels’ two new twisting residential towers in Coconut Grove. The 20-story luxurious high-rises will feature terraces, wraparound balconies, and a roof deck with private and communal pools. The $400 million project is slated for completion in 2014. Miami Beach Convention Center The competition is heating up in Miami between two developments teams vying for the massive Miami Beach Convention Center project. According to Curbed, Rem Koolhaas, the architect on the South Beach ACE team (with developers Robert Wennett and Tishman and landscape architect Raymond Jungles), went head to head with Bjarke Ingels of the Portman-CMC team (with developr Ugo Columbo and landscape architects West 8) at a public meeting a few weeks ago to show off their designs. Both teams propose new landscaping and parks, retail space, and residential developments for the 52-acre site in addition to plans for the convention center and updating the area around City Hall. Pérez Art Museum Miami Just as Herzog & de Meuron embarks on the Jade Signature tower, the firm is nearing completion of its 200,000 square-foot Pérez Art Museum Miami (PAMM and formally know as the Miami Art Museum). The new three-story building will house interior and exterior programming space for the museum’s collections and special exhibitions; an educational complex with classrooms, auditorium, and digital workspaces; and a restaurant and store. Shaded by a canopy, the museum will sit on an elevated platform and open to a veranda and plazas. If all goes as planned, the new building will be open to the public by fall of 2013.
Against all odds, BIG-founder Bjarke Ingels is actually building a mountain-slash-ski-slope-slash-waste-to-energy-power-plant in his hometown of Copenhagen. Announced in 2011, the project nearly stalled during the approval process, but officials in the Danish capital broke ground on the facility on Monday. Called the Amager Bakke Waste-to-Energy Plant, the structure represents Ingels' concept of Hedonistic Sustainability, the notion that a sustainable building shouldn't only be green, but should also be fun. And the Amager Bakke design certainly will be a tourist draw to Copenhagen's industrial waterfront, inviting visitors to ascend to the top of the facility via elevators and ski down its sloping rooftop year round. Several slopes to accommodate varying skill levels are included on the roof where a synthetic material serves as snow. Evergreen trees at the periphery of the slopes complete the Alpine scene. The facade is imagined as a checkerboard modular planters resembling oversized bricks with windows with facing an interior atrium in between. A slender chimney at the building's peak, updated from the original design, releases smoke rings periodically, indicating when one ton of CO2 has been released into the atmosphere. In 2011, the price of the incinerator was estimated at $645 million.
Since announcing his first North American project in New York and opening an office in the Big Apple, BIG-founder Bjarke Ingels has been moving fast. His meteoric ascent into a Danish-American icon is happening so quickly, that the starchitect has landed himself in the Smithsonian, in a manner of speaking. The venerable institution has just hired Ingels to prepare a master plan for the museum's Washington, D.C. campus, and we're left wondering if that might mean a new mountain range rising off the National Mall. The Washington Business Journal reported today that the Smithsonian signed a $2.4 million contract with BIG to create the first phase of the master plan, a task that is expected to take around 8 to 12 months. The project site is bounded by Jefferson Drive along the National Mall, Seventh Street SW, Independence Avenue SW, and 12th Street SW, as indicated on the map below. The study area includes many iconic Smithsonian buildings including the Smithsonian Castle (above) and the Hirshhorn Museum and Sculpture Garden (top). According to the WBJ, the team from BIG will investigate all buildings in the area, studying the architecture, engineering, and programming of the campus in order to recommend a "gateway" that promotes rest, education, and connects with the National Mall to the north. Among the challenges the campus currently presents is a disconnected flow of public space, dark and uninviting interior spaces, and dilapidated quarters.
It took some negotiating, but New York City Council has approved Durst Fetner’s plans to build West 57th, a 750-unit residential development designed by Danish architect, Bjarke Ingels. Crain's reported that the 32-story pyramidal “courtscraper,” sandwiched between 11th Avenue and the Hudson River, will consist of 750 rental apartments, with an additional 100 units in a converted industrial building. An early point of contention stemmed from what city council viewed as an inadequate plan for income-restricted housing, which will only be affordable for 35 years. While Durst Fetner didn’t budge on this issue, they did agree to donate $1 million to an affordable housing fund.
Phoenix-based developer Novawest wanted a new signature project for the city's downtown, an observation tower from which to admire the far-off mountain ranges and dramatic Southwestern sunsets, so Bjarke Ingels proposed to scoop out the spiraled negative-space of New York's Guggenheim Museum rotunda and plant it 420 feet above downtown Phoenix. Ingels' "Pin," a 70,000 square foot observation tower is elegant in its simple form, a ball on a stick, indeed evoking some far away Gulliver on a real-life version of Google maps finding his way to the Sun Belt. In another light, Phoenicians could ostensibly see a larger-than-life Chupa Chup or an upended mascara brush, but that's the beauty of pure form, right? Visitors will be able to ride one of three glass elevators up the reinforced concrete core to the top of the Pin's observation spiral, where flexible exhibition, retail, and recreation spaces will showcase panoramic views of the surrounding region and descend, round and round, to a restaurant in the lower portions of the sphere. "Like the monsoons, the haboobs, and the mountains of the surrounding Arizonian landscape, the Pin becomes a point of reference and a mechanism to set the landscape in motion through the movement of the spectator." Bjarke Ingels, principal at BIG, said in a statement. "Like the Guggenheim Museum of New York offers visitors a unique art experience descending around its central void, the motion at the Pin is turned inside-out allowing visitors to contemplate the surrounding city and landscape of Phoenix. Like a heavenly body hovering above the city, the Pin will allow visitors to descend from pole to pole in a dynamic three dimensional experience seemingly suspended in midair."
An inventive new park in Copenhagen’s Norrebro district, "Superkilen," designed by Bjarke Ingels Group (BIG), Superflex, and Topotek 1 serves as a sort of cultural collage of artifacts sourced from 60+ nationalities. Superkilen slices its way through the center of the city, soaking up and flaunting its inhabitants’ diverse cultural backgrounds along the way. The kilometer-long wedge of urban space, completed this summer, is divided according to use into three distinct color-coded zones and sports bike paths linking directly to Copenhagen’s cycling highways. The park’s "urban furniture" integrates a range of symbolic and functional items from all over the world. Armenian picnic tables join Iraqi swings, Brazilian benches, Chinese Palms, Islamic tiled Moroccan fountains, and an Indian climbing playground, among others. A "Green Park," almost entirely green, offers trees, plants, and grassy hills suitable for sunbathing, sports, strolling, and picnicking. The "Red Square" is brightly painted in geometric patches of radiant reds, oranges, and pinks and is intended for recreational use with indoor and outdoor sports arenas and exercise facilities. Locals can gather and mingle at the "Black Square," which acts as the city’s “urban living room,” and play a game of backgammon beneath a Japanese cherry tree, illuminated by a giant neon-red star from the USA.
The Durst Organization is launching a composting pilot program for the 600-unit Helena apartment building on Manhattan's West 57th Street. The program will start in the next few months and, if successful, will be implemented in Durst's planned 32-story W57 tower designed by Bjarke Ingels and expected to finish in 2015. This composting scheme, potentially serving 1,350 apartments, will be the largest residential composting project in the New York City. Instead of lugging compost to collecting centers throughout the city, compost at Durst's towers can be tossed out and picked up much like recycling. Tenants will gather their apple cores, eggshells, and other compost-able goods into a biodegradable paper bag and toss them into a communal garbage bin in the building’s garbage room. From there the waste will be picked up three times weekly and schlepped away to Riker’s Island to become fertilizer.
Denmark has chosen one of their own, the Copenhagen and New York-based Bjark Ingels Group (BIG) to design the Blåvand Bunker Museum, a structure to be located—or more specifically embedded—in a historic seaside site where German forces occupied Denmark during World War II. Ingels slices into the landscape and builds lightly out of glass atop the ruin of a massive concrete bunker, all of which will be recreated to serve a completely different purpose. The eye is immediately drawn to what looks like a pair of massive glass guns sitting atop the concrete bunker adjacent an incised hilly landscape of grass-covered dunes, creating a surreal Wonderland on the Danish coast, although it's unclear how Alice, a cheshire cat, and a late rabbit (all of which appear in the renderings) are connected to a World War II museum. The museum's entrance is accessed through a gap in a landscape that appears sliced and peeled back, allowing Ingels to preserve the old bunker's impermeability. Visitors are guided from paths traversing the hilly landscape into a sunken courtyard defining four distinct volumes behind glass walls, providing views of the galleries and hints of what's inside. The four split units—each with different functions—hold three museums and one special exhibition gallery. Inside the lower levels of the museum, an underground tunnel connects to the adjacent bunker and gun turret. Rising from the stronghold of the bunker, a dramatic spiral staircase ascends to a gun turret reimagined as a greenhouse-like glass room, contrasting the rough concrete of the existing bunker. The guns themselves house telescopes looking out onto the North Sea. The Blåvand Bunker Museum presents the old and new in a delicate balance, allowing bright skylights and modern white staircases to play off the ominous aura of a war bunker.
Bjarke Ingels, architect of mountains, now has set his eyes on Everest. The New York and Copenhagen-based architect's firm BIG has been tapped by the Rockefellers to design one of the world's tallest buildings at 1,929 feet for a new commercial development in Tianjin, China, a city of nearly 13 million people. Ingels revealed a cryptic, fog-shrouded rendering of the tower on his web site—indicative of the scarcity of detail yet released on the tower—but this being the information age, AN found more information and views of the tower on a clear day. BIG is working with HKS Architecture and Arup to design the $2.35 billion Rose Rock International Finance Center set within an SOM-designed master plan for the Tianjin Binhai New Area Central Business District. The new commercial neighborhood to the southeast of Tianjin replaces a formerly industrial peninsula with a mix of high-rises, historic sites, and parks anchored by a high-speed rail station and helps to connect it to the coast. Rose Rock Group, founded by Steven C. Rockefeller Jr., Steven C. Rockefeller III, and Collin C. Eckles, held a ceremonial groundbreaking on December 16, 2011 and is promoting the new tower as a key to transforming Tianjin into "the financial center of Northern China." Renderings show a terraced pyramidal tower with a palpable vertical thrust and clear reference to the Art-Deco stylings of its inspiration, the Rockefeller Center in New York. Just as the Rockefellers built ambitiously skyward in New York 80 years ago, Ingels said in a statement, "The Rose Rock International Finance Center will be to the contemporary Chinese city what the Rockefeller Center was to the American city of the 1930s: an architectural landscape of urban plazas and roof gardens designed to stimulate and cultivate the life between the buildings." Only this time, over a thousand feet higher.
Bjarke Ingels has again thrown us for a loop, this time in Bordeaux, France. Ingels' firm BIG has revealed its latest competition-winner called the Maison de l’Économie Créative et de la Culture en Aquitaine, or, for the rest of us, MÉCA. As AN noted in April, BIG won the commission working with Paris-based FREAKS freearchitects, beating out the likes of SANAA and Toulouse-based W-Architectures, but the renderings have been kept under wraps until now. Ingels' explained the design using his signature diagram-based narrative as an array of three visual and performing arts agencies arranged around a 120-foot-tall arch-shaped building. The architects approached the concept of the arch as a functional, programmatic, and symbolic guide in their understanding and design of the building. The arrangement begins (see diagrams in gallery below) along a flat line connecting three cultural institutions—OARA, FRAC, and ECLA—and then twists to create an asymmetrical geometry surrounding a void at the center of the arch housing an outdoor “urban room.” This central public space transitions between the building's interior and the public promenade weaving through the building. The archway, expressive of the building’s cultural function, also implies a connection between the building, its institutions, the waterfront, and the adjoining city of Bordeaux. The three institutions taking residence at the MÉCA each occupy different parts of the arch. Regional performing arts center OARA and the ECLA archives will fill the vertical posts while the regional visual arts center FRAC alights above with sunlit gallery space, including a large roof terrace. The entrance to all three buildings is below the “urban room” and accessible by large ramps leading visitors first underground before ascending either vertical pillar. A large rooftop terrace is also sliced into the sloping roof. The new center is clad in a regionally-traditional limestone with an intricately fenestrated facade adding rich texture and depth to the envelope. The $65.4 million project will be paid for with public funds and is estimated to be complete in 2015.