Architecture & Design Film Festival New York Through October 18, 2015 It's that time of year again. The Architecture & Design Film Festival is back with a roundup of films on architecture, design, and the built environment. It's a great way of taking the pulse of what's going on here and abroad, and how work is being represented to a wider public. https://vimeo.com/117273601 The films fall into two genres—by architect or designer, and by building. In the former, there is Concrete Love (read AN's review here), a beautifully made film by Maurizius Staerkle Drux about three generations of Böhm family architects, including Gottfried, the only German to win the Pritzker Prize. Ove Arup: The Philosopher Engineer, Henning Larsen—Light and Space, SlingShot about Dean Kamen, David Adjaye - Collaborations, and Talking to My Father on Irish modernist Robin Walker. https://youtu.be/hq-1BIaFjGc Talking to My Father is part of a subgenre of films made by the children of architects including Nathaniel Kahn's My Architect: A Son's Journey (2003) in searching of his father, Louis Kahn and My Father the Genius (2002) about Lucia Small's father, Glen. Whereas these two children were estranged, Simon Walker was close to his father and became an architect himself. He is now burnishing his father's legacy, recalling his apprenticeships with Corbusier and Mies, and trying to save his buildings. In SlingShot, Kamen is presented as more than just the man behind the Segway; he is an inventive spirit and problem-solver who is devoted to cracking big problems like clean water, and health issues—things we are running out of time to resolve. https://vimeo.com/61684753 The building-based films include Under the Skin of Design about the making of Ravensbourne (formerly the College of Design and Communication in London), the last building by Foreign Office Architects, Strange & Familiar: Architecture on Fogo Island, where architecture by Todd Saunders shapes a program by the homegrown Shorefast Foundation to enliven this remote Newfoundland Island whose economy had nose-dived, Modern Ruin: A World’s Fair Pavilion about the 1964 NY State Pavilion by Philip Johnson at the NY World's Fair (reviewed by AN here). https://youtu.be/MAPEioSNvDc The Infinite Happiness explores Bjarke Ingels' 8 House "vertical village" outside of Copenhagen. The film, which opened the festival, will give viewers a preview of VIA 57 WEST, the pyramid-shaped apartment building under construction on the far west side. Vignettes of mowing lawns, riding a unicycle, a children's treasure hunt, and a mailman offer glimpses of this self-contained world. An 8 House penthouse resident, Boris, who is originally from Bosnia, directly addresses Ingels: "Hello Bjarke. I think that... You are a madman. And that's with love. That's with affection. I think you created something of quality, something beautiful, something extraordinary... Is it living experiment? Is it social experiment? Is it just a product of the mad mind, extraordinary mind, a genius mind... I don't know what it is, but I feel privileged that I get a possibility to live (in) a place you built...Bjarke... I would like to borrow your brain, just a little."
Posts tagged with "BIG-Bjarke Ingels Group":
Bjarke Ingels receives LafargeHolcim Global Bronze Prize for his work to make a more resilient Manhattan
The LafargeHolcim Foundation for Sustainable Construction has recognized New York City's commitment to progressive and resilient solutions by awarding Danish architect Bjarke Ingels of his eponymous firm BIG the Global Bronze Prize. AN was on hand as Ingels and company accepted the award. https://vimeo.com/117303273 Having been extensively covered by AN, it has become common knowledge that BIG’s plan to wrap Lower Manhattan in a landscape berm, known as "The BIG U" keeping floodwaters at bay has been accoladed left, right, and center. As a response to the Rebuild By Design competition organized by the federal Department of Housing & Urban Development (HUD), BIG's winning scheme called for a piece of what Ingels called "resiliency infrastructure" to give the project a strong social context. The Rebuild competition offered incentives to develop urban protection strategies in post–Hurricane Sandy world. Ingels touched on this at the ceremony when he talked about questions the BIG team asked themselves when developing the project. "Could we imagine a way that this resilience infrastructure wouldn't create a see wall that would segregate the life of the city from the water around it?" Ingels asked the crowd. Speaking about when Sandy hit in 2012, Ingels recalled: "Even my office was without power for two weeks, and we were the lucky ones!" The scheme has also been dubbed The Dry Line, referencing the High Line linear park in Manhattan's Chelsea neighborhood. "Maybe we can learn from the High Line...which has become one of the most popular promenades in the city," Ingels said. He noted that in the case of the High Line, the infrastructure itself had been decommissioned and has since manifested its way into city life. "What if [we] don't have to wait for the infrastructure to be decommissioned?" He continued. "What if we can design the resiliency infrastructure of Manhattan so it comes with intended social and environmental side effects that are positive?" Ingels has attempted to answer these questions in his scheme for Lower Manhattan. Despite being in the process of realization, the project will take a lot of extensive collaboration and planning to be a success. If realized, here's what we can expect life on the Dry Line to be like: https://vimeo.com/90759287
https://vimeo.com/137783144 Communications firm Darkhorse deployed a drone with a camera to create a stunning video of VIA 57 West, Bjarke Ingels Group's first New York City building. At 467 feet tall, the building has been dubbed a "courtscraper" for combining elements of a Manhattan high rise with a perimeter block program. The building is expected to be complete later this year.
Here are ten beautiful views of pop-up architecture (and Bjarke Ingels) from the 2015 Burning Man Festival
As the Burning Man festival comes to a close, here's a look at what pop-up architecture was exhibited at the Black Rock site in Nevada. Attracting a diverse audience including an unwelcome plague of insects, Burning Man closed on Labor Day. During the festival, it has almost become expected to find many weird and wondrous sculptures and art installations ranging from psychedelic letterforms to giant wireframe naked statues by the likes of Marco Cochrane. Architect Bjarke Ingels was also on the scene wearing some very steampunk goggles. Take a look at ten of our favorite images found on Instagram of the annual festival. https://instagram.com/p/7dkxG5QSKz/ https://instagram.com/p/7ZBc0tLZQs/ https://instagram.com/p/7ZAYx7rZe4/ https://instagram.com/p/7WI6itLZf1/ https://instagram.com/p/7djMFgsX_Z/ https://instagram.com/p/7diw7Cxrku/ https://instagram.com/p/7dgdTKGWm3/ https://instagram.com/p/7Yx4Eiqb45/ https://instagram.com/p/7difXMqb7d/ https://instagram.com/p/7ZAOEBLZeh/
New York City is getting serious about future superstorms with $100 million to fund floodwater mitigation
On August 27th, New York City Mayor Bill de Blasio and the NYC Office of Resilience & Recovery announced plans to spend $100 million to fortify lower Manhattan against future superstorms. The latest proposal calls for green spaces, levees, and floodwalls to protect the area from East 23rd Street to Montgomery Street, and around the northern tip of Battery Park City. https://vimeo.com/117303273 This is on top of $15 million pledged in March 2015 for flood prevention in the area. To further capitalize the project, the city is leveraging its $100 million dollar investment as it enters the HUD National Disaster Resilience Competition in the hopes of gaining up to $500 million to finance flood protection in the target area. All current storm and floodwater mitigation efforts are a part of OneNYC, the city’s $20 billion global warming resiliency plan. Lower Manhattan is the target area because of its vulnerability to flooding during superstorms. The objective is to combine flood protection with accessible parkland for the affected neighborhoods. Of special concern is the storm readiness of NYC Housing Authority (NYCHA) complexes, including the Alfred E. Smith Houses on St. James Place, which were badly damaged by Hurricane Sandy. Initially, a submission from the Bjarke Ingels Group (BIG) branded dually as the BIG U or the Dry Line, was selected as one of six winning projects for 2013's Rebuild by Design competition. Sponsored by HUD, the Municipal Art Society, the Van Alen Institute, and other regional stakeholders, Rebuild by Design asked firms to envision how New York City and the region could protect itself against extreme weather. In the proposal, BIG U covered a more extensive area—from West 54th Street, to Battery Park, and up to East 40th Street—and envisioned more intensive modifications to the built environment. Rebuild by Design initially awarded $335 million to the project. The adapted plan draws on BIG U's guiding principle of small but powerful interventions that fit the scale of the neighborhood and activates public space, but the scale of the project will be reduced to meet the city's budget. Heather Fluit, from HUD Public Affairs, told AN that she couldn't comment on whether BIG's design will remain in any future project. "We've closed the book on that competition," she said. The final plan will be determined by the size of the grant received from HUD. The Office of Recovery & Resiliency is preparing a round-two proposal for the Disaster Resilience Competition. HUD is expected to share grant winners and funds allocated to each of the chosen submissions by January 2016.
The Pittsburgh Penguins, via their residential developer are set for, in the words of Bjarke Ingels, a "promiscuous hybrid" form of residential housing aimed at bridging the Uptown and Downtown areas of Hill District. The development will occupy a 28-acre plot of land around the former home of the Penguins the Civic Arena. Pittsburgh and the residents of Hill District must be ready for an iconic and maybe even bizarre piece of development, as the Danish firm specializes in the outlandish and obscure. Copenhagen, where the firm started, has become accustomed to Ingels' eccentric works, with some 26 projects having been built there already, but this is Ingels' first foray into a mid-size American city. BIG's Pittsburgh reception remains to be seen as no renderings have yet been released, though it's hard to see it not having a positive impact in the vicinity. The area to be developed, called the Hill District, is in need of rejuvenation and has been for sometime. According to the Post-Gazette, in 2010, over 40 percent of the local population was living below the poverty line but there is positive news as well, development projects in the area are on the rise—a supermarket opened in 2013, ending a more-than-30-year food desert. Quite what BIG will dream up, no one knows. Travis Williams, COO of the Penguins, claims hiring Mr. Ingels is a coup. "It will be something new and unique for Pittsburgh and I think the results are going to be phenomenal," he told the Post-Gazette. Quite what Hill District will make of it however, remains to be seen.
As if the ski slope Bjarke Ingels placed on top of his new waste-to-energy plant in Copenhagen wouldn't already make it the most interesting power plant in the world, the Danish architect wants the building's smokestack to puff smoke rings of carbon dioxide. Each ring will represent one ton of CO2 burned at the plant, which is being billed as the cleanest power plant on earth. Creating the world's first steam ring generator will be pretty tricky, but Ingels believes that with a crack team of combustion engineers and legitimate rocket scientists, and $15,000, he can prove that it's possible. As for the money thing, the starchitect, who recently purchased a $4 million penthouse in Brooklyn, would love for you to pitch in. Ingels has launched a $15,000 Kickstarter campaign to construct a third and final prototype of the smoke ring generator. Two smaller prototypes already proved to be pretty successful, so it's looking like Ingels and his team might actually pull this thing off. BIG is collaborating on this project with Peter Madsen's Rumlaboratorium and the Danish Technical University. "By sweeping nothing under the carpet, but rather projecting our carbon footprint onto the Copenhagen sky, we provide every single citizen intuitive information to help them inform the decisions they make for their lives and for the city that they want to live in," said BIG on the Kickstarter page. If all goes according to to plan, carbon dioxide smoke rings should be drifting over the Copenhagen sky in 2017.
High-Style Hacks: Bjarke Ingels, Henning Larsen, and Norm Architects tweak an Ikea flat-pack classic
Danish kitchen purveyor Reform has enlisted Bjarke Ingels, Henning Larsen Architects, and Norm Architects to put their spin on a mainstay of Ikea's kitchen designs, the Metod. While the architects' work is confined to surface treatments and small details, the results definitely elevate the kitchen above the generic flat-pack model. Bjarke Ingles and BIG added a loop of seatbelt webbing to the drawers and doors. Henning Larsen Architects accented the cabinets with strips of contrasting or coordinating metal. Norm Architects created a waterfall counter to frame door/drawer panels made of bronzed tombac, fiber-concrete, or smoked or sawn oak. The kitchens will be available in September 2015.
In observance of the 60th anniversary of the Series 7 chair, furniture manufacturer Fritz Hansen enlisted seven architects to re-envision the classic Arne Jacobsen design. Explaining the impetus behind the program, Jacob Holm, CEO of Fritz Hansen, said, "If we fall asleep on top of our heritage, design becomes museum items. And if that happens, it (design) no longer adds new value to the present time." The participating firms—BIG, Snøhetta, Zaha Hadid, Jean Nouvel, Neri & Hu, Jun Igarashi, and Carlos Ott in association with Carlos Ponce de Léon—certainly created some eye-opening interpretations of the chair. The architects' comments on their designs reveal their inspirations and intentions. Bjarke Ingels Group "The inspiration for the design is the materiality of the chair, the essence of the layered veneer and the functionality of the stacking. The final result is a subtle repetition of the iconic form language." Neri & Hu Design & Research Office "The idea of a replica, a re-edition, hinges on the duality between the original and the re-design. Our take on this project is to embrace this exact idea of duality and create an actual 'double'. The doubling of two original seats facing each other becomes the new version: The singular chair multiplied as the individual becomes a community. Reminding us that we are never alone, but always together." Jean Nouvel Design "Our chair is an example of Jean Nouvel's design signatures: contrasting colors and juxtapositions. Black and white mark each chair—although they still play together in a feminine and masculine flow. Creating a reinforcement of the curves of the front and of the back of the shell." Zaha Hadid "The provision for this chair was to create a harmonic transition from the existing shell and how it can effortlessly touch down on the ground. This special edition formalizes the Series 7 chair as a dynamic and seamless expression of structure and support. Formed from two continuous steel rods, the sculptural base sweeps down to the ground and reaches up to embrace the undulating shape of the iconic plywood seat." Jun Igarashi Architects "When buildings collapse during earthquakes, the building materials are wasted. Our idea is to collect the waste wood, introduce a color and process it into boards that can be used for furniture." Carlos Ott Architects in association with Carlos Ponce de Léon Architects "The chairs have been intervened the same way a vertical garden grows organically up a wall. The upholstery climbs and settles peacefully on the shell of the chair. The curved lines which compose the foundation of the different areas in the garden are mimicked and adapted to the anatomy of the chair". Snøhetta "We nurture differences. When opposites meets, they conjure an interesting dialogue. When nature meets the cultivated, when humans interact with architecture, when soft and hard co-exist—interesting things happen. "Maybe the Series 7 chair with its metal legs and wooden seat acknowledges this juxtaposition. We wanted to explore the soft side of the chair. "The wood is a representation of softness in contrast to metal. A legless construction is free and indeterminate. It is versatile and simple. And maybe it can be a symbol for social interaction and playfulness. If we add even more softness to it we might be able to create a new user experience, additional functionality. We want it to be a multifunctional social tool in both singular and plural contexts. You can sit in any formation dictated by any social scene you are in. It can be a singular, free, soft chair or a plural one in a fixed social situation." The chairs will travel to design festivals in London, Copenhagen, and Gent, Belgium before being auctioned to benefit UNICEF.
Since setting up shop in New York, the Bjarke Ingels Group (BIG) has quickly become one of the most visible architecture firms in the city. It all started with the tetrahedron-shaped residential "courtscraper," first called W57 and now dubbed Via, that is now nearing completion on 57th Street. And then there is BIG's viewing platform at Brooklyn Bridge Park that has been likened to a Tostito. (That nickname has stuck, but the project's funding has not.) Across the East River from the park, over on the Lower East Side, BIG is also in the planning stages for the Dryline, a flood protection system of landscaped berms and parkland that was awarded $335 million in the Department of Housing and Urban Development's Rebuild By Design competition. And then of course there is the recently-unveiled Two World Trade Center that may or may not be a staircase for King Kong. As these projects have been unveiled one after the other, anticipation has been building over BIG's planned residential building in Harlem. Now, thanks to some early renderings obtained by NY YIMBY we have a sense of New York City's next BIG thing. The residential building on 126th street would make a serious statement with an undulating, concave facade of glass and what appears to be concrete or metal panels. (The design is actually quite similar to BIG's 1200 Intrepid at Philadelphia's Navy Yard.) The T-shaped structure would cantilever over Gotham Plaza, a retail building on 125th street that is owned by Blumenfeld which is developing the BIG project with Extell. YIMBY reported that the building contains 233 apartments, most of which are studios and one-bedrooms. (Twenty percent of the building—47 units—will be priced below market-rate.) As the site also noted, the building's design appears to remain in flux as its facade has been rendered in both black and red.
For Two World Trade Center, Bjarke Ingels has created a tower with multiple personalities. From the 9/11 Memorial, the building, with its seamless glass facade, appears like a somber glass giant huddled around the hallowed site with its peers. But from pretty much anywhere else, the building is quite expressive with a stepped massing scheme that appears like a stack of boxes, a ziggurat sliced in half, or a staircase for King King. To give New Yorkers a better sense of how the 1,340-foot-tall building will impact the city's skyline when it opens in 2020, the New York Times has created a nifty visualization that shows the tower's virtual appearance from Brooklyn Bridge Park, Staten Island, Flushing, Queens, the Bronx Zoo, and Hoboken. Brownstoner reported that Ingels and New York Times architecture critic Michael Kimmelman unveiled the visualization at the Times' Cities for Tomorrow Conference on Monday. For more on the tower's design, check out our Q+A with Ingels from the day he unveiled his design.
Bjarke Ingels and James Corner give Philadelphia's 214-year-old Navy Yard a boost into the 21st century
Bjarke Ingels is giving Philadelphia's antique Navy Yard a jolt into the 21st century. BIG teamed up with James Corner Field Operations to bring a $35 million office building, called 1200 Intrepid, featuring double curves designed to mirror the contours of Corner's surrounding landscape. "Our design for 1200 Intrepid has been shaped by the encounter between Robert Stern’s urban master plan of rectangular city blocks and James Corner’s iconic circular park,” Ingels said in a statement. “The ‘shock wave’ of the public space spreads like rings in the water invading the footprint of our building to create a generous urban canopy at the entrance.” The 94,000-square-foot, four-story structure just broke ground in the Navy Yard. It stands adjacent to the Central Green, a park that boasts circular plots occupied by a variety of trees and plants, pedestrian pathways, and a hammock grove. In addition, it offers a fitness station, a table tennis area, and a running track that 1200 Intrepid's design responds to. The park and building are part of Pennsylvania’s plan to transform this segment of South Philly from an industrialized business campus to a multi-functional industrial space that will accommodate 11,000 employees working for companies ranging from the pharmaceutical industry to Urban Outfitters. The plan to revitalize the Naval Yard began in 2004 when the state commissioned Michael van Valkenburgh Associates, Robert A.M. Stern, and numerous experts to create a master plan that “includes environmentally friendly workplaces, notable architecture, industrial development, great public spaces, waterfront amenities, improved mass transit, and residential development,” according to the Navy Yard website. Ingels’ building will help reach the Yard’s estimated goal of supporting up to $3 billion in private investments, 13.5 million square feet of development, and 30,000 people. Although 1200 Intrepid has yet to secure tenants, according to the Philadelphia Business Journal, it is set to open its doors in 2016. The project is being developed by Pennsylvania-based Liberty Property Trust and Synterra Partners.