Posts tagged with "Biennial":
"Through artificial intelligence," wrote Diaz-Alonso in the installation description, "the work featured will be exposed to a perpetual state of transformation and mutation. The exhibition gathers a key set of practices, primarily from architecture, but also from art and fashion, to reveal facets of the strange beast that the tumultuous paradigm shifts of recent decades have left behind." The AI also uploads the imagery as individual posts on Instagram daily under the username @thearchitecturalbeast, each of which is complemented by cryptic texts that are developed by a separate AI program. This writing, which at first glance read like heavy theoretical essays with the aid of predictive text, was initially trained on the written work of Rehm, Liam Young, and Damjan Jovanovic. The combination of text and imagery created by The Architectural Beast demonstrates one way architects can let go of the wheel and give artificial intelligence greater agency in the role of human-centered design. The installation is currently on view through January 19.View this post on Instagram
We had the opportunity to move into a new office and I would go in through the hallway to go into the office to look around. We had a very clean, simple and clean office with a great staff and a great client. We became very good friends working on this project and it was always the way that the project was progressing. So it helped that for me coming over to this location was just that much more special
The Istanbul Foundation for Culture and Arts (IKSV) has named Mariana Pestana as the curator for the fifth edition of the Istanbul Design Biennial, which will take place in the Turkish metropolis in fall 2020. Established in 2012 as an international exhibition of creative work from the fields of urban design, architecture, new media, graphic, industrial, product, interior, and fashion design, the Istanbul Design Biennial aims to celebrate and embrace the city’s emergence as a global economic force with considerable creative potential.
Splitting her time between Porto, Portugal, and London, Pestana is the cofounder of an interdisciplinary practice called The Decorators and works primarily on cultural programs and design interventions for public space. She also has extensive experience in academic and curatorial work. Since pursuing her Ph.D. in Architecture at the Bartlett School of Architecture at University College of London, Pestana has taught at the Royal College of Arts, the Chelsea College of Arts, and Central Saint Martins. Pestana has also served as a curator at the Victoria and Albert Museum’s Department of Architecture, Design, and Digital, and has co-curated exhibitions for the 2013 Lisbon Architecture Triennale and the 2019 Porto Design Biennale.
The fourth edition of the Istanbul Design Biennial, which took place in 2018, centered on the design process through six distinct “schools.” While a thematic focus for the fifth edition has yet to be announced, it is clear that Pestana will bring significant experience in design-based exhibition work to the Bosphorus over the course of the next year.
“We care deeply about the Whitney. Over the years, many shows at the Museum have inspired and informed our art. We were angry when we learned of Kanders’s role as CEO of Safariland, a company that manufactures tear gas and other weapons of repression. At the time, we had already accepted your invitation to participate in the Whitney Biennial and were all well into fabrication of major pieces for this show. We found ourselves in a difficult position: withdraw in protest or stay and abide a conflicted conscience. We decided to participate.” “But the Museum’s continued failure to respond in any meaningful way to growing pressure from artists and activists has made our participation untenable. The Museum’s inertia has turned the screw, and we refuse further complicity with Kanders and his technologies of violence.”Among the eight artists to denounce the Biennale was the University of London-based research group Forensic Architecture, which uses architectural spatial analysis and forensic techniques to study human rights violations around the world. Hyperallergic reported that the studio and its partner Praxis Filmes has asked the Whitney to replace its 10-minute video Triple-Chaser, which traces the spread of tear gas and bullets through companies like Safariland, with a new film that shows incriminating evidence that Kanders is directly linked to a bullet company that’s been selling products to the Israeli Military Industry. The New York Times dually noted that Kanders’ supply of tear-gas grenades have been allegedly used during protests at not only the Israeli-Palestinian border in Gaza, but also at United States-Mexico border, in Ferguson, Missouri, and at the Standing Rock Indian Reservation, which straddles both North and South Dakota.
Forensic Architecture and its founder Eyal Weizman have not commented on the news yet, but Whitney director Adam D. Weinberg, released a statement on Friday saying the museum will follow through with the artists’ requests, according to the New York Times. “The Whitney respects the opinions of all the artists it exhibits and stands by their right to express themselves freely. While the Whitney is saddened by this decision, we will of course comply with the artists’ request.” It’s unclear exactly when the pieces will be removed from the exhibition, but it will likely happen quickly as the Biennale is set to close in two months. So far, work from the remaining 67 exhibitors will stay on view in the showcase through September 22. After this article was published Forensic Architecture released an official statement on its withdrawal writing: "As a result of our findings, and in solidarity with Palestinian resistance, Forensic Architecture and Praxis Films together believe our position within the Biennial is no longer tenable. We continue to demand that Kanders is removed from his position on the Whitney’s board of trustees."
Forensic Architecture Says It Has Found Bullet Linking Whitney Vice Chair to Violence in Gaza, Withdraws from Biennial https://t.co/12GWIy4J0k— 艾未未 Ai Weiwei (@aiww) July 21, 2019