"Borders are set up to define the places that are safe and unsafe, to distinguish us from them. A border is a dividing line, a narrow strip along a steep edge. A borderland is a vague and undetermined place created by the emotional residue of an unnatural boundary. It is in a constant state of transition."Juárez and El Paso form a binational metropolis. When Kripa and Mueller arrived in Texas this September to teach at TTU-El Paso, they were intent on engaging with the space around them. Housed in an active Amtrak train station, the school's identity is tied to the flow of goods and people across borders. In conversation with AN, Kripa explained that "cross-border issues are a daily way of being" for her students. In her and Mueller's fall studios, students range in age from 20–50, and many work full time in addition to their studies. Around 30 percent of students cross the border every day for school. TTU-El Paso hopes to grow its architecture program around critical engagement with border culture. To that end, TTU-El Paso staged its third Beaux Arts Ball in October. To accommodate attendees, food trucks, and a dance floor, a lightly used bus parking lot was selected for the venue. The theme: "being reflective." Student volunteers erected FLASH Installation: Architecture at Rush Hour to provide a light-filled canopy for the ball and spark conversation around the heavily policed, yet highly porous, border. Apache Barricade & Sign, a local, woman-owned company, lent the studio 256 brand-new, orange reflective traffic barrels for one day. Students spent eight hours rigging them to the bus station's ceiling in a 16 by 16 configuration at varying heights. Below, an installation of 300 ground reflectors marked a temporary dance floor on the asphalt. Why traffic barrels? The temporary structures, Kripa explained, are a "spatial manifestation of a politics of directing flow. It's an extension of politics—infrastructure that enacts the law." The impermanent pieces of transit infrastructure underscore the permanence of the (now redundant) bus canopy. Socially engaged work is the status quo for Kripa and Mueller (hence the name of the interdisciplinary practice they co-founded in 2006). The pair won the Rome Prize from the American Academy in Rome in 2010. While in Rome, Kripa and Mueller studied the forced movement of the Romani, addressing the Romani's housing crisis amid a city of overlapping networks, real and imagined. The pair hope to re-activate the bus depot annually with their students. "As architects are not only interested in making beautiful space, we at AGENCY feel profound obligation to expose what's happening. We [architects] are well equipped to uncover inequality and injustice." See the gallery below for more images of the installation.
Posts tagged with "Beaux Arts Ball":
The ball took place in the courtyard and buildings of the factory, with studios of local artisans, fabricators, artists, designers, filmmakers, and publishers open for viewing and art making during the early hours of the night. We were pleasantly surprised to stumble upon the offices of both new and familiar faces, including Cassim Shepard, Project Director of UrbanOmnibus, John Mangin of Center for Urban Pedagogy, along with designer Lindsey Adleman of Lindsey Adleman Studio.
Lasting late into the steamy Brooklyn night, the evening was filled with everything an architect could possibly need to pull an all-nighter, from music, provided by DJ Chris Annibell/Afrokinetic, and alcohol to late-night eats from street vendors. Who said architects don’t know how to party?