Posts tagged with "Bathrooms":
Double Taw Vanity Drummonds
You may have to share a bathroom, but you don’t have to share a sink with this double vanity. Featuring a marble top, the Taw Vanity is available in brushed brass and nickel. For those who aren’t lacking storage, the bottom shelf is optional.
Adeline MTI Baths
Looking for a deep bath? Adeline features a monolithic body that holds 71 gallons of water (and two people comfortably). The concave-shaped form provides lumbar support and prevents water from splashing over the edge.
SLAB-Edge custom basins Neo-Metro
Neo-Metro’s deep trough basins for 61 Ninth Avenue were cast as seamless monoliths made of resin and stone. Representative of the largest-scale customization possible, SLAB-Edge spans nearly the entire width of the bathroom, cantilevered to conceal the plumbing beneath.
Lura Collection Clodagh for Speakman
Speakman collaborated with New York City–based multidisciplinary design studio Clodagh on this collection of ergonomic fittings. With children, the elderly, and those with handicaps in mind, the design features easy-to-use pulls, knobs, and mechanics. Featuring sinuous curves, the collection includes shower valves, faucets, and levers available in a satin gold or silver finish.
The New Classic Marcel Wanders for Laufen
Bearing in mind all the new, high-tech kitchen appliances, Dutch-designer Marcel Wanders created a collection of sinks that look like they’re from a time before the internet. With very clean, polished forms, the New Classic collection will complement digital potties, voice lighted mirrors, or any IOT-enabled devices.
If you have ever wanted to use a toilet cast in 18-karat gold, now is your chance.
Starting on Friday, September 16, Maurizio Cattelan's America opens at the Solomon R. Guggenheim Museum in New York. One of the public toilets in the museum will be replaced by a fully-functional gold replica. The super luxury product serves as social commentary on today's America by allowing the public to participate and giving them a very private, individual experience with the artwork. Cattelan is also taking aim at the art market and its extravagance as well as the American Dream (if your personal American Dream is to sit on a solid gold toilet). It's a signifier of wealth beyond what is comprehensible: Extreme luxury is coupled with a utilitarian bath product.
The toilet references Marcel Duchamp’s Fountain (1917) but with a new twist. Rather than provoking the way art is made and its meaning, Catelan assigns a new function to the toilet as an object of opulence and financial speculation. Additionally, he puts the toilet back in the realm of function, acting as an "artistic transgression." The piece also references Piero Manzoni’s Artist’s Shit (1961) in which Manzoni allegedly canned his own excrement and sold each container at a price equal to its weight in gold. A comment on the value of labor and celebrity in the art market.
For more on the piece and Cattelan's cheeky sense of humor, see this interview on the Guggenheim website.
The deeply embedded practice of designing gender-segregated restrooms may feel like the norm to many, but in recent years, transgender and gender-nonconforming individuals and the organizations that support them have voiced the everyday discomfort and sense of alienation felt by those who cannot use the restroom of their choice in public spaces. They point out that gender-segregated facilities inherently exclude people who might not conform to stereotypical gender definitions or modes of expression. Moreover, research shows that transgender and gender-nonconforming people of color specifically suffer under this status quo at disproportionately higher rates: both in terms of the health impacts resulting from not using the restroom for long periods of time and by experiencing violence in public restrooms. As this form of inequality gains a wider understanding, architects and designers must decide whether they wish to perpetuate inequality through their designs or advocate for change.
Joel Sanders, professor of architecture at Yale University and editor of Stud: Architectures of Masculinity, said, “Marginalized people want to gain access to these public spaces. One silver lining of culture wars is that they bring attention to important social issues: [Can we] create alternative bathroom design that’s good for people of all body types?”
The bathroom layout is among the first aspects of a building to be considered. The notion of a shared “wet wall” with gender-segregated plumbing facilities located on both sides is seen as a fundamentally efficient arrangement for a variety of building types. This prototypical approach is also perceived as being cheaper to build. But what is typically considered a perfunctory and banal aspect of design, contingent mainly on code-required fixture counts and wheelchair-turning radii, is actually ground zero for the perpetuation of gender-identity discrimination. That’s because this automatically embeds gender segregation into architecture from the onset of a project’s development and furthers what is increasingly being viewed as an unequal and discriminatory cultural mind-set through design.
Gender-segregated restrooms are also in the regulations and codes that guide design. Many municipalities require a minimum number of gendered stalls, but with the exception of a growing handful of cities, few require gender-neutral facilities as a matter of code. Further, municipalities that do make provisions for gender-neutral facilities often simply rebrand separated, single-stall suites like those provided for Americans with Disability Act (ADA) compliance to double as gender-neutral facilities. The reliance on ADA stalls as a catchall for differently abled and gender-nonconforming individuals is seen by advocates as impractical in terms of the limited occupancy of these facilities as well as discriminatory in its segregation of those who do not conform to prototypical definitions of mobility and gender expression. As stated in a recently published editorial coauthored by Sanders and Susan Stryker in the Los Angeles Times, “Changing the signage on single-stall restrooms is easy, but it doesn’t address the underlying social structures that created unequal bathroom access in the first place.”
The emerging response to this new design problem has been slow to start, mainly with college and high school student-run LGBTQI organizations converting existing facilities to gender-neutral ones by removing placards demarcating binary gender identities. Columbia University and Barnard College in New York City began converting existing, single-occupant restroom facilities in 2013. The University of California system followed suit in 2014 with a similar plan across its ten campuses with 238,000 students.
In April 2016, Santee Education Complex in Los Angeles became the first high school in that city’s 640,000-student school district to open gender-neutral facilities. Gay Straight Alliance (GSA) students launched a school-wide information campaign regarding the need for gender-neutral facilities, convincing administrators to convert an existing 15-stall women’s restroom for use by all students. Jose Lara, faculty sponsor for the GSA, said, “It’s probably the safest place on campus for students because there are always adults around. Students are very accepting of the restroom.”
Coincidentally, designs for wholly new gender-neutral facilities bear much resemblance to those at Santee High School. Authorities on the politics of gendered bathroom design like Sanders and Stryker agree that multistall, gender-neutral facilities are the future of nongendered restroom design and even have the potential to be safer than traditional bathroom configurations. These configurations are already common in certain European countries, as well as many high-end establishments. Designs vary, but these restrooms typically feature a collection of individual, lockable water closets accessible from an atrium containing shared washbasins, allowing a steady and diverse flow of people to come into and out of restroom facilities. These designs, however, are exceptions in an otherwise gender-segregated architectural culture and will not become part of a wider societal change unless building codes change in toe with social mores.
According to advocates, these designs, if widely adopted as part of a new set of building codes and regulations, could herald a new era of gender equality in architecture.