Zaha Hadid, with Arup and Mello Affonso Engineering, is executing her first project in South America. Casa Atlantica is a luxury residential building in Copacabana Beach, Rio de Janeiro. According to ARUP, Casa Atlantica was originally planned as a luxury hotel but changed to a residential building in order to meet the region's urban standards. The client, Brazilian entrepreneur Omar Peres, gave Hadid complete design liberty. She was, however, governed by strict requirements on height and proximity to neighbors. Zaha Hadid Architects' explained their response to these constraints: "Working within site restrictions governing the height and distance from adjacent buildings, Casa Atlantica's design establishes a fluid order defined by its structure which morphs and expands at each level to create balconies, while also dividing each floor into separate residential units." Casa Atlanta will be 18,000 feet-squared, have 12 floors, feature a rooftop swimming pool, and reach approximately 130 feet in height. Construction is set to begin in March. For further information, visit Zaha Hadid Architects' project page here.
Posts tagged with "ARUP":
The two 10-story towers are clad in white metal and clear glass, carefully balanced to reduce solar heat gain and provide a sense of lightness.Samsung’s new North American headquarters, designed by NBBJ, is a landmark facility in Silicon Valley embracing new urban guidelines developed by San Jose officials to prioritize active streets and environmental sensitivity. The project creates a sense of lightness with a transparent, environmentally responsible facade, and has been used as a case study project within NBBJ’s international network of offices. The compound is composed of two ten-story towers designed around an interior courtyard and floating open-air gardens. The architects adopted the diagram of a semiconductor as inspiration for the building, defined by an energized void space between separated slabs. Connecting stairs located at every two floors establish a centralized “3-D Main Street” linked by pocket parks. The ground floor extends an open public program into the adjacent city, providing a connection to the tech community. Despite working in a ten-story office tower, Samsung employees are never farther than one story from outdoor space. Utilizing a courtyard typology to maximize daylight and natural ventilation into a flexible open office layout, the project anticipates LEED Gold certification. The facade system for the facility plays a significant role in the project, achieving three key functions: encouraging social interaction, communicating a brand identity, and sensitively responding to the environment by incorporating renewable energy and managing solar conditions. Rather than designing an all-glass facade, NBBJ developed a white metal, glass, and terracotta exterior with an undulating gradient of punched window openings responsive to environmental criteria. For example, the building orientation is aligned to San Jose’s city grid, which is rotated off a north-south axis, causing direct heat gain to be managed across multiple facades. This assisted with solar heat gain concerns and established an aesthetic identity for Samsung’s headquarters. The interior facade is noticeably more transparent, utilizing a floor to ceiling glazing system. Collaborating with ARUP, NBBJ designed the facade to be a shop-built assembly—it was craned into place, ensuring a high-quality, controlled assembly process. The architects teamed with Benson, who fabricated the facade panels. The building is formally very simple, but becomes activated by people, fostering a collaborative environment. This is a “generative” building, designed for flexibility to allow for as many new ideas as possible. A collaborative, interactive spirit drove the project’s design from the start. The outcome is an open, tolerant, flexible building that enables possibilities and drives innovation.
In an attempt to salvage the now-scrubbed project, Zaha Hadid has released a new video in defense of her firm's design for the 2020 Tokyo Olympics Stadium. The film presents a robust—albeit familiar—argument for the reinstatement of the building. Once the bona fides of the project team (which includes Arup Sports) are revisited and a sensitivity to Japanese culture is declared, the oblique blame game begins. https://vimeo.com/137299144 Citing the substantial investment that's already been made in developing the project, Team Hadid suggests that the construction bidding process be restarted, in an attempt to reduce the estimated $2-billion-plus cost to erect the stadium. From the video: "To start the design from scratch is an unnecessary risk, which we think the government should reconsider if its aim is to achieve a lower price...we believe the answer is to introduce more competition between the contractors, but not to lose the benefits of the design." So far, there has not been a response to the video from Olympics officials.
Vincom Landmark 81, a massive skyscraper project in Ho Chi Minh City's lavish Vinhomes Central Park represents a collaboration between architects and engineers at Atkins and Arup. Developers at Vietnam-based Vingroup recently broke ground on the complex and when it's completed, the tower will be Vietnam's tallest at over 1,500 feet tall Located on the banks of the Saigon River, the 81-story, mixed-used development will feature a luxury shopping center at the base of the tower, residential apartments, a hotel, and a few rooftop gardens. Its design, as stated on the Atkins website, "features a modern and unusual architecture design that symbolises the diversity and fast-emergence of Ho Chi Minh City." The varied heights of the structure's numerous masses and its glistering glass facade give the tower an icicle effect and allow the building to taper as it rises into the sky. At the top of each setback mass, a rooftop outdoor terrace will provide sweeping views of the surrounding city. Landmark 81, according to Atkins, is expected to be complete in 2017. "Our challenge was to create a unique and dynamic landmark tower design to support Vingroup's vision for a high-end mixed-use development," said Bertil de Kleynen, director of architecture and landscape for Atkins in the Asia Pacific region in a recent article. "The tower is integrated into the public realm that addresses sustainable design challenges at various interfaces of the project."
Curved metal facade embodies spirit of mobility at LAX.The commission to design a new Central Utility Plant (CUP) for Los Angeles International Airport (LAX) came with a major caveat: the original 1960s-era CUP would remain online throughout construction, providing heating and cooling to adjacent passenger terminals until the new plant was ready to take over."We had to keep the existing CUP up and running, build the new one, do the cutover, then tear down the old CUP and build a thermal energy storage tank in its place," explained Gruen Associates project designer Craig Biggi. "It was a very challenging project from that standpoint—working in a 24/7 environment, and getting everything up and running within a small footprint." But despite these and other hurdles, the design-build team (which included Clark/McCarthy, A Joint Venture as general contractors, Arup as A/E design lead, and Gruen Associates as architect) succeeded in delivering the new CUP in time to support LAX's newest terminal. Its curved stainless steel and glass facade captures the airport's spirit of mobility, and helps restore a sense of cohesion to an otherwise fragmented built landscape. LAX is a busy place, both aesthetically and with respect to passenger movement. "There's a lot of visual activity happening there," explained Biggi. "It's been built up over time, so there's this layering effect. This was meant to be an architectural design that not only simplifies some of the visual confusion, but addresses the context of the airport itself as a site that has a lot of movement." When shaping the building envelope, the designers looked at concepts of laminar flow, of which one example is the passage of air over an aircraft wing. "What we came up with was a streamlined architectural expression that ties together three distinct programmatic elements," said Biggi. "The project uses this expression to tie into the existing context by flowing around corners, then opens up at certain locations to allow the program to have ventilation and views." The CUP's primary facade is clad in stainless steel composite panels within a pressurized rain screen system. The architects chose stainless steel, explained partner-in-charge and project manager Debra Gerod, to respond to the potentially corrosive effects of jet fuel and other chemicals as well as the salty Southern California air. In addition, "we had to work to get a finish that wouldn't create reflections," said Gerod. "We're right underneath the control tower. Being mindful that the sun can be at any angle, bouncing off airplanes, that [became a] careful performance-based element" of the design. Non-curved sections of the CUP's envelope feature corrugated aluminum panels, which reduce the risk of reflection and help camouflage functional components including large doors that allow the installation and replacement of equipment. "How we were able to put these giant openings into the side of the facade and have it be blended in and aligned with the corrugated metal paneling—these were some of the things we really paid a lot of attention to," said Gerod. Similarly, the ribbon windows on the stainless steel facade help conceal exhaust louvers, in addition to providing views from the engineers' offices. "We always looked at opportunities for streamlining the aesthetic of the exterior," said Biggi. "We were looking for simple massing that looked fluid in its resolution." Gruen Associates designed the new CUP as a visual landmark for passersby, installing a massive window on the north facade in order to reveal the interior of the chiller room. "This is a bit of an homage to the old CUP," explained Gerod. "When it was first built, it was a really nice building: round, with lots of glass. By the time we got to it, things were spilling out in all directions. But as originally designed, it had a view into the inner workings of the plant." Meanwhile, the architects used blue-colored LEDs and reflectors moved by the wind to create a lighting effect on the adjacent thermal energy storage tank—which, like the nearby cooling towers, is also clad in stainless steel—that mimics the rippling motion of a swimming pool at night. "The lighting effect is meant to address passengers as they're driving down Center Way, and give some animation to the large mass of the storage tank," said Biggi. Here, too, the designers were careful to plan the lighting so as not to interfere with air traffic control functions. LAX's new CUP, which is targeting LEED Gold certification, promises a 25 percent increase in efficiency over the 50-year-old plant it replaces. With continued expansion in the offing, it did not arrive on the scene any too soon. Though much of the design was shaped by current conditions at the airport, including both functional considerations and an aesthetic embrace of the airport's hectic pace, Gruen Associates simultaneously thought ahead, to a larger—but hopefully visually more coherent—LAX. Should a proposed terminal extension to the west come to pass, the CUP's curved stainless steel facade will provide a backdrop for the newer buildings, setting the stage for a more deliberate approach to the airport's ongoing transformation.
British architect Amanda Levete reveals weather-responsive "forest canopy" design for Melbourne's MPavilion 2015
Seeking to recreate the audiovisual experience of a rainforest within urban environs, London-based architect Amanda Levete has unveiled a weather-responsive forest canopy for Melbourne’s 2015 MPavilion. The second-edition annual pavilion, set to open in October at the Queen Victoria Gardens, is Australia’s answer to London’s emblematic Serpentine Gallery Pavilion. The Stirling Prize winner and founder and principal of architecture and design studio AL_A used the latest nautical engineering technology to convincingly mimic the phenomenology of flowers swaying in the wind for an experience somewhat resembling an ant’s world. Levete’s design consists of a series of bendable carbon-fiber poles supporting a roof of translucent, “seemingly fragile” petals made from composite materials she created through tête-à-têtes with a yacht fabricator. Each one measures 10–16 feet wide and is less than 0.4 inches thick. The petals moonlight as speakers that can record and playback the daily soundscape that occurs beneath the canopy. These amplifiers are then wired seamlessly through carbon-fiber poles. By night, LED lights enhance the “dappled and dreamy” ambiance. The performance space within the pavilion will be oriented to play up views of Melbourne’s skyline to the north—which could potentially include a Beyoncé-inspired tower soon—and a treeline to the east. “Our design subverts the norms of immovable. It embraces and amplifies such distinctions, so that it speaks in response to the weather and moves with the wind rather than trying to keep it at bay,” said Levete. Joining her on the project team are Australian manufacturer mouldCAM, builders Kane Construction, and engineering firm Arup. Initiated by the Naomi Milgrom Foundation with support from the City of Melbourne and the Victorian State Government, MPavilion is a free four-month program of talks, workshops and performances by creative collaborators. The inaugural pavilion by architect Sean Godsell, which attracted more than 640,000 visitors to 317 free events, featured walls that lifted up on pneumatic arms in resemblance to a “blooming flower.” Unlike the Serpentine Gallery Pavilion, which stipulates that the designer must not have previously built anything in the country, MPavilion—set to run from October 6, 2015 to February 7, 2016—requires only that the candidate be an “outstanding architect.”
Italian football giant AC Milan is relocating to what the club purports as “the world’s most innovative stadium” in the city’s Portello area. The new mixed-use facility will be slightly over half the size of the team’s current 80,000-seater San Siro stadium, which it shares with fierce rival Intel. Flagging spectator turnout in recent years has incentivized several Italian football clubs to occupy downsized stadiums. In the 2013-14 season, AC Milan averaged just 40,061 spectators and half-empty bleachers. The club selected a design team consisting of architecture and design firm Arup and Italian architect Emilio Faroldi, who studied 70 stadia around the world as part of the design process, absorbing ideas from the Emirates Stadium in London, the St. Jakob-Park in Basel, and the new San Mames stadium in Bilbao. Given initial protests by Milan residents over the club’s relocation, Faroldi’s onus was to create a minimally invasive design with the aesthetic of a building rather than a hulking sports facility. Thus the first 33 feet of the stadium will be sunken underground, with the building peaking at just 98 feet. Aspiring towards a multi-use stadium that remains operational on non-matchdays like those in the UK, the facility will include a hotel, sports college, restaurants, courtyard and rooftop green areas, a children’s playground, and public art spaces. “Scientific research, through a series of studies, tell us clearly that the role of arenas in Europe and the world is gradually changing,” Faroldi told Italy’s La Gazetta dello Sport. “The stadiums are no longer meant just as a place for sporting events, although open all week, but as a useful piece to reorder the outlook of a neighborhood, a city.” The architect aimed for fewer turnstiles and fewer barriers between fans and the stadium, proposing to supplement these distancing reinforcements with heightened security. AC Milan recently mobilized to tout the benefits of the new stadium to the public, such as escalated land value and the creation of 1,000 jobs during construction and 500 jobs thereafter. The club emphasized the incorporation of state-of-the-art sound-proof materials for near-zero noise pollution and minimal visual impact, as well as the stadium’s integration with public transportation systems. AC Milan hopes to move into its new stadium by the beginning of the 2018–19 Series A season.
Starchitect Renzo Piano has vowed to soldier on with mega-sized plans for a Jurassica Resort on England's island of Portland in the English Channel, despite being denied a $24.5 million bid for Heritage Lottery Funding (HLF). “The project is now continuing into development without an HLF development grant,” a spokesman for the project told Architect’s Journal. Jurassica’s backers said they will re-apply for the grant and are not acquiescing to appeals for a downsize. The brainchild of science journalist Mike Hanion, Jurassica Resort will be the world’s largest immersive prehistoric environment. Although designed with a museum’s vital organs, the facility itself is essentially a limestone quarry 132 feet-deep beneath a translucent glass roof supported by the quarry walls. The building itself is designed to be “more or less invisible.” Beneath the glass is a Jurassic-period coastal cove, where visitors will walk beneath towering cliffs, sea-stacks and arches covered in exotic trees, past a living reef festooned with corals and patrolled by sharks and stingray. Those with the tenacity can venture into a forested ravine where the “dinosaurs” rove. Animatronic dinosaur displays, an aquarium, and swimming plesiosaurs are just a few of the promised wonders. The subterranean dinosaur museum will be located on Dorset’s Jurassic coast, a UNESCO World Heritage Site comprising a 95-mile stretch of cliff distilling 180 million years of geological history. “We will pick a specific period in prehistory and everything you see will be both realistic and an accurate representation of the plants and animals that were alive during that time,” said David Lazenby, Creative Director of Azureus Design, on board for the exhibit design. “The Jurassic Cove will not be a theme park display but a spectacular and precise snapshot in time that will bring the heritage of the Jurassic Coast to life.” Hanion believes the park could draw 800,000 visitors regularly and employ approximately 200 people. Yearly revenue of $30.3 million for the local economy has also been estimated. Project managers are intent on securing alternative funding, with the goal of opening Jurassica Resort by 2019 or 2020. “At £16 million ($24.5 million), public funds from HLF were always only part of our funding strategy for a project costing some £80 million (around $122.6 million),” said the spokesman. “We have applied to and will apply to scientific trusts and other grant-giving bodies both in the UK and overseas, and have already attracted financial support from business and HNWI based locally and nationally.”
Winners of the Atlanta Bridgescape Competition were announced last week at the AIA Conference that was held in the city. The competition, launched earlier this year, asked multidisciplinary teams to reimagine two of Atlanta’s outdated bridges with a budget of about $3 million. Hometown designers Max Neiswander and Luke Kvasnicka won with (sin)uosity, their plan to remake Midtown’s 10th Street Bridge with plantings, fresh bike lanes, and a curving, ribbed shell. Roger DeWeese, head of the Atlanta-based Peachtree Architects, also earned top honors with Organic Canopy, a vision to top Courtland/McGill Bridge with a geodesic dome–like structure. This plan actually won twice as it was selected by the competition's blind jury and the general public through the People's Choice Award. The other People's Choice Award went to Green City Spectator by the Poland-based KAMJZ Architects along with ARUP. Perhaps the most adventurous design, this scheme tops the bridge with what appears to be farming areas, and also has a zigzagging structure similar to to HNTB's vision for Los Angeles’ 6th Street Viaduct. “Competitions are about vision and big ideas,” said competition manager Tony Rizzuto, Chair in the Department of Architecture at Kennesaw State University, in a statement. "They have the potential to take us out of our comfort zone to see possibilities we never imaged. They provide a catalyst for discourse on public space and promote the pursuit of better design.” The ideas-centered competition was sponsored by Central Atlanta Progress, Midtown Alliance, and the Atlanta chapter of the AIA.
Bureau V's experimental music venue with a high-tech vibe set to open in a former Williamsburg sawmill
Brooklyn designers Bureau V have completed National Sawdust, an experimental performance venue in Williamsburg, Brooklyn that will be home to the Original Music Workshop (OMW). The name of the venue comes from the existing building’s history as a sawmill. OMW is a nonprofit led by composer Paola Prestini, whose advisory board includes heavy-hitters such as James Murphy, Laurie Anderson, Suzanne Vega, and Philip Glass. The 3,000-square-foot space in the heart of Williamsburg at North 6th Street and Wythe Avenue was a collaboration between Bureau V and Arup. It was originally conceived back in 2012 with an estimated opening of 2013. In 2014, it was still unfinished, and a Kickstarter campaign raised over $100,000. Now the project is slated for an opening in October. The design is a mix of a traditional European theater and a black-box space, combining the “crafted beauty of the former” with the “experimental programming and roughness of the latter.” The particular history of the site will add another layer of spatial interest to the building, as its industrial past is conflated with a high-tech present. The result is a sublime collision of new and old: technology and ruin, progress and history, refinement and grit. The acoustics are state-of-the-art and were developed with Arup. For more details on the design, see AN's original 2012 coverage.
The Center for Active Design (CfAD) has announced the winners in its annual Excellence Awards, which honors buildings, public spaces, and, for the first time this year, research, that promotes active lifestyles. All competition entries had to meet at least one of CfAD’s “Active Design approaches,” which include Active Transportation, Active Recreation, Healthy Food Access, and Active Building. After a blind selection process, a jury picked six winners and five honorable mentions. “Regardless of the size, location, or use, the Excellence award winners serve as catalysts for broad based community transformation, maximizing their impact by embracing a cross discipline approach to the design process, which in many cases included use of the Active Design Guidelines from the outset,” said Joanna Frank, the center's executive director, in a statement. This year’s winners will be recognized at “Celebrate Active Design” in New York City on May 11th. For more information on the event visit the CfAD's website. You can read more about the winners and honorable mentions below. City of Pontevedra, Spain From CfAD:
City council members led by Mayor Fernández Lores, began their quest in 1999, by developing a community-driven master plan that prioritized people and public spaces. ... The occupancy of the public spaces post-renovation was almost immediate. 81% of schoolchildren walk to school, half of them on their own. Traffic has decreased by 70% in the downtown area and 30% in the city overall between 1996 and 2014, with zero fatalities due to accidents in the last eleven years. The space devoted to pedestrians and cyclists in streets and squares increased over 60%, using space that was previously devoted to motor mobility and parking. Sidewalks were widened, streetlights improved, and over 400,000 street trees were planted throughout the city. By prioritizing resident health in the design, construction, and maintenance of public spaces, Pontevedra is a pioneer in the Active Design movement.Guthrie Green, Tulsa, OK By SWA Group From CfAD:
Submitted by the SWA Group, the 2.7-acre Guthrie Green Park serves as a central hub for social and cultural events for the community, now receiving over 10,000 visitors annually. Given that Oklahoma has some of the worst obesity and life expectancy rates in the country, team members aimed to use this project to promote health and physical activity among residents. The design converts a former truck yard into a flexible venue for community gatherings set among gardens, a central lawn, park pavilion, outdoor stage, and interactive fountains that invite visitors to connect with nature and join community events. A geo-exchange grid under the park supplies heating and cooling for nearby non-profit organizations, further contributing to revitalization of Tulsa's downtown Brady Arts District.New Settlement Community Campus, Bronx, NY By Edelman Sultan Knox Wood Architets with Dattner Architects From CfAD:
The New Settlement Community Campus in the Bronx, New York started with a simple desire for a public swimming pool, but soon expanded into an innovative, joint-use project that tackled school overcrowding and a dearth of local community services. Bringing together community activities that were previously located in various neighboring affordable housing buildings, the New Settlement Community Campus provides a resource for both students and residents in this low-income community. Designed by Dattner Architects and Edelman Sultan Knox Wood / Architects the New Settlement Community Campus is a vital community hub providing 1,160 K-12 students and the surrounding neighborhood with a wide range of indoor and outdoor learning spaces, fitness classes, and activity hubs, along with a healthy food program and on-site health clinic.Casitas de Colores, Albuquerque, NM By Dekker/Perich/Sabatini From CfAD:
Casitas de Colores brings much needed affordable housing to families in downtown Albuquerque. With a walk score of 94/100, it has been recognized as an important project for supporting activity in the downtown area. Located within walking distance to city amenities, transit networks, and employment areas, the project promotes walking, rather than driving to daily destinations. Submitted by Dekker/Perich/Sabatini design firm, the Casitas de Colores community includes open stairwells, terraces, and patios, that maximize visibility and provides community facilities with an array of amenities to promote their health and wellness. Staircases are prominently located near entrances, elevators, and walkways, are wide enough for group travel, brightly colored, and offer views to the courtyards and downtown area. Walking paths are artfully decorated and exposed to natural light, enhancing the pedestrian experience, connecting residents to outdoor courtyards, and supporting a range of activities and social interaction.Stanford Healthy Neighborhood Discovery Tool, United States, Mexico, and Israel Stanford Prevention Research Center and the Stanford University School of Medicine From CfAD:
The Stanford Healthy Neighborhood Discovery Tool, is a research project that empowers citizens with technology to have an impact on policy decisions that effect the built environment. Researchers from the Stanford Prevention Research Center and the Stanford University School of Medicine, equipped resident 'citizen scientists,' with technology, allowing them to asses their neighborhoods and advocate for more support for healthy living. Using recorded, geo-coded photographs and audio narratives, GPS-tracked walking routes, and survey responses, residents have successfully engaged policy makers and collaborated on funding decisions for built environment improvements. The citizen scientist application has now been used in three countries (Mexico, Israel, USA), leveraging resident 'citizen scientists' and mobile technology that empowers communities to promote active living and healthy eating.Queens Plaza From CfAD:
Queens Plaza has shifted the way New York City conceives of its public spaces, recognizing them as a critical part of its urban infrastructure, capable of creating vibrant neighborhoods. The application of Active Design principles transformed a parking lot surrounded by 16 lanes of traffic and noisy subway lines into a space that prioritizes the pedestrian.Honorable Mentions Space to Grow: Greening Chicago’s Schoolyards Chicago, IL From CfAD:
Space to Grow is a multi-sector partnership that transforms Chicago's aging, and in many cases underutilized, schoolyards into dynamic outdoor spaces that support physical activity, learning and community engagement. Selected Chicago Public School schoolyards are located in urban neighborhoods that have a deficit of recreational facilities and green space, and that are also prone to flooding during heavy storms. The project is co-managed by Healthy Schools Campaign and Openlands – two Chicago based nonprofit organizations, and is funded by Chicago Public Schools, the Chicago Department of Water Management, and the Metropolitan Water Reclamation District of Greater Chicago.Gateway Community College New Haven, CT From CfAD:
The Gateway Community College project represents how thoughtful design can create an educational environment that promotes health, while anchoring the urban revitalization. Submitted by Perkins + Will, this project is designed around a central atrium and open stairway, which links the academic spaces and doubles as the primary gathering space. Informal stadium seating and lounges are provided around this central core. Classroom wings also offer open access to a series of egress stairs, enhanced with hold-open devices, abundant daylight, comfortable width, and views to a rain garden. A range of exterior spaces, like a roof garden and multi-purpose courtyard, are offered to support on-site recreation and special programming. Located in a formerly neglected part of New Haven, Gateway Community College enhances the neighborhood pedestrian environment through the addition of more public elements, such as an interactive, LED art installation visible through the building facade. The images that are projected as part of this art installation are curated by the students and provide a greater identity for themselves and the campus community.New York City Police Academy College Point, NY From CfAD:
The New York City Police Academy was designed from its outset using the Active Design Guidelines. It consolidates many of the Police Department’s existing training facilities into one consolidated campus. Built on a former landfill site and submitted by the New York City Department of Design and Construction, the campus offers numerous opportunities for occupants to engage in physical activity. A monumental stair is featured at the building’s entrance that connects physically and visually to the circulation stairs located throughout the plan. Egress stair doors on each floor use hold-open devices to maximize visibility into stairwells. Fitness facilities include a swimming pool, indoor exercise spaces, outdoor running tracks and walking routes that move users around landscaped gardens, which are also usable by the surrounding community.Fulton Center New York, NY From CfAD:
The newly renovated Fulton Center transit center in New York City’s financial district effectively organizes the circulation patterns of about 300,000 daily riders between eight train lines. Designed by Grimshaw Architects under prime design consultant Arup, the Fulton Center is focused around a new civic space with a grand oculus bringing in ample light into waiting areas that were previously dimly-lit and confusing. The improved Fulton Center not only simplifies transit connections, but also provides 65,000 square feet of retail and office space. Features such as wider and brighter concourses make walking between subway lines a more enjoyable and less confusing experience. A spiral staircase located centrally in the atrium attracts the attention of visitors, and wayfinding signage and interactive information kiosks are strategically placed throughout the station. A new pedestrian tunnel offers expanded connections to additional subway and transit lines.Safe Cycling Design Manual for Istanbul Istanbul, Turkey From CfAD:
The Safe Cycling Design Manual for Cycling is an evidence-based report that aims to raise awareness of cycling as a mode of transportation in Istanbul. After undertaking an extensive literature review, and a series of surveys, interviews, site visits, and visioning workshops with cyclists, the research team at EMBARQ Turkey, found that residents prefer cycling because it is healthy, fast, affordable, and flexible. They also noted however that challenges to cycling in Istanbul include, lack of police enforcement, supporting infrastructure and fast flowing traffic. Leveraging the research and corresponding proposed solutions outlined in the Manual, the EMBARQ team has a created a valuable source on sustainable urban transport for the national government, local authorities, and community members in Turkey.
For Enclos' Alex Barmas, true innovation in facade design and fabrication is about more than the latest technological bells and whistles. Rather, it is about exercising creativity despite the restrictions posed by tight budgets, compressed timelines, and aggressive real estate markets. At Facades+ NYC later this month, Barmas will moderate a conversation on implementing innovation with AEC industry leaders including Cutler Anderson Architects' Jim Cutler, Arup's Tali Mejicovsky, Michael Stein, of Schlaich Bergermann & Partner, and Richard Meier & Partners' Vivian Lee. "My intention is to get the panelists talking about the possibilities of producing truly fantastic architecture while constrained by very real-world budgets and schedules," said Barmas. "They have all worked on projects where an intelligent and responsive approach to design, and an intelligence about materials and tectonics have allowed them to deliver great projects under tight constraints. The panel will focus on the commitment and perseverance required to execute and deliver such projects." New York is a hotbed of facade innovation exactly because of the particular constraints at play there, said Barmas. In much of the United States, he explained, the litigious nature of the building design and construction market tends to discourage integrated project deliver. But "the New York market is actually a counterbalance to this. Due to the complexity of building projects, compressed construction schedules, and the need for coordination throughout the design and construction process, projects must take on a more holistic design mentality." At the same time, said Barmas, the drive to build taller and faster for the top of the market "has meant that there are some very interesting building envelopes either recently built, or under construction." As a case in point, he cited BIG's 625 West 57th Street (W57), calling it "a fantastic example of a really interesting curtain wall." All of this is not to say that new technology is not compelling—especially when made a part of built projects. "I'm very excited about the continuing integration of sensors, actuators, and other electrical components with the building envelope to create active and responsive facades," said Barmas. "This seems to be turning into a virtuous cycle where integrated systems are becoming more robust, system integration is improving, and all the parties to a building project are becoming more comfortable implementing these systems. System intelligence and integration enable us to achieve better performance with traditional building envelope components." To hear more from Barmas and panelists on bringing facades innovations to fruition, register today for Facades+ NYC. More information, including a complete symposium agenda, is available online.