Forget El Niño, this SoCal winter presents a deluge of architectural representation. Three weeks with three openings bring drawings, models, mock-ups, and experimental visualizations to Los Angeles. Things kick off on January 16 with the exhibition Errors, Estrangement, Messes and Fictions, featuring the work of two collaborative pairs: Laurel Broughton/Andrew Kovacs and Anna Neimark/Andrew Atwood of First Office (AN's 2015 Best Young Architects winner). Installed at the Space@All Gallery in the Bradbury Building and curated by architect Hadrian Predock, director of undergraduate programs at the USC School of Architecture the exhibition is supported by USC, where Broughton is a faculty member. Models from the four emerging architects will fill the show, which Predock describes as an “early career retrospective,” an apt description of a quartet who is just as comfortable cribbing from the past as toying with our pop present. A week later is the opening on January 22of Drawings Lie: Recent Works by Bryan Cantley at Christopher W. Mount Gallery in the Pacific Design Center. Cantley is an architect and a master illustrator, and his experimental, almost sci-fi drawings fall in line with the visionary work of Superstudio, Lebbeus Woods, and Neil Denari. “[These projects] attempt to question the role of representation in architecture, the potential of the non-building as a form of critical discourse in the profession,” said Cantley. The month closes out with Building Portraits, featuring the work of architect Elena Manferdini. The show opens on January 30 at Industry Gallery in Downtown L.A. The exhibition continues the investigations Manferdini began for the Art Institute Chicago last year—a series of elevation studies and models that riffed on Mies’ Lakeshore Drive Apartments. For this exhibition she’s created a new set of abstract, chromatic drawings and a metal mock up.
Posts tagged with "Andrew Atwood":
MoMA has announced five finalists for the 2016 Young Architects Program. The winner will design and build an installation in MoMA PS1's courtyard during the summer Warm Up performance series. The honor is considered one of the most prestigious platforms for emerging architects in the United States and internationally. Notably, there are no New York architects on the lists this year. This is the program's seventeenth year. To choose the finalists, editors of architecture publications and deans of architecture schools nominate around twenty established architects working in a new style or with new methods, current students, and recent architecture school graduates. Practitioners and curators from the art and architecture worlds winnow the field down to five finalists. First Office / Andrew Atwood and Anna Neimark, Los Angeles ESCOBEDO + SOLIS / Lazbent Pavel Escobedo Amaral and Andres Soliz Paz, Mexico City ULTRAMODERNE / Yasmin Vobis and Aaron Forrest, Providence, Rhode Island COBALT OFFICE / Andrew Colopy and Robert Booth, Houston, Texas Frida Escobedo / Mexico City Last year, Madrid- and New York–based Andres Jacque Architects/Office for Political Innovation won the competition with COSMO, a living machine that makes the water filtration process visible. The whimsical installation commented on sustainability as well as architecture as the product of global networks. COSMO was sourced from generic parts in Spain, shipped to New York, and assembled onsite.
On November 2nd a group of architects, builders, students, makers, educators, inventors and designers packed in for the Creative Architecture Machines Colloquium at California College of the Arts. The talk was organized by Jason Kelly Johnson of Future Cities Lab and brought together five practices working at the intersection of fabrication, computation, and making. Johnson led off the evening with an introduction to the practices and ideas behind maker culture; waxing philosophical on digital fabrication, the ubiquity of 3D printers and the future vision of what cutting edge Architecture offices will look like, complete with their own robot arms, of course. Joshua Zabel of Kreysler & Associates followed with some striking imagery and thoughts on new and old projects. Kreysler is fabricating the rippled composite rain screen for the new SFMOMA addition by Snøhetta and has been working at the forefront of composite technology for the past three decades. Andrew Atwood of Atwood-A and First Office traced the development of what we now know as the ubiquitous rendered image and brought with him a series of exploratory and experimental drawings and images that questioned and poked fun at current forms of representation. Returning to the realm of fabrication and material science Ron Rael of Rael-SanFratello and Emerging Objects spoke on the necessity to explore the materials (from pulverized recycled tire rubber to salt) that comprise the radical forms that architects and designers are pushing today. Fedor Novikov of Labori Construction Robotics spoke to the projects that he and his brother Petr are involved with at the IAAC, involving robots and 3D printed substances. Their dynamic Mataerial project which they have dubbed “anti-gravity object modeling,” allows freeform plastic extruded from a robot arm to attach to virtually any surface as it cures on contact through a chemical process (through the use of thermosetting polymers) within the material instead of less death-defying substances commonly found in 3D printers. Ending the evening were Brandon Kruysman and Jonathan Proto of Bot & Dolly (recently acquired by Google), best known for their role in the Oscar-winning film Gravity. They shared work from their short film Box, which explores the intersection of projection mapping, robotics, and film making and its origins in their experiments at the Robot House at Sci-Arc. The evening concluded with a panel discussion that touched on intellectual property, open source platforms, behavioral studies, sustainability, and the ethos of technology. The atmosphere remained electric as the speakers and audience compared their notes and predictions for the foreseeable robotic futures that we are surrounded with.