Each year, thousands of visitors descend into Salina Turda, a Transylvanian salt mine dating over 2,000 years. In its lifetime the salt mine has had many uses, storing the coffers of Hungarian kings and Habsburg emperors, providing shelter during World War II, and even operating as a cheese storage center. In 1992, Salina Turda reopened as a visitor attraction, and after 16 years and $6.5 million of investments, has transformed into a museum and theme park. British photographer Richard John Seymour, documented this subterranean destination. Salina Turda's attractions include ferris wheels, spa treatment facilities, recreational sports, boat tours, and an 80-seat amphitheater, all backdropped with stalactites and salt formations, captured in Seymour's photographs. In the chambers, visitors inhale the salt mine's purifying air, and spa guests are treated with halotherapy. Salina Turda’s biggest mine is the bell-shaped Theresa, reaching approximately 300 feet and containing a salted lake. As Seymour's photographs show, the theme park provides small boat tours of the meteoric waters. https://vimeo.com/57143945 Seymour said, "I am often drawn to contradiction in my work, where the heroic, idealistic, or epic meets mundane reality. Salina Turda embodies this idea particularly well. It is an undeniably beautiful historic monument of engineering and human endeavor, but it is now used as a theme park with ping pong tables, bowling, and boat rides." Richard John Seymour's photographs will be on exhibition at the London Art Fair from January 20–24. For more of Richard John Seymour work visit his website here.
Posts tagged with "amphitheater":
Sitio Eriazo—a Chilean collective of recent graduates from theater, art, and architecture schools—worked with the Oslo School of Architecture and Design's Scarcity and Creativity Studio to recover an abandoned urban space in Valparaíso, Chile. First, the team cleared waste to attract less vermin, and provisional closures were installed in the four points of street access. Then, the Wave—a flexible performance space for theater, circus, and music—was installed. Wooden stairs and seating sit upon staggered ribs and beams. Underneath of the undulating seating is a semi-shaded space where food is grown, prepared, and distributed to audience members. Currently, Sitio Eriazo's audiences reach up to 100 people. The Wave is also a space for workshops and community projects. Sitio Eriazo uses workshops to promote art and cultural activities and to strengthen Valparaíso's local identity. In 2003, Valparaíso was titled a UNESCO World Heritage Site. UNESCO described Valparaíso as, “In its natural amphitheatre-like setting, the city is characterized by a vernacular urban fabric adapted to the hillsides that are dotted with a great variety of church spires. It contrasts with the geometrical layout utilized in the plain. The city has well preserved its interesting early industrial infrastructures, such as the numerous ‘elevators’ on the steep hillsides.” Sitio Eriazo and the Scarcity and Creativity Studio not only recovered Valparaíso’s heritage within an abandoned lot but have made it a tool for cultural growth.
Navy Pier’s new “Wave Wall” by nArchitects lays a modern Spanish Steps at the foot of a Ferris wheel
Navy Pier is three years into a $278 million overhaul, and the new face of Illinois' most visited tourist attraction is beginning to emerge—most recently a grand staircase titled “Wave Wall" washed over the foot of the pier's famous ferris wheel. The peninsular mall and mixed-use amusement park has many major changes still in store, courtesy of a design team led by James Corner Field Operations. But photos available on the website of designers nARCHITECTS reveal a completed portion of the project collectively called “Pierscape” that creates an outdoor amphitheater from a simple stairway. (The full design team includes dozens of consultants.) The form of the new public space, which faces south into Chicago Harbor, resembles a sweeping wave or a wending draft of wind. Treads made of composite materials domesticate the snarling steel risers. Glass beneath the steps allow passersby indoors at the Pier to glimpse activity on the steps outside. From the bottom of the stairs, the project unspools into an audience seating area for public performances, and also frames the historic Navy Pier Ferris wheel—a 196-foot tall wheel will soon replace the current one, itself a stand-in for the 264-foot icon first transported to the spot from the 1893 World's Columbian Exposition. The designers say “Wave Wall” was inspired by the Spanish Steps in Rome.