Last night the American Academy of Arts and Letters awarded its 2019 Architecture Awards to five teams and people. Selected by jurors Annabelle Selldorf (chair), Henry N. Cobb, Kenneth Frampton, Steven Holl, Thom Mayne, Laurie Olin, James Polshek, Billie Tsien, and Tod Williams from 33 nominees, four winners will receive a $10,000 award from the Academy, and Eduardo Souto De Moura will receive $20,000 for the Arnold W. Brunner Memorial Prize. The winners are: Hernan Diaz Alonso The director of Sci-Arc and principal of Xefirotarch, Alonso was recognized by juror Thom Mayne as occupying “a pivotal position from which to influence the future of architecture,” through his educational involvement. Mayne also praised Alonso's combination of animation, architecture, and design that results in “a dark and aesthetic edge.” His proposal for the Thyssen-Bornemisza Museum in Patagonia received the AR+D Award for Emerging Architecture and a Progressive Architecture Award in 2013, and he has also worked on product design, collaborating with Alessi and others. Mario Gooden and Mabel O. Wilson Co-directors of the Global Africa Lab at Columbia University, the duo has focused on the history and complicated politics of placemaking through their work and writings. Juror Billie Tsien said that the work of the Lab “reminds us that architecture and design can and should be a participant in the struggle for a just world.” Dark Space: Architecture, Representation, Black Identity and Begin With the Past were published by Gooden and Wilson, respectively, in 2016, exploring the intersections of African American identity and architecture, and the history and complexities that surround the National Museum of African American History and Culture. Eric Höweler and Meejin Yoon The principals of the firm Höweler + Yoon have created “some of the most formally innovative and beautifully crafted work today,” according to juror Tod Williams. Shadow Play, a pedestrian-focused public space project, and the Collier Memorial both received an American Architecture Prize in 2016, with Shadow Play tacking on a 2018 AIA Small Project Award as well. Williams called the memorial “a tour de force, integrating innovative structure, form, and meaning.” Anne Rieselbach The program director for the Architectural League of New York has “dedicated her life to architecture,” as said by juror Steven Holl. Rieselbach encourages engagement and architectural discourse through the Current Work lecture series and has overseen the Emerging Voices program for over three decades. “She has continuously advocated for the exploration of new ideas in urban design and architecture,” Holl said. Eduardo Souto De Moura The recipient of the Arnold W. Brunner Memorial Prize, de Moura will receive $20,000 as the architect honored for advancing the practice of architecture as an art. Juror Annabelle Selldorf cited the “distinct sense of materiality” inherent in his works, like the Paula Rego museum in Portugal and his 2005 Serpentine Gallery, designed in partnership with Alvaro Siza. His architecture “feels inevitable,” said Annabelle Selldorf, and has “a timeless and profoundly humanist quality.”
Posts tagged with "American Academy of Arts and Letters":
The American Academy of Arts and Letters, the honor society for architects, artists, writers, and composers in the U.S., has announced its 2018 Architecture Award winners. This year’s five chosen individuals and firms were whittled down from an initial pool of 32 by jurors Annabelle Selldorf (chair), Kenneth Frampton, Steven Holl, Thom Mayne, James Polshek, Billie Tsien (Academy president), and Tod Williams. The 2018 Arts and Letters Award in Architecture winners will receive $10,000, and are as follows: Brad Cloepfil, principal of the Portland and New York City-based Allied Works Architecture. In his jury statement, Kenneth Frampton said that Brad Cloepfil’s architecture is “exceptionally varied, with a wide range of material expression.” Allied Works has tackled a number of diverse projects as of late, ranging from the National Veterans Museum in Columbus, Ohio, to a stadium expansion in Portland. Boston’s MASS Design Group was cited for its sensitive projects that strengthen community ties. MASS “challenges architectural preconceptions,” Tod Williams said, and focuses on “how architecture might be used as a tool for healing.” “Architecture is inextricably united to social equity,” added Williams. Most recently the firm has drawn nationwide attention for its striking lynching memorial in Montgomery. Author, planner, and Columbia University Graduate School of Architecture, Planning and Preservation professor Cassim Shepard was cited for his contributions to urbanism. Billie Tsien lauded Shepard for exploring “the unseen lesser-known city that we all inhabit” in her jury statement. Shepard is the founding editor of the Architectural League of New York’s Urban Omnibus, which examines the modern city through the lenses of justice, design, and urbanism. Most recently, Shepard has published the book Citymakers: the Culture and Craft of Practical Urbanism. Bookseller and architectural publisher William Stout “has nourished architecture culture for over forty years,” according to Steven Holl. William Stout Architectural Books, with locations in San Francisco and Richmond, California, highlights local work as well as essential texts. Chilean architect Smiljan Radic has won the Arnold W. Brunner Memorial Prize, which awards $20,000 to architects of any nationality who have “made a significant contribution to architecture as an art.” Radic “creates strong atmospheric spaces that resonate deeply and transcend the visual,” said Annabelle Selldorf in her jury statement. Radic has been lauded for his clever forms and integration of the landscape into his projects. He was the youngest architect ever selected (at the time) to design a Serpentine Pavilion in 2014, and more recently, Radic was tapped to handle Chile’s contribution to the Vatican’s pavilion at the Venice Architecture Biennale.
A star-studded jury has selected the winners of the American Academy of Arts and Letters' 2015 architecture prizes. Elizabeth Diller (chairman), Henry N. Cobb, Peter Eisenman, Kenneth Frampton, Michael Graves, Richard Meier, Laurie Olin, Cesar Pelli, Billie Tsien, and Tod Williams chose the awardees from among 41 nominations. Sheila O'Donnell and John Tuomey of Dublin's O'Donnell + Tuomey took home the $20,000 Arnold W. Brunner Memorial Prize, for which any architect "who has made a significant contribution to architecture as an art" is eligible. O'Donnell and Tuomey, who also received the 2015 Royal Gold Medal from the Royal Institute of British Architects, are the creative team behind projects including the Sean O'Casey Community Centre (Dublin, 2008) and Belfast's Lyric Theatre (2011). The jury also awarded four Arts and Letters Awards in Architecture of $10,000 each. Yolanda Daniels and Sunil Bald, and Kate Orff won the first two awards, reserved for American practitioners "whose work is characterized by a strong personal direction." Of Daniels and Bald's work, which they undertake in New York as Studio SUMO, juror Billie Tsien observed, "There is always a sense of the weight of materials in what they do." Kate Orff founded New York landscape architecture firm SCAPE to combine research and practice on the urban landscape. Her recent projects include Oyster-Tecture for the 2010 MoMA exhibition Rising Currents, and Living Breakwaters for the U.S. Department of Housing and Urban Development, ongoing since 2014. Kurt W. Forster and Rosalie Genevro secured the second category, for an American "who explores ideas in architecture through any medium of expression." Forster, an architectural historian and founding director of the Getty Center for the History of Art and the Humanities, is currently an emeritus visiting professor at Yale. Genevro heads the Architectural League of New York. "Quiet wisdom as well as consistent and powerful leadership are hallmarks of Rosalie's 30 years as executive director," said juror Tod Williams. Select work by the winners, who will receive their awards at the Academy's annual Ceremonial and may, will be on display in the Academy's galleries on Audubon Terrace from May 21-June 14.
The American Academy of Arts & Letters was formed in 1904 on the model of the French Academy. It operates today as a 250 member honor society, and, since 1955, has had an active yearly architecture awards program. The Academy has just announced its awards for 2014 with its top award The Arnold W. Brunner Memorial Prize (of $20,000) going to the Italian artist and architect Massimo Scolari for his contribution to architect as art. Scolari had a retrospective of his drawings and models last year at Cooper Union and a pair of his iconic sculptural wings are still visible on Coopers second floor balcony. The Academy also announced that two Arts & Letters Awards of $7,500 each would go to New York firms Christoff:Finio and Selldorf Architects under the leadership of Annabelle Selldorf for creating work which shows "strong personal direction." Finally the Academy gave well deserved awards to Michael Blackwood and Cynthia Davidson for their "exploration of ideas in architecture."
The American Academy of Arts and Letters has announced its 2013 architecture awards recipients. The winners were chosen from a group of 32 individuals and practices nominated by Academy members. An exhibition of their work will be on display at the Audubon Terrace in New York City from May 16 to June 9, 2013. The Academy’s architecture awards program was established in conjunction with the 1955 inauguration of the annual Arnold W. Brunner Memorial Prize in Architecture, which is presented to a leading architect from any country who has made a noteworthy contribution to architecture as an art. Alberto Campo Baeza from Madrid, Spain won the $5000 prize this year. He has practiced and taught architecture for over 35 years at prominent universities in the U.S. and abroad. He turns architecture into art through utilizing timeless forms. Campo Baeza received the 2013 Heinrich Tessenow Gold Metal. Two Arts and Letters Awards of $7500 recognizing American architects whose work holds a strong personal bearing were presented to Teddy Cruz of San Diego, California and Thomas Phifer of New York. Teddy Cruz is an architect, academic, and activist who investigates the politics and economics that compel urban conflict. Thomas Phifer, who has led his own New York City practice since 1996, blends the beauty and simplicity of Modernism with awareness of the natural environment. Barry Bergdoll and Sanford Kwinter of New York each won an Arts and Letters Award of $7500 given to Americans exploring ideas in architecture using any method of expression. Barry Bergdoll, a 19th- and 20th-century architectural history scholar, is the Philip Johnson Chief Curator of Architecture and Design at the Museum of Modern Art. Sanford Kwinter is a witer, editor, and Professor of Architectural Theory and Criticism at the Harvard Graduate School of Design, where he co-directs the Master in Design Studies program.
Kathryn Gustafson, founding partner of Seattle-based landscape architecture firm Gustafson Guthrie Nichol has been awarded the Arnold W. Brunner Memorial Prize in Architecture by the American Academy of Arts and Letters, an annual award honoring an architect who has made significant contributions to architecture as an art. Jury member James Polshek noted in a statement, "The power of her imagination and the precision of her execution have enriched the many natural and man-made places she has touched with her magic." The Academy also awarded five Arts & Letters Awards to Hilary Ballon, Marlon Blackwell, Elizabeth Gray, Alan Organschi, and Michael Maltzan. The awards will be presented this May in New York City.
Last night was the American Academy of Arts and Letters' annual ceremonial. The venerable organization inducted new members, meted out awards, and exhibited newly acquired artwork. Among the honorees were many familiar names from the architecture world. Henry Cobb, a long-standing member of the Academy, presented the Arnold W. Brunner Memorial Prize in Architecture to Michael van Valkenburgh—only the second time in history that the prestigious prize has been given to a landscape architect (Dan Kiley was the other, in 1995). The Academy also inducted Thom Mayne of Morphosis into its membership, citing the convention-defying nature of the controversial architect's work as reason for his worthiness. The Academy also inducted two honorary foreign members, both of them architects: Fumihiko Maki, who needs no introduction, and Alvaro Siza, a Portuguese architect who won the Pritzker Prize in 1992, which incidentally was the year before Maki won the coveted award. Billie Tsien presented three Academy awards in architecture. One went to Stephen Cassell and Adam Yarinsky of Architecture Research Office. "The work they produce is an expression of profound intelligence and their buildings are as sensuous as they are rigorous," read the citation. Another was given to Michael Meredith and Hilary Sample of Mos. Their citation touched upon similar virtues: "Their work is at once cerebral and sensuous... What unites this work is a clear, searing intelligence." Take note. If you wish an Academy award it evidently pays to be both sensuous and intelligent. The final architecture award went to Michael Sorkin, who "has never forgotten that architecture is a social art." Of course, many more awards were given, to artists, musicians, writers. Some of these honorees and their related presenters found it prudent to also offer a bit of a speech to those assembled, either in expression of gratitude or as an occasion for social commentary. But nary an architect parted his or her lips at the podium, whether by request of the Academy or out of demureness from having to share the stage with such eloquent speakers as Garrison Keillor, Hal Holbrook, and Calvin Trillin we can't be certain. Perhaps, though, we should be grateful. Anecdotally, perhaps the most rousing speech of the afternoon was given by Bill Moyers in acceptance of the Award for Distinguished Service to the Arts. He thanked the Academy for recognizing the importance of journalism both as an art form and as a powerful force in support of the arts. What is worth retelling here is that the award he accepted was first given in 1941 to none other than Robert Moses. Humorously, Robert Caro—author of The Power Broker, the definitive biography of Moses—who presented the award had no idea that the "master builder" was ever given the laurel. Aha ha ha.
The American Academy of Arts and Letters named the winners of its 2010 architecture awards Tuesday, which were dominated by northeastern designers. Long-time GSD professor Michael Van Valkenburgh is the recipient of the Arnold W. Brunner Memorial Prize in Architecture. The annual award of $5000 has been given to preeminent architects since 1955, ranging from Louis Kahn to Elizabeth Diller. Van Valkenburgh has designed more than 350 landscapes, including the recently opened Brooklyn Bridge Park. The Academy also announced the winners of its Academy Awards in Architecture, for strong personal work, which go to New York's planning-obsessed Architecture Research Office and the Afterpartying MOS, of New Haven and Cambridge. And City College architecture dean, critic, and designer Michael Sorkin also won an Academy Award, largely for his writing. The four winners beat out 50 nominees and were selected by academy members Henry Cobb, Hugh Hardy, Steven Holl, Laurie Olin, Billie Tsien, and Tod Williams.
Here at AN there is no shortage of talk about how buildings are designed, but it is rare indeed that we actually get to show architecture in the course of one of its most important processes: construction. Lucky for us (and you dear reader) Robert Adrian Pejo filmed and edited the above video of a group of ornamental ironworkers from W&W Glass installing the James Vincent Czajka-designed glass link at the American Academy of Arts & Letters. The project is the subject of my In Detail piece in the current issue. Now, watch in amazement as these trained professionals crane lift 10-foot-wide-by-16-foot-high pieces of laminated glass (perfect golden rectangles mind you) over 40 feet into the air and insert them, in windy conditions, between the stone walls of two Beaux Arts edifices.