Historian Alan Hess has organized an exhibition showcasing the work of California architect—and Frank Lloyd Wright collaborator—Aaron G. Green at the Palos Verdes Art Center (PVAC) in Los Angeles. Green was a close associate of Wright’s and also a prolific and highly-regarded architect in his own right who spent six decades practicing architecture, mainly in the San Francisco area. Educated at the Cooper Union in New York City, Green received his first commission by convincing a couple that had solicited him for the design of a single family home to hire Wright—whom the young designer had never met—instead. Green used the project to become one of Wright’s Taliesin fellows. After serving in World War II and opening his own Los Angeles practice, Green moved to San Francisco, where he opened a joint office with Wright. Green acted as Wright’s West Coast representative until Wright’s death in 1959. Green continued his firm as an individual practice until his own death in 2001. Green’s work is exemplary for its focus on natural and organic forms and stands in contrast to the more staid and rigidly-delineated works of the late modern era, like those of William Pereira or Welton Beckett. In an email to The Architect’s Newspaper, Hess remarked: “The International Style aesthetic of simple glass boxes triumphed in the public relations battle to define modernism. But organic architecture put up a good fight by offering the alternative: richly crafted buildings with complex geometries, married to the land, and rendered in the natural textures and colors of wood, stone, and brick.” Hess added, “Frank Lloyd Wright lead that fight, aided by Aaron Green, John Lautner, Lloyd Wright, and many others. Today we are finally rediscovering this side of modern architecture.” Hess explained further that as many of the seminal works of the era have come under the wrecking ball in recent years, interest in their legacy has soared, writing, “Today we are finally rediscovering this side of modern architecture. This exhibit on Aaron Green… is just the tip of the iceberg in opening up a tremendous catalog of California's wide-ranging midcentury and late modern architectural heritage. We’re losing that heritage rapidly, so we need to understand and defend it.” Hess’s exhibition brings together rare photographs and original architectural renderings and plans from Green’s office. The exhibition also showcases a collection of contemporaneous magazines that promoted Green’s work throughout his career. The exhibition opens January 21, 2017, and will remain on view at PVAC through May 28, 2017. For more information, see the exhibition website.
Posts tagged with "Alan Hess":
San Jose Mercury News columnist (and frequent AN contributor) Alan Hess took on HNTB's Levi's Stadium, the new $1.3 billion home of the San Francisco 49ers. Hess compares the "starkly utilitarian," 68,500 seat stadium to Silicon Valley's high tech environments, and even to its high-end gadgets. The building "translates the high-def experience of a game we see on TV—the roaring crowd, the superhuman action of the players, the intense color of the grass under the TV-studio lighting, the camaraderie of loyal 49ers fans celebrating (or commiserating) en masse—into an enormous three-dimensional architectural spectacle," Hess wrote. Innovations include club seats (including 170 luxury suites) separated from the rest of the stadium bowl (and a lacy steel skeleton) to bring everybody closer to the field; food service via every smartphone; and a variety of viewing environments, including nine clubs. Of course it's all located inside Santa Clara's Great America Parkway, a "multiuse city of workplaces, entertainment, theme parks, convention center, schools and hotels, stitched together with light rail and cars." Other outlets seem to be equally impressed, at least with the stadium's novelty and gizmos. Time magazine called the stadium the "most high tech sports stadium yet," illustrating partnerships with tech companies like Sony, giant LED displays in both end zones, and wifi and 4G access for all fans. USA Today called it "massive and luxurious," a shiny new antidote to "grungy" Candlestick Park, the Niners' former home, with its "wide concourses and expansive views of the South Bay." And SFist, a little bothered by the lack of shade, liked the solar panels that will power the stadium for all of its home games. But the same reporter, Daisy Barringer, had an interesting comment. Unlike Candlestick Park, which had a decidedly unique mid-century character (and flaws), the new stadium feels a little more, well, normal. "It's just another NFL stadium," said Barringer. Click here for a live view of the stadium.