Posts tagged with "AIDS Memorial":
A monument to the LGBTQI community is expected to be completed this June along Hudson River Park. The anticipated unveiling coincides with Pride month, which celebrates the 1969 Stonewall uprising that took place just half a mile away. The monument, designed by Brooklyn-based artist Anthony Goicolea, is an arrangement of nine boulders that have been incised with glass prisms that display the rainbow when lit. The project was in part spurred on by the Pulse nightclub shooting in Orlando that left 49 dead which motivated Governor Andrew Cuomo to appoint an LGBT Memorial Commission. While a celebration of the present queer community, the monument’s site is also a testament to LGBTQI history near both the thriving gayborhood of the West Village and the West Side Piers, which in New York’s history served as a gay meeting (and cruising) ground. It is also not far from the 2016 New York City AIDS Memorial, which is dedicated to the over 100,000 New Yorkers who have died from AIDS-related illnesses and the many who acted as caregivers during the crisis and who continue to fight as activists. The monument is designed to be a meeting ground that both blends in with the environment yet maintains a distinct character. As Goicolea told The New York Times last year when the project was announced, “I wanted to communicate with the river and the piers. I really want it to be part of the area.” For Goicolea, the boulders act not as the memorial itself, but, as reported in 6sqft, as “pedestals for the true memorial, which is the people that are sitting there”
After five years of construction, the AIDS Memorial in the West Village at St. Vincent’s Triangle on Seventh Avenue was dedicated yesterday, December 1, for World AIDS Day.
Community members and activists joined Mayor Bill de Blasio and city councilmember Corey Johnson to dedicate the park in memory of those who lost their lives or are affected by AIDS. The dedication included a performance by the Gay Men’s Chorus and the names of those who died as a result of AIDS. The memorial was designed by Brooklyn architecture firm Studio a + i and features an 18-foot metal canopy made from three connected triangles. Artist Jenny Holzer engraved Walt Whitman’s poem, “Song of Myself” in the granite pavers beneath the canopy—her first permanent installation in New York City.
It is appropriately located across the street from the former St. Vincent’s Hospital, the second dedicated AIDS clinic in 1984, and is less than a block away from the LGBT Community Center on 13th Street. Although the hospital was converted to condos by the Rudin family and Global Holdings after it closed in 2010, the building is still remembered as being on the forefront of the AIDS crisis. The memorial itself came to fruition in part thanks to the efforts of Christopher Tepper and Paul Kelterbrn, who started the NYC AIDS Memorial organization in 2011 and raised more than $6 million to make the monument in honor of those who suffered from the disease.Today was the dedication of the New York City AIDS Memorial and the city-wide World AIDS Day ceremony. The Memorial project was launched in 2011 to recognize and preserve the history of the AIDS crisis through the creation of a memorial to honor New York City’s 100,000+ men, women and children who have died from AIDS, and to commemorate and celebrate the efforts of the caregivers and activists who responded heroically to the crisis. The memorial includes a text-based piece by Jenny Holzer which excerpts "Song of Myself" by Walt Whitman. #nycaidsmemorial #jennyholzer A photo posted by Cheim & Read (@cheimread) on
“There are no definite dates or victims. In our design process, we emphasize the changing and varied ways through which AIDS affects us personally and as a society,” Studio a + i said on its website. The memorial will also feature a park and a water feature designed by Rick Parisi of M. Paul Friedberg & Partners with Manhattan-based company Rudin Management, offering repose and reflection to everyone.
American conceptual artist Jenny Holzer, known for her text-focused artworks and sculptures, created a footstool to benefit the New York City AIDs Memorial. The footstool will feature one of Holzer’s well-known works from her “Survival” series written in the early 80s. The phrase, "Let Your Hand Wander on Flesh to Make Possibility Multiply," is seen as one of the artist’s more romantic works. She is also engraving Walt Whitman’s Song of Myself into the memorial’s granite pavers. This will be Holzer’s first permanent installation in New York City, although her 1982 "Messages to the Public" installation in Times Square is considered to be a groundbreaking work. The NYC AIDs Memorial, by Brooklyn architecture firm Studio ai, will open early November in Greenwich Village at Seventh Avenue. The design utilizes mirrors to exemplify the way in which the AIDS epidemic has no definitive boundaries: “There are no definite dates or victims. In our design process, we emphasize the changing and varied ways through which AIDS affects us personally and as a society,” the firm said on its website. There will also be a new public park with granite benches and a water feature designed by Rick Parisi of M. Paul Friedberg & Partners with Manhattan-based company Rudin Management. The site will be dedicated on December 1, World AIDS Day. To inquire about pricing and learn more about the stool, go to Artspace or contact this addresss.
It's been a while since AN checked in with the New York City AIDS Memorial designed by Brookyn-based Studio a+i and slated for St. Vincent Hospital Park in Manhattan. Architects and memorial organizers have been making their way through a series of approvals, checking one more off their list this week as the city's Landmarks Commission unanimously gave a thumbs up to the design. [Curbed.]
It was a week of devastating lows and mild highs for Community Board 2. With NYU virtually assured of getting their 1.9 million-square-foot expansion plan through City Council next week, in spite of vigorous local objection, the mood at last night’s executive board meeting was decidedly grim. But a new design for the AIDS Memorial, to be incorporated into the proposed St. Vincent's Hospital Park across the street from the former hospital site in Greenwich Village, offered some hope. The new design was in response to a demand that the designers incorporate community input, providing hope for some that that the Uniform Land Use Review Procedure (ULURP) was not a waste of time. "With ULURP being ULURP, I didn't think this would happen," Village resident Robert Woodworth said of the memorial designed by Brooklyn-based studio a+i. The vote was nearly eclipsed by a visit from Council Member Margaret Chin who came to explain her position on NYU to the polite but angry crowd. Board Chair David Gruber didn't mince words, telling the Council Member that the vote earlier this week was "monumentally tragic" in its disregard for the community. The frustration with NYU made the memorial's evolution that much more poignant. Community member Steve Ashkenazi drew a direct comparison. "This group has responded to the community," he told the crowd. "It's a beautiful, relevant design." Strange as it may seem, the memorial and NYU do share commonality, both the modest AIDS Memorial and NYU's huge expansion plan bid high in their initial proposals and eventually whittled the scale down after negotiating with the board. Indeed many had thought that a+i's winning design resulting from the ideas competition, sponsored by Architizer and Architectural Record , would be realized as it was presented, encompassing the entirety of the triangular park. But as it tuned out, site-owner Rudin Management had a plan of their own for a much smaller park. Under the banner of the Queer History Alliance, activists rallied media support for an AIDS memorial on the site, even as the board was trying to influence the design underway by Rudin's landscape architect M. Paul Feiedberg. In the process the site for the public park evntually expanded to encompass the entire triangle, with 17,000 square feet set aside for the memorial. The memorial's planted overhead canopy will mimic the angles formed by West 12th meeting Greenwich and is supported in turn by three inverse triangles. Cross beams of planters will run the width of the triangles, holding English Ivy, Virginia Creepers and Honeysuckle. Slats running opposite the planters will hold a galvanized Greenscreen grid, giving the vine a surface to grow on. A large oculus will hover above a reflective water element and granite benches will run along the north and south border. Under foot, carved poetry texts find their way in a series of large intersecting circular pavers. Lighting, planting, and irrigation systems include a detailed plan for maintenance. The memorial's co-founder Chris Tepper told the crowd that the compromise, which led to a much smaller memorial than the winning proposal presented last spring, still meets the group's "policy goals." He promised that he and co-founder Paul Kelterborn would remain committed to raising the $2 million for the memorial as well as $500,000 for a maintenance fund. In a first exclusive look, New York Magazine's Justin Davidson gave the project a thumbs up. With such media savvy, there is little doubt that the the group, now officially called the AIDS Memorial Park, will have trouble raising the funds to build.
It was a busy archi-spring night last night. The Municipal Arts Society held their debate on NYU’s 2031 expansion plan, the AIDS Memorial exhibit opened at the Center for Architecture, and Ralph Walker: Architect of the Century opened at the newly re-dubbed Walker Tower on West 18th Street. Read on for highlights of the MAS debate and to view few photos from the Center and Walker Tower... The MAS debate was the most sober event of the evening with a panel packed with academic all stars. The NYU opponents applauding statements they found to their liking lent the debate the air of a souped-up community board meeting. Nevertheless, it was refreshing to hear ideas cleanly teased out by moderator John Alschuler, of HR&A, the real estate/economic advisory firm. The community had an informed voice on stage in CB2 Chair Brad Hoylman. His point of view was largely backed up by Pratt’s Ron Shiffman, while NYU’s Hilary Ballon and Penn’s Gary Hack tipped the balance back in favor of NYU. Alschuler got the ball rolling by stating “nobody loves the Coles Gymnasium,” the bland brick bunker on the corner of Houston and Mercer, and that “some level of change is going to come there,” partly in the form of a hotel in the so-called Zipper Building. This immediately spurred Schifman to respond that there is little need for a hotel on the campus as NYC has plenty already. “People can get on the subway, why are we protecting them,” he said of the NYU visitors. “That’s a formula for disaster.” Hack argued that at Penn they began their expansion with a hotel, because that’s what visiting academics need most—a place to stay on campus. While Ballon, who is based at NYU Abu Dhabi, said the university’s international franchises mean they need a hotel more than ever. In the end, the southern super block with its two towers was the source of less tension, as opposed to the proposed Boomerang Buildings on the northern superblock. Schiffman went so far as to say that he likes the Kimmelman plan, which would keep the below grade space but nix the above grade structures. But Hack said the new proposal, including the buildings, would open the superblock up and provide better circulation. He added that the additional space would give students a place to gather instead of meeting at “third place haunts” like Starbucks. Hoylman said the north block proposal would more likely become a student thoroughfare, not a neighborhood square. “This is about NYU solving an identity crisis; they get their quad,” he said.
With the prodding of City Council Speaker Christine Quinn, the Rudin Management Company agreed to hand over the the last smidgen of property at Triangle Park for use in an AIDS memorial. The park sits across the street from St. Vincent's Hospital where so many AIDS patients were cared for and died. After months, indeed years, of wrangling, the gateway park to the West Village will move forward largely as originally planned, with M. Paul Friedberg incorporating components of the memorial by AIDS Memorial Competition winner studio a+i into the park design. The 1,600 square foot memorial will sit at the park's westernmost edge, replacing a triangular building that stored oxygen tanks for the now defunct hospital. Gone are the large scale plans for the memorial which would have taken over the entire park and enclosed the site with a mirrored interior / slate exterior. Gone also are plans for an underground museum. By challenging competition entrants to utilize the entire Triangle site, Christopher Tepper and Paul Kelterborn from the AIDS Memorial Coalition (formerly the Queer History Alliance) made a huge media splash and ruffled more than a few Village feathers. After watching St. Vincent's fail and luxury housing move in, many in the community were looking forward to the one aspect of the Rudin plan they liked--open space. Some thought the Coalition's overly aggressive approach was usurping the ULURP process. The activists' stance recalled old-school ACT-UP tactics. For the competition, they pulled together a big name jury (Whoopi and Arad) and big arch media (Arhchitizer and Architectural Record). With the agreement in place, a more conciliatory Coalition will team up with M. Paul Friedberg and work with the community at several charrettes hosted by Community Board 1 beginning this summer. While the Coalition may not have achieved all that they'd hoped for--it did accomplish much more than a memorial plaque. "I think we had to make our presence felt really strongly," said Tepper. "There's this history there and there’s barely a statue. We had to be forceful and get people to think about it."
Brooklyn's studio a+i walked away with first place for their design, Infinite Forest, in a competition to envision an AIDS Memorial at Triangle Park in Manhattan's West Village. The memorial is intended to sit on the site of a small garden and garage directly across the street from the former St. Vincent's Hospital, considered by many to be ground zero of the AIDS epidemic. The announcement comes just one week after the plans for the former hospital site by Rudin Management were approved by City Planning. For the memorial, three walls would bind the park with mirrors on the interior and slate on the exterior. The mirrors would reflect a grove of white birch trees. Park entrances are at three corners of the triangle. The space between the mirror and slate walls also act as light wells and entrances for a museum intended to go beneath the park. There are no markers with names or dates for the 100,000-plus New Yorkers who died of AIDS; instead, visitors are encouraged to write on the slate walls with chalk, "creating an ever-changing mural which is refreshed with every rain." The Infinite Forest design team included Mateo Paiva, Lily Lim, John Thurtle, Insook Kim, and Esteban Erlich, with a rendering by Guillaume Paturel. The competition, which received more than 475 entries, was a collaboration between the Queer History Alliance, Architizer.com, and Architectural Record.
On the eve of World AIDS Day, dozens crammed into the City Planning building in downtown Manhattan where the Rudin Organization presented plans for the former St. Vincent’s Hospital site at a Universal Land Use Review Procedure (ULURP) hearing. The commission is set to vote on the plan on January 24, but over the last few months yet another issue has emerged at the long contested site. Activists from the Queer History Alliance continue to press for an AIDS Memorial to be placed at a proposed park across the street from the former hospital, which was considered ground zero during the height of the AIDS crisis. The so-called Triangle Park has played an interesting role throughout the ULURP. Privately owned by the Rudin family, the park, along with the old O’Toole building, holds air-rights integrated into the development plan across the street where the Rudins want to build a multi-use project that includes housing, retail and a school. The park sits atop an underground storage space. The Queer History Alliance would like to turn the park into a memorial and the storage space into a museum. Rudin representatives expressed concerns that ranged from above ground access via elevators and stairs, to a Certificate of Occupancy for an underground museum, and adjustments to the environmental impact study. Earlier this year, Queer History's Christopher Tepper and Paul Kelterborn, both urban planners, began lobbying for the memorial and by September the group announced a partnership with Architizer to sponsor an international competition for new designs, despite the fact that the Rudins had already retained landscape architects M. Paul Friedberg and Partners for the project. On Monday, Architectural Record signed on as a co-sponsor. The deadline for the competition is January 21 with winners announced on February 1—eleven days after City Planning’s vote. Tepper said that the competition would seek to combine passive recreation with memorializing. “We don’t want a park that is designed independently from a memorial,” Tepper said in a telephone interview. “It’s about marrying those two ideas.” He added that the group is looking for a “thoughtful place holder and flexibility so that the design process can work its way through.” By proposing the memorial, the Queer History Alliance threw the latest monkey wrench into the Rudins' five-year odyssey, which saw the collapse of St. Vincent’s, an unrealized Pei Cobb Freed design, the preservation of Albert C. Ledner’s Maritime Union Building (aka-the O’Toole Building), and new design proposals for the Triangle Park, seen by many as a new gateway to Greenwich Village. The jury for the competition includes many arch-world stars, but jumps beyond borders. Michael Arad will chair. He is joined by Record's Suzanne Stephens, landscape architect Ken Smith, novelist Kurt Andersen, MoMA’s Barry Bergdoll, Elizabeth Diller, the High Line’s Robert Hammond, GMHC’s Marjorie Hill, choreographer Bill T. Jones, and Richard Meier. There has been some pushback from residents. While the community board supported the notion of the memorial, it also held reservations about using the below ground space. At a meeting in September one resident pointed out that the Village already has an AIDS memorial in Hudson River Park. Nevertheless, the board favored the memorial, as did Borough President Scott Stringer. At the hearing, Rudin executive vice president John Gilbert pointed out that the project encompassed practically every major urban issue, from education, to preservation, to housing, and open space. "All well meaning policies collide here," he said of the site. No matter the outcome of the competition, any commemoration would need support from the Rudins, as they own the property. Earlier M. Paul Freidberg designs did include gestures towards memorializing the AIDS crisis and the Sisters of Mercy who worked at St. Vincent’s through discrete pavement markers. But a discrete plaque is not what the Queer Historians have in mind. “No way is that type of marker commensurate with 100,000 New Yorkers who have died,” said Tepper.