Posts tagged with "AIA Seattle":

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The 2019 Seattle Design Festival puts out a call for proposals

The Seattle Design Festival (SDF) is returning from August 16 through 25 and will once again gather tens of thousands of architects, designers, residents, and aficionados in the city. Before that, though, the SDF is openly soliciting installation proposals throughout April and May. SDF is run by Design in Public, an initiative of AIA Seattle, and appropriately, a host of supplemental educational events will run during the festival. The SDF is being broken up into three parts: a block party at Lake Union Park on August 24 and 25, which will showcase outdoor pavilions and events; neighborhood design crawls from August 16 through 25, where visitors can stop in at lectures, tours, screenings, and more; and finally, partner events all over the city. This year’s theme, Balance, asks applicants to consider how balance can be won by design. How can good design help balance our ecological concerns and restore the environment? How can design establish urban equity, or negotiate a work-life balance? Proposals can address any and all interpretations of the theme. While designers don’t need to be affiliated with a studio or even live in Seattle to apply, Design in Public will be hosting three “design jams” at Seattle’s Center for Architecture and Design. On April 20, May 8, and May 16, interested parties can workshop their ideas, get feedback, ask questions, and mutually support other applicants. Interested applicants and partners can submit their proposals here.
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A new facility unites Seattle’s architecture and design organizations under one roof

For the first time in Seattle history, four architecture and design associations have come together under one roof as the Center for Architecture and Design. While the four organizations—AIA Seattle, Seattle Architecture Foundation, AIA Washington Council, and Design in Public—are still operating independently, they are sharing office, exhibit, and community meeting spaces in a renovated storefront space downtown, close to Pioneer Square. Local Seattle firm Suyama Peterson Deguchi Architects led the design.

One challenge was finding the right sized space that was also walkable and within an appropriate price range. After looking at multiple possibilities, the Center settled on a ground floor space in the 1905 brick National Building. The 4,500-square-foot Center rests on the southeast corner of Western Avenue and Spring Street—just a couple blocks from the waterfront. The space stood empty for a long time. At one point it housed an Italian restaurant owned by former Seattle mayor Paul Schell.

The Center is not the first storefront space for AIA Seattle. In fact, AIA Seattle was the first AIA chapter in the U.S. to take a storefront space, said executive director Lisa Richmond. Before the move to the Center, AIA Seattle operated out of a street level office on 1st Avenue near Pike Place Market for over thirty years. Later, Design in Public, an AIA Seattle strategic initiative founded in 2011, started working in their office too. By then, the 1,900-square-foot space was getting cramped. (A high-end cigar shop is expected to move into that space soon.)

For the Seattle Architecture Foundation (SAF) a move was imminent, as the building that housed their old office downtown—Rainier Square—will soon be demolished to make way for a close to 60-story boot-shaped tower designed by NBBJ. (Full disclosure: I volunteer at SAF.) The University of Washington owns the land under Rainier Square and is developing the project. The curved shape of the planned tower is expected to help preserve views and sight lines of the neighboring 1977 Minoru Yamasaki Rainier Tower—the downtown Seattle building famous for its inverted pyramid base. (Should the big earthquake hit, some say Rainier Tower may be one of the most stable buildings, due to a lower than normal center of gravity).

The fourth organization, AIA Washington Council, had the farthest move, relocating from Olympia, the Washington State capitol.

“We’re really excited to be part of this project. It’s an opportunity to connect with the public more,” said Stacy Segal, executive director of SAF. The Center hopes their professional and public shared home will help facilitate greater collaboration and dialogue between designers and the public. Seventy percent of the Center is open to the public.

The program allows for a mix of uses. There are gallery spaces at the front, a multi-purpose homasote-paneled meeting room with pivoting panels for flexibility and soundproofing, a smaller conference room, an office area with large desks, a kitchen and work area, and more. Suyama Peterson Deguchi provided pro bono services. Their major design goals were many: to get the public excited about design, allow for ample spaces to feature rotating displays, to celebrate existing materials found in the historic building (aged wood and concrete slabs), to maximize natural lighting, and most challenging, flexibility.

“We also wanted to have the least possible disruption to the wonderful heavy timber column and ceiling structure and still provide for the complex program,” explained Ric Peterson, a partner at Suyama Peterson Deguchi. “Instead of dividing the space, the new parts are fashioned as flexible elements within the entire space.” 

Over the next ten years, the Center expects to grow incrementally and hopes to attract and connect not just built environment professionals, but also designers in other fields, policy makers, and the general public.

The Center relied on $1.2 million in cash and in-kind donations from a mix of corporate, individual, and foundation support.

The grand opening was the first week of March, and the Center is hosting its third exhibition April 21–June 25. Living Small: Ideas for Living in the City looks at the impact of urban growth and density on micro-housing.

In its programming, the Center is integrating more design disciplines outside of architecture that are exploring urban issues. “Seattle is a little below the radar,” said Richmond. “We want the public see the very significant and important role good design plays in our economy and our city.” 

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A park for Jimi Hendrix is finally being developed in Seattle

It’s been almost half a century since Jimi Hendrix passed away. And now after several delays, a 2.5 acre park in the Seattle Central District neighborhood where Hendrix grew up is being developed. Currently, the City of Seattle and EERG Inc. are seeking a construction contract. The plan for the site, which is near the Northwest African American Museum, will feature paths and plantings that, from above, look slightly like a guitar. The first phase will include “a new stairway and grand entrance at the southeast corner of the park, paved pathways, a chronological timeline of Hendrix’s life and career, rain infiltration gardens, a butterfly garden, and a performance plaza,” reported Curbed Seattle. The second phase will include features like a performance space and a “sound wave wall” with silhouettes of Hendrix. The Jimi Hendrix Park Foundation and the Friends of Jimi Hendrix have raised over $1 million dollars and were given $500,000 through the Seattle Parks and Green Levy Opportunity Fund Grant. “The importance of having a park about Jimi is really about honoring and memorializing him as a musician, and as an artist," said Janie L. Hendrix, Jimi’s sister and director of the Jimi Hendrix Park Foundation. "He’s given so much to the world, which we continue to enjoy and listen to."
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Urban Intervention Finalists Imagine Seattle Center 2.0

How can technology and science revolutionize and restore our public spaces—particularly those disconnected and decaying districts that remain after colossal events such as the Olympics, biennials, and world’s fairs? These immense programs have shaped many an urban core, for better or for worse, from the Chicago World’s Fair of 1893 to the 2004 Athens Olympics. As part of the Seattle Next Fifty, the 50th anniversary of the Seattle 1962 World’s Fair Century 21 Exposition, the Howard S. Wright Design Ideas Competition for Public Space challenged global designers, architects, and urban planners to re-imagine the 9 acre Seattle Center site that was part of the larger 74-acre campus, which hosted the original 1962 fair. Suggestions range from clearing the Seattle Center site, to enclosing the space in a curved wood lattice archway, to filling the area with an open-air labyrinth. A six person design jury selected three finalists’ proposals that present economic, social, and sustainable creative reuse solutions: ABF (France) for their design In-Closure, a forested, interactive wall; KoningEizenberg Architecture + ARUP for Park, which suggests a meeting between stadium, landscape and building; and PRAUD for Seattle Jelly Bean, an atmospheric cloud-like balloon secured to the site that serves as a reflective mirror during the day and a projection screen at night. For more proposal images and more information on finalists, commendations, and other entries, visit: Urban Intervention - AIA Seattle.