Posts tagged with "AIA New York":

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Somewhere Studio uses reclaimed CLT for 2019 City of Dreams pavilion

The average swingset, built in backyards and playgrounds across the country, features loads of metal and plastic. Somewhere Studio, a young firm based in Arkansas, is unintentionally turning that unsustainable construction on its head with Salvage Swings, a series of swing modules made from reclaimed timber. Coming to Roosevelt Island this summer, the project is the official 2019 City of Dreams Pavilion winner, selected through a competition hosted annually by the New York Chapter of the American Institute of Architects, the Structural Engineers Association of New York, and FIGMENT, a local arts organization. Salvage Swings was born out of the University of Arkansas’s Fay Jones School of Architecture and its Fabrication Laboratories. Jessica Colangelo and Charles Sharpless, founders of Somewhere Studio, teach at the Fayetteville campus and conceived of the project last year as a way to reuse the wood leftover from the construction of the school’s new student housing project, Stadium Drive Residence Halls. The 200,000-square-foot mass timber building, designed by local firm Modus Studio, as well as Mackey Mitchell Architects, Leers Weinzapfel Associates, and OLIN, using cross-laminated timber and glulam-panels from Binderholz, an Austrian manufacturer that ships its products on sacrificial palettes also made of CLT. Somewhere Studio is taking these palettes and using them for the pop-pup playspace in New York. According to Sharpless, the palettes are perfect products to experiment with because they aren’t graded for commercial use. “Even though it’s a raw material that’s basically used for storage, it looks and behaves like processed cross-laminated timber,” he said. “When we began the project, it occurred to us that we had this big pile of wood staring at us that would otherwise be thrown away, so we decided we wanted to show off its quality and strength.” Designed to stand as a temporary public piece of interactive art, Salvage Swings will feature 12 individual swing modules that can be set up together to form a triangular communal space. Each module will be constructed from the palettes, which will be cut, cleaned, and sealed at UArk, and then painted with different patterns and colors to add personality. Sharpless noted the idea to create a swingset wasn’t top of mind at the start of the design process, but the use of salvaged timber heavily drove the form of the installation.   “The shape of the boxes is intended to provide some structural rigidity,” Sharpless said. “CLT is light, flexible, and you can work with it quickly. We angled each box so that when you’re looking at one from a single direction, it starts to flatten out. Then from another direction, it starts to heighten your perspective and create a sense of layers.” These changing perspectives also bring a sense of playfulness to the pavilion—a core goal that Somewhere Studio tries to achieve in its work. Repetition is another design move the firm often features. In the triangular shape of Salvage Swings, the repeating boxes provide unique frames for visitors to view Roosevelt Island and the surrounding city. While Salvage Swings is in-part an experiment in the effectiveness of CLT as an exterior construction material, the project is also a way to encourage fun. “We like the idea of engaging people who might not be attracted to an architectural or art installation or know immediately what ours is made of,” said Sharpless. “So it’s exciting to showcase this really beautiful product and educate the public about its strength. At the end of the day, though, we want people to have fun and, in particular, for children to gain a sense of play from the pavilion. They’re a great audience and I don’t think we’re designing enough for them.” Salvage Swings is currently accepting donations to build the project through a Kickstarter campaign, which ends on March 23. As of today, the project is fully funded. Now that the total money has been raised, Colangelo and Sharpless will construct the pavilion for the 2019 summer season on Roosevelt Island, collaborating with Taylor and Miller Architecture and Design on lighting for the modules, as well as Guy Nordenson and Associates on their structural engineering. Come fall, Salvage Swings will likely be broken down into parts, according to Sharpless, where a section will stay in New York and another will be set up in Arkansas.
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AIA New York and Center for Architecture launch “Discover Architecture!” program

Last month, AIA New York and the Center for Architecture launched “Discover Architecture!”, a 4-day-long pilot program designed to familiarize a wider audience, particularly sophomores and juniors attending New York City public high schools, with the practice of architecture. The trial career discovery program evolved from AIA New York’s 2019 theme, “Building Community,” proposed by President Hayes Slade, which highlights how the architectural profession positively impacts communities while serving as a legitimate means to social and cultural development. Within the past few years, architects have become increasingly aware of their field’s issues regarding access and transparency, and how its training process impacts diversity and equity in the field. The architecture industry is complex, and not everyone understands the various roles, functions, and responsibilities that exist within the profession, especially young children. By giving students the opportunity to work in an office with experienced architects, the program provides them with a one-of-a-kind opportunity to explore the profession up-close, as well as a way to gain vital insight regarding possible career paths in the architecture, construction, and design industries. Targeting sophomores and juniors, the program paired 24 high school students from 15 different schools with 19 local architecture firms, where the students spent their February winter break experiencing firsthand what it’s like to be an architect. The students spent three days at the firms, where they toured the offices, interacted with staff, attended meetings, learned software, and went on site visits. On the last day of the program, students were sent to the Center for Architecture in Greenwich Village, where they shared their various experiences with one another and participated in design challenges orchestrated by Center for Architecture educators. By culminating the program with a collaborative experience, students were able to become part of a network of people who can navigate challenges together. This was just the pilot year for the free program, but it may be continued annually due to its success and popularity, according to organizers. “We have been working very hard on getting this going for nearly a year now and are excited to see it moving forward…Personally, I did not study architecture because I didn’t understand the various roles within the building industry. I think there is no substitute for first-hand one-on-one experience for young people to make informed decisions,” said Hayes Slade, president of AIA New York.
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New York City and the AIA team up for a vacant lots competition

New York’s five boroughs are plagued with vacant lots, even as the city finds itself in a housing crisis. Architects and planners have explored potential solutions like modular construction and basement units, and now the Department of Housing Preservation and Development (HPD) and the AIANY are trying to recruit architects to design sensitive infill housing. Big Ideas for Small Lots NYC is soliciting design proposals for scalable solutions across 23 vacant lots around the city. The design competition is just one piece of the de Blasio administration’s Housing New York 2.0 plan, which aims to create or preserve 300,000 units of affordable housing by 2026. For the project’s first phase, competitors have until March 24 to submit their proposals for a 17-foot-wide, 100-foot-deep vacant plot at 113 West 136th Street in East Harlem. Teams that submit the best-realized drawings and project narratives will be given a $3,000 stipend, have their materials exhibited at the Center for Architecture, and will be invited back for the competition’s second phase. Immediately after the finalists are chosen, HPD will assign the remaining teams different lots to develop proposals for, and the most promising may be built. New York currently has 1,023 acres of vacant public land across 1,367 lots citywide, according to Living Lots NYC, and many of them have sat unused for decades. A holistic solution is hard to come by, as some of the lots are as narrow as 13-feet-wide and others are nearly 10,000 square feet. Although the city hasn't exactly defined what “affordable” means for these lots, the New York Times noted that HPD is shooting for two-to-three family homes and may include below-market-rate rents. The nine-person Big Ideas jury reads like a who’s-who of New York–based architects and city officials: Jury Chair: Hayes Slade, AIA, IIDA, president, AIA New York and principal, Slade Architecture Deborah Berke, FAIA, LEED AP, dean, Yale School of Architecture and founder, Deborah Berke Partners Claudia Herasme, chief urban designer, NYC Department of City Planning Nick Lembo, chairman, Monadnock Construction, Inc. Ruchika Modi, studio director and associate partner, Practice for Architecture & Urbanism Justin Garrett Moore, AICP, executive director, NYC Public Design Commission AJ Pires, president, Alloy Development Katherine W. Swenson, vice president of design, Enterprise Community Partners Claire Weisz, FAIA, principal, WXY architecture + urban design
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Check out the best architecture book releases of the fall

As the leaves change color, the nights lengthen, and the temperatures drop, a crop of new book releases are hitting the shelves with fall reading that's are guaranteed to keep readers warm for the winter. Want to learn more about Philip Johnson’s bombastic early life and work for Donald Trump? How about a deep dive into the history of modernism and a treatise on how it’s ruined society, or a look into stark, cold concrete buildings around the world (for when the weather gets unseasonably warm)? AN has compiled a list of the hottest new releases for autumn, so pour a glass of cider, light the fireplace, and dive in—or better yet, start your holiday shopping early. The Man in the Glass House: Philip Johnson, Architect of the Modern Century Mark Lamster Little, Brown and Company MSRP $35.00 Nine years in the making, Lamster’s deep dive into the life and career of Philip Johnson pays off in spades. Johnson is presented as a quintessential American architect and a walking mess of contradictions throughout the book; a populist born to an upper-class family who was a millionaire before the age of 25, a gay man who fervently supported the Nazis, and a patron of the arts who ultimately went on to help Donald Trump leave his signature across Manhattan. Lamster’s meticulously researched biography also entwines itself with the history of modern art and the life of the Museum of Modern Art, much as Johnson himself did. Atlas of Brutalist Architecture Phaidon Editors Phaidon Press MSRP $150.00 More than just the ultimate coffee table book, the Atlas of Brutalist Architecture claims to be a final compendium on built, and demolished, brutalist structures. At a whopping 10 by 14 inches, the atlas features 878 buildings from 798 architects across 102 countries, reproduced in high-contrast black and white photos. The oversize collection puts each building’s distinctive shape front and center and creates a study of form across the entire Brutalist movement. Cocktails and Conversations: Dialogues in Architectural Design AIA New York $25 in-person pickup, $30 shipped For the last six years, the New York chapter of the American Institute of Architects (AIA) has been hosting a Cocktails and Conversations series, treating guests like Tod Williams and Billie Tsien, Signe Nielsen, and Daniel Libeskind to custom-crafted cocktails and engaging them in conversation about the state of architecture. In Cocktails and Conversations (the book version), AIA New York has reproduced all of their dialogues since 2012 and included the accompanying cocktail recipes. Ever want to drink like Morris Adjmi or Charles Renfro? Now you can. And keep an eye out for moderating appearances from AN’s William Menking and Matt Shaw. Exhibit A: Exhibitions That Transformed Architecture, 1948-2000 Eeva-Liisa Pelkonen Phaidon Press MSRP $79.95 In today’s world of constant architectural biennales, biennials, showcases, retrospectives, and pop-up shows, it’s fair to say that exhibition architecture is a language all of its own. In Exhibit A, Pelkonen charts a decade-by-decade breakdown of the 80 most important shows from 1948 to 2000 in a lavishly illustrated compendium. The book’s scope is worldwide, tracking the evolution of exhibition architecture as well as how that language eventually bled back into the architectural mainstream. Syria Before the Deluge Peter Aaron Blurb $149.00 Architectural photographer Peter Aaron is no stranger to capturing the essence of a building, a task he took up whole-heartedly during a 2009 tour through Palmyra, Aleppo, Damascus, and other important archeological sites throughout Syria. Unfortunately, as Aaron notes, those places are all notable today for having been totally destroyed, with most of their ancient treasures lost, looted, or inaccessible. Using an infrared camera, Aaron shot ancient ruins and modern Syrian cityscapes in vivid black-and-white, capturing both a long-gone world and contemporary life in a place that would soon after be changed forever. Michael Webb: Two Journeys Edited by Ashley Simone Lars Müller Publishers MSRP $45.00 As Peter Cook noted in his review of Two Journeys, Michael Webb’s life, much like the book itself, is rich in anecdote and nuance. The biography celebrates Webb’s life as a polymath who dabbled in art, drawing, and design in equal measure, painting the founding Archigram member as more of an eclectic inventor than architect. Two Journeys is an exercise in showing, not telling, using Webb’s work and particularities to paint a fuller picture of the man himself. Much like the gathering held to celebrate the launch of the book itself, Two Journeys is full of fond memories about Webb from his contemporaries and friends. Archigram - The Book Warren Chalk, Peter Cook, David Greene, Reyne Banham, Michael Sorkin, Michael Webb Circa Press November 14, 2018 MSRP $135.00 Functional meets fun in this comprehensive retrospective of London’s most famous avant-garde design collective. Archigram’s theoretical work paved the way for some of the most influential works of the late-twentieth century, including the Centre Pompidou, and the group was ultimately recognized for their contributions with a RIBA Gold Medal in 2002. Archigram, designed by member Dennis Crompton and featuring essays from all of the collective’s members, is as psychedelic and forward-thinking as the work contained inside. The large-format monograph is a celebration of the collective’s 14 years together and includes well-known projects such as the Living City as well as lesser-known projects and concepts. With the advantage of time and foresight, the collection puts Archigram’s ‘60s and ‘70s work in an entirely new context.
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AIANY and ASLANY honor 2018's best transportation and infrastructure projects

At an awards ceremony at Manhattan’s Center for Architecture on October 8, representatives from AIA New York (AIANY) and the New York chapter of the American Society of Landscape Architects (ASLANY) gathered for the first annual Transportation + Infrastructure Design Excellence Awards (T+I Awards). The winners, winnowed down from a pool of 67 entrants, showed excellence in both built and unrealized projects related to transportation and infrastructure, with a heavy emphasis on work that integrated sustainability and engaged with the public. Outstanding greenways, esplanades, and transit improvement plans were lauded for their civic contributions. A variety of merit awards were handed out to speculative projects, and the Regional Plan Association (RPA) was honored a number of times for the studies it had commissioned as part of the Fourth Regional Plan; it was noted that many of the solutions proposed in past Regional Plans had eventually come to pass. The jury was just as varied as the entrants: Donald Fram, FAIA, a principal of Donald Fram Architecture & Planning; Doug Hocking, AIA, a principal at KPF; Marilyn Taylor, FAIA, professor of architecture and urban design at the University of Pennsylvania; David van der Leer, executive director of the Van Alen Institute; and Donna Walcavage, FASLA, a principal at Stantec. Meet the winners below:

Best in Competition

The Brooklyn Greenway Location: Brooklyn, N.Y. Designers: Marvel ArchitectsNelson Byrd Woltz Landscape Architects, WE Design Landscape Architecture, eDesign Dynamics, Horticultural Society of New York, and Larry Weaner Landscape Associates Now six miles long and growing, the waterfront Brooklyn Greenway project kicked off in 2004 with a planning phase as a joint venture between the nonprofit Brooklyn Greenway Initiative (BGI) and the RPA. The 14-mile-long series of linear parks has been broken into 23 ongoing capital projects under the New York City Department of Transportation’s purview—hence the lengthy list of T+I Award winners. Funding is still being raised to complete the entire Greenway, but the BGI has been hosting events and getting community members involved to keep the momentum going.

Open Space

Honor

Hunter's Point South Park Location: Queens, N.Y. Park Designers: SWA/Balsley and Weiss/Manfredi Prime Consultant and Infrastructure Designer: Arup Client: New York City Economic Development Corporation With: Arup The second phase of Hunter’s Point South Park opened in June of this year and brought 5.5 new acres of parkland to the southern tip of Long Island City. What was previously undeveloped has been converted into a unique park-cum-tidal wetland meant to absorb and slow the encroachment of stormwater while rejuvenating the native ecosystem. Hunter’s Point South Park blends stormwater resiliency infrastructure with public amenities, including a curved riverwalk, a hovering viewing platform, and a beach—all atop infill sourced from New York’s tunnel waste.

Merit

Roberto Clemente State Park Esplanade Location: Bronx, N.Y. Landscape Architect: NV5 with Mathews Nielsen Landscape Architects Client: New York State Office of Parks, Recreation, and Historic Preservation With: AKRF, CH2M Hill

Citation

Spring Garden Connector Location: Philadelphia, Pennsylvania Landscape Architect: NV5 Client: Delaware River Waterfront Corporation With: Cloud Gehshan, The Lighting Practice

Planning

Merit

The QueensWay Location: Queens, N.Y. Architect: DLANDstudio Architecture and Landscape Architecture, and WXY Architecture + Urban Design Client: The Trust for Public Land Could a High Line ever land in Queens? That’s what The Trust for Public Land set out to discover, tapping DLAND and WXY to imagine what it would look like if a 3.5-mile-long stretch of unused rail line were converted into a linear park. The project completed the first phase of schematic design in 2017 using input from local Queens residents, but fundraising, and push-and-pull with community groups who want to reactivate the rail line as, well, rail, has put the project on hold.

Merit

Nexus/EWR Location: Newark, N.J. Architect: Gensler Client: Regional Plan Association With: Ahasic Aviation Advisors, Arup, Landrum & Brown

Projects

Merit

The Triboro Corridor Location: The Bronx, Brooklyn, and Queens, N.Y. Architect: One Architecture & Urbanism (ONE) and Only If Client: Regional Plan Association Commissioned as part of the Fourth Regional Plan, Only If and ONE imagined connecting the outer boroughs through a Brooklyn-Bronx-Queens rail line using existing freight tracks. Rather than a hub-and-spoke system with Manhattan, the Triboro Corridor would spur development around the new train stations and create a vibrant transit corridor throughout the entire city.

Structures

Honor

Fulton Center Location: New York, N.Y. Design Architect: Grimshaw Architect of Record: Page Ayres Cowley Architects Client: NYC Metropolitan Transit Authority With: Arup, HDR Daniel Frankfurt, James Carpenter Design Associates Fulton Center was first announced in 2002 as part of an effort to revive downtown Manhattan’s moribund economy by improving transit availability. Construction was on and off for years until the transit hub and shopping center’s completion in 2014, and now the building connects the 2, 3, 4, 5, A, C, J, and Z lines all under one roof (the N, R, and W trains are accessible through an underground passage to Cortlandt Street). Through the use of a large, metal-clad oculus that protrudes from the roof of the center, and the building’s glazed walls, the center, which spirals down from street level, is splashed with natural light.

Merit

Number 7 Subway Line Extension & 34th Street-Hudson Yards Station Location: New York, N.Y. Architect: Dattner Architects Engineer of Record: WSP Client: MTA Capital Construction With: HLH7 a joint venture of Hill International, HDR, and LiRo; Ostergaard Acoustical Associates; STV

Merit

Mississauga Transitway Location: Ontario, Canada Architect: IBI Group Client: City of Mississauga, Transportation & Works Department With: DesignABLE Environments, Dufferin Construction, Entro Communications, HH Angus, WSP

Merit

Denver Union Station Location: Denver, Colorado Architect: Skidmore, Owings & Merrill (SOM) Landscape Architect: Hargreaves Associates Client: Denver Union Station Project Authority (DUSPA) With: AECOM, Clanton & Associates, Kiewit Western, Tamara Kudrycki Design, Union Station Neighborhood Company

Student

Turnpike Metabolism: Reconstituting National Infrastructure Through Landscape Student: Ernest Haines Academic Institution: MLA| 2018, Harvard Graduate School of Design Anyone’s who’s ever cruised down a highway knows that equal weight isn’t necessarily given to the surrounding landscape. But what if that weren't the case? In Turnpike Metabolism, Ernest Haines imagines how the federal government can both give deference to the natural landscapes surrounding transportation infrastructure and change the design process to allow nature to define routes and structures.
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Archtober is almost here! Check out the Building of the Day schedule

It’s nearly the most architectural time of the year! Archtober, New York City’s annual architecture and design month organized by the Center for Architecture, is just around the corner, believe it or not, and the lineup of archi-activities this season is not to be missed. Now in its eighth year, Archtober will celebrate the influence of the design industry through exhibitions, films, lectures, conferences, and the architect-led Building of the Day tours, which grant visitors unique access to the city’s coolest projects The first site this year is One John Street by Alloy, a new 130,000-square-foot residential property on the DUMBO waterfront. Perched next to the Manhattan Bridge, the 12-story building boasts unmatched views. You won’t want to miss your chance to get inside one of these apartments. You can also peruse the freshly-renovated TWA Hotel, or check out the brand new WeWork space inside S9 Architecture’s Dock 72 (the current talk of the town). You can also revel in the engineering feat that is The Shed by Diller Scofidio + Renfro and Rockwell Group. Sales for all tours begin today. You can purchase tickets via the Archtober website. Here is the complete schedule of sites to see: Oct. 1 One John Street Architect: Alloy Oct. 2 Lenox Hill Health Greenwich Village Original Architect: Albert Ledner; Renovation Architect: Perkins Eastman Oct. 3 Domino Park Architect: James Corner Field Operations Oct. 4 Newtown Creek Water Pollution Control Plant Architect: Polshek Partnership/Ennead Oct. 5 Swiss Institute Architect: Selldorf Architects Oct. 6 TWA Hotel Original Architect: Eero Saarinen; Renovation Architects: Beyer Blinder Belle, Lubrano Ciavarra Architect Oct. 7 BSE Global Architect: TPG Architecture Oct. 8 Schomburg Center for Research in Black Culture, New York Public Library Architect: Marble Fairbanks Oct. 9 Five Manhattan West Architect: REX Oct. 10 Bronx River Arts Center Architect: Sage and Coombe Architects Oct. 11 277 Fifth Avenue Architect: Rafael Viñoly Architects Oct. 12 The Marcel Breuer Buildings at Bronx Community College Architect: Marcel Breuer Oct. 15 Hayes Theater Architect: Rockwell Group Oct. 16 R & Company Architect: wHY Architecture Oct. 17 Dock 72 Architect: S9 Architecture Oct. 18 Brooklyn Bridge Park Boathouse Architect: Architecture Research Office (ARO) Oct. 19 Brooklyn Botanic Garden’s Shelby White and Leon Levy Water Garden and Water Conservation Project Architect: Michael Van Valkenburgh Associates, Inc. Oct. 20 100 East 53rd Street Architect: Foster + Partners Oct. 21 Kew Gardens Hills Library Architect: WORKac Oct. 22 Spyscape Museum Architect: Adjaye Associates Oct. 23 Manhattanville Campus Plan: Jerome L. Green Science Center (Mortimer B. Zuckerman Mind Brain Behavior Institute) and The University Forum Design Architect: Renzo Piano Building Workshop Executive Architect: Davis Brody Bond LLP (Jerome L. Green Science Center) Design Architect: Renzo Piano Building Workshop Executive Architect: Dattner Architects (The Forum) Oct. 24 325 Kent Avenue Architect: SHoP Oct. 25 Sculpture Studio Architect: Andrew Berman Architect Oct. 26 The Shed Architects: Diller Scofidio + Renfro in collaboration with Rockwell Group Oct. 26 Alice Austen House Original Architect Unknown Oct. 28 Ocean Wonders: Sharks! Architecture, Exhibition Design, Landscape Architecture: Edelman Sultan Knox Wood / Architects (Architect of Record), the Wildlife Conservation Society - Exhibition and Graphic Arts Department, and The Portico Group Oct. 29 African Burial Ground Monument Architects: Rodney Leon / AARRIS Architects Oct. 30 123 Melrose Architect: ODA New York Oct. 31 Hunters Point South Architect: WEISS/MANFREDI View all programming on Archtober.org.
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AIANY's Whitney M. Young Jr. exhibit calls architects to action

If we’ve learned anything this year, it’s that time is up for professional industries that ignore inequality and underrepresentation. Within the practice of architecture, that means taking on diversity and inclusion while addressing uncomfortable challenges in education and workplace culture in a profession with deeply established patterns. Times are changing in this aging, white male-dominated field, and architects of all backgrounds are being celebrated for their contributions to design. At the forefront of this heightened awareness is a new exhibition from AIANY at the Center for Architecture in New York titled, A Call to Act(ivism): Echoing Whitney Young, 50 Years Later, now on view. The exhibition comes on the heels of the AIA 2018 Conference on Architecture in June, where current AIA president Carl Elefante reminded the audience of Young’s influence on the profession. In his renowned and heated speech at the 1968 AIA National Convention in Portland, Oregon, the former National Urban League executive director questioned the industry’s lack of integration and pushed for architects to take a stand and involve themselves more seriously in the turbulent political climate of the 1950s and '60s. The exhibition displays key moments in Young’s career when his charismatic voice put him on the national stage, putting the spotlight on issues of urbanism. The small but powerful show suggests that the dialogue surrounding diversity within architecture is not new and that the critical words of Whitney M. Young Jr. are just as relevant as ever to the profession. Curated by Danei Cesario, AIA NCARB and associate at Array Architects, the show identifies a parallel between Young’s work and the calls-to-action resonating among practitioners today. “There’s no one-size-fits-all approach to improving things in the industry,” said Cesario, who also co-chairs the AIANY’s committee on diversity and inclusion. “There are personal approaches and things happening within larger groups. We wanted to show how people viewed these issues in 1969 versus how we’re tackling them nowadays.” Today, it’s necessary for architects to be broadly aware of the issues affecting the world and the development of its major cities. The idea that architecture is separate from politics was absurd, according to Young, and to be integrated into the public discourse, architects must not stay silent as they build out communities. A Call to Act(ivism) urges architects to challenge the status quo still existing within the profession and details current data on the local industry by dissecting the demographics of New York’s design community.  The data on display was collected in the 2017 AIANY Equity, Diversity & Inclusion (EDI) Member Survey put together by the committee. Cesario hopes the information, which will be followed-up with additional surveys over the next two years, can serve as a showcase for how the profession is annually progressing. The committee will put out a report on its initial findings at the end of this year. “We want to build infrastructure that will be sustainable year to year,” she said, “and we want to find and publish actionable steps that firms can take to become more inclusive.” The graphic information currently on display in the exhibition reveals that there’s much more work to be done for architecture to become the inclusive profession that Young imagined. The show invites everyone from students and newly-licensed architects to veteran firm principals to reflect on their own call to activism by asking visitors two crucial questions:
What do you personally do to promote diversity and equity within architecture? What can be done collectively towards this goal, within our industry and beyond?
Visitors can share their own perspective in a digital survey and listen to the views of leaders like Sharon Sutton, Beverly Wills, Jack Travis, and Guy Geier. Unfortunately, we’re still struggling with iterated versions of the same issues Young called out fifty years ago, but the show encourages you to consider how you might be an activist within your own firm in order to eradicate these issues once and for all.  A Call to Act(ivism): Echoing Whitney Young, 50 Years Later is on view at the Center for Architecture through September 15. It was curated by Danei Cesario, AIA NCARB and designed by graphic artist Manuel Miranda.
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WXY's Claire Weisz receives AIA New York's Medal of Honor

WXY Architecture + Urban Design co-founder Claire Weisz has received the American Institute of Architects New York Chapter’s (AIANY) top award, the Medal of Honor. "We are delighted to present to Claire the 2018 Medal of Honor, our chapter's highest level of recognition, for her ongoing career of distinguished work, and her immense contributions to public and civic space in New York," said Benjamin Prosky, executive director of AIANY and the Center for Architecture, in a statement. WXY partner and co-founder Mark Yoes has also been elevated to an AIA Fellow, which recognizes "exceptional work and lasting contributions to architecture and society." Weisz is an avowed urbanist, and WXY has won recognition for a large number of public projects across New York City, including a 2018 AIA Honor Award for their work on the Spring Street Salt Shed. Weisz was named a 2011 Emerging Voices winner, and WXY’s reconstruction of Astor Place and Cooper Square nabbed the studio a mention in AN’s 2017 Best of Design Awards for Urban Design. The studio works at all scales, from master planning enormous developments to designing for coastal resiliency, to street furniture and everything in between. Weisz will be honored at a ceremony at Cipriani Wall Street on April 20 at the annual AIANY Honors and Awards Luncheon. Artist Ai Weiwei, this year’s winner of the Award of Merit, and critic Inga Saffron, winner of the Kliment Oculus Award, will also be recognized at the event alongside the 2018 AIANY Design Awards winners. One set of Design Awards winners who won’t be attending is Richard Meier and Peter Marino, as the AIANY stripped both architects of their 2018 Merit Awards late last month amidst reports of harassment and misconduct.
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AIANY strips Richard Meier and Peter Marino of 2018 awards

In a sign of how the #metoo movement is reverberating across the field of architecture, today AIA New York (AIANY) announced that it would be stripping recent awards from Richard Meier and Peter Marino, two New York City architects accused of sexual misconduct. The AIANY Board of Directors rescinded Meier and Marino’s 2018 Design Awards. Meier’s serial harassment—as well as an alleged assault—were exposed in a New York Times story last week. Though Marino’s conduct hasn’t been covered extensively in the media, the architect is facing a harassment suit.   AIANY Executive Director Benjamin Prosky explained the board’s reasoning in a short statement. “Our decision does not speak to the design quality of the projects or the contributions from the respective firms’ design teams. Rather we cannot in good conscience confer these awards under these circumstances.” The 2018 award winners, minus Marino and Meier, were announced in January, and will be fêted at an April luncheon. Peter Marino Architect was expected to accept a Merit Award for the Seagram Building’s Lobster Club restaurant, while Richard Meier & Partners Architects was to be honored with the same for its work on the Leblon Offices in Rio de Janeiro. There were 32 (now 30) award winners in all. The AIANY is far from the only professional organization to distance themselves from Meier following the Times report. Ben Derbyshire, president of the Royal Institute of British Architects (RIBA) has condemned Meier's behavior (he was honored with the association's Gold Medal in 1988), while AIA National stated it was "deeply troubled" by the allegations. In a statement, AIA president Carl Elefante, FAIA, reiterated the organization's stance against sexual harassment. “AIA stands by a set of values that guide us as a profession and a Code of Ethics that define standards of behavior for our members. Sexual harassment is not only illegal, it flies in the face of our values and ethics,” said Elefante. “We are deeply troubled by the allegations in The New York Times today, and believe that sexual harassment—in any form and in any workplace—should not be tolerated and must be addressed swiftly and forcefully.” Peter Marino Architect has provided the following statement to AN in response: "PMA is committed to eliminating harassment from the workplace as is any other member of AIA New York.  But AIA's new policy goes too far.  According to AIANY's new policy, if there is any allegation pending - regardless of merit - AIANY bars a member from being honored.  In the case of Peter Marino, had AIANY just read the public record, it would have learned that PMA has disputed the sole hostile work environment claim against the firm, a claim raised by a claimant who quit her PMA job and is trying to use the courts to have her employment reinstated.  In fact a pending motion seeks sanctions against the claimant, who has been countersued by PMA for malfeasance and insurance fraud. That dispute with a former PMA employee bears no resemblance to the type of misconduct that has garnered much recent public attention.  Nor does it merit any public rebuke from the AIA or any other professional colleague.
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Alan Schwartzman passes away at 95

Architect Alan Schwartzman has passed away at age 95 on March 9, 2018. Long a figure in Franco-American architectural circles, he was a founding member of AIA Europe. We first met at a luncheon in 1992 with the three other AIA members we had been able to identify in the Paris region. At the time, he was a partner with Davis Brody Bond Architects in New York City, dividing his time between Paris and Manhattan. Alan was immediately enthusiastic and helpful when I announced plans to form an AIA Chapter in Europe. He became the Chapter’s second president, serving ably in 1996 and 1997. With his wife, Ruth, who died last year, he remained a Chapter stalwart, attending Chapter meetings and events for decades. He was a man of constant and generous counsel. He was also a stickler (a word he would have liked) for detail. Alan wrote the first set of bylaws for AIA Europe in mid-1993 and adjusted them for years thereafter. He also became the Chapter parliamentarian, as one of only a handful familiar with Roberts Rules of Order. He knew the rules, and seemed to like them. In the biographical statement Alan filed with the AIA archives, in his characteristically precise handwriting, he noted that he earned a B.Eng. degree from Johns Hopkins in 1943, attended college again in 1950, and earned an M.Arch. from Pratt Institute in 1975. He also noted his birthplace as Baltimore, Maryland, to parents Isadore and Ida. He once told Françoise and me that his family ran a hardware store in the city. Alan was very good to me, freely offering advice and judgment. He was proud of his connections with the AIA. Nominated by AIA New York (his Chapter at the time), he became a Fellow of the AIA in 1976, the year of the US Bicentennial, when the AIA held its convention in Philadelphia. He served as my sponsor for Fellowship. When Alan became a member of the AIA College of Fellows 42 years ago, he earned this citation: “Through his imaginative and creative involvement in design, the practice aspects of architecture, education, and service to the profession, Alan Schwartzman has become the very personification of the complete architect.” That is also a fitting epitaph for a man who will be remembered fondly by all who knew him.
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2018 AIANY Design Awards winners announced!

AIA New York announced the recipients of their 2018 Design Awards tonight at the Center for Architecture, and the winners were once again varied across project type, scale, and country. Narrowing their scope from the 35 winners chosen last year, this year’s group of distinguished AIA New York members presented exceptional examples of work the world over, with only 12 of the 32 projects based in New York. The jurors were as varied as the projects they were judging, and included the following:
  • Gro Benesmo, Partner, S P A C E G R O U P
  • Ila Berman, DDes MRAIC, Dean and Edward Elson Professor, UVA School of Architecture
  • Aaron Forrest, AIA, NCARB, Principal, Ultramoderne
  • Walter Hood, Creative Director, Hood Studio
  • Tom Kundig, FAIA, Principal and Owner, Olson Kundig Architects
  • Debra Lehman Smith, Partner, LSM Studio
  • Meejin Yoon, AIA, Co-Founder, Höweler + Yoon Architecture LLP, Professor and Head of the Department of Architecture, Massachusetts Institute of Technology
The biggest award of the night went to the collaborative efforts of Adjaye Associates, Freelon Group (now Perkins+Will), Davis Brody Bond, and SmithGroupJJR, for their work on the ethereal Smithsonian National Museum of African American History and Culture, which both references its surroundings while integrating African and American historical references. BEST IN COMPETITION Architect: Freelon Adjaye Bond / Smithgroup Landscape Architect: Gustafson Guthrie Nichol Project: Smithsonian National Museum of African American History & Culture Location: Washington, DC ARCHITECTURE HONORS Architect: Architecture Research Office Project: Brooklyn Bridge Park Boathouse Location: Brooklyn, NY Architect: BIG – Bjarke Ingels Group Landscape Architect: Bach Landskab Project: Tirpitz Museum Location: Blåvand, Denmark Architect: LEVENBETTS Landscape Architect: Marc Peter Keane Project: Square House Location: Stone Ridge, NY Architect: MQ Architecture Project: Magazzino Italian Art Location: Cold Spring, NY
Architect: NADAAA Associate Architect: Adamson Associates Architects Restoration architect: ERA Architects Project: University of Toronto Daniels Building at One Spadina Location: Toronto, Canada MERITS Architect: Desai Chia Architecture Architect of Record: Environment Architects Landscape Architect: SURFACEDESIGN Project: Michigan Lake House Location: Leelanau County, MI Architects: LTL Architects and Perkins+Will Landscape Architect: Trowbridge Wolf Michaels Landscape Architects Project: Cornell University Upson Hall Renovation Location: Ithaca, NY Architect: nARCHITECTS Project: NYC DOT Harper Street Yard Structures Location: Corona, NY Architect: N.E.E.D. Architecture Project: The Book Company Headquarters Location: Seoul, South Korea Design Architect: Renzo Piano Building Workshop Executive Architect: Davis Brody Bond Associate Architect: Body Lawson Associates Landscape Architect: James Corner Field Operations Project: Columbia University Lenfest Center for the Arts Location: New York, NY Architect: Richard Meier & Partners Architects Associate Architect: RAF Arquitetura Project: Leblon Offices Location: Rio de Janeiro, Brazil Architect: Selldorf Architects Architect of Record: C + D Architects Landscape Architect: Bureau Bas Smets Project: LUMA Arles Location; Arles, France
Architect: Studio Libeskind Landscape Architect: Claude Cormier + Associés Project: Canadian National Holocaust Monument Location: Ottawa, Canada Architect: StudioSUMO Architect of record: Obayashi Corporation Project: Josai International University i-House Dormitory Location: Togane, Japan Architect: Tod Williams Billie Tsien Architects | Partners Associate Architect: Ballinger Landscape Architect: Michael Van Valkenburgh Associates Project: Princeton University Andlinger Center for Energy and the Environment Location: Princeton, NJ Architect: WEISS/MANFREDI Architecture/Landscape/Urbanism Architect of Record: Richard L. Bowen + Associates Landscape Architect: Knight & Stolar Project: Kent State Center for Architecture and Environmental Design Location: Kent, OH Architect: WORK Architecture Company Project: Queens Library at Kew Gardens Hills Location: Flushing, NY CITATIONS Architect: David Scott Parker Architects Architect of Record: Bosch Architecture Project: Williamsburgh Savings Bank Location: Brooklyn, NY Architect: Michielli + Wyetzner Architects Project: Delancey and Essex Municipal Parking Garage Location: New York, NY INTERIORS HONORS Architect: N H D M / Nahyun Hwang + David Eugin Moon Architect of Record: ALab Architects Project: Nam June Paik Art Center Renovation Location: Yongin, South Korea
MERITS Architect: LEVENBETTS Project: Cornell University Rhodes Hall Location: Ithaca, NY Architect: Peter Marino Architect Project: The Lobster Club Location: New York, NY Architect: Rice+Lipka Architects Project: Parsons Making Center Location: New York, NY Architect: A+I Interior Architect: SheltonMindel Project: New York Family Office Location: New York, NY CITATION Architect: Young Projects Landscape Architect: Future Green Studio Project: The Gerken Residence Location: New York, NY PROJECTS HONOR Architect: LTL Architects Project: Manual of Section MERIT Architect: APTUM Architecture Project: Thinness Pavilion Location: San Francisco, CA CITATION Architect: Studio Joseph Architect of Record: Foster + Partners Project: London Mithraeum Location: London, UK
URBAN DESIGN MERITS Architect: Kohn Pedersen Fox Associates Project: One Vanderbilt Location: New York, NY Architect: NADAAA Project: Justice in Design Location: New York, NY Architect: ROGERS PARTNERS Architects + Urban Designers Project: Houston-Galveston Area Protection System (H-GAPS) Location: Galveston Bay, TX
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AIA New York State names nARCHITECTS 2017 Firm of the Year

AIA|NYS has named Brooklyn-based nARCHITECTS as the 2017 Firm of the Year. Established in 2005, this yearly award highlights a firm in New York State that has made"notable achievements in design, community service, education and service to the profession and the AIA." nARCHITECTS, led by Principals Eric Bunge, AIA, and Mimi Hoang, AIA, was founded in 1999. The firm has been recognized for its work in pushing the boundaries of architecture through innovative concepts, awareness of social responsibility, and the successful incorporation of technology within their designs. AIA|NYS stated in their press release, “The team has proven through their innovative design approach that they are a leader in the profession, noted by their peers and capturing the attention of the design world.” The firm has completed several notable projects within and outside of New York City. Projects in New York include Carmel Palace, New York City‘s first entirely micro-unit apartment complex, and The Switch Building in Lower Manhattan, a mixed-use apartment and gallery space which displays a creative approach to the area's zoning regulations and features distinct angular facade elements in a modern interpretation of the classic New York bay window. Projects outside the state, such as the redesigns of Chicago’s Navy Pier, Seattle's Waterfront and Cleveland’s Public Square, in collaboration with James Corner Field Operations as design lead, highlight the firm's strengths in merging building and public space design within existing urban landscapes.