The Architecture + Design Museum (A+D) in Los Angeles is continuing a recent tradition of simultaneous exhibition openings this weekend as it hosts the third Assembly extravaganza with the aim of ”join[ing] together a diverse group in celebration of different disciplines of design and points of view.” Taking place Saturday evening, the opening celebration will usher in four new exhibitions at A+D, including a “disgusting food museum” as well as the premiere of the museum’s so-called “impermanent collection,” a rotating set of artworks and products created by exhibited artists that will be for sale. Disgusting Food Museum The museum will host the Disgusting Food Museum, an exhibition from Sweden that “explores of the concept of disgust through different culturally and individually informed reactions” and includes displays of delectable treats like mouse wine, Jello pudding, and other specialized foods. Alley Fellowship A+D recently undertook a partnership with architects Rios Clementi Hale Studios that is focused on supporting cross-disciplinary emerging artists through the Alley Fellowship. The first series is titled Volume, and features the work of young artists from the Leimert Park neighborhood—where RCH Studios’s new offices are located—who have been challenged to think three-dimensionally about their work. PERSISTENT: Evolving Architecture in a Changing World Presented in conjunction with the Open Building For Resilient Cities Conference, PERSISTENT: Evolving Architecture in a Changing World, focuses on the way in which “robust, sustainable, and resilient architecture can be obtained and studied with respect to time.” The exhibition is curated by Michelle Laboy, David Fannon, and Peter Wiederspahn with the support of the AIA Latrobe Prize and the Northeastern University, College of Arts, Media and Design. Dark Mode Artist and architect P810 will present an “eerie take on Dark Mode, which takes as its premise the visual digital standard of ‘dark mode’ becoming part of the home.” The design collection imagines new sculptural realities for typical objects of the home, according to a press release, including objects that come alive when they are switched off. For more information on each exhibit please visit the A+D website.
Posts tagged with "A+D Architecture and Design Museum":
This weekend, the Architecture and Design Museum (A+D) in Los Angeles launched The Assembly, an event marking the opening of five simultaneous exhibitions at the museum that engage with a variety of architectural perspectives. The wide-ranging exhibitions deep-dive into the work of local architects and disciplinary concerns, like the relationships between plan, section, and elevation. See below for a breakdown of the various exhibitions now on view. With Cycle & Pattern For With Cycle & Pattern, A+D has partnered with Otis College of Art and Design to create an exhibition of student work from the school's Fashion Design department focused on the "playful interaction between the elegance of the celestial and whimsy of the mortal and material." The horoscope-inspired works have been created by junior and senior students studying under Jose Fernandez of Ironhead Studio and costume designer Louise Mingenbach, two top Hollywood costume designers. The works are organized as four dioramas that can be experienced individually as well as in a group. 3-Ways Billed as A+D's inaugural Guest Curator Program exhibition, 3-Ways is organized by A+D Chief Curator Anthony Morey and Guest Curator Program members Ivan Bernal and Ryan Tyler Martinez, and aims to create a "platform for plan, section, and elevation to communicate with each other at a 1:1 scale." Organized as a "series of conversations," the exhibition pulls together work from over 30 architects, designers, and artists to explore the interrelationships between different viewing and drawing modes. Sunset 2050 Sunset 2050, a collaboration between Craig Hodgetts's SUPRASTUDIO at the University of California, Los Angeles and students from the ArtCenter College of Design Transportation Design program, posits a master plan for L.A.'s Sunset Strip that fully embraces autonomous vehicle technologies. By championing the "innate charm" of the Strip, the collected research project interrogates the ever-escalating "congestion" of urban street life, a territory that now demands space for digital, geo-location, and soon, autonomous technologies. The exhibition is supported by the UCLA Department of Architecture and Urban Design, Gensler, Matt Construction, and BuroHappold Engineering. Dopplegänger Dopplegänger is a view into the inspirations that lie behind the "architectural mind" of Los Angeles-based Patrick Tighe Architecture. The exhibition presents a collection of recent work that has been reinterpreted through digital and physical collages that circle back to each project's original sources of inspiration in an effort to "retrospectively reinvigorate" the firm's work. By presenting each project with dueling collages and model assemblies, the firm seeks to "catalyze the intentions" behind these projects. Back to Front StereoBot & Oasys are collaborating on Back to Front, an examination of advances in building technology, zoning, and city planning with regards to affordable housing in Los Angeles. The "urban activation" installation will create a 400-square-foot backyard unit at AplusD. The structure will be used as a community forum that will host a series of community workshops focused on recent trends in affordability innovation. The installation will be on view until September 30, 2018. See the A+D museum website for more information.
The Architecture and Design Museum (A+D Museum) in Los Angeles has elevated assistant director and curator Anthony Morey to the position of executive director. Morey is a Southern California Institute of Architecture– and Harvard Graduate School of Design–educated designer, writer, and theorist. He has served as a discussion moderator at the GSD and is also an editor-at-large for Archinect. Morey teaches design at the University of Southern California School of Architecture and also maintains a practice, Ynotworkshop. Morey also co-founded and is the chief curator of One-Night Stand for Art & Architecture in Los Angeles, an annual exhibition of cutting-edge works by young designers. In a statement announcing Morey’s tenure, incoming A+D Museum board president Nancy Levens said:
"Fortunately, this is one of those lightning in a bottle moments for A+D. The board consists of idea-driven and dedicated individuals who transformed the passion and energy of a nomadic museum into a fixture of the Arts District and we are committed to bringing it all to the next level. [Morey has] stepped into his role seamlessly. He is already providing the leadership necessary to drive the expansion of A+D’s community relations, exhibits, and programs. His intelligence and enthusiasm for the Museum’s mission are, of course, also invaluable and the best imaginable fit.”In the same statement, Morey said, “The diversity and trajectories of architecture and design are at an all-time high and as important as ever, if not more, and the role of the museum—our museum—is to produce a platform to present and promote progressive architecture and design equal to the rigor, enthusiasm, and diversity that exists within the culture we represent.” Morey takes the helm of A+D Museum following the relatively short tenure of Dora Epstein Jones, who was appointed to lead the museum in 2016 following its move from the Miracle Mile neighborhood to the Los Angeles Arts District. Morey will be the third director for the institution.
Architects Gensler and Legendary Development have revealed renderings for a long-anticipated 11-story development on an existing L-shaped parking lot surrounding the A+D Museum in Downtown Los Angeles. The proposed tower will be located at 4th and Hewitt Streets in L.A.’s booming Arts District and will contain up to 255,000 square feet of office spaces, 15,000 square feet of ground floor retail uses, 11,000 square feet of common areas, and 538 parking stalls. The 8,950-square-foot A+D Museum is to remain, though it will shrink to 7,800 square feet, according to a preliminary Environmental Impact Report (EIR). Rios Clementi Hale is performing landscape architecture services for the project, Urbanize.LA reports. The renderings were first published by Curbed LA. The development, according to the renderings, is designed to approximate the Arts District’s industrial vernacular aesthetic and will feature four lower levels designed to look like surrounding late nineteenth century factory buildings. These levels come complete with divided light, factory-style windows and exposed concrete frame elements. The lower portion of the building will be topped by a seven-story glass curtain wall–clad building mass that is highlighted on various corners by bump-out volumes and inset balcony spaces. The complex will overlook the existing A+D Museum and will be accessed from a courtyard currently adjacent to the museum. The project comes as the areas around the A+D Museum and adjacent Southern California Institute of Architecture campus see an increase in office-containing projects. Several former industrial complexes—including an old Coca Cola syrup factory and a defunct Maxwell House Coffee roastery—are being adapted and expanded as developers work to meet growing demand for office space in the district. Other areas of the neighborhood are seeing a boom in residential and mixed-use development, as well. The Draft EIR indicates that the project team expects to break ground on the project in 2019, with completion scheduled for 2021.
The Cultural Landscape Foundation (TCLF) will be holding a day-long symposium on November 4 at the Architecture and Design Museum in Los Angeles in conjunction with the opening of The Landscape Architecture of Lawrence Halprin, a photographic exhibition based on Halprin’s body of work. As its name implies, the symposium—titled Landscape as Catalyst: Lawrence Halprin’s Legacy and Los Angeles—will focus on the seminal landscape architect’s lesser-known Los Angeles–based projects. The symposium will “examine the influences and accomplishments” of Halprin’s Los Angeles work and will be held as part of a series of national public events organized by TCLF honoring Halprin’s local and national legacy. The Architect’s Newspaper's West Editor Antonio Pacheco will be moderating a panel discussion at the event titled Focus on SoCal: Maguire Gardens, the Open Space Sequence, and Plaza Las Fuentes. The panel discussion will delve into key works from Halprin’s Los Angeles–area legacy. Speakers on the panel include Robert Maguire III, the Los Angeles developer who commissioned several of Halprin’s L.A.–based projects; Merry Norris of Merry Norris Contemporary Art who led the art and sculpture programs for these projects; Douglas A. Campbell of Campbell & Campbell landscape architects; and Patrick Reynolds, Parks Manager and City Landscape Architect for the City of Culver City. Campbell served as the associate landscape architect for the Grand-Hope Park and Maguire Gardens. Los Angeles Open Space Sequence Halprin’s work in Downtown Los Angeles is typified by the so-called Los Angeles Open Space Network, which was an outgrowth of a 1980 proposal by developer Maguire Partners for “A Grand Avenue,” a linear spine of parks and civic spaces that would be both “people-oriented and activity-generating,” according to the TCLF website. The 11-acre plan was never fully realized but helped to lay the foundation for a collection of four public open spaces along Hope Street that work in tandem to further the urban and social life of the downtown area. Included in this sequence are Crocker Court (now Wells Fargo Court) at the base of SOM-designed, 54-story Crocker Tower complex from 1983; the Bunker Hill Steps at the base of the Pei, Cobb, Freed, & Partners' 73-story Library Tower from 1989; Library Square (now Maguire Gardens) surrounding the Bertram Goodhue–designed Los Angeles Central Library from 1926; and Grand Hope Park surrounding the Fashion Institute of Design and Merchandising (FIDM) from 1993. The sequence of spaces was designed to stitch Bunker Hill's postmodern towers together with a forthcoming apartment and condominium district to the south known as South Park. The public open spaces—designed alongside other skyscraper and plaza complexes in the area—were meant to create a series of leisure and recreational nodes throughout the district and came to fruition hand-in-hand with postmodern-style architectural projects designed by nationally-recognized firms. The open space projects represent landmark works of Halprin’s late career that utilize water features, dynamic and carefully-staged processions, and symbolic planting and architectural configurations to shape the perception of open space in L.A.’s downtown area. Much like Freeway Park in Seattle, the entire sequence was designed as an interconnected trail of plazas, forecourts, and parks that offer a variety of leisure spaces while also navigating the 100-foot difference in elevation between the top of Bunker Hill and the FIDM campus. The difference here is that by the early 1990s, Halprin was engaged full-tilt with multiple facets of the postmodern style—softening austere, mirrored corporate abstraction at the Crocker Court end of the sequence while repurposing historical symbols and elements in the Bunker Hill Steps and Grand-Hope Park projects. Plaza Las Fuentes Plaza Las Fuentes in nearby Pasadena, on the other hand, was built in 1984 as part of a new mixed-use development for the satellite city’s downtown core. The plaza accompanied an eight-story office tower and 12-story hotel and shopping complex—also developed by Maguire Partners—designed by architects Moore Ruble Yudell. The plaza features Moorish Revival arcades, decorative tile walls designed by the artist Joyce Kozloff, and is populated with sculptures created by Michael Lucero. The park’s geometric fountains guide occupants through the plaza’s stepped site, incorporating sculptures, fountains, and plantings throughout. For more information on and tickets to the Landscape as Catalyst: Lawrence Halprin’s Legacy and Los Angeles symposium, see TCLF’s website.
The Architecture and Design Museum (A+D) in Los Angeles has announced it will host the Free School of Architecture (FSA) during its inaugural session this summer. The tuition-free architecture school launches June 1 and runs through July 15th, 2017, catering to a cohort of 36 students accepted to the school from across the world. The six-week session will feature free courses on a variety of architectural topics taught by ten unpaid lecturers. The school also aims to launch with an inaugural symposium at the museum on the first day of classes. The convocation—dubbed “FREE”—will focus on the current and future states of architectural education and aims to delve into “new forms of education and pedagogy, disciplinary [and] vocational conversations, the socio-economics of education and post-digital and post-studio education.” FSA also plans to publish an online and print journal titled FSAONE. In a statement, founder Peter Zellner said: "We are very grateful for the museum's spirit of collaboration. In particular, I am especially honored by A+D Executive Director Dora Epstein-Jones's vision, generous support and advocacy for the Free School of Architecture." The partnership is not new for A+D, an institution with deep ties to architectural public education. Epstein-Jones—a founding member of the FSA Advisory Board—explained in a statement that the partnership would bolster A+D’s role in the architectural community: “We are pleased to offer classes and spaces in our galleries to this endeavor, and to be a true center for architectural discourse in our city. Education is our ethical mission at the A+D Museum." FSA was started by Zellner following a thought-provoking debate between Zellner and Southern California Institute of Architecture faculty Todd Gannon via The Architect’s Newspaper. See here for Zellner’s original editorial, Architectural education is broken—here’s how to fix it, and here for Gannon’s response: Of prophets and professionals: a response to Peter Zellner. For more information, visit the FSA website.
Los Angeles' often-mobile A+D Architecture and Design Museum, which has been displaced from its perch on Museum Row by Metro's Purple Line Extension, has found a new home in city's Arts District. Its new building, at 900 East 4th Street, is across the street from SCI-Arc. It features 8,000 square feet of space, brick walls, and a bow truss ceiling. The museum's two year lease began this month, and they hope to complete buildout by May. The effort will be led by Gensler, RTKL, and Matt Construction, but others will soon get involved, explained Executive Director Tibbie Dunbar, who appears thrilled to be out of limbo, despite regrets to be leaving the city's museum center. "It feels terrific," said Dunbar. "I'm excited to be near SCI-Arc, and I'm excited about what's going on in the Arts District. We'll be a big part of attracting people to the area." The A+D will be the burgeoning neighborhood's first museum. They also plan to sublease space to a design-focused tenant, such as a retailer or cafe. The museum, which depended on pro bono spaces early in its life, has a history of traveling. After starting in the Bradbury Building, its trajectory has involved a lot of numbers: 8560 Sunset Blvd, 5900 Wilshire Blvd, and 6032 Wilshire Blvd. After the museum's lease expires, it hopes to join forces with the AIA's Center for Architecture and Urban Design (CALA), which is still undergoing a search for its home.