Posts tagged with "Zaha Hadid":
One of the last designs from late British-Iraqi architect Zaha Hadid will be realized in New York. Working with developers The Moinian Group, Hadid and her firm Zaha Hadid Architects (ZHA) were commissioned more than a year ago to provide apartments and space for a "world-class" cultural institution at 220 Eleventh Avenue in West Chelsea, Manhattan.
“We must invest in cultural spaces—they are a vital component of a rich urban life and cityscape, they unite the city and tie the urban fabric together,” said Hadid in 2015.
Hadid's long-term colleague and Partner at ZHA Patrik Schumacher spoke of the firm's joy to be working in a city that played a big part in Hadid's life. “As the world celebrates Zaha’s remarkable legacy," he said in a press release, "we are delighted to be announcing her unique collaboration with The Moinian Group for New York, a city that greatly influenced her creative work.”
Hadid's design aims to evoke the loft-like residences that are commonplace in the Chelsea. A coterie of penthouse apartments and a cultural institution will also be embedded into the project. At the time of writing, The Moinian Group are in talks with institutions regarding residency at the site.
“We are deeply honored to develop one of Zaha’s final creations and cement her astonishing legacy forevermore here in Manhattan. She was a special woman and a friend who we all miss very much,” said Mitchell Moinian of The Moinian Group.
The Moinian Group's release mentions that Hadid visited New York many times and was able to develop an understanding of the city, its values and architectural heritage. As a result, the Group said, much of Manhattan's vernacular typologies and the area's way of life have formed her design and approach for 220 Eleventh Avenue.
Set to break ground at the start of next year, sales for housing units are currently in line to begin toward the end of 2017. Images of the project have not yet been revealed but you can find images of her other New York project on the High Line here.
- Raphaela Platow—Director & Chief Curator, Contemporary Arts Center
- Michael McInturf—Interim Director, School of Architecture & Interior Design, DAAP
- Heather Wehby—AIA Cincinnati Equity in Architecture committee & Architect, Emersion Design
- Robert Benson—Professor Emeritus, Architecture & Interior Design, Miami University
- Richard Rosenthal—Arts Philanthropist, Name Donor of Lois and Richard Rosenthal Center for Contemporary Art
- Mark Stedtefeld—Architect and Principal, Emersion Design
- Patricia Kucker—Associate Dean, Faculty & Academic Affairs, DAAP
- Christoph Klemmt—Assistant Professor, Architecture & Interior Design, DAAP and former designer with Zaha Hadid Architects
The Salerno Maritime Terminal in south west Italy has been inaugurated by the Italian prime minister Matteo Renzi. The building, which has been in the making for 16 years, is the first to be opened since Zaha Hadid's passing at the end of March earlier this year.As part of a city-wide regeneration plan initiated in 1993, the terminus won an international competition in 2000. Situated on a public quay that continues into the marina, the building aims to continue "the city’s relationship with the sea and establishes new links; connecting Salerno’s rich maritime traditions with its historic urban fabric and beyond to the hills that frame the city."
Bearing the resemblance of an oyster, an asymmetric shell forms the roof and offers a much needed shaded area during the summer months. Come nightfall, the terminal is illuminated via an accent-lit concrete soffit running around the building's perimeter.
Underneath, administration offices for national border controls and shipping lines, as well as a restaurant and passenger waiting areas, are housed. Interior orientation ensures the swift circulation of passengers through waiting lounges, check-in, passport, security and customs controls to their ship.
As a result, 500,000 extra passengers will be able to pass through the port each year, meaning more ferry and cruise ships could dock. This, Zaha Hadid Architects (ZHA) argues, "could create up to 2,000 new jobs in the city’s hospitality, services and retail sectors."
Due to its location, the terminal offers views of both sides of the famed Amalfi Coast, the Gulf of Salerno, and Cilento World Heritage Site. ZHA also hopes it "will act as a lighthouse to the port, welcoming visitors to the city."
When opening the terminal, Italian Prime Minister Matteo Renzi paid tribute to the late Zaha Hadid. “This extraordinary work adds to everything Salerno is doing to transform itself and I think it is marvelous,” Renzi said. “It is also a way of remembering the great architect that Zaha Hadid was.”
THE MEMORY OF ZAHA
Zaha : the Great Light extinguished. From every point of view exceptional : As a direct, original, fearless personality. With a more than adequate supply of charm and humour. Used with more discretion than blandness. IMMENSE talent. Such that it either inspired, bewildered, or caused deep jealousy (that manifest itself in lesser talent to pick away at her motives, reputation or personality)Thirteen years ago, the other Giant : Cedric Price, died. Different animal, but leaving a similar void. London – and the architecture world – now seems lost : we are now berift of that most precious and mysterious quality : power through inspiration and talent plus bags of personality that rendered both of them as beacons of hope for architecture. ‘Sticking to one’s guns’ is an amazing gift. Zaha told it as it is : she had the priority of a clear, powerful and ever-poetic architecture. Many tried to copy it but lacked her deftness of line. And the line was MORE than a line : it so easily and frequently resulted in a spatial exploration of extraordinary newness : the wonder of the interior of the Alyev Centre in Baku remains in one’s mind as a dream. The sharp, clean, razor-like dart of the Vitra Fire Station has the purity of an ‘early period’ Zaha building – but you’re actually inside it, living the dream of the drawing. From the first years when this conspicuously talented recent student became the lively attachment to Rem Koolhaas and Elia Zenghelis’ young OMA setup, you were aware of a strength of talent bursting out. Her trajectory and example stands there beckoning the many women (now maybe a majority) who work in architecture : if she can do it, they can do it . Let’s hope one or two of them out there can blend talent with personality – the latter gift being a necessary factor in order to sustain the pressure in this, most contrary, profession. A loyal friend who could also be a good laugh. Peter Cook 4.1.16 Editor's note: This piece will also appear in The Architectural Review.