Posts tagged with "University of Michigan Taubman College of Architecture and Urban Planning":

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Mario Carpo and Elizabeth Diller Confirmed as Keynote Speakers for ACADIA 2016

This years ACADIA 2016 conference: Posthuman Frontiers: Data, Designers & Cognitive Machines has announced Mario Carpo (Reyner Banham Professor of Architectural Theory and History, the Bartlett School of Architecture, UCL London) and Elizabeth Diller (founding partner of Diller Scofidio + Renfro) as confirmed keynote speakers. In 1999, working alongside Ricardo Scofidio, Ms. Diller was awarded the MacArthur Foundation “genius” award, becoming the first in her filed to do so. Now, Diller will also be receiving the ACADIA 2016 Lifetime Achievement award, an esteemed accolade that represents recognition by colleagues worldwide of consistent contributions and impact on the field of architectural computing and design culture. Co-Founder and Design Partner of Future Cities Lab, San Francisco and recently elected member to the ACADIA Board of Directors and ACADIA President, Jason Kelly Johnson cited how "Diller’s pioneering work at the intersections of architecture, art, technology and philosophy" made her an "ideal" choice as a keynote speaker. Johnson went on to add that "the ACADIA community will celebrate Diller's critical explorations integrating design, computation, and theory into a radically inventive and culturally relevant body of work from installations to buildings to urban landscapes." Mario Carpo was also seen by Johnson as a pivotal speaker for ACADIA 2016. "Carpo's keynote will bring a much needed theoretical and historical perspective to the conference," Johnson noted, going on to say, "His research is a catalyst for critical discussions related to digital design, technology and culture."  Carpo has a strong pedigree in the field of architectural research, focusing on architectural theory, cultural history, and the history of media and information technology. Notable publications include The Alphabet and the AlgorithmThe Digital Turn in Architecture 1992-2012 and his award-winning opus: Architecture in the Age of Printing which has been translated into several languages.

The conference will focus on design work and research carried out in the fields of practice and academia  that relate to "procedural design, designed environments and autonomous machines". More specifically, ACADIA 2016 will concentrate on contemporary trends in computational design that has been used to develop "quasi-cognitive machines" and "integration of software, information, fabrication and sensing to generate mechanisms for interfacing with the physical realm." Papers that touch on relative disciplines such as material science, biology, art, computer graphics, civil engineering, and human-computer interaction have been called to contribute to the discussion.

"Every year the ACADIA conferences bring together a world-class group of designers, architects, engineers, fabricators and thinkers exploring the intersection of computation, digital technologies and architecture," said Johnson. "In North America it has become the event to present, explore and debate emerging ideas in the field."

This years event will be held at the University of Michigan Taubman College in Ann Arbor, Michigan and the conference itself will run from October 27 - 29, 2016.
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On View > Fellow Fellows at Taubman College of Architecture and Urban Planning

University of Michigan's Taubman College of Architecture and Urban Planning's Fellow Fellows exhibition, highlighting the work of its 2015-2016 Architecture Fellows, is set to open this Wednesday, March 23.  Over the last year, the fellows spent their time in residence at Taubman developing their research projects while teaching three classes. William Muschenheim Fellow Cyrus Peñarroyo's BLDG_DRWG  challenges both scale and order via hand-crafted imagery, employing tape, ink and paint, and post-creation digital manipulation. His "1:1 investigations" aim to re-establish "existing architectural conditions," the results of which are used to construct a fragment of an unfinished building. Ashley Bigham, the school's Walter B. Sanders Fellow, presents Safety Not Guaranteed, which seeks to represent architecture as synonymous with conflict, war, and defense. In doing so, Bigham also searches to find an alternative to the phrase "defense architecture," which only pertains to "fortresses, citadels, bastions and urban walls."  The project views all architecture through the lens of paranoia, amplifying the sense of fear within the context of suburbia and domestic architecture. Lastly, Willard A. Oberdick Fellow David Eskenazi's For the Trees questions the nature of paper-based architectural modeling. The many creations are merely forms, with no doors or windows to signify they are somehow meant to be a building. They raise questions like: What role do they have? Are they representations, replicas? Are they replicating each other? If so which is copying which? Further questioning inevitably follows: Is the viewer seeing the original, or the copy? Fellow Fellows runs from March 24 through to April 30, 2016.
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Wasserman Projects holds panel discussion on the future of Detroit architecture

As a part of Detroit's Wasserman Projects exhibition, Desire Bouncing, a panel discussion addressed the future of architecture and art in Detroit. The panel was moderated by Reed Kroloff, principal of Jones Kroloff and former director of Cranbrook Academy of Art and Art Museum. The panel included exhibiting artist Alex Schweder, associate curator at MoMA's Department of Architecture and Design; Sean Anderson, architectural critic; Cynthia DavidsonVenice Biennale U.S. Pavilion co-curator; and Mitch McEwen, assistant professor of Architecture at Taubman College of Architecture and Urban Planning at University of Michigan. Detroit is physically changing. Some of its architectural treasures and thousands more of its abandoned homes have been demolished. But now that Detroit is undergoing the slow process of rebuilding, what kind of architecture will replace it? This and other questions were discussed among an expert panel of architects and critics that gathered last Friday at Wasserman Projects, a gallery and event space in a renovated fire truck maintenance facility in Detroit's Eastern Market. Around 50 guests attended the panel discussion, called "Architecture By Any Means Necessary." Kroloff began by asking the panelists, "What are things architecture can do beyond creating a city environment?" "Structures are receptacles for stories, for meanings," said Alex Schweder, an artist who often combines performance and architecture in his work. "The structures in Washington D.C. are a manifestation of stories we tell about our country." "Buildings can perform things we never thought were possible," said Mitch McEwen, a founding partner at A(n) Office and Principal of McEwen Studio. Her example of Le Corbusier's Carpenter Center in Cambridge, Massachusetts, which changed her conception of architecture, lead to an argument about the interaction between a building and its visitors. Cynthia Davidson described her distaste for Detroit's Renaissance Center, the headquarters of General Motors, often criticized for its confusing walkways and lack of synergy with downtown. "[Designer John] Portman makes you realize how controlling architecture can be," she said. In response to a question about what new architecture in Detroit should do, Schweder advocated architects and city managers give up some control. "Our roles can be collaborative with client and users," he said. "People want voice and agency in the look and use of their city." The discussion took a turn towards political issues and actual implementation of these ideas. Sean Anderson, acknowledged the difficulty Schweder's proposal. "History is often not recognized by developers that come and rebuild cities." During the audience question portion of the panel, someone mentioned that vast areas of Detroit that have no architecture, but "only the ghosts of architecture." He then wondered if this "absence" was worth preserving. "Detroit is a city of single family homes," answered McEwen. She felt that memorializing vacancy was the wrong approach. "I hope the city rebuilds, but with respect for the logic of the single family home." Desire Bouncing will be on show through April 9th at the Wasserman Projects at 3434 Russell Street, #502, Detroit, Michigan 48207. https://www.youtube.com/watch?v=ScgU9lB3Ves
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Twenty photographs chosen for postcards of Detroit at the U.S. Biennale Pavilion in Venice

As part of the U.S. Pavilion for the 2016 Venice Architecture Biennale, 20 photographs by 18 individuals have been chosen as winners of the “My Detroit” Postcard Photo Contest. “The twenty photographs to be printed as postcards will help us tell the exhibition visitor short stories about life in Detroit,” explained co-curator Cynthia Davidson in a press release. The pavilion, entitled The Architectural Imagination, will present 12 speculative architectural projects for four sites around Detroit. The postcards, made from the contest winning photographs, will be available at the pavilion as well as be part of the exhibition catalog. Picked from 463 entries, the images were chosen by photographer and sociologist Camilo José Vergara, who has photographed Detroit since 1985, and Davidson. The images range from views of iconic Detroit architecture, including the Michigan Central Station, to family portraits of local Detroiters. Ten of the contest winners are Detroit residents. "Detroit has a rich culture and history to draw from as we work toward creating a vibrant future," said Robert Fishman, University of Michigan Taubman College of Architecture and Urban Planning interim dean and professor. "The photos recognized in the postcard contest are a reflection of Detroit over time that we are excited to share with the world." The Architectural Imagination is being organized through the University of Michigan Taubman College of Architecture, by co-curators Cynthia Davidson and Monica Ponce de León. The U.S. Pavilion will be open at the 2016 Venice Architecture Biennale from May 28 – November 27, 2016. The Postcard Photo contest winners are: Sara Jane Boyers, Santa Monica, CA Derek Chang, New York, NY Jon DeBoer, Royal Oak, MI Antoinette Del Villano, Brooklyn, NY Jennifer Garza-Cuen, Reno, NV Geoff George, Detroit, MI Erik Herrmann, Ann Arbor, MI Julie Huff, Detroit, MI William McGraw, Dearborn, MI Ayana T. Miller, Detroit, MI Ben Nowak, Oak Park, MI Kevin Robishaw, Detroit, MI Salvador Rodriguez, Saint Clair Shores, MI Harrell Scarcello, Southfield, MI Sue Shoemaker, Brown City, MI John Sobczak, Bloomfield, MI Cigdem Talu, Montreal, Quebec, Canada Corine Vermeulen, Hamtramck, MI
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On View> “Some Views of Triumphal Arches” by James Michael Tate

Los Angeles–based architect James Michael Tate will offer a “speculative investigation” of one of architecture's most enduring forms at the University of Michigan's Taubman College of Architecture and Urban Planning, titled Some Views of Triumphal Arches. Tate, who was the college's 2014–2015 Willard A. Oberdick Fellow runs the architecture studio practice T8projects and recently co-organized the yearlong series On the Road in L.A. (Read AN's review of On The Road here.) For a year, Tate conducted a “daily ritual of collecting and drawing the principal façade of one triumphal arch: unbuilt, destroyed or standing somewhere in the world at some moment in time.” The resulting exhibition is a reflection on monumentality, and how the various objects relate to each other across time.
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Architects and artists want to turn this vacant Detroit home into a community opera house

Detroit's 90,000 vacant homes and residential lots have proven to be fertile ground for artistic exploration, giving rise to verdant floral installations and canvases for sought-after graffiti artists. Now architects and artists from The D and beyond hope to turn an abandoned property at 1620 Morrell Street into something truly surprising. Dubbed House Opera | Opera House, the project aims to turn a decrepit, 2,000-square-foot house into a public performance space “where Detroiters could tell stories through music,” according to a Mitch McEwen, the project's principal architect. She spoke to WDET for their story, “From Blight to Stage Right”:
It evolved from a small group of artists in New York to a large group of folks across the country … neighbors have started to talk about performances or people in their families who perform that might get involved. And so we've really expanded from an immediate, emergency kind of dialogue to one that's about culture and talent that's already in the neighborhood, and how it can have a stage there at the House Opera.
McEwen bought the two-story home for just $1,200 in a public auction, paid off its delinquent property taxes, and got to work raising money for its second act. So far the project has received financial support from Graham FoundationKnight FoundationTaubman College – University of Michigan, and the Michigan Economic Development Corporation, as well as numerous individual benefactors including Mark Gardner, Theaster Gates and Dr. Larry Weiss.
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BREAKING: Davidson and Ponce de Leon to Curate the U.S. Pavilion Exhibition in the 15th International Architecture Biennale in Venice

Call it the Floating City meets Motor City. The U.S. Department of State selected the Taubman College of Architecture and Urban Planning at the University of Michigan to organize the exhibition of the United States Pavilion in the 2016 Venice Architecture Biennale. Curators Cynthia Davidson and Monica Ponce de Leon take Detroit as their starting point. Out of the ashes of Motown and Ford comes an urban archetype that provokes the exhibition title: “The Architectural Imagination.” Much has been made of Detroit’s “ruin porn” and the pervasive blight that has transformed the city from a dense urban fabric to a patchwork. In Venice, “The Architectural Imagination” will present new ideas for sites in Detroit that ultimately have global application, each developed and explored by a select architectural team. As such, the city, which comes with a narrative of the hopes and fears of twentieth century urban America, might prove the model for a creative, resilient, and sustainable 21st century city. “Historically Detroit has been a place of invention from the Kahn brothers to Motown to techno,” explained Davidson. She noted that the city is a site of American ingenuity applicable to many cities, however underscored architecture as the critical component. “Architecture itself has an important role to contribute to any city through form,” she continued. “We should be speaking through architectural form not just urbanism. Detroit is a laboratory for rethinking typologies.” The organizers are forming a committee of advisors to select four sites in Detroit. A call for participant portfolios open to U.S. citizens and residents will go out in a couple of weeks, said Davidson. Davidson is executive director of the nonprofit Anyone Corporation, based in New York City, and editor of the international architecture journal, Log. Ponce de Leon, recently named next dean of Princeton University School of Architecture, is currently the dean of the Taubman College of Architecture and Urban Planning at the University of Michigan and principal of MPdL Studio.
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University of Michigan plans $28 million architecture building expansion

Five years ago, the University of Michigan shelved its plans to expand its Art and Architecture Building. Now, a bit further along on the country’s economic recovery, the University said this week it would build a $28 million addition. University of Michigan's Taubman College of Architecture and Urban Planning will be the primary tenants of the building, which U-M has tapped Integrated Design Solutions and Preston Scott Cohen to design. Located on U-M’s North Campus, it will also house the Penny W. Stamps School of Art and Design. The new wing will be named for Alfred Taubman, the architecture college’s namesake, who donated $12.5 million toward the addition. Plans for a $13 million, 16,300-square-feet addition were originally drawn up in 2007, but administrators scuttled that project after the financial crisis. Now with twice the budget, the design is hotly anticipated on campus.
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Neil Meredith of Gehry Technolgies Presents The Burj Khalifa Ceiling at Facades+PERFORMANCE

October is upon us, which means that the Chicago edition of Facades+ PERFORMANCE is only a few weeks away! Be there as leading innovators from across the AEC industry converge on Chicago from October 24th and 25th at AN and Enclos' highly anticipated event to discuss the cutting-edge processes and technologies behind the facades of today’s most exciting built projects. Don't miss your chance to take part in our groundbreaking lineup of symposia, keynotes, and workshops, and work side-by-side with the design and construction visionaries who are redefining performance for the next generation of building envelopes. Our Early Bird special has been extended until Wednesday, so register today to save on this unbeatable opportunity! Join Neil Meredith of Gehry Technolgies as he examine the relationship between digital design methodologies and real-world construction and fabrication constraints in the complex, wooden ceiling of the Burj Khalifa’s lobby. With representatives from Thornton Tomasetti and Imperial Woodworking, Meredith will lead an intimate, interdisciplinary discussion of the innovative, on-site solutions that his team developed in order to deliver one of the most visible features of the world’s tallest building, so don’t miss out on this rare opportunity! With the deadline fast approaching, Mederith and his team at Gehry Technoligies worked with SOM, Imperial Woodworking, and Icon Integrated Construction to develop new systems, mid-construction, for the design and fabrication of the large, double-curved, wooden ceiling of the Burj Khalifa. Coordinating the work of architects, fabricators, and construction professionals through complex, shared parametric models, Meredith redesigned the ceiling system from the ground up using pre-fabricated, unitized panels to create its astounding, wooden forms. Join in the discussion to hear the rest of this dramatic AEC industry saga in the not-to-be-missed dialog workshop, “Designing for Wood Fabrication in Complex Geometries: The Burh Khalifa Ceiling,” and learn the technologies and techniques behind the creation of this historic project. After earning his Masters in Architecture from Univeristy of Michigan Taubman College of Architecture and Urban Planning, Neil Meredith taught and ran the Digital Fabrication Lab at his alma mater. Meredith earned hands-on experience with cutting edge design technologies and real-world construction challenges with Detroit-based design/build firm M1, the European Ceramic Workcentere in Holland, façade consulting office Front, and as founding partner of design and fabrication studio Sheet. In 2007 Meredith joined up with Gehry Technologies, the go-to design technology and consulting company for the industry’s leading architects. Through the pioneering use of the latest digital tools and processes, Gehry Technolgies has worked with world-class, visionary architects, like Zaha Hadid, David Childs, Jean Nouvel, and of course Mr. Gehry himself, to triumph in the realization of the truly innovative forms of some of the era’s most ground-breaking projects. Register for Facades+ PERFORMANCE today to take part in this and other exciting workshops and symposia. Featuring representatives from SOM, Morphosis, Thornton Tomasetti, and other industry-leading firms, this is one event that is not to be missed. Check out the full Facades+ PERFORMANCE site for the schedule of events and book your tickets now to start the next chapter in your professional career!
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Pyramid Scheming with Michigan Architecture Students

Fabrikator

Two students in the University of Michigan's Taubman College of Architecture + Urban Planning designed a textural, horizontal installation with complete transparency.

When Harold-Sprague Solie and Geoffrey Salvatore developed their decorative 12- by 5-foot ceiling installation Stalactites for a graduate course with Tsz Yan Ng at the University of Michigan's Taubman College of Architecture + Urban Planning, the goal was to produce a design and fabrication process with an accompanying detailed set of documents. "We wanted to take the focus away from just the object at the end and go through a set of drawings to help [the viewer] understand the installation and bring him or her into it," said Salvatore. He expressed the desire for complete transparency, since architecture tends to conceal the labor details, and explained that this process helps expose some of the hidden logic of the project. So while the drawings began as aids for viewing and understanding the project, they became useful as Solie and Salvatore went through the design process. "[As we worked] we'd have these drawing to fall back on; to rediscover ideas, to catch mistakes and reveal things we'd have missed," Solie said.
  • Fabricators Harold-Sprague Solie, Geoffrey Salvatore
  • Architects Harold-Sprague Solie, Geoffrey Salvatore
  • Location Ann Arbor, Michigan
  • Date of Completion November 2011
  • Material Bristol board, paint
  • Process Rhino, Illustrator
"It was important to work back and forth between the physical process and the [digital] drawing process," Salvatore added. The overall project was modeled in Rhino, while the drawings were produced and tweaked in Adobe Illustrator. The piece itself is composed of four truncated pyramidal units made from Bristol board, the largest of which measures 12 inches on each side at a height of 9 3/4 inches, while the smallest measures 6 inches on each side at a height of 2 5/8 inches. Each shape was drawn to include fastening tablature that eliminates fastening materials. "Each piece has a male and female tab and each tab on each side allows it to aggregate with other pieces," Solie said. "They're organized around the largest piece that has six connections, as opposed to three on the others, and are arranged in a way that supports a universal connector." Starting with the originating piece, Solie and Salvatore worked their way out from the center. "That allowed later orientation of individual pieces for the form we wanted," Salvatore said. "We had seven of the big main pieces and the other pieces radiated out from that." Part of the advantage of working with a firm paper like Bristol board was the flexibility it afforded for mock ups, of which there were plenty. "We went from fabrication to drawing, then back to the fabrication, back to drawing," Solie said of the process. "There's a logic to the aggregation to avoid dead ends. We'd mock up a set of 10 or 15 and once we'd hit a dead end we'd go back and solve the problem." Each of the four patterns were laser-cut onto the Bristol paper, which maximized efficiency. In addition to reducing manufacturing waste, each element can be nested when unfolded. Originally, the team experimented with Yuppo, a thin gauge plastic, but had to abandon the material because the tabbing was problematic and did not support their desire to refrain from introducing other materials. The paper's lightweight made it easy to hang Stalactites 10 feet off the ground, though the designers predict alternative materials like light plastics or aluminum could be suitable.
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Architecture Students Build a Pavilion to Engage Detroit's Empty Space

Detroit’s stark unemployment and population loss have spurred plenty of ideas for redevelopment, from new manufacturing to urban agriculture. A recently unveiled piece of public art meditates on one thing the city has in excess: empty space. Once the country’s 5th largest city, Detroit is now 18th after decades of depopulation and disinvestment stemming from an eroding industrial base. Just when it seemed like population loss might finally bottom out, the city lost another 25 percent of its residents between 2000 and 2010. Empty Pavilion is a purposefully sparse figure made from bent steel tubing, foam and rubber—a formally inventive jungle gym that invites passers-by to traverse the gravel lot it occupies off 14th Street. Yet it is the pavilion, set in a painted profile of an absent house, that plays with the city. Recalling architectural elements in its weaves and makeshift chairs, Empty Pavilion is both an apparition of homes long gone and a canvas for expression among the city’s remaining urbanites. The pavilion was built by McLain Clutter, assistant professor at the University of Michigan Taubman College of Architecture; Kyle Reynolds, assistant professor at the University of Wisconsin at Milwaukee; and University of Michigan graduate students Ariel Poliner, Michael Sanderson, and Nathan Van Wylan.