One only had to glance out the window to understand why the 18th floor of Mart Plaza hotel was the perfect venue for the Chicago addition of the Facades+ Conferences. With views of 333 W. Wacker, the Willis Tower, and a handful of new towers under construction, the history of the modern facade was on display. The conversation in the symposium would be equally as rich with local and international speakers. The morning’s keynote address from Chris Wilkinson of London-based WilkinsonEyre, explored the latest in novel skin technologies from the fantastic flowing domes of Singapore’s Gardens by the Bay project, to the ship like Mary Rose Museum in Portsmouth, UK. The diverse range of projects presented by Wilkinson were shown along with insights into the process that lead their award winning solutions. In the case of the Mary Rose Museum, the recovered Mary Rose Ship is at the center of the design literally and ideologically. In particular, special care was taken to provide the precise environmental conditions needed to preserve the 420-year-old vessel. In his afternoon keynote address, Chicago’s John Ronan of John Ronan Architects discussed the political and social impact facades can have on a neighborhood. In the case of two of the public projects presented, brightly colored panel facades at once announce the project as a neighborhood institution, while providing a physical safety barrier in areas of the city where gun violence is too often a part of a high schooler’s life. Using a similar system of metal paneling for decidedly different reasons, Ronan described the iconic nature and tranquil interior provided in his Poetry Foundation building in downtown Chicago. Ronan closed with a detailed look at the high-tech skin of the forthcoming Ed Kaplan Family Institute for Innovation and Tech Entrepreneurship at the Mies van der Rohe–designed Illinois Institute of Technology campus. The project’s inflated ETFE foil cushion skin regulates interior climate by controlling a moveable interior membrane with a variable air pressure system. Other presentations included a discussion between 2015 AIA Chicago Gold Medal winner Carol Ross Barney, architecture critic Lee Bey, and Chicago Public Building Commission Executive Director Felicia Davis, on building in the public realm for the public good. Maged Guirguis of SOM and James Rose of the Institute for Smart Structures presented AMIE, the Additive Manufacturing/Integrated Energy project, a 3D printed house and vehicle pairing reimagining energy use. The day also included presentations from over 20 other experts in facade design, manufacturing, engineering, and the Methods + Materials gallery. Day two of the symposium included workshops and presentations from leaders in the global facade dialog, including representatives from Buro Happold, SOM, and Autodesk. The workshops provided for a hands-on, one-on-one, chance to discuss and explore the latest in facade technologies and design practices. Enrique Norten of TEN Arquitectos and Eric Owen Moss will give keynote addresses at the next Facades+ event on January 28th–29th in Los Angeles.
Posts tagged with "Ross Barney Architects":
The seventh AIA Illinois Gold Medal has been presented to Carol Ross Barney of Ross Barney Architects. Barney’s career spans 40 years of practice in Chicago, in which her firm has taken on civic, social, and cultural projects across the country. Known as a champion for the public’s right to design excellence her work often is designed for the public realm. Outside of her practice, Barney is the founder and first president of the Chicago Women in Architecture. Barney is also the first woman to win AIA Illinois’ Gold Medal. Most recently in Chicago, Ross Barney Architects has received praise for its design of the newest portion of the Chicago River Walk. Just to the south, a new elevated public train station of her design has also recently opened. A new central chiller on the south campus of OSU highlights Barney’s commitment to high design even when it comes to infrastructural projects. Remarking on her way with mixing civic, social, and public design, Mike Waldinger, executive vice president of AIA Illinois remarked, “it’s as if Robert Moses and Jane Jacobs had a secret child.” Along with the Gold Medal, Ross Barney Architects received the AIA Illinois Daniel Burnham Honor Award for the Master Plan of the 606, a new linear park recently finished on the northwest side of Chicago.
Take a tour of Chicago’s newest Green Line stop, Cermak-McCormick Place, designed by Ross Barney Architects
Chicago commuters transiting through the South Loop and Chinatown have had a new stop since early this year, when the Chicago Transit Authority opened its newest train stop: Cermak-McCormick Place. Designed by Ross Barney Architects (the team behind West Loop's lauded Morgan stop for the Pink and Green Lines), the new station employs brawny steel trusses and sleek, curved surfaces. Via the architects, here's a gallery of images from the new station, shot by Kate Joyce Studios:
About 10 years ago, the city of St. Petersburg, Florida started talking about tearing down one of its most well-known piece of architecture: a 1970s-era, inverted pyramid at the end of a city pier. The city would then replace that pier head with a more modern, but still architecturally significant, statement. So, a few years back, a design competition was launched, and it resulted in some of the most ambitious designs we’ve ever seen from a competition like this. The Bjarke Ingels Group (BIG) created a massive, spiraling loop, West 8 designed a sea urchin–shaped pavilion, and Michael Maltzan Architecture envisioned The Lens, a massive circuit of bridges and pathways that connect into an angled canopy—or lens—that faces back toward the city. Out of that short-list, Maltzan came out on top, but nothing ever materialized and the inverted pyramid is still standing. Long story short: voters overwhelmingly rejected the $50 million plan at the polls, a new mayor was elected, and then, this fall, a second, more public-facing, competition was launched. Now, eight designs from that competition have been unveiled. While the teams competing aren't as well-known as those in round one, their designs are no subtle gestures. Each team received a $30,000 stipend for its work, meaning the second competition has already racked up nearly a quarter million dollar bill. That's on top of the millions of dollars poured into the first competition that didn't really go anywhere. All of the new plans come with extraordinarily splashy renderings (literally, there are dolphins splashing around in one), and long, detailed plans. One proposal is even paired with a video set to Frank Sinatra’s "Somewhere Beyond The Sea." Following public input, the City Council will approve one of these plans next spring. A St. Petersburg official told AN that funding for the pier has already been allocated and would not have to go back before the voters. For this round, each team was asked to work within a construction budget of $33 million. And now onto the proposals for round two: Prospect Pier FR-EE with Civitas + Mesh From the architects: Prospect Pier celebrates our unique geography, culture and history as a subtropical, waterfront city. In a reinvented Pyramid that looks to the future, it builds upon the Pier’s assets – a strong form floating over the water. Our vision is a journey that begins downtown, passes through a vibrant park and becomes a magical stroll over water before ascending through active, public spaces culminating in breathtaking views of city, sea and sky, high over Tampa Bay. Destination St. Pete Pier St. Pete Design Group From the architects: The St. Pete Design Group's concept provides the perfect marriage of historic icon and modernized, functional pier; a pure, crystalline pyramid is surrounded by fun, contemporary elements and activities within multi-leveled layers of shade. Varied attractions that will keep residents and tourists coming back include a larger Spa Beach, multiple dining options, a children's zone and a spectacular waterfall. Come fish, play, relax and remember. Discover the New St. Pete Pier. The Pier Park Rogers Partners Architects+Urban Designers, ASD, Ken Smith From the architects: The ASD/Rogers Partners/KSLA design honors St. Petersburg Pier’s robust, eclectic history while transforming it into a 21st century public place. It is a hub for activity; not only at the pier head, but all along its length. Flexible programs engage tourists and community alike – from children to seniors, nature lovers to boaters, fishermen to fine diners. The Pier does not take you to a place – the Pier is the place. It is THE PIER PARK. ALMA Alfonso Architects From the architects: The Soul of the City. Cultural Icon. Just as the Eiffel Tower image alone can conjure up an entire cultural experience by merely representing a fragment of the City, the Pier transmutations over the years have served as the symbol and spirit of the place that is St. Petersburg. Our project will recapture the past, embrace the present, and look to the future ALMA: The Soul of St. Petersburg. Blue Pier W Architecture and Landscape Architecture From the architects: The vision for the St. Petersburg Blue Pier lagoon park is a grand civic gesture bringing the pier, bay and natural landscape closer to the city. Blue Pier acts as a unifying element uniting the Bay with the City along a new axis of recreational and economic activity. Starting new allows us to set a new sequence of events in motion to make the pier even more successful and relevant for the coming century. rePier Ross Barney Architects From the architects: repier is a vision of St. Petersburg as a catalyst for more environmentally-friendly, physically-engaging, and socially exciting urban living. repier adds opportunities to engage with the water, creates marine habitat, provides places to snack and sit in the shade, and builds a social space that also generates electricity. repier projects progress and hope and provides St. Petersburg with a place that is useful and loved. The Crescent ahha! - New Quarter From the architects: The crescent as a metaphor for the growth of our community. A gathering place for the people of St Pete; a place for learning and play. A place that is self sustaining. How does one have a pier experience without actually being on a pier? Why not go out on a limb? Isn't that where the fruit is?" - Frank Scully Discover Bay Life VOA From the architects: “Discover Bay Life” respects the past and looks to the future by transforming the upland park and pier into a new destination for St. Petersburg. Just as life on the Bay continually transforms, so does life at “The Pier”. Three destinations - Bay Life Park, the Pier, and the Marine Discovery Center - become one unique destination for locals and visitors to discover and enjoy year around.
As construction crews continue to pull the Chicago Riverwalk farther into the city’s iconic waterway, Sasaki Associates has released a short documentary about the $100 million transformation. And it’s worth a watch because what's happening in Chicago is more than your typical “reclaiming public space” type of story. Yes, the Riverwalk is reclaiming public space, but that public space is not the typical brownfield site or underused lot—it’s the Chicago River. And building a 3.5-acre public park on top of it is no easy task. When complete, the Riverwalk will have a seamless path that connects its distinct segments: the marina, the cove, the river theater, the water plaza, and the jetty. Collectively, the Riverwalk includes new seating, floating wetland gardens, piers, and a water plaza. And let's not forget the kayaks—there will be plenty of those too. Watch above to see how Sasaki, Ross Barney Architects, and the Chicago Department of Transportation are making all of this possible.
The end of the year is nigh, and the season of awards and lists is at hand. In addition to the AIA Chicago awards to be presented tonight, the Chicago Architecture Foundation this week announced their Patron of the Year Awards. “Good buildings only happen with good clients,” read a statement presented by Williams + Tsien at the ceremony. Great buildings, however, only happen when clients are “unreasonable” in their commitment to good design, the David & Reva Logan Center for the Arts architects said. The winning projects included the Logan Center, CTA’s Morgan Station (Ross Barney Architects), Inspiration Kitchens (Wheeler Kearns Architects), and Rush University Medical Center (Perkins + Will). CAF also awarded two honorable mentions: Morris Architect Planners’ Black Ensemble Theater Cultural Center, and JGMA’s Instituto del Progreso. Accepting her award for the West Loop’s new Morgan Station Green/Pink line stop, Carol Ross Barney said she wanted to debunk the axiom “good enough for government.” Transit projects are critical, she said: “This isn’t even a building. It’s the blood and guts of our city.”
Friday marked Designight 2012—AIA Chicago’s annual awards gala—which brought nearly 1,000 members of the area’s design community together at Navy Pier to recognize 39 projects in four awards categories: Distinguished Building, Interior Architecture, Divine Detail, and Sustainability Leadership. John Ronan’s Poetry Foundation; Perkins+Will’s Universidade Agostinho Neto in Luanda, Angola; Sheehan Partners’ Facebook Data Center in Prineville, Ore.; and David Woodhouse Architects’ Richard J. Daley Library IDEA Commons in Chicago (featured in the October Midwest issue of AN Midwest) were among the repeat winners of the night. Helmut Jahn accepted a lifetime achievement award, calling on the designers present to imagine a better future and then “make that future happen.” On behalf of his firm, Jahn also formally adopted the changes reported earlier—a new name, JAHN, and the ascension of Francisco Gonzalez-Pulido to share design leadership with Jahn. Click on a thumbnail to launch the slideshow. The full list of winners and all 262 projects entered into the competition can be found on AIA Chicago's website.
The CTA is abuzz with new projects these days, having successfully avoided fare hikes during dire budget negotiations this summer. Now another $65 million investment will deliver the new Cermak / McCormick Place El Station Mayor Rahm Emanuel promised early this year, as well as new library, school and three-story building rehab for the South Loop. New renderings presented by the Mayor on Friday show the new Green Line stop, which will be designed by Carol Ross Barney, principal at Ross Barney Architects. It’s a sleek tunnel shape, reminiscent of Rem Koolhaas’ IIT Green Line stop. Coming from the same architect who designed CTA’s last major addition, the celebrated (if pricey) Morgan station, news on this improvement to El service was highly anticipated by residents in Motor Row and South Loop. The neighborhoods rode higher and fell further than most in the city over the past decades; now a resurgence of downtown residents may have primed the pump for a broader renaissance just south of the Loop. If it does, new CTA service should soon make it easier to check out.
The community planning process for the conversion of the elevated rail line known as the Bloomingdale Trail into a public park and recreational path is underway. The three mile embankment, twice the length of New York's High Line, will feature 8 access points from adjacent pocket parks, and a mile and a half of the line will have separated pedestrian and multi-use paths (for bike riders and roller-blades). The trail winds through Chicago's Logan Square, Wicker Park, Humboldt Park, and Bucktown neighborhoods. The project is much more earth-bound than it's New York predecessor with direct connections to the city's sidewalks and parks system. It too will offer unexpected views of the city. This video showcases the community planning process, and features a cameo by architect Carol Ross Barney, one of the members of the design team, which includes Arup and Michael Van Valkenburgh Landscape Architects. Mayor Emanuel has thrown his weight behind the project, so its chances for realization are very high. The first phase is tentatively scheduled to open in 2014.
Next week a framework plan for the abandoned elevated rail embankment known as the Bloomingdale Trail will be released. Curbed Chicago has posted some preliminary images from the Chicago Department of Transportation that were shown in public meetings last fall. While advocates have stressed that the project is not a copy of New York's High Line, these very preliminary study images look a lot like the High Line, minus the bells and whistles like the bleachers for traffic viewing. Conceived as both the linear park and a transportation corridor--rather than a path for promenading--the pathway looks very narrow, again like the High Line, which can lead to pinch points and crowding. What sets the Bloomingdale Trail apart, however, is its context, which includes a number of residential neighborhoods. The embankment will likely be linked to neighborhood pocket parks by ramps. More refined plans from the design team, which includes Arup and Ross Barney Architects, might resolve these issues. The public, and AN readers, will see more on March 8.