"Housing constitutes 80% of the city, so this 80% has to be exceptional." - Hamonic+MassonHamonic+Masson & Associates has designed the first residential high rise building constructed in Paris since the 1970s. The building, appropriately called “Home,” is a collective assemblage of a staggering 90 apartment typologies, resulting in 200 residential units offering a sense of identity, ownership, and differentiation within a collective building. The alternating stacked massing of the building is clad with prefabricated corrugated sheet panels finished in a two-tiered color scheme of brushed aluminum. The architects said these finishes are employed as a compositional strategy to highlight the transition in the building from repetitive low rise to unique vertical massing elements: “The finishes applied to the cladding highlight the natural beauty of aluminum while the glossy topcoat reflects the sunlight beautifully.” A silver tone continues the contextual lower base units along Avenue de France, while a gold tone is deployed as the massing of the building progresses vertically. Gaëlle Hamonic and Jean-Christophe Masson, cofounders of the eponymous firm, said that while the “postcard image” of Paris is one of uniformly low Haussmannian-designed buildings and historical monuments, there is a need to renew and reinvent the image of the city: “Paris is a city that has constantly reinvented itself and tried to modernize itself.” They say their growing body of work in vertical housing units embraces the traditional urbanism of Paris while offering its occupants a “new vision of their city,” continuing a process of perpetual reinvention. Other materials used on the tower’s balconies include glass with colored interlay, stainless-steel meshing, and coated aluminium for the balustrades, while the terraced roof decks use SOPREMA Exodalle waterproof panels made from exotic Brazilian Massaranduba wood. The aluminum screens were prefabricated off site by local companies Euramax and Alubel, then fitted onto the building by SMAC. Tucked away in the base of the structure are over 300 spring isolators to dampen vibrations from the three level below grade parking garage. A detail unseen, but crucial to the occupant comfort of the units above. Hamonic+Masson told AN that integration of private terraces into the facade setbacks was a key compositional strategy: “It is crucial to create intermediate spaces where residents feel both ‘at home’ and ‘in the open’, having access to the outdoors from the comfort of their own apartment.” The architects say this project is a pedagogical tool - a demonstration that height is an effective urban planning solution for Paris. “Paris is reinventing itself, and this project is the spearhead of the revolution!”
Posts tagged with "Paris":
VIB Architecture has constructed a mixed-use program of student housing and a nursery along a narrow site in a busy neighborhood in Paris.In a Parisian neighborhood known for its pedestrian-scale passages and small alleys, VIB Architecture has constructed a mixed-use project skillfully incorporating student housing and a nursery program into a complex of several new construction and renovated properties. The project is located in Belleville, a historically working class neighborhood with strong arts community and a heterogeneous mix of architectural scales arranged along a hilly topography. This latest addition to the neighborhood adds to the mix by combining contextual strategies with a bold contemporary material palette and massing scheme. The project is generally organized around two 8-story buildings that are bisected by an exterior passageway that leads to a courtyard space. Apartments are located along the active street front, protecting a rear sunny courtyard, lined with smaller scale buildings, for use by the nursery. An existing building links the two programs. The most recognizable building is wrapped in a custom-designed perforated aluminum skin, with a massing composed of slightly staggered floor plates with rounded corners. The skin of the building becomes panelized into operable shutters at window locations, allowing for users to control desired levels of shading, privacy and ventilation. The horizontal patterning of the perforations tracks downward into the courtyard, aesthetically integrating the housing and nursery programs, says Franck Vialet, Partner of VIB Architecture. “The perforations give depth and the horizontal stripes vibrate and link the street to the inner gardens.” The building interestingly was originally designed with a wooden rainscreen system, but was dropped early in the design process due to strict fire regulations. Vialet says the resulting aluminum facade became a natural choice due to its material qualities and design flexibility with fabrication processes. “We looked for a skin that could be unique and could be textured or machined into both large scale and smaller pieces. Anodized aluminum was the ideal solution because of its great ability to reflect light and to be perforated easily.” Positioned next to an historic garden, the bronze anodized building acts as a landmark, providing a sense of depth to the urban fabric of Belleville. Immediately adjacent to this building sits a second which is designed to be compatible with existing context, clad in a white plastic coating, the massing of the building is more ubiquitous than the first, while strategically stepping down at the rear facade to gently meet the courtyard. By altering the tectonics of the two buildings, the overall impact of the scale of the project is reduced while reinforcing a central circulation “spine” through the length of the plot, linking two successive courtyards. Vialet says the most successful part of the project is the urbanism it fosters: “its ability to naturally blend into the city and to bring together people from the street, the park, and the courtyards.”
The Part-Dieu shopping center in Lyon, France, will be renovated by Dutch firm MVRDV as part of a wider scheme that will give the whole area a much needed face lift. Using what appears to be fractal aesthetic, parts of the facade appear to dissolve, revealing space within. The mixed-use development will house commercial and leisure facilities and supply a generous offering of public space including a roof garden. Such is the nature of the facade that the building becomes increasingly legible at street level, with the fragmented facade almost falling away, creating viewports and allowing people to see inside. This repetitive facade pattern is employed throughout the whole scheme unifying each individual program. Views from inside are also given significant attention, with the metallic tower of Fourvière and Lyons Basilica Notre Dame being awarded framed views. In the process of redesigning the area, MVRDV added 344,500 square feet of new space while installing a general hierarchy to the site, with lower levels being primarily for retail and upper levels for recreation. By moving the pre-existing car park, MVRDV was allowed to include green spaces and terracing while organising the site so that nearby transport could provide easy-access links to and from the area. By allowing public life to manifest within the vicinity, the scheme can easily coalesce with urban life in the general area. This aspect is amplified by the fact that the street and a railway are allowed to cut through the building as well as over other parts of the scheme via escalators and elevated walkways. "The terraces turn the vast roofs of the shopping centre into open, green space in which the public can meet and relax; a quality that is currently missing in this area," said Winy Maas, co-founder of MVRDV, in a statement. "By rearranging the programme, we create an urban platform that is somewhere between tranquil park and vibrant market square, recreating an atmosphere inspired by the Lyon river side." "The redevelopment of the Part-Dieu commercial center is an opening act towards the city” continued Maas, "The formerly enclosed and defensive block is peeled open and thus becomes a place for the public to inhabit. It becomes part of the city."
Claude Parent passed away over the weekend in Paris, a day after his 93rd birthday on Friday. He was one of the most influential modernist architects to come out of France and founder of the oblique function. Parent's aesthetic style is widely acknowledged for paving the way for architects such as Zaha Hadid, Daniel Libeskind, and Frank Gehry. His style often bears the hallmark of angled walls and roofing, articulating space in such way that had not been seen before on such a scale. The oblique style was developed with the help of urban planner and cultural philosopher Paul Virilio who drew inspiration from the disorientating properties of World War II bunkers that slumped down among sand dunes, hence obscuring the threshold between floor and walls. Together, Parent and Virilio formed Architecture Principe. Notable works include Sainte Bernadette du Balay at Nevers, France. A close friend of Parent, French architect and academic Odile Decq wrote in 2005: "If someone tells you that Claude Parent is over 80, do not believe it." "His indignation is one that galvanizes and helps you to think about your dreams become possible. This drug is without any danger: it is a necessary prescription for the today’s students in architecture, fully invested in project reality but all frustrated with their dreams about tomorrow’s living," she went on to say. "Though often on the edge, his own heart never broke down, repaired by surgeries on the side road, some oblique roads, so strong and intense was the energy Claude put in it." Today, Decq added to her comments of eleven years ago. "Even if it has been repaired multiple times, last Saturday, while becoming 93, his heart has dropped off and I have lost a friend who was shaking my head to go further. See you soon, Claude!" Parent was rewarded for his contributions to architecture in 1979 when he claimed the Grand National Prize for Architecture. In 2010, he was awarded the title of Commander of the Legion of Honour, one of the highest decorations France can offer.
Architect Odile Decq, director of Paris-based Studio Odile Decq, has won the 2016 Jane Drew Prize for "her outstanding contribution to the status of women in architecture." Past recipients of the award, administered by Architects' Journal, include Grafton Architects' Yvonne Farrell and Shelley McNamara (joint awardees, 2015), Kathryn Findlay (2014), Eva Jiřičná (2013), and Zaha Hadid (2012). Decq's recent work includes the Fangshan Tangshan National Geopark Museum in Nanjing, China (2015), the form of which was inspired by the slope of the site; and the Saint-Ange Residency in Seyssins, France (2015), winner of the Blueprint Award for best non-public project. Decq, whose multidisciplinary office boasts a portfolio ranging from plans for social housing to high-tech lighting fixtures, will deliver the opening keynote address at April's Facades+ NYC conference. Decq's interest in the field of high performance building envelopes dates back over 25 years, she explained. "Before the 1990s, facades were composed by architects as holes in a wall," said Decq. "Thanks to [developments in] glass technology and, specifically, the screwed and suspension systems developed by [Irish structural engineer] Peter Rice—who did the first suspended facade in Paris at the end of the 1980s—facades have become surfaces." Decq's first large commission, the Banque Popular de l'Ouest in Rennes (1990, in collaboration with with Peter Rice), features the first facade built using double-glazed suspended glass with external sun shades. Since then, she said, "I have been interested in the facade considered as a transparent surface to which layers outside and inside can be added." Some such additions occur inside the glazing itself, as at the MACRO, Contemporary Museum in Rome (2010); others consist of attached components, such as louvres, that create a sense of depth. "As [in] Alice in Wonderland, the way through the looking glass transforms our vision," concluded Decq. Meet Decq and other award-winning designers, fabricators, builders, and academics at Facades+ NYC. Learn more and register today on the conference website.
Bjarke Ingels and four others unveil designs for the 2016 Serpentine Pavilion and adjacent summer houses
Bjarke Ingels Group (BIG) is unveiling high-profile projects at an unprecedented rate. The Copenhagen- and New York–based firm today released the rendering for its Serpentine Pavilion in London’s Kensington Gardens. The “un-zipped wall” features fiberglass, brick-like elements that pull apart to form space for visitors to stroll through. The design is more linear than most past Serpentines. https://www.youtube.com/watch?v=_wb_zuxSzQE "As you can see from the architect's renders, Bjarke Ingels has responded to the brief for a multipurpose pavilion with a supremely elegant structure that is both curvaceous wall and soaring spire, that will surely serve as a beacon – drawing visitors across Hyde Park and Kensington Gardens to visit the pavilion, the summerhouses and our major exhibitions by Alex Katz and Etel Adnan," said gallery directors Julia Peyton-Jones and Hans Ulrich Obrist in a statement. Four the first time, the pavilion will be complemented by four summer houses. Those will be designed by Berlin architects Barkow Leibinger, Nigerian architect Kunlé Adeyemi, Paris-based architect Yona Friedman and English architect Asif Khan. All of the designs play off of Queen Caroline's Temple, a nearby 18th-century Neo-Classical garden folly. Khan’s design is a series of undulating timber spikes, while Yona Friedman has put forth a modular design meant to reference how cities grow, a reference to his La Ville Spatiale. Barkow Leibinger’s design references a now-demolished building that once sat on the site. Adeyemi references the folly in a void-like negative impression.
As part of a master plan comprising 23 sites across Paris, Sou Fujimoto, David Chipperfield, and 20 others have been named as winners involved in responding the the Mayor's call to "reinvent Paris." https://twitter.com/Paris/status/694829444243046400?ref_src=twsrc%5Etfw "A city like Paris must be able to reinvent itself at every moment in order to meet the many challenges facing it. Particularly in terms of housing and everything relating to density, desegregation, energy and resilience," said Anne Hidalgo, Mayor of Paris. "It is important in today's world to find new collective ways of working that will give shape to the future metropolis." The scheme was launched last year at the start of November, and has prompted many architects and developers to submit plans for the 23 sites across the city. Ranging from empty brownfield sites, polluted wastelands, classified mansions, office renovations, and train stations, Hidalgo's plan has been hailed by many with French publication Talerma going so far as to call it a "stroke of genius." Despite the number of changes, one of the 23 sites, an 1880 neo-Gothic former Korean Embassy-turned-mansion has been left neglected. The judges deemed that no proposal (barely any were submitted) was worthy of construction and so the ageing structure will be left untouched on the Avenue De Villiers. The same cannot be said for the Messana railway station, however. Given the unusual location and former typology, many were inspired to make it their own and judges were spoilt for choice. The winning submission came from Lina Ghotmeh DGT Architects who transformed the space into a healthy eating haven. Including a rooftop vegetable garden, a laboratory for agroecosystem research, gardening classrooms, residences for young chefs, bar, and, of course, restaurant. Other notable winning submissions came from British architect David Chipperfield and Sou Fujimoto from Japan. Working alongside Danish-Icelandic artist Olafur Eliasson, Chipperfield will "reinvent" the Immeuble Morland, a 164-foot tall once state-owned building that lies on the river Seine. The mixed-use program will include a swimming pool, ground floor food market, gym, a hotel, offices, a creche, youth hostel, and set aside 53,800 square feet for social housing. The top floor will also offer panoramic bar and restaurant. Fujimoto, meanwhile, collaborated with revered French product designer Philippe Starck and Manal Rachdi of OXO Architectes. Fujimoto's project will stretch across the Boulevard Périphérique, by the Palais des Congrès de Paris and offer what appears to be a densely packed green roof. Like Chipperfield, Fujimoto dedicated a large portion of his project to social housing. In fact, this will assume 30 percent of the development that will also offer office space, a community center, kindergarten, and play area. The projects are set to cost over $1.46 billion and return $634 million in revenue to the city through the sale or long-term leasing of land. In addition to this, 2,000 over the course of three years are expected to be generated via construction alone.
With its first commission for a retail project, Bjarke Ingels Group (BIG) will design the new flagship store for Galeries Lafayette on the prestigious Champs-Élysées in Paris. “It has to be, somehow, the biggest concept store that has been built on the Champs-Élysées,” said Nicolas Houzé, chief executive officer of Galeries Lafayette. To give an impression of the size of the project, BIG's renovation will see Galeries Lafayette occupy some 75,350 square feet, a tenth of the size of the chain's outlet on the Haussmann Boulevard. Speaking to Business of Fashion, Ingels was eager to note that the Art Deco heritage of the building would be maintained, paying respect to the established architectural aesthetic that is a recurring feature within the vicinity. “We are inheriting a big, beautiful building that has been there for a century. So we are mostly moving around within it and playing with elements that have already been established. And I think it is going to feel like a joyful and playful environment for people to shop,” said Ingels. BIG is set to install an "observatory" that will allow visitors to look down the avenue. Also included will be a "circus" which makes use of a translucent flooring system and an “infinite vitrine” that will display Melvin Sokolsky’s black-and-white photographs of models seemingly floating inside bubbles. With regard to the renovation of a concealed skylight, Ingels pointed out that this would not be a simple copy of similar light at the Haussmann Boulevard. “We’re taking that element and letting it bleed out across the store, so that the lighting behaves in a similar way as when the clouds move over Paris.”
French architecture firm SCAU has designed a "water wheel hotel" on the Seine River, currently under consideration in Paris. During its six-month installment, people would be able to sleep in the slowly moving hotel for 300 euros a night. The water wheel structure would be built of wood and only take four days to assemble, meaning the hotel can easily be re-erected elsewhere. SCAU architects, Maxime Barbier and Luc Delamain, are working with officials in both Paris and Bordeaux. Barbier told the Telegraph, “They’re interested in the project but there are a lot of formalities first, especially in Paris. In Bordeaux they’re very enthusiastic and there’s less red tape.” Paris authorities are striving to lower traffic pollution and create more cultural activities around the river, making the "water wheel hotel" a strong consideration. The Seine River, would charge the batteries that turn the hotel two complete rotations per hour, giving the nineteen, 12-foot cylindrical pods slowly changing views. The barge alongside the hotel is designed to house a bar and restaurant for guests waiting to access their rooms, although the wait is designed to be at most 30 minutes. Barbier said the hotel "will offer a new way to contemplate the city, sometimes from the level of the river and then from the level of the rooftops.” The proposed wheel is 98.4 feet in diameter, a quarter the size of the London Eye and 16.4 feet taller than the average building in central Paris. The pods would be soundproofed and have fire prevention systems similar to Eurostar trains.
If at first you don't succeed: Jean Nouvel's leaning towers of Paris gets planning approval after initial rejection
After an initial rejection by officials from the Paris Council, French architect Jean Nouvel has been awarded planning permission for his firm's so-called Duo Tower project on the Eastern banks of the Seine. Located in the Quartier De La Gare district of Paris, the project follows on the heels of another pyramidal tower by Herzog & De Meuron planned for the city. Since Paris has dropped its construction height limit, the project is one of the first to be jumping on the high-rise bandwagon. Taking advantage of the new lack of restrictions, the taller tower will rise to 590 feet while the lower block will reach just over 400. Nouvel's towers have been a source of controversy in the French capital. A fierce opponent of Parisian high-rises, Mayor Patrice vowed to fight the scheme earlier in the year. Speaking to Le Parisien he said "I will attack this permit with a gracious solution." Unimpressed with the towers winning planning approval, he went to on to say, "the permit/license of construction was validated on the basis of a grossly false photomontage," arguing that the renders did not accurately portray the visual effect the building would have on the skyline. Touted to cost over $570 million, the mixed-use towers will provide over one million square feet—about 24 acres—of office space, and include a hotel, auditorium, restaurant, and retail area. Of this space, some will be accessible to the public with the restaurant offering views over Paris and along the river. Construction is set to begin next year with the project aiming to be complete by 2020.
Today is World Architecture Day with an emphasis linking the built environment and climate—how are you celebrating?
Today is World Architecture Day. According to its organizers, the International Union of Architects (UIA), the theme of this year's World Architecture Day is architecture, building, and climate. Founded in 1948, the NGO is a coalition of national organizations representing approximately 1.3 million architects from 124 countries. The 2015 theme is a response to the United Nations' Climate Change Conference (COP21), held this year in Paris from November 30th to December 11th. On the first day of COP21, UIA will hold a conference to explore how thoughtful architecture and design can reduce greenhouse gas emissions. Designers and architects will be asked to consider how design can be the central determining factors in a building's sustainability, and how cities can be transformed to better resist the effects of climate change. Conference panelists include Carin Smuts (CS Studio Architects), Pascal Gontier (Atilier Pascal Gontier), Manfred Hegger (HHS), and Kjetil Traedal Thorsen (Snøetta).
Walk this way: Architecture firm NBBJ proposes a moving sidewalk to replace London Underground Circle line
Architectural firm NBBJ has proposed a new three-lane moving sidewalk (or for the Brits, a travelator) system to replace 17-miles of the London Underground in a bid to decrease travel times and transport more people around London. Earlier this year, a plans for a London underground bike complex was ridiculed by the Guardian in its attempt to reduce congestion despite it winning best conceptual project at the London Planning Awards. With that in mind, NBBJ have boldly chosen to submit their idea which would feature three moving walkways traveling at different speeds. The nearest walkway to an entry platform would travel at a leisurely three miles per hour, accelerating to 9mph in lit tunnels. The project's main advantage over the current rail-based system, designers claim, is that the walkway wouldn't have to stop at the station—the ever moving track being slow enough for people to hop on and hop off. The idea could have potential to be dangerous with the sheer mass of people it aims to take on, not to mention the cost implications this would have for Transport for London. Tearing up track and making the Circle line's dark and dingy tunnels safe (let alone nice) to walk down would be no mean (or cheap) feat. Moving walkways do already exist in the London Underground system, in fact they have been present at Bank station for 55 years. NBBJ's proposal can also be seen as following on from the Trottoir roulant rapide ("fast moving walkway") at the Métro station Montparnasse-Bienvenüe in Paris. Nicknamed the "TGV," the Parisian example failed to garner success in the French capital, as the the Paris metro has had to pay out injury compensation in several cases. According to the BBC, many users of the TGV quickly ran on the moving surface despite a loudspeaker barking orders of "keep your feet flat on the ground, keep your feet flat on the ground." The failed project was replaced by a more conventional walkway in 2009. The effectiveness of travelators is also up for debate. In 2009 (a bad year for travelators it seems) the Daily Telegraph reported that research about moving walkways in airports indicated they actually slowed people down and that the time advantage was minimal. NBBJ still advocates the health benefits of walking between stations that such a moving walkway system might provide.