Brought to you with support fromMorris Adjmi Architects has just completed its wedge-shaped 363 Lafayette mixed-use development in New York City. The project is located in the heart of the NoHo Historic District, a context known for its mid-rise store-and-loft buildings clad in detailed cast iron and stone.
zoning and site constraints, the massing of the west facade is set back, with eight floors of office space rising midway through the elevation. The development’s facade is defined by horizontal and vertical bands of white brick, produced by Belden/Tristate Brick, which frame a charcoal-colored terra-cotta curtain wall. For the color scheme and materiality of 363 Lafayette, Morris Adjmi reinterpreted the area’s historically narrow terracotta mullions, window surrounds, and brick piers, into a much wider layout. Designed by the firm and crafted by Buffalo’s Boston Valley Terra Cotta (BVTC), the geometric pattern of the terra-cotta reliefs was conceived by the design team as an abstraction of neighboring Classical and Richardsonian Romanesque detailing. The custom-made terra-cotta rainscreen was installed on BVTC’s TerraClad clip system that attaches to a perimeter concrete beam and a medium-gauge framing wall. A series of gaskets and isolators allow the system to adjust to thermal expansion while reducing wind-induced vibration. Elongated rectangular windows, fabricated by TriStar with Win-Vent frames and Vitro Glass, are placed between chamfered terra-cotta mullions. Why does the building twist? Lafayette Street used to proceed north from Great Jones Street until the end of the 19th century when the street was excavated from the IRT subway. The excavation of the street led to the creation of odd-shaped sites, such as 363 Lafayette. According to the design team, “the building’s twist serves to reflect the cut of the street and to architecturally engage the setback with the lower portion of the building.”363 Lafayette’s site is prominent, with three visible elevations to the north, south, and west. The ground floor of the building is dedicated to commercial space and extends from Great Jones to Bond Street. Due to
Welcome to AN Interior's inaugural top 50 interior architect and designer list, featuring emerging and established firms across the U.S. While these architects' and designers' talents certainly go beyond interior work, they are deftly pushing the boundaries of residential, retail, workplace, and hospitality spaces and cleverly reimagining the spaces we inhabit. Ensamble Studio Boston, Madrid With a distinct focus on the process of making, Ensamble Studio leverages material technologies to produce dramatic spaces and forms. 64North Los Angeles Multidisciplinary studio 64North provides branding, interiors, website, and product design services. Architecture is Fun Chicago
As the name implies, Architecture Is Fun produces playful designs, frequently working with children’s museums; it won AIA Chicago’s 2017 Firm of the Year award. UrbanLab Chicago, Los Angeles
UrbanLab’s highly graphic design sensibility brings together smart solutions and visual identity in projects ranging from small storefronts to urban infrastructures. Design, Bitches Chicago, Los Angeles
The irreverent work of Design, Bitches employs layers of color, light, and material to build engaging interior spaces across Southern California. LADG Los Angeles
LADG produces uncanny forms and clever spaces by leveraging common construction materials.
Toshiko Mori Architect New York
Tacklebox’s interiors are filled with “ordinary” materials deployed in unexpected ways, recontextualizing the quotidian.
Michael K Chen Architecture New York
MKCA’s puzzle-like built-ins make the most of tiny living spaces. NADAAA New York, Boston
NADAAA’s work engages with high-tech material investigations and form finding. LOT New York, Athens
The influence of LOT’s Greek office is clear in its mellow, refined interiors and the firm’s furniture line, Objects of Common Interest. MOS Architects New York
The highly intellectual work of MOS plays on contemporary and historical architectural philosophies. Norman Kelley Chicago, New York
A self-described superficial practice, Carrie Norman and Thomas Kelley explore the concepts of play, illusion, and flatness, all within an often tongue-in-cheek understanding of historical precedent. Snarkitecture New York
Part think tank and part design firm, every INABA Williams project is rooted in an in-depth research process.
Elliott + Associates Architects Oklahoma City
Rand Elliott has been focusing the country’s attention on Oklahoman design for the past 40 years. SPAN Architecture New York
SPAN creates high-finish spaces full of carefully chosen materials and details. Home Studios New York
Home Studios produces polished, finely detailed commercial and hospitality interiors filled with fine wood, stone, and metal detailing. Architecture in Formation New York
AiF brings together eclectic styles for a wide range of projects, from large hospitality to urban lofts.
Only If— New York
Only If— fuses smart geometries with clever materials for striking interiors.
Ezequiel Farca + Cristina Grappin Los Angeles, Mexico City, Milan
Ezequiel Farca and Cristina Grappin draw from their collaborations with Mexican artisans and use local materials to create contextual works for high-end clients. Bureau Spectacular Los Angeles
The comic book sensibility of Bureau Spectacular delves beyond the superficial with spaces that encourage the occupants to live a less ordinary life. Barbara Bestor Los Angeles
Between her many residential and commercial projects across L.A. and her book, Bohemian Modern: Living in Silver Lake, Barbara Bestor is an influential force on Southern Californian design.
Johnsen Schmaling Architects Milwaukee
Johnsen Schmaling translates the beauty of the rural upper Midwest into site-specific residential projects.
Morris Adjmi Architects New York
Carefully proportioned spaces and forms—and a sensitivity to history— define Morris Adjmi’s elegant work.
Neil M. Denari Architects Los Angeles
Teaching at UCLA in addition to running his practice, Neil Denari is a perennial thought leader in the space where technology and architectural form meet. WORKac New York
With clever twists on typical programs, WORKac’s interiors are unexpected and playful. archimania Memphis
The progressive Memphis-based firm is taking a leading role in redefining what architecture can be in the Southeast through its numerous projects and help in redeveloping its city’s waterfront.
Shulman + Associates Miami
Shulman + Associates draw on the history, materials, and culture of South Florida to formulate vibrant, innovative commercial and residential interiors. Clive Wilkinson Architects Los Angeles
Focusing on workplace and educational facilities, Clive Wilkinson has helped define the aesthetics of contemporary creative professional and learning spaces.
The workspaces designed by Studio O+A express its clients’ stories and personalities, pushing the envelope of the modern office.
New Affiliates New York
New Affiliates works in “loose forms and rough materials” to create elegant spaces.
Biber Architects New York
James Biber approaches every project with a fresh vision, letting design and function guide the form.
Olson Kundig SeattleOFFICIAL Dallas
With a dedicated interiors studio, Olson Kundig has redefined the Pacific Northwest architectural typology.
OFFICIAL designs bright interiors with pops of color and custom furnishings. The two-person studio also has its own furniture line.
Aidlin Darling Design San Francisco
Materials are at the forefront of and celebrated in each project by Aidlin Darling Design. Leong Leong New York
Brothers Christopher and Dominic Leong use broad, decisive formal moves to organize space into crisp, refined interiors. Alexander Gorlin Architects New York
For the past two decades, even when minimalism reigned, Alexander Gorlin has been layering colors and patterns with great success. Craig Steely Architecture San Francisco
Craig Steely celebrates the tropical locales of his projects with interiors that reflect and embrace the native flora.
Aranda\Lasch New York, Tuscon
Truly experimental, Aranda\Lasch explores pattern and fabrications as easily as space and form.
Andre Kikoski Architect New York
Known for creating everything from architectural interiors to furniture and finishes, Andre Kikoski consistently delivers refined designs. SO-IL New York
Airy and ethereal, yet highly programmatic, the formal and material exercises by SO-IL are unmistakable. Peter Marino Architect New York
Leather-clad Peter Marino is the go-to for sumptuous interiors in high-end retail and hospitality around the world. Slade Architecture New York
Slade’s lighthearted approach brings together form, color, pattern, and material. Charlap Hyman & Herrero Los Angeles, New York
Bold interior forms with a refined material palette typify the work of RISD graduates Andre Herrero and Adam Charlap Hyman.
BarlisWedlick Architects New York
BarlisWedlick produces super-efficient, passive projects without neglecting aesthetics. Schiller Projects New York
Schiller Projects works through analytic research to design everything from architecture to branding.
The Architectural League of New York’s Emerging Voices award and lecture series highlights individuals and firms with distinct design “voices”, singling out those with the potential to go on to even greater heights. 2018 saw two rounds of judging; first by a panel of past Emerging Voices winners, and a second to pick the winners. The first-round jury included Virginia San Fratello, Sebastian Schmaling, Wonne Ickx, Lola Sheppard, Marcelo Spina, Carlos Jimenez, and Marlon Blackwell, as well as members of the second-round jury, Sunil Bald, Lisa Gray, Stella Betts, Jing Liu, Paul Makovsky, Tom Phifer, Chris Reed, and Billie Tsien. AN profiled all of the emerging voices firms in our February print issue. Future Green founder David Seiter will deliver his lecture on March 1, 2018, at the SVA Theatre in Manhattan. For the Brooklyn, New York–based landscape architecture firm Future Green, “spontaneous urban plants” are part of a patchwork ecology that has the potential to transform our cities. Future Green’s work is another part of that ecology. David Seiter founded Future Green in 2008 because he felt disconnected from his work in more traditional offices, applying new landscapes onto a site when he wanted to “draw them out of the place itself.” Now grown to about 25 people, his office features a garden and 6,000-square-foot fabrication facility for prototyping new ideas and new ways of weaving contextual plantings into urban sites. A picturesque quality pervades Future Green designs, particularly architectural collaborations like the Atlantic Plumbing residences in Washington, D.C., with Morris Adjmi Architects, and 41 Bond Street in New York, with DDG. At Atlantic Plumbing, the 300-foot-long planted window boxes contribute to the building’s postindustrial character, while the plants climbing up from 41 Bond’s facade were inspired by a visit to the quarry that provided the building’s stone. Future Green will sometimes maintain these types of projects for years after their completion to learn how the plants respond and evolve. Nowadays, an outdoor venue on a former rubble-strewn industrial site in Queens, New York, takes an informal approach. Stepping into the 18,000-square-foot space almost feels like stepping into a friend’s backyard. It’s cultivated but not too cultivated, organized around three large earth mounds, shaded by a grid of honey locust trees that help remediate the soil, and planted throughout with weeds. “We were able to leave a lot of traditionally weed species on the site,” said Seiter, “and then we seeded in a lot of other species that are, I would say, on the edge of acceptable.” For now, Future Green is advocating for a new understanding of “native landscape” that isn’t driven by climate but by human-created conditions. The firm's largest project to date is Half Street, a mixed-use curbless street in D.C., located near the Washington Nationals stadium. On game days, the retail-lined street closes to automotive traffic and becomes a pedestrian plaza for 30,000 people. Future Green’s design draws from its context and the need for flexibility; it includes a paving pattern inspired by Pierre L’Enfant’s iconic plan for the city, large tree pits paired with bio-swales, and other “soft” infrastructural elements designed to manage both water runoff and pedestrian traffic while creating a distinct sense of place. Future Green’s design for Half Street reflects their belief that streets are “the foundation for good new urban space.” As Seiter said, “If we can actually design our streets and sidewalks to be more effective green spaces and more-actively designed spaces for the public realm, we can create a new garden city.”
Morris Adjmi Architects and developer Jeffrey Gershon's Hope Street Capital have presented plans for a 29-story apartment building in Clinton Hill, Brooklyn, to the Landmarks Preservation Commission (LPC) for permitting. The rise of the 312-foot-tall tower at 550 Clinton Avenue is contingent on the developer’s plan to consolidate the rest of the block into a single lot, and transfer the resultant air rights to 550 Clinton. 60,000 square feet of the 70,000 square feet required would come from the nearby Church of St. Luke and St. Matthew, a landmarked church in dire need of façade repairs. The air rights transfer hinges on LPC approval of the church’s renovation, spearheaded by Li/Saltzman Architects, and the commission kicked the project back for minor tweaks at Tuesday’s meeting. Adjmi’s tower would rise on top of a 52-foot-tall base that snakes around the lot to Atlantic Avenue and Vanderbilt. While the entire building would be clad in tan precast concrete throughout and feature windows with metal mullions, the LPC presentation indicates that the windows on the tower portion would be tripartite and span from the floor to the ceiling of the units within. Most distinctively, the tower would taper at the base and twist on the south side to meet the cantilevered upper portion. While 550 Clinton could only be built at 96,000 square feet as of right now, with the spot rezoning being requested and transfer of air rights, the final project could be as large as 238,000 square feet. 34,000 square feet would be for commercial use in the building’s base, while 202,000 square feet would be allocated for residential units. This would be allowed only through the application of Section 74-711 of the city Zoning Resolution, which allows concessions for height and bulk if a maintenance plan is set up for a landmark on the same lot. The LPC’s chagrin on the 9th resulted from questions over the materials that would be used for the façade repair of the church at 520 Clinton Avenue. Commissioner Michael Devonshire took aim at the developer’s use of composite materials to patch the front of the brownstone church instead of the original stone, noting such repairs typically last for only 25 years. Instead of voting on the residential development or restoration, the commission has asked Li/Saltzman Architects to address this issue and present at a later date. Adjmi’s design didn’t escape the meeting unscathed either, as critics called the tower project “severely stark” and inappropriate for a neighborhood where the buildings are typically brick or sandstone. The proposal comes amidst a development boom in the Downtown Brooklyn area, and 550 Clinton is only blocks away from the Pacific Park megaproject. The full presentation given to the LPC is available here.
With the art world astir over the $450 million sale of Leonardo da Vinci’s Salvator Mundi, a painting with (to some) questionable provenance, and thousands lining up to view Michelangelo’s ultra-delicate drawings at The Met, the Forgery Show, at Morris Adjmi Architects, is as timely as ever. Open to the public by appointment, the exhibition features works by Art Roster Atelier, a group of Northern California artists who live at the base of Mt. Shasta. Employing painterly techniques from the Old Masters atelier system of the 18th and 19th Centuries, they’ve created 21 pieces that are dead ringers for the works of Rembrandt, Vermeer, Soutine, Hopper and more. Several versions of Da Vinci's Mona Lisa greet you in the elevator bank to get things started. We were fooled by a few. Find out if you would be, too. Art Roster has been hosting its own forgery show in California since 2013, and Adjmi Architects invited them to display in New York as part of its own exhibition program, which has been taking place since 2015. The show closes on January 8. The Michelangelo show closes on February 12, by the way. But you probably knew that.