What role has public engagement played in the process of putting together this event? PA: We’ve done public symposia on Broken Nature already, which has helped not only spread awareness but organize our ideas and prepare content. Some of our contributors have already written essays about their projects, which we’ll use toward a book later that sums up our learnings. The symposia have also helped us test out a few ideas to see if they will work out on the national stage. What else should we know going into next year’s 7-month-long triennale? PA: Overall, we’re hoping people will be puzzled and inspired by the exhibition, but we do have three main desired outcomes for it. First, we’re doing this not only for the architecture and design community but for the Milanese citizens because we know they’re interested in design. We’re looking to them as the agent of change to exercise pressure on institutions and change behaviors. We hope citizens will come to the show and leave with a short-term sense of what they can do in their everyday lives to be restorative. Second, we want people to leave the building knowing we live in a complex world, so our actions need to be thoughtful as we move forward in interacting with nature. Third, we want people to have a long-term vision. We tend to always think of our children and our children’s children when it comes to caring for the earth. But beyond that into the third generation of humans, it’s hard to psychologically imagine what it will be like. We hope the exhibition will help people put the far-out future into perspective. Leading the curatorial effort alongside Antonelli for XXII Triennale di Milano are Ala Tannir, Laura Maeran, and Azzurra Muzzonigro. Laura Agnesi will act as lead coordinator for the event, while Marco Sammicheli will handle international relations.View this post on Instagram
Posts tagged with "Milan":
On May 15, Milan’s Triennale Design Museum will open a retrospective of Italian designer-architect Osvaldo Borsani curated by Norman Foster and Tommaso Fantoni (the grandson of Borsani). In advance of the exhibition, designer and curator Ambra Medda created Villa Borsani: Casa Libera! to offer a rare glimpse into Villa Borsani, the house Osvaldo built for his twin brother Fulgenzio in 1953. The two brothers founded the Italian furniture company Tecno, which is famous for its designs such as the D70 Sofa (1954), P40 Chaise Longue (1955), and its office systems. Located outside Milan, Villa Borsani houses the Borsani archives, which date back to the 1930s and include drawings, paintings, and photographs of Tecno furniture and other projects. Villa Borsani: Casa Libera! opened in tandem with Milan Design Week.
Although it has been unoccupied as a residence for over a decade, Medda brought the villa to life with floral arrangements, archival furniture, and a signature scent in collaboration with artist Harry Were, florist Sophie Wolanski, and stylist Katie Lockhart. The exhibition also includes a music selection by Alexander Francis, making it a total sensory experience. Visitors are encouraged to explore the gardens and archives as well (which AN definitely endorses). Villa Borsani: Casa Libera! will be on view until September 15.
From April 17 to 22, all eyes in the design world are on the spectacular exhibitions, installations, pop-ups, and launches by an impressive lineup of designers and brands at Milan Design Week. From the International Bathroom and EuroCucina exhibitions to the satellite shows, here is a sampling of the designs—bravissimi!
Talisman Sconce Apparatus
Articulated by a raised pattern, this jewel-like sconce was inspired by Persian motifs that appear in Achaemenid stone reliefs, metalworking, and sculpture. It is part of a series that was inspired by Creative Director Gabriel Hendifar’s Iranian family heirlooms.
Circe Lounge Chair Ini Archibong for Sé
Swiss designer Ini Archibong collaborated with the London-based furniture maker famous for its 20th century-inspired designs. The work is a nod to Art Moderne, featuring the curving geometric lines of the back and base of the chair, and the round, curvaceous form of the soft, pink cushion.
Berlin-based Studio Greiling morphed a series of ottomans, benches, and daybeds into a rug-seating hybrid, exploiting the very often unexplored space in between floor and furniture. By draping rugs on top of colorful metal tubing, the fabric transforms into seating.
DeKauri Bath Credenza Daniel Germani for Cosentino
Spanish surfaces purveyor Cosentino and Italian furniture maker Riva 1920 worked with architect Daniel Germani to create a freestanding bathroom vanity that conceals the sink, lighting, storage, and mirror. Doors crafted out of 50,000-year-old Kauri wood open to a white Dekton by Cosentino sink, a Fantini faucet, and vanity-like lighting by Juniper Design.
Series Y Gensler for Artemide
Gensler designed a Mondrian-inspired fixture that accommodates both soft and bright lighting via two different screen profiles. The branchlike composition allows for configuration of direct or indirect illumination—all from a single power source.
Belgian-born architect and designer Vincent Van Duysen took a mix of warm and cold materials—wooden panels juxtaposed with natural stone countertops—and rendered them in modular, metallic grids for this kitchen.
Hawa Beirut Richard Yasmine
This otherworldly furniture collection is a nostalgic reflection of architecture in the designer’s hometown of Beirut, including arch-shaped references to Lebanese architectural elements, window-like glass inserts, slabs of marble, and handmade tassels. Swathed in pastel hues, the series comprises a set of chairs, a hybrid table/decorative screen, and a folding screen.
Drop Lindsey Adelman
With its metal, tubular structural system adorned with poetically placed globes, Drop recalls visual tropes associated with the 20th-century machine age. Administering a hand-applied mixture of salt and ammonia to the surface created the algae-like patina.Kartell by Laufen Laufen Laufen, the Swiss bathroom outfitter, collaborated with Italian furniture purveyor Kartell on a conceptual collection of colorful washbasins, taps and fittings, storage units, shower bases, bathtubs, lights, and accessories. The result is a study of form and silhouette with brightly saturated accents of translucent acrylic, a material for which Kartell is famous.
Recalling the surreal disco balls by Dutch art studio Rotganzen, Gufram’s Charley Vezza envisioned three cabinets and two coffee tables as pedestals for melting mirrored disco balls for the Disco collection. Other items aim to preserve the brand’s iconic history of designing Italian dance clubs. Can you dig it?
As usual, Milan Design Week was a whirlwind as architects, designers, dealers, journalists, and PR firms descended to the most storied furniture brands pavilions at Salone del Mobile and showrooms across the city. Here are a few highlights from the week:
Salone del Mobile Rho FieraThe main event, particularly for the trade, spans over two million square meters and is housed in building by Massimiliano and Doriana Fuksas. Thousands of pavilions were carefully crafted to attract furniture buyers, dealers, and press for the 55th Salone del Mobile. The larger brands have teams who spend up to a year designing pavilions, which have to be assembled in a week. Some impressive pavilions this year included Cassina’s recreation of the Rietveld Pavillion built in Holland in the 1955. Also impressive was Kartell’s “Talking Minds,” where each designer had his or her own “room” with video interviews playing on loop explaining the inspiration and methodology behind the designs, Arper’s carefully curated color stories, and Dedon’s verdant “Jungalow.” Cosentino’s creative rooms around the world by Canadian studio Ciccone Simone, complete with a full cafe serving up drinks and charcuterie. Salone Satellite was another must-see for the AN team, see our write up on it here. Also, don't miss our trend-spotting article on the Salone's chromatic glass.
A must-see for all, Rossana Orlandi’s gallery features a wide range of up-and-coming and independent designers from around the globe. This year, Spazio Orlandi was accompanied by Marta Di Bibendum next door where AirBnB and Ambra Medda hosted the extremely popular Makers and Bakers event. The entire café was furnished with the designs for people to use as they ate in the café. Norwegian Gallerie S.e. also hosted a minimal space with luxurious furniture in rich metals and velvet. Incredible designers such as Maarten Baas, Piet Hein Eek, Yukiko Nagai, Alcarol, and Nika Zupanc.
Set in Milan’s Sempione park, this year’s XXI Triennale theme "21st Century: Design After Design" was interpreted into exhibits such as Stanze (Rooms), Architecture as Art, Neo Preistoria, La Metropoli Multietnica, and more. We particularly enjoyed the Stanze at the Triennale musem, where visitors walked through a series of rooms designed by notable figures—Gio Ponti, Franco Albini, Carlo Mollino, Carlo Scarpa, Carlo De Carli, Vittoriano Viganò, Ettore Sottsass, Joe Colombo, etc—as well as newer architects, such as Andrea Anastasio, Fabio Novembre, Duilio Forte, Elisabetta Terragni, Carlo Ratti, and Francesco Librizzi. The focus was on Milan’s reputation as having architecture with plain exteriors and stunning interiors.
Set in the stunning, hyper-elaborate rococo Clerici palazzo, young designers presented forward-thinking designs and concepts. RAM House by PROKOSS + Space Caviar offered a place to sit in the courtyard.
Inside the space, Aldo Bakker’s amorphous video installation Pause offered a preview of his upcoming retrospective at CID Grand-Hornu. SapienStone’s Smart Slab is an integrated cooktop design with technology that allows almost quarter-inch-thick stone to be heated, cooled, or transformed into a stovetop by touching the interactive surface. Textile brand Buro Belen used natural dyes that slowly change over time, reacting to touch, sun, and wear to show how materials interact with their users.
To learn more about some of the designers we saw at Atelier Clerci, don’t miss our upcoming May Interiors issue!Valcucine at Brera Design District, Salone del Mobile 2016 from Architect's Newspaper on Vimeo.
A sprawling neighborhood of showrooms for both furniture and fashion houses, a few Brera highlights included the incredible HAY market, a gymnasium with maze-like rooms packed out with the company’s wares. Hem presented a series of ice cream socials to celebrate Max Lamb’s new “Last Stool Splatter” collection. In addition there were works by Philippe Malouin, Karoline Fesser, and Studio DeFORM. The showrooms by Valcucine, DePadova, Boffi, Miele, Agape, Cappellini, Fantini, and more, opened their doors to display new designs and offer cocktails each night.
The Hotel Wallpaper in the Via San Gregorio arcade displayed collaborations among architects and designers to create a “hotel” with a bar, bedroom, bathroom, lounge area, and even a mini golf course created with thick Bolon fabric (a sponsor of the exhibit).
Part block party, part exhibition space, Via Tortona hosted the SuperDesign Show and a gamut of events featuring designs by major brands and designers, such as Marcel Wanders, Naoto Fukasawa, and Maarten Baas.
The SuperDesign Show, 10,000 square meters of space, chose the theme White Pages, that according to the press release, “implies writing together the world waiting for us tomorrow…. An invitation to exhibit not only ready-to-use objects and proposals but also futuristic and experimental projects and to ‘narrate’ them to the public with words and installations in an ideal ‘white page.’”
Clothing and company COS collaborated with Sou Fujimoto for this room filled with fog, cones of light, and custom-made noises.
Located in a former gym in the north east Section of Milan, Spazio Lambrate features designers such as Roberto Negri, Arredi Siamo Scarti, Agostino Favarelli, and Laura Daza. It is part of a burgeoning creative district in Milan and we predict it will continue to be an important part of future saloni.