Posts tagged with "Miami":
OMA designed three buildings nestled between Miami Beach’s famous Collins Avenue and Indian Creek Drive in Mid-Beach. The project is a significant contribution to the Faena District, a $1.2 billion project covering six blocks and integrating dynamic cultural, residential, hotel, retail, culinary, and public environments.
OMA’s structures are all governed by independent programs: the Faena Forum with flexible theater uses, the Bazaar that retrofits a historic hotel with curated retail and event programming, and a state-of-the-art car park. Shohei Shigematsu, partner at OMA and the director of its New York office, led design efforts on the project.
A central focus of the new district is the Forum, which opened on November 27. The building is composed of two volumes—a cylinder and a cube—that are similar in size and can be combined or subdivided to support any type of production, from projects and commissions to performances, exhibitions, and events. A circular stair that descends from an impressive 46-foot cantilever denotes the main entrance. This leads up into the lobby of the building, which the architects elevated in response to concerns over rising sea levels. The design move freed up ground-floor space for loading functions and helped to provide a canopy along Collins Avenue. The architects explained that this extended the public domain into and under the building. Shigematsu said the formal strategy of the Forum’s radiused, cantilevered facade was inspired by the firm’s research into urban planning principles. “The Forum’s circular plan enables the public domain to expand, activating pedestrian movement within the district,” he said. “A 45-foot cantilever allows the landscaped plaza to slip under the Forum along Collins, providing a dramatic sense of arrival.”
Faena Forum 3300-3398 Collins Avenue Miami Beach, FL Tel: 305-534-8800 Architect: OMA
When Miami clients want a high-profile designer, they often bring in architects from New York and London simply because marketing demands signature international brand names. The developing streetscape of Wynwood, Miami’s Art District, has buildings by scores of important architects from every city but Miami.
But the city has its own, often-underappreciated talent. For example, there is Fort Lauderdale-based Glavovic Studio and its founding principal Margi Glavovic Northard, who has the resume of an architect one would usually find practicing in New York or Los Angeles: She was educated at SCI-Arc, taught at UCLA, and worked for Smith-Miller+Hawkinson in New York before opening her own practice. In Los Angeles, Northard met Robert Mangurian who told her to “go to a place where you can make a difference.”
Taking this advice, she started her Florida firm in 1999. The local projects she cobbled together make her someone who should be better known outside Florida. Northard, who is from South Africa, brings a global perspective and ambition into her practice that attempts to link local ideas, traditions, and needs with a broader international perspective. She said she admires the way Canadian Frank Gehry arrived in California and worked with the local vernacular to create truly revolutionary designs.
But, unlike Herzog & de Meuron, for example, who practice in the small city of Basel and won the prestigious Miami Art Museum (now Pérez), she does not just pitch glamorous cultural projects. “We are part of the local community that wants to be part of a larger conversation, and we are able to connect them to a global conversation,” she said. Indeed the firm focuses on local public housing, community centers, parks, and libraries because Nothard believes architects are, as she put it, “cultural change agents and facilitators.” She made the conscious decision to design affordable housing because she believes affordability is a broader notion than just low income.
At one affordable housing project, Kennedy Homes, Nothard claimed to have expanded the discussion “from affordable to affordability.” The design work, she asserted, is about “creating change” with a commitment to design buildings that are “direct experiences.” She said that she was asked to design a gazebo and “ended up doing an artist center for the community” that has enriched the town and region. It would be a sign of Miami’s maturity as a design center, something boosters point to, for her to be given a project in Wynwood, Brickell, or on Collins Avenue.
Young Circle Arts Park Hollywood, Florida
This 10-acre cultural center is located in downtown Hollywood, Florida. Its park immerses visitors in native landscapes and offers visual and performing arts programming and community activities. Two buildings include the Visual Arts Pavilion, which provides classrooms, a glass blowing studio, metal studio, painting studio, exhibition program, and support facilities, as well as the Performing Arts Pavilion, which contains a stage and lawn seating.
Kennedy Homes Affordable Housing Fort Lauderdale, Florida
Kennedy Homes is a 132-unit LEED Gold affordable housing project poised at the gateway to the City of Fort Lauderdale. Its living spaces are spread into eight residential buildings, with three community buildings housed in renovated structures, providing a gymnasium, library, and meeting and leisure rooms. The 8.5-acre site is developed as an expanded green space within an urban landscape.
Girls' Club Collection Fort Lauderdale, Florida
Located on a quiet street on the northern edge of downtown Fort Lauderdale, Girls’ Club is an artist studio, a gallery, a foundation, and a quasi-public space. The 1984 masonry building has a reconfigured facade layered with light, color, landscape, and enigmatic materials that employ local craft techniques and industrial references.
Sunset Hammock Tamarac, florida
Sunset Hammock, a public art project in Tamarac’s Sunset Point Park, renders moments in time through increasing intensity and color. It explores the expansiveness of the Everglades through the study of wetland topographies and tectonic forms.
Miami’s Villa Vizcaya, an Italian villa on Biscayne Bay built by industrialist and farm machinery magnate James Deering in 1914, has told the story of its creation since opening to the public in 1953. Although not fully completed until 1922, the museum-house recently celebrated its centennial.
A new master plan in the works for Vizcaya encompasses a substantial expansion and the reincorporation of various lost or forgotten elements of the estate, including a model farm, adjoining Italian farm village, and portions of the gardens that have been neglected and closed to the public for decades. For the first time since the heirs of Deering donated it to the public, Vizcaya will be able to tell substantial parts of its story almost lost to history.
In the estate’s formal gardens, a “marine garden,” unseen by the public since being damaged by Hurricane Andrew in 1992, has reopened, and a destroyed water garden, as well as a wide set of stairs that once led to a private beach, have been recently rediscovered. An exhibition of contemporary art on view at Vizcaya through October 2017 is also drawing attention to many more of these spaces, including the estate’s moat (now a dry chasm through a forested section of the grounds), and parts of the original gardens.
But perhaps the largest “missing” element of that story is the farm, which Vizcaya is reclaiming as its current occupant—the Patricia and Phillip Frost Museum of Science—moves downtown, and the Italian farm village. Vizcaya’s administrators are hoping to use the village, which still exists quite close to its original form, for a mixture of public programming, collections storage (including open storage), and offices. The master plan then proposes the demolition of the former science museum to restore the farm site as open green space.
The original farm will be partially reconstructed and a reforested area will act as a buffer zone between the estate and the neighboring homes. “One of the most important things is the arrival of visitors and how they move through the village,” said Remko Jansonius, Vizcaya’s deputy director of collections and curatorial affairs.