Posts tagged with "Miami":

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1,000-foot-tall observation tower proposed for Miami’s Downtown waterfront

Leave it to Miami to build a 1,000-foot-tall tower and top it with an exclusive club. The Skyrise Miami observation tower, designed by Miami-based Arquitectonica, is proposed to sit at Bayside Marketplace in Downtown Miami. Along with its Skytop club and Premium Observation Deck, some 900 feet above the waterfront, the tower will also include at least three other indoor and outdoor observation decks, and three theme park-like rides: the SkyRise Flying Theater ride, the bungee jump-like Sky Plunge, and the free-falling Skydrop. The base of the tower will include entertainment, retail, and restaurant space. The tower is projected to be LEED Gold Certified and is being touted for its ability to withstand wind speeds of up to 186 miles per hour. Currently, the tallest building in Miami is just under 800 feet tall. If built, the Skyrise Miami may take that title, though there are a hand full of skyscrapers proposed and under construction that will be vying for that top spot.
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Miami’s Frost Museum of Science by Grimshaw aims to be paragon of sustainable architecture

Miami’s new science museum will open its doors on May 8, 2017. The Phillip and Patricia Frost Museum of Science (or Frost Science, for short), which sits Miami's Downtown Museum Park, is part of Miami-Dade County’s initiative to make Miami a “cultural hub.” The 250,000-square-foot campus—designed by London-based Grimshaw Architects, who worked with local firm Rodriguez and Quiroga—is divided into four entities: the Planetarium, Aquarium, North Wing, and West Wing, which will include exhibit space, the Learning Center, the museum’s Science Store, and a museum café. The building is designed to be an exhibit itself, with examples of sustainable building practices and local wildlife. A rooftop urban farm and “Living Core” will be dedicated to showcasing native vegetation, while a solar terrace of photovoltaic panels will supply the building with energy. As part of the museum’s Everglades exhibit, there will also be an on-site wetland. These features should help the project achieve its expected LEED Gold rating. “The technology, engineering, and sustainability features found throughout the museum rival those on a global stage and will inspire and motivate generations to come,” said Frank Steslow, Frost Science President, in a press release. “Our goal is that Frost Science will be an international destination and vibrant educational space that encourages curiosity and investigation.” On top of the building’s built-in experiences, the museum will also feature exhibits on the history of flight, from dinosaurs to aerospace engineering, and the physics of light, and will, of course, provide ample opportunities to engage with local wildlife at the three-level aquarium. The museum is currently in its final stages of construction, awaiting the arrival of its new inhabitants. For more information about the museum’s exhibits or to purchase tickets, visit their website here.
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Renderings unveiled of Miami’s future tallest skyscraper

Tibor Hollo, developer and president of Florida East Coast Realty (FECR), recently indicated a 40-month construction timeline for One Bayfront Plaza, a 92-story tower in downtown Miami designed by New York City–based Kohn Pedersen Fox (KPF). In an interview with The Next Miami, Hollo referred to the project as “the building of the future,” touting its 104,000 square feet of retail space and direct connection to the Metromover transit station across Biscayne Boulevard. The tower will stand 1,049 feet tall, curtailed only by the Federal Aviation Administration which limits the maximum buildable height in Miami’s urban area. However, despite this limitation, One Bayfront Plaza will be Miami’s tallest tower, soaring a couple hundred feet higher than the imminent Panorama Tower, which will apex at 868 feet when completed. (Miami-based Arqitectonica is also designing an 80-story tower in nearby Brickell, though no word on its exact height yet.) Apart from its superlative height, the tower also breaks formal ranks: It's shaped with sinuous contours that contrast with the rectilinear silhouettes of downtown. The tower starts as a triangle at the base and seemingly twists as it rises into the air. According to Hollo, the tower will house more than 900 living units, a 200-key hotel, and 532,000-square-feet of office space. Construction is set to begin in January 2019.
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OMA-designed Faena Forum opens in Miami

OMA designed three buildings nestled between Miami Beach’s famous Collins Avenue and Indian Creek Drive in Mid-Beach. The project is a significant contribution to the Faena District, a $1.2 billion project covering six blocks and integrating dynamic cultural, residential, hotel, retail, culinary, and public environments.

OMA’s structures are all governed by independent programs: the Faena Forum with flexible theater uses, the Bazaar that retrofits a historic hotel with curated retail and event programming, and a state-of-the-art car park. Shohei Shigematsu, partner at OMA and the director of its New York office, led design efforts on the project.

A central focus of the new district is the Forum, which opened on November 27. The building is composed of two volumes—a cylinder and a cube—that are similar in size and can be combined or subdivided to support any type of production, from projects and commissions to performances, exhibitions, and events. A circular stair that descends from an impressive 46-foot cantilever denotes the main entrance. This leads up into the lobby of the building, which the architects elevated in response to concerns over rising sea levels. The design move freed up ground-floor space for loading functions and helped to provide a canopy along Collins Avenue. The architects explained that this extended the public domain into and under the building. Shigematsu said the formal strategy of the Forum’s radiused, cantilevered facade was inspired by the firm’s research into urban planning principles. “The Forum’s circular plan enables the public domain to expand, activating pedestrian movement within the district,” he said. “A 45-foot cantilever allows the landscaped plaza to slip under the Forum along Collins, providing a dramatic sense of arrival.”

Faena Forum 3300-3398 Collins Avenue Miami Beach, FL Tel: 305-534-8800 Architect: OMA

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From affordable housing to parks, inside the versatile Fort Lauderdale-based Glavovic Studio

When Miami clients want a high-profile designer, they often bring in architects from New York and London simply because marketing demands signature international brand names. The developing streetscape of Wynwood, Miami’s Art District, has buildings by scores of important architects from every city but Miami.

But the city has its own, often-underappreciated talent. For example, there is Fort Lauderdale-based Glavovic Studio and its founding principal Margi Glavovic Northard, who has the resume of an architect one would usually find practicing in New York or Los Angeles: She was educated at SCI-Arc, taught at UCLA, and worked for Smith-Miller+Hawkinson in New York before opening her own practice. In Los Angeles, Northard met Robert Mangurian who told her to “go to a place where you can make a difference.”

Taking this advice, she started her Florida firm in 1999. The local projects she cobbled together make her someone who should be better known outside Florida. Northard, who is from South Africa, brings a global perspective and ambition into her practice that attempts to link local ideas, traditions, and needs with a broader international perspective. She said she admires the way Canadian Frank Gehry arrived in California and worked with the local vernacular to create truly revolutionary designs. 

But, unlike Herzog & de Meuron, for example, who practice in the small city of Basel and won the prestigious Miami Art Museum (now Pérez), she does not just pitch glamorous cultural projects. “We are part of the local community that wants to be part of a larger conversation, and we are able to connect them to a global conversation,” she said. Indeed the firm focuses on local public housing, community centers, parks, and libraries because Nothard believes architects are, as she put it, “cultural change agents and facilitators.” She made the conscious decision to design affordable housing because she believes affordability is a broader notion than just low income.

At one affordable housing project, Kennedy Homes, Nothard claimed to have expanded the discussion “from affordable to affordability.”  The design work, she asserted, is about “creating change” with a commitment to design buildings that are “direct experiences.” She said that she was asked to design a gazebo and “ended up doing an artist center for the community” that has enriched the town and region. It would be a sign of Miami’s maturity as a design center, something boosters point to, for her to be given a project in Wynwood, Brickell, or on Collins Avenue.

Young Circle Arts Park Hollywood, Florida

This 10-acre cultural center is located in downtown Hollywood, Florida. Its park immerses visitors in native landscapes and offers visual and performing arts programming and community activities. Two buildings include the Visual Arts Pavilion, which provides classrooms, a glass blowing studio, metal studio, painting studio, exhibition program, and support facilities, as well as the Performing Arts Pavilion, which contains a stage and lawn seating.

Kennedy Homes Affordable Housing Fort Lauderdale, Florida

Kennedy Homes is a 132-unit LEED Gold affordable housing project poised at the gateway to the City of Fort Lauderdale. Its living spaces are spread into eight residential buildings, with three community buildings housed in renovated structures, providing a gymnasium, library, and meeting and leisure rooms. The 8.5-acre site is developed as an expanded green space within an urban landscape.

Girls' Club Collection Fort Lauderdale, Florida

Located on a quiet street on the northern edge of downtown Fort Lauderdale, Girls’ Club is an artist studio, a gallery, a foundation, and a quasi-public space. The 1984 masonry building has a reconfigured facade layered with light, color, landscape, and enigmatic materials that employ local craft techniques and industrial references.

Sunset Hammock Tamarac, florida

Sunset Hammock, a public art project in Tamarac’s Sunset Point Park, renders moments in time through increasing intensity and color. It explores the expansiveness of the Everglades through the study of wetland topographies and tectonic forms.

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Top picks from Miami’s art and design week

The annual December Miami art week has come to a close and the dealers, collectors, and artists have packed up their wares and headed home for another year. The centerpiece fair Art Basel, its next door tented neighbor Design Miami, and the nearly twenty other shows will likely be already thinking about 2017. But for the collectors and audience, it’s also time to go through our telephone camera images and remember what stood out and still looks good a day later on a computer screen. There are, of course, scores of art and design works at these fairs to interest an architect who wants to be inspired, educated, or seduced by visual eye candy. In retrospect, the objects and images that stood out to an architect's eye are really too numerous to mention but here are few highlights worth spending more time reviewing. The best single image to this architect's eye was surely Thomas Struth’s chromogenic print Schaltwerk 1 (2016) from Berlin at Marian Goodman Gallery, but there were dozens of other photographs that stood out, including Gordon Parks's Untitled, Mobile (1956) that depicts a sign reading “For Sale Lots for Colored…” and Nicola Lopez’s photo and hand-drawn image on a wall of an imaginary building rising like a modern totem. The print image that most fits the dark fears of today's racial conflict is perhaps James Casebere’s Vestibule (2016) for Sean Kelly Gallery; the object that raises the potential of playful fears is from Austrian Erwin Wurm in his Fat House Moller/Adolf Loos (2013) from Cristina Guerre Gallery. This year's fair had few sculptural objects for an architect's enjoyment, but American Brutalism (1978) by Marlon de Azambuja from Brazil (where he was “brought up in a place of full-scale utopias”) is different. It takes architectural “thinking and building” and creates a small scale megastructure of industrial blocks and clamps. It reminds us how powerful the connection between art and architecture can and should be in the gallery and real world.
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Arquitectonica to design new $1 billion “Innovation District” in Miami

Developer Tony Cho and investor Bob Zangrillo, the CEOs of Dragon Global and Metro 1 respectively, aim to transform the neighborhood of Little Haiti in Miami. Working with Miami studio Arquitectonica, the pair proposes that areas between Northeast 60th and 64th streets to the south and north, and Northeast Second Avenue and a railroad line to the west and east, be developed (in phases) as a gargantuan mixed-use project. 170,000 square feet of the site's former industrial spaces will be repurposed to include an innovation center for start-ups and businesses. According to the Miami Herald, Cho and Zangrillo hope to bring entrepreneurs to the $1 billion campus and keep them there, offering housing and spaces to both work and play. “We are investing money, cleaning things up, bringing more street lights and security in the neighborhood; we’re bringing in art, creating jobs,” Cho said. “I see Miami melding as an urban node. These are all becoming very interesting neighborhoods.” Phase one of the "Innovation District" will see the construction of a sculpture garden, a 30,000-square-foot "Magic City Studios," and the innovation center. The latter will span 15,000 square feet and be part of the "Factory," which will also feature an amphitheater for events. Despite the wealth of square footage available, none will be allocated to parking, furthering the walkable and pedestrian friendly campus feel of the development. Instead, small apartments will negate the need for what Cho calls a “behemoth garage space” that would take up valuable land and only drive up the cost of housing. Speaking in the Wall Street Journal, Cho added that ride-hailing apps would plug the transport gap. The Herald, meanwhile, also reports that listed tenants so far include Salty Donut, Aqua Elements, Photopia, Baby Cotton, ICA (Institute of Contemporary Art), Wynwood Shipping, and Etnia Barcelona.
Phase one is so far penned for 2018 and will be privately financed. The Zangrillo and Cho also mentioned that office and retail space, affordable workforce housing, including micro-units, and even a boutique hotel could possibly come in the future.
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BIG’s two luxury Miami towers spiral into the sky

A decade ago, Sweden's tallest building went up with a twist. The "Turning Torso" by Santiago Calatrava rises up elegantly on the coast of Malmö, a low-rise city that is Sweden's third largest. That same year, across the equally impressive Øresund Bridge that links Copenhagen with Malmö, a sprightly 31-year-old Bjarke Ingels was founding his studio, Bjarke Ingels Group (BIG) in the Danish capital (his hometown). Today, Calatrava's tower still lays claim to its 2005 title, but Ingels' firm has arguably reached greater heights since then. Just over a decade later, BIG has completed its second project in the United States: The Grove at Grand Bay, a pair of luxury 20-story towers that emulate Calatrava's contortions. From Malmö to Miami, however, climatic conditions could not be more different. While cold winds bash the Swedish shoreline, appearing to sculpt Calatrava's work into shape, the same cannot be said in humid south Florida (except for the occasional hurricane, maybe). However, that is not to say BIG's towers are out of place. The glass-clad twisting high-rises at Coconut Grove on Miami's coast bring with them a welcome breeze to the area–even if only implied. Accommodating 98 units, the two towers have floor plates that have been rotated incrementally by three feet from the third floor through the 17th. This feature, twinned with the 12-foot-tall custom insulated fenestration that traces the perimeter of each floor, facilitates balcony space that offers views over the tranquil Biscayne Bay. Panoramic vistas, in fact, can be found all around, especially on the upper levels where residents can look onto South Beach and downtown Miami, something which Ingels said echoes the expansive views associated with the "Caribbean sense of modernism" found in the vicinity. "The main view, though, is out over the water," said Ingels at a presentation of the project in his Manhattan office. The winding nature of the towers caters to the ocean, allowing the luxury units, which range in size from 1,276 to 10,118 square feet (2 – 6 bedrooms), as much exposure as possible to the waterfront vista. "Even though they are perceived as side-by-side, they don't block each other's views," Ingels explained. Optimum orientation, he continued, is realized at the 17th floor—three levels below the top. Ingels also discussed the task of structuring the buildings, for which BIG sought the expertise of Vincent DeSimone, who passed away this November. He described DeSimone (whom he referred to as “Vince”) as a “visionary" and called him "one of the greatest engineers" he worked with in his practice. DeSimone's solution saw poured concrete columns follow the floor plan, rotating with the structure, appearing at a glance to wrap around the building. As for the amenities for the project, luxury add-ons come thick and fast. Five pools for all residents, a 25-meter lap pool, a jacuzzi as well as four more pools for residents in each tower and the owners of rooftop penthouses are included. A fitness center, private treatment spa, and even a spa for pets comes too, along with a library, private dining room, and a "kids and teen room." Developer Terra has spent big on art with $1.2 million going toward sculpture and works in a curated art gallery. Parking for owners of dwellings above 4,000 square feet is also available on site. Unit pricing ranges from $2.96 to $25 million—though all are sold out.
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The largest 3D printed object in the world, and more from day one of Design Miami/

It’s day one of the annual Miami art and design fairs and The Architect's Newspaper (AN) is back for another year. Today we are in the smaller Design Miami/ tent across the street from the gigantic Art Basel fair. This design fair is usually a mix of a few international prototypes by the world's best designers, lots of frilly and useless baubles like beaded fantasy animals and chairs meant for adult children, and finally original pieces by classic designers like Jean Prouvé, Le Corbusier, George Nakashima, and even Gaetano Pesce. If one knows what they like, the entire fair can be seen in 30 minutes. As in the past, the Design Miami/ tent is fronted by a small pavilion or folly, and this year SHoP Architects have created one of the best pavilions in recent memory. Titled Flotsam & Jetsam, SHoP worked to create the installation with Branch Technology, a Chattanooga-based fabrication firm, Dassault Systems, for project management, and Oak Ridge National Laboratory, who provided a second 3D printing material technology (a biodegradable bamboo medium) for the surrounding seating. (Learn more about the installation, the largest 3D printed object in the world, in our prior coverage.) After Design Miami/, Flotsam & Jetsam will be reinstalled in the Miami Design District’s iconic Jungle Plaza to house an outdoor cultural event space for long-term public enjoyment. The space will be launched with the Institute of Contemporary Art, Miami on December 1, 2017. Inside the design tent, there was little that was new but a few items stood out: Konstantin Grcic’s limited edition chair/table he calls Hieronymus Minero in the Galerie Kreo booth, along with his glass and metal table with funny rubber wires coming from its black frame. The best lighting design came from The Future Perfect with their aptly named Floor Double Loop by designer Michael Anastassiades. Carpenters Workshop Gallery also showed a clever and beautiful glass ceiling light named Les Cordes by Mathieu Lehanneur. Finally, South Africa’s Southern Guild presented their Num Num bronze and glass dining table. The standouts of the fair—and some are stunning—are the classic 20th century pieces and we will present them in a separate post.
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An iconic Miami villa-turned-museum prepares for a major expansion to reclaim its former glory

Miami’s Villa Vizcaya, an Italian villa on Biscayne Bay built by industrialist and farm machinery magnate James Deering in 1914, has told the story of its creation since opening to the public in 1953. Although not fully completed until 1922, the museum-house recently celebrated its centennial.

A new master plan in the works for Vizcaya encompasses a substantial expansion and the reincorporation of various lost or forgotten elements of the estate, including a model farm, adjoining Italian farm village, and portions of the gardens that have been neglected and closed to the public for decades. For the first time since the heirs of Deering donated it to the public, Vizcaya will be able to tell substantial parts of its story almost lost to history.

In the estate’s formal gardens, a “marine garden,” unseen by the public since being damaged by Hurricane Andrew in 1992, has reopened, and a destroyed water garden, as well as a wide set of stairs that once led to a private beach, have been recently rediscovered. An exhibition of contemporary art on view at Vizcaya through October 2017 is also drawing attention to many more of these spaces, including the estate’s moat (now a dry chasm through a forested section of the grounds), and parts of the original gardens.

But perhaps the largest “missing” element of that story is the farm, which Vizcaya is reclaiming as its current occupant—the Patricia and Phillip Frost Museum of Science—moves downtown, and the Italian farm village. Vizcaya’s administrators are hoping to use the village, which still exists quite close to its original form, for a mixture of public programming, collections storage (including open storage), and offices. The master plan then proposes the demolition of the former science museum to restore the farm site as open green space.

The original farm will be partially reconstructed and a reforested area will act as a buffer zone between the estate and the neighboring homes. “One of the most important things is the arrival of visitors and how they move through the village,” said Remko Jansonius, Vizcaya’s deputy director of collections and curatorial affairs.

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City of Miami to borrow $45 million to preserve Miami Marine Stadium

After decades of abandonment, the historic Miami Marine Stadium is set to get a new lease on life. The City of Miami declared it will borrow up to $45 million to preserve the stadium, an open-air venue for boat races on Biscayne Bay designed by architect Hilario Candela and completed in 1963. The cantilevered concrete structure was severely damaged by Hurricane Andrew in 1992 and left to decay. Over the years, efforts to preserve the stadium have come in cycles. Two years ago, a local group floated the idea of stadium-saving murals, and earlier this year the National Trust for Historic Preservation teamed up with Dade Heritage Trust to revive the structure, which is now covered in graffiti. That crowdfunding campaign raised over $110,000 for the stadium's preservation. Most recently, this November Miami commissioners approved a $37 million restoration as well as the construction of a new 35,000-square-foot maritime center adjacent to the stadium. The project will be paid for by yet-to-be-issued special obligation bonds. The renovations and new construction are part of a city plan to revive Virginia Key, the publicly-owned barrier island that is home to oceanography research labs and the Miami Seaquarium, among other attractions. The park and basin surrounding the stadium is the site of the Miami International Boat Show, an annual trade convention for recreational boaters. The financial approval is a big step forward for the stadium, but it's not its last hurdle. The city is still figuring out whether it will hire a private firm to run the venue, and its contract negotiations with architect Richard Heisenbottle are ongoing. Regardless, preservationists are counting the announcement as a strong win. “This is a great day for Miami Marine Stadium and for the millions of people in South Florida who love this important place,” Stephanie Meeks, president of the National Trust for Historic Preservation, told the Miami Herald. The vote, Meeks said, "represents the critical financial commitment needed to bring the stadium back to life as the focal point of Virginia Key.” As many municipalities tighten their budgets, preservationists and citizen-builders are turning to crowdfunding to generate publicity and financial backing for seemingly quixotic projects. In April New York–based artist and designer Nancy Nowacek raised over $25,000 for a bridge to link Red Hook and Governors Island, while plans are underway in Baltimore to build a monument to Divine, the character immortalized in John Waters's 1972 film, Pink Flamingos.
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AN Exclusive: First look at Airbnb and Pedro&Juana’s Design Miami installation

Two design worlds will collide this year in Miami as the Mexico City-based design duo Pedro&Juana will debut Sobremesa, an interactive installation created for Design Miami/ in collaboration with Airbnb. The translucent house-like structure will serve as a gathering space that will be a hub for the duration of Design Miami/. Visitors are invited to socialize and to collaborate on the completion of the space, as anyone can add to it with a series of colorful tiles. The interior space of Sobramesa will be filled with objects and artisan pieces from Mexico City, sourced by Pedro&Juana and designed by locals. Sobramesa will be connected to an outdoor space, blending indoor and outdoor living—a tradition in both Miami and Mexico City Literally translated as ‘over the table,’ “sobremesa” is a concept, deeply rooted in Mexican culture, that loosely translates as the indeterminate amount of time people spend together lingering around a table after a meal to share in casual conversation. “The Mexican idea of ‘sobremesa’ is about not rushing but instead enjoying shared company and connecting on a personal level,” said Mecky Reuss, co-founder of Pedro&Juana. “It is something special to Mexican and Spanish culture that can be enjoyed by people everywhere.” Pedro&Juana will host a series of “sobremesas” in the space during the week, where they will invite visitors to share in meals, cocktails, and music at designated times. In addition, the designers will curate a playlist with Mexico City-based musicians including Trio Martino, Rulo, Los Shajatos, Sonido Changorama, and NAAFI, among others. “A lot of our work examines social spaces and how individuals interact with the built environment,” said Ana Paula Ruiz Galindo, co-founder of Pedro&Juana. “Working with Airbnb on this project is a great opportunity for us to build on this experience while also exploring elements of our home city, Mexico City.” Sobremesa is the latest in Airbnb’s collaborations with up-and-coming designers from around the world, exploring the concepts of domesticity, gathering, and shared living. Past projects include Sugi No Ie (Yoshino Cedar House) (Yoshino, August 2016), Makers and Bakers (Milan, April 2016), belong. here. now. (Miami, December 2015), Housewarming (Milan, April 2015), and A Place Called Home (London, September 2014). “What excites me about a project like this is that we can apply what we learn from it to the larger Airbnb experience,” said Joe Gebbia, CPO & Co-Founder of Airbnb. “Working with emerging designers like Pedro&Juana and giving them free reign to explore concepts around travel and sharing is enormously beneficial for us. Having a background in design myself, I am always curious to see how other designers think and what unique perspectives and insight they’ll bring to our brand.” Sobremesa will be on view at Design Miami/ November 30-December 4, 2016. Meridian Avenue & 19th Street Adjacent to the Miami Beach Convention Center Miami Beach, FL