Posts tagged with "Massachusetts":
Summer is a great time to explore the world of art and architecture, whether through tours of an exquisitely restored historic house or through online exhibitions that celebrate the cutting-edge work of the Bauhaus. Here are some openings you might have missed:Just: The Architectural League Prize Exhibit
June 21 - July 31, 2019 66 Fifth Avenue New York, NY 10011
In an exhibit closing today, The Architectural League of New York has put work by the winners of its 2019 Architectural League Prize on display, a coveted award that has been recognizing promising young architects since 1981. Provocative models, drawings, and installations produced by the six winners have been assembled in the Sheila C. Johnson Design Center at the Parsons School of Design.
The work selected for display covers a wide range of scales and media. With honorees hailing from cities across the United States and Central America, the exhibit gives visitors the opportunity to engage with a diverse array of perspectives and thematic focuses that relate to architecture, urbanism, and the design world at large.Big Ideas Small Lots
August 1 - November 2, 2019 526 LaGuardia Place New York, NY 10012
Starting tomorrow, New York’s Center for Architecture will exhibit winning submissions from Big Ideas for Small Lots NYC, a competition jointly organized by the NYC Department of Housing Preservation and Development (HPD) and the American Institute of Architects’ New York chapter. The competition asked designers to propose ideas for converting small-scale, difficult-to-develop lots across the city into viable affordable housing. Five finalists, including Palette Architecture and Michael Sorkin Studio, emerged from an initial pool of 444 proposals. The exhibition highlighting their work will be on display from August 1 until November 2.Changing Signs, Changing Times: A History of Wayfinding in Transit
Through November 6 Grand Central Terminal New York, NY
The New York Transit Museum is hosting an exhibit on wayfinding in its satellite gallery at Grand Central Terminal. On view through November 6, the exhibit includes objects, photographs, and other archival materials exploring the evolution of signage in New York’s transit system. The items, which come primarily from the museum’s own collection, shed light on the changing needs of transit users and the ways in which designers have addressed those needs over time.
The gallery is located just off the Main Concourse in the Shuttle Passage, next to the Station Masters’ Office.Bauhaus: Building the New Artist
Earlier this summer, the Getty launched an online exhibition as a complement to Bauhaus Beginnings, a gallery exhibit on display at the Getty Research Institute in Los Angeles, California. Planned as a centennial celebration of the Bauhaus’ groundbreaking approach to architectural education, the web-based exhibition features historical images from the Getty’s archives and information about the Bauhaus, as well as opportunities for visitors to test exercises crafted by the school’s pioneering luminaries, including Josef Albers and Vassily Kandinsky.Dilexi: Totems and Phenomenology
June 22 - August 10, 2019 Parrasch Heijnen Gallery 1326 South Boyle Avenue Los Angeles, CA 90023
Parrasch Heijnen Gallery in Los Angeles is displaying counter-cultural works of art from San Francisco’s Dilexi Gallery, including pieces by Arlo Acton, Tony DeLap, Deborah Remington, Charles Ross, and Richard Van Buren. Much of the art featured in the exhibition, which ranges in media from photography to sculpture, uses nontraditional materials and explores the very nature of perception.Pope.L: Conquest
September 21, 2019
New York's Public Art Fund will present Pope.L’s most ambitious participatory project yet. Pope.L: Conquest will involve over one hundred volunteers, who will relay-crawl 1.5 miles from Manhattan's West Village to Union Square. According to the Public Art Fund, participants will “give up their physical privilege” and “satirize their own social and political advantage, creating a comic scene of struggle and vulnerability to share with the entire community.”
Pope.L has organized more than 30 performance art projects since 1978, but this will be the largest of the bunch. The crawl will take place on September 21, beginning at the Corporal John A Seravalli Playground.It Might Be a Place (for LLH), as part of Unfoldingobject
June 20 - August 11, 2019 Concord Center for the Visual Arts 37 Lexington Road Concord, Ma 01742
The Concord Center for the Visual Arts in Massachusetts is displaying an installation by James Andrew Scott as part of its ongoing exhibition Unfoldingobject. Curated by Todd Bartel, the exhibit compiles collages by 50 different artists, each of whom has a distinct interpretation of the medium. Scott’s work, which is integrated into a skylight in the gallery building, presents a dramatic series of irregular pyramids that protrude from the ceiling at different angles. The entire exhibition is on view through August 11.
Working waterfronts along the Eastern seaboard are slowly dying out. As rising sea temperatures result in different fish migration patterns and locations, fishermen are struggling to adapt and keep up. The phenomenon is believed by many scientists to be due to climate change—the effects of which are most prominently evidenced on the East Coast according to a 2009 article, “Progress in Oceanography,” which found that waters in the northeast saw their temperatures rise at twice the global rate between 1982 and 2006.
The port of New Bedford, Massachusetts, however, has remained strong. Since 1999 it has been the nation’s number one fishing port, netting 40 million pounds of seafood valued at more than $329 million in 2014, generating economic activity surpassing $1 billion.
Sustaining this economic fruition is a different matter, though. Boston-based consultant Sasaki has produced a study of New Bedford’s waterfront, a scheme that seeks to further the area’s economic longevity.
Proposals vary from advocating investment in particular areas and buildings to introducing other industries to the area. An example of the latter can be seen in the suggestion to enhance access—both public and private—to the Whaling City Seafood Display Auction where national and international buyers bid on fish. “A direct connection between fishing boats and the seafood auctions would improve the efficiency of getting fish to the consumer and make the process a transparent experience for the public,” reported Sasaki. Additionally, this would allow tourists to witness fish trading, something that is popular in, London, Sydney, Tokyo, and even, as Sasaki points out, Chatham, Massachusetts.
As seen in the diagram at the top of the page, Sasaki sorted areas into “water dependency” zones, which helps to form a strategy for future development, allotting certain areas for public interaction and economic activity.
Urban planner and project manager at Sasaki Brie Hensold highlighted the city’s State Pier as another opportunity, describing it as a “lynchpin.” Hensold said that the pier is “heavily dependent” on the water and could be a crucial element for future tourism. In a similar vein as the auction house proposal, Sasaki advocates showcasing New Bedford’s industrial heritage and contemporary operations to tourists and the public. Mystic Seaport, just 80 miles away in Connecticut already does this, charging visitors $26 to walk around the old port and sample its history.