In an effort to secure financial backing for the city's cultural institutions, New York City Councilman Jimmy Van Bramer, who is the chair of the city council’s Cultural Affairs and Libraries Committee, has locked in $3 million of city budget funds to expand MoMA PS1. The funds will be used for the museum to specifically acquire the small apartment building at the rear of its current Romanesque Revival school building at 22-25 Jackson Avenue in Long Island City, Queens. Van Bramer has revealed that the purchase will allow the museum to expand its exhibition space. The museum is deciding if it will shift its offices from the main building to the apartment structure. The funding has been apportioned to the museum in capital funds as part of the city’s 2014 budget, which was confirmed last month. Councilman Van Bramer also allotted budget funds for some other arts organizations in his Queens district including The Noguchi Museum, which will receive $600,000 in capital funds for a new generator to replace one damaged by Hurricane Sandy flooding, and SculptureCenter, which will receive $300,000 in funding. According to DNA Info, the councilman said “It’s a real imperative to expand our cultural institutions, expand their foot prints, increase funding for them and allow them to do more of what they already do well—produce art that brings lots of people to the neighborhood, who then spend money in the neighborhood.”
Posts tagged with "Long Island City":
While it certainly won't be as terrifying as a Godzilla or King Kong tearing through city streets, what you might call Kitty Kong will be pawing through a model of an imagined ideal city at the Flux Factory in Long Island City, Queens, beginning Saturday. Developed by a team of children, artists, and city planners, the Flux Factory's Kitty City project is an intergenerational experiment in collaborative urbanism, designed to teach kids the way cities get built, encourage democratic decision making, and challenge the opacity of urban planning processes. Throughout the past month, a group of children, ages 7-12, participated in a series of workshops in which they designed the many components of their meowtropolis, including buildings and parks, water, transportation, and sanitation systems, housing, commercial, and cultural districts, and even a Museum of Natural Cat History. Their proposal then had to pass through a rigorous approval process before the kids could begin construction. Tomorrow their 1,7000 square foot city, equipped with waist-high condos, cat-houses perched upon giant mushrooms, cardboard residential towers, and kitty-hammocks will open up to 30 eager kittyzens. Aside from introducing children to participatory urbanism, civic engagement, and urban design, the project will also provide homes for dozens of orphaned cats. For tomorrow’s ribbon cutting, Flux Factory has partnered with For Animals, Inc., a South Ozone Park-based, no-kill animal shelter that will provide the city with its first residents. Once the cats get the chance to explore their custom-made urban environment, you can adopt them on-site free of charge. Stop by between Flux Factory in Long Island City noon and six tomorrow to see the Kitty City in action and maybe bring home a feline friend of your own.
In just one short year the Folly competition, co-sponsored by the Architectural League of New York and Socrates Sculpture Park, has become vastly popular among members of the architecture and design community, receiving 40 percent more submissions than last year. This year a jury examined 150 innovative submissions but selected only one winning entry. The prize? The winner, with the help of a $5,000 grant, gets to see the proposed design come to life in the Socrates Sculpture Park. Toshiro Oki, Jen Wood, and Jared Diganci of Toshiro Oki Architects were selected as the winners of this year’s competition for their design called tree wood. Socrates Sculpture Park in Long Island City first established the competition in 2012, asking emerging architects and designers to submit their ideas for a “folly,” a traditional architectural structure or pavilion, typically found in 18th and 19th century gardens. At first glance the folly may seem fanciful, it’s existence nonsensical, but careful observation reveals that the structure was intentionally built and precisely positioned to frame a particular view. This decorative installation not only embellishes an outdoor space, but also shrewdly allows the occupant to enter into a dialogue with his natural surroundings. Toshiro Oki Architects' contemporary interpretation of the traditional architectural folly consists of a simple geometric wooden-framed structure placed in the midst of a verdant thicket of trees. The minimalist man-made structure, made completely of wooden beams held together by 2x4 nails, will be built around the trees and flourishing branches occupying the site, therefore coexisting with, but never disturbing nature. The most enchanting design element of tree wood is the elaborate chandelier that will elegantly dangle from the center of the structure and exist in harmony with the leaves around it. Passersby may occasionally hear the serene musical chiming of the chandelier as the wind softly whistles through the trees, lending a very poetic nature to the folly. In addition to a winner four finalists were selected as well: Pier by Keefe Butler, Elenchus by Julien Leyssene, Curtain Spolia by Georg Rafailidis & Stephanie Davidson, Guesthouse Belvédère by Marc Maurer and Nicole Maurer-Lemmens.
Thursday night at the Center for Architecture, AN's executive editor and editor of the forthcoming Civic Action publication Julie V. Iovine will moderate a panel on Civic Action: A Vision for Long Island City, a site-study and exhibition featuring innovative design proposals for the Long Island City neighborhood of Queens. The panel will include Lyn Rice, Elliott Maltby, and Claire Weisz speaking about involving the arts in civic planning. See you there!
New Yorkers, grab your paint brushes and rollers. That's the message from Mayor Michael Bloomberg, as he and Mr. Global Warming himself, Al Gore, kicked off NYC Cool Roofs, part of the city's new service program that gets volunteers to paint city roofs white. A cheaper and less intensive alternative to green roofs, white roofs help keep buildings cool by reflecting the suns rays back from whence they came—though they don't address stormwater issues like their verdant cousins. “It’s such a simple concept—anyone who has ever gotten dressed in the summer knows it—light-colored surfaces absorb less heat than darker surfaces do,” Bloomberg said from a factory rooftop in Long Island City earlier today. “Coating rooftops with reflective, white paint can reduce roof temperatures by as much as 60 degrees and indoor temperatures by 10 to 20 degrees." Gore thanked the mayor for keeping the city "at the forefront of enacting innovative policies that reduce our carbon footprint.” While the Times calls white roofs a stop-gap measure, and more green roofs would obviously be the ideal, they're gaining in popularity, particularly with the Obama administration. The city's program is currently in the pilot stages, with plans to cover 100,000 square feet of LIC rooftops over the next two weeks. The area was chosen for its expansive industrial buildings that make it one of the hotter spots in the city—as well as easier to paint. While the Building Code now requires many new buildings to have white roofs, the city's sustainability czar, Rohit Aggarwala, noted that 85 percent of buildings that will exist by 2030 are already built. "As a result, we must include existing buildings in our efforts to cool the City," he said. "The NYC Cool Roofs program, combined with the building code requirement that re-roofing projects include reflective coating, is critical to meeting the City’s goal of reducing citywide greenhouse gas emissions by 30 percent by 2030.”