After a tumultuous few years, Miami’s real estate market is on the rise once again. When the recession hit the city in 2007, new developments came to a dramatic halt and abandoned construction sites became ubiquitous. But now, a surge of new projects—running the gamut from residential and retail to hotels and cultural institutions—are cropping up around Miami with many more slated for construction in the next few years. And some heavy hitters, such as Zaha Hadid, Rem Koolhaas, Herzog and de Meuron, and Bjarke Ingels, have signed up to lend their design sensibility to Miami's changing landscape. The Miami Herald reported that the city now boasts 20 new condo towers with an additional five towers in the works for neighborhoods just north and south of downtown Miami. AN has compiled a list of the most significant projects taking shape in the Magic City. Collins Park Garage by Zaha Hadid Your typical parking garage is usually a utilitarian, aesthetically bland structure that falls short on imagination. The city of Miami, however, has been reversing this trend and has commissioned architects to elevate the run-of-the-mill car park into a one-of-a-kind piece of architecture that draws visitors. Zaha Hadid is the latest architect to put her spin on the parking garage. For Collins Park, she has designed a sleek, curving structure that offers 400 parking spaces and retail on the ground level. The car park is in the process of being built. 1000 Museum by Zaha Hadid Zaha Hadid is leaving her imprint on Miami. Next up, she'll design a high-end residential tower, One Thousand Museum, for local developers Gregg Covin and Louis Birdman, that will be located on Biscayne Boulevard in Downtown Miami across from what will be Museum Park. According to Miami Condo Investments, the luxury high-rise will consist of 83 units and will run from $4 million up $12 million. Jade Signature by Herzog & De Meuron It seems like Herzog & De Meuron always have something brewing in Miami. The firm just released renderings of their new luxury condo, Jade Signature, located right on the ocean in Sunny Isles Beach. The planned 650-foot-tall, 55-story tower, though, might be over the Federal Aviation Administration’s height limit since any building over 499-feet at that location is considered dangerous. Asi Cymbal Building by TEN Arquitectos Developer Asi Cymbal has selected Enrique Norten and TEN Arquitectos to design a new mid-rise commercial building in Miami’s Design District. The development will consists of high-end retail, parking, offices, event space, and rooftop restaurant. The developer and Curbed Miami are currently holding a competition to name the new building. Portside Miami PortMiami launched a competition in 2011 commissioning plans for a new commercial district, dubbed the World Trade Center, and just recently revealed finalist PlusUrbia’s designs, which consists of a mix of infrastructure updates and major commercial and residential development. PlusUrbia’s plan includes new cruise-ship terminals and berths, and according to Curbed, skyscrapers, an expanded marina, hotels, retail, and luxury towers. SLS Hotel by Arquitectonica and Philippe Starck The chatter in Miami is that local developer Jorge Perez of the Related Group plans on building a 132-room SLS hotel designed by Arquitectonics with interiors by Philippe Starck, in addition to 450 condos ranging in size from 720 to 1,500 square feet, in the Brickell area. The 51-story tower is currently under pre-construction and is expected to be complete in 2015. The Patricia and Phillip Frost Museum of Science by Grimshaw The new Patricia and Phillip Frost Museum of Science (formally the Miami Science Museum), designed by Grimshaw Architects, is a $273 million complex that will house galleries, a planetarium, and wildlife center. This 250,000-square-foot building, located in Museum Park, will function like a “living building” with a vegetated roof and neighboring wetlands. The project is expected to be completed by 2014. Miami Marine Stadium This modernist 6,566-seat stadium perched on the Virginia Key has been abandoned for over twenty years, but now, steps are being taken to bring it back to life. Cuban-American architect Hilario Candela’s concrete modernist stadium is the first purpose-built venue for powerboat racing in the US. A few years ago, the stadium, now listed as a National Treasure, received $3 million in funding from Miami-Dade County Commissioners to preserve the modernist stadium and also turn it back into a water sports venue with concerts. At the end of last year, the Marine Stadium site plan, which includes a “Flex Space Park” and “Maritime Center” for operations and amenities, won the city’s approval, and next it goes in front of the Miami City Commission and the Miami Sports and Exhibition Authority. Once the plan gets the green light, Friends of Miami Marine Stadium will focus their efforts on fundraising for the stadium. The Grove at Grand Bay by Bjarke Ingels Group The once popular celebrity-frequented Grand Bay Hotel will become the site of Bjarke Ingels’ two new twisting residential towers in Coconut Grove. The 20-story luxurious high-rises will feature terraces, wraparound balconies, and a roof deck with private and communal pools. The $400 million project is slated for completion in 2014. Miami Beach Convention Center The competition is heating up in Miami between two developments teams vying for the massive Miami Beach Convention Center project. According to Curbed, Rem Koolhaas, the architect on the South Beach ACE team (with developers Robert Wennett and Tishman and landscape architect Raymond Jungles), went head to head with Bjarke Ingels of the Portman-CMC team (with developr Ugo Columbo and landscape architects West 8) at a public meeting a few weeks ago to show off their designs. Both teams propose new landscaping and parks, retail space, and residential developments for the 52-acre site in addition to plans for the convention center and updating the area around City Hall. Pérez Art Museum Miami Just as Herzog & de Meuron embarks on the Jade Signature tower, the firm is nearing completion of its 200,000 square-foot Pérez Art Museum Miami (PAMM and formally know as the Miami Art Museum). The new three-story building will house interior and exterior programming space for the museum’s collections and special exhibitions; an educational complex with classrooms, auditorium, and digital workspaces; and a restaurant and store. Shaded by a canopy, the museum will sit on an elevated platform and open to a veranda and plazas. If all goes as planned, the new building will be open to the public by fall of 2013.
Posts tagged with "Herzog & de Meuron":
Long delayed, Herzog & de Meuron's 830-foot-tall stacked tower planned for Tribeca in Manhattan is set to resume construction imminently after a three-year hiatus, reports the Tribeca Tribune. The 57-story residential building at the corner of Leonard and Church streets has been nicknamed the "Jenga Building" for its distinctive massing that varies on each floor. The tower is expected to be complete in the spring of 2016.
The twelfth Serpentine Gallery Pavilion in London is nothing without the first eleven. The collaborators responsible for the wonderfully intricate Beijing National Stadium (aka the Bird's Nest) in 2008—Swiss architects Herzog & de Meuron and Chinese artist Ai Weiwei—have designed a temporary pavilion inspired by the archaeology of previous structures by Peter Zumthor, Jean Nouvel, and Zaha Hadid, among others. The team peels back the Serpentine Gallery's lawn, excavating five feet to reach the water table, revealing the footprints, foundations, and topography of its predecessors. A new ground plane tracing from the tangled intersections of previous pavilions creates differentiated seating areas and eleven columns extruded from fragments of old foundations along with a final new column to prop up a bowl of collected rainwater/reflection pool hovering above. "A distinctive landscape emerges out of the reconstructed foundations which is unlike anything we could have invented," the team said in a statement. "The three-dimensional reality of this landscape is astonishing and it is also the perfect place to sit, stand, lie down or just look and be amazed." From the Serpentine lawn, the pavilion appears as a contrast of reflected sky and exposed earth. The entire subterranean seating area is covered in cork—chosen for its texture and smell. For special events, the rooftop reflecting pool can be drained into the seating space below where it soaks back into the ground allowing the space above to be used as a dance floor or elevated platform. "As we dig down into the earth we encounter a diversity of constructed realities such as telephone cables and former foundations," the group said in a statement. "Like a team of archaeologists, we identify these physical fragments as remains of the eleven Pavilions built between 2000 and 2011. Their shape varies: circular, long and narrow, dots and also large, constructed hollows that have been filled in...These remains testify to the existence of the former Pavilions and their greater or lesser intervention in the natural environment of the park." The pavilion represents Herzog & de Meuron and Ai Weiwei’s first jointly-designed structure in the UK. The installation will run from July 1st through October 14th this year, presented as part of the London 2012 Festival at the end of the London Cultural Olympiad, a celebration concurrent with the London 2012 Olympics.
As architects like Herzog & de Meuron and Jean Nouvel tap into the potential of vertical gardens, they'll often seek the expertise of Patrick Blanc. For the past thirty years Blanc developed vertical gardens while researching adaptive strategies of plants at the National Center for Sceintific Research in France. His research of plant growth in nature's more hostile environs, such as hanging off of stone cliffs or springing from rocks next to waterfalls, has yielded a uniquely urbanistic solution for gardening. For the next ten days there's a small window of opportunity left to see the work of Blanc at its most luxurious. The botanist designed the New York Botanical Garden's annual Orchid Show which ends on April 22. As a bonus, this also happens to be the moment that the Gardens' 250 acres are at the height of their springtime burst.
Herzog & de Meuron and Ai Wei Wei are getting the band back together for a brief collaboration for the famed Serpentine Gallery 2012 Pavilion. Now in its twelfth iteration, the Serpentine has commissioned temporary structures by some of the world's leading architects, including Toyo Ito, Peter Zumthor, and Zaha Hadid. The Swiss architects and the Chinese artist/designer have previously collaborated on the so-called Bird's Nest Olympic staduim in Beijing. While that project emphasized both strength and fagility with a soaring tangle of intersecting structure, their proposal for the Serpentine will explore the subterranean history and ecology of the site. “Our path to an alternative solution involves digging down some five feet into the soil of the park until we reach the groundwater. There we dig a waterhole, a kind of well, to collect all of the London rain that falls in the area of the Pavilion. In that way we incorporate an otherwise invisible aspect of reality in the park – the water under the ground – into our Pavilion," the design team said in a statement. "As we dig down into the earth we encounter a diversity of constructed realities such as telephone cables and former foundations. Like a team of archaeologists, we identify these physical fragments as remains of the eleven Pavilions built between 2000 and 2011." The pavilion will open in June and programming will run through October.
At first, the choice of avant-garde architects Herzog & de Meuron to renovate and restore the fabled Park Avenue Armory seems far-fetched. Even at second glance: “I hate preservation,” said Jacques Herzog at a press event to unveil what the firm is doing at the 1880s fortress and popular event space that contains unparalleled gems from the history of American decorative arts, including rooms and furnishings by Stanford White, Louis Comfort Tiffany, the Herter Brothers and others. In fact, the Swiss architects are proceeding with punctilious care and attention to detail as they “unlayer” the past and leave traces of what went before without adding much by way of their own interventions to the $200 million makeover to be completed in phases that have been underway since 2007. The Drill Hall, modeled after the great European shed train stations, will end up looking even more so, once some awful stalls have been removed that have for years hidden the full arch of the iron struts and a delicate catwalk mezzanine is put in to accommodate full theatrical performances. (The shelter for homeless women on the fourth floor will remain in operation throughout construction.) Disparaging the kind of preservation that matches swatches and zeroes in on a purely theoretical “original” date, Herzog described their approach as “revealing and accepting what has been and what we want it to be.” Each of the 18 period rooms will be dealt with on their own terms, neither reconstructed nor made contemporary in some jarring way. Two rooms, full-scale demonstrations of intent as it were, have been completed. Company Rooms E and D are so heavily paneled, molded, and wallpapered that one half expects to find Theodore Roosevelt on a stuffed steed in the corner. In one, the architects have stripped the paneling back to its brighter honey colored woodwork, but revealed the bare plaster with only a hint of mural—a face, possibly a tongue sticking out—to remain where there was once some garish gilt molding. In the other room, where a riot of Aesthetic-era wallpapers all jostle even more energetically through copper “overprinting” to reinstate some shine while damaged spots and patches are not hidden. The affect could be called extreme patina. When asked why she chose Herzog & de Meuron who don’t even have a preservationist on staff, Park Avenue Armory president Rebecca Robertson said, “Because I love Stanford White.” She went on to explain that she admired that consummately American architect’s early experiments with materials and saw that same intense curiosity in the work of Herzog & de Meuron. Their intellectual rigor and thorough research also impressed her: “There’s not a mock-up they won’t do; not a detail too small for them to obsess over,” she said, pointing out the silky, linked-bronze chains that shield the rooms from garish daylight. (In a later phase, the architects will be adding an all steel room-sized elevator, the "Megavator," rising through the front hall.) For Herzog, the commission has been a great opportunity to show “we are not just producers of icons.” He even seemed surprised that this quintessential piece of Americana had been trusted to a European, telling the audience of journalists: “Imagine an American being asked to restore a Gothic cathedral in Basel.”
Bordeaux Dynamo. Herzog & de Meuron designed a new stadium, the Stade Bordeaux Atlantique for the UEFA Euro 2016 in France. According the the architects, the "diaphanous volume looks out onto the grand landscape, its transparency revealing all the energy and activities which will fill this new symbol of the city of Bordeaux’s dynamism." Via Dezeen. Big Bunker Castle. According to Curbed, Steven Huff, chairman of TF Concrete Forming Systems, is building a 72,000-square-foot personal concrete manse called Pensmore. Located on 500 acres in Missouri, the reinforced concrete chateau is built to resist the regions rough weather. "The whole house is in essence a storm shelter," said the Pensmore web site. Humble Abode. If 72,000 square feet is a little too big for your tastes, Treehugger found a slightly smaller abode proposed by TATA, the same company that launched the $2500 car in India. For 32,000 rupees, or about $720, you can have your own house, clocking in at just over 200 square feet. The company hopes the new dwellings, along with an ultra-affordable $7,800 apartment, will help ameliorate India's growing housing problems in poor communities.
Circle of Animals/Zodiac Heads Pulitzer Fountain, Grand Army Plaza 60th Street & 5th Avenue New York Through July 15 Manhattan’s Grand Army Plaza has been overrun with a menagerie of sorts: the installation of Ai Weiwei’s Circle of Animals/Zodiac Heads. This is the first major public exhibition in America for the Chinese artist. This site specific installation is a modern reinterpretation of the 18th century Yuanming Yuan fountain-clock that featured 12 animals of the Chinese zodiac spouting water. With this project, Ai explores the “fake” in relation to the original sculptures (which were ultimately pillaged by French and British troops in 1860; five of the original heads are still missing). In this version, 12 oversized bronze animal heads ring the Pulitzer Fountain, each weighing approximately 800 pounds. While this project explores some rather esoteric themes, it is accessible and “a work that everyone can understand, including children and people who are not in the art world,” said Ai, who collaborated with Herzog & de Meuron on the Beijing National Stadium for the 2008 Olympics.
[ Quick Clicks> A guided tour of interesting links from across the web. And beyond. ] Carchitecture. What happens when you hire Herzog & de Meuron to design your parking garage? People suddenly begin to push out the cars. That seems to be the case in Miami Beach according to a NY Times article on the upscale soirees and and tourists that have become common place in the uncommon structure. Cats on Broadway. No, it's not a return of Andrew Lloyd Webber's musical, but a proposal to add a little theatrics to Chicago's Broadway. Curbed reports that the proposal is part of an IIT thesis project calling for a pedestrian-oriented street complete with a statue of a giant waving car (or more properly, a Maneki Neko). Please Litter. Could the latest trend in snail mail be a pro-littering campaign? According to TreeHugger, Google has embedded seeds in paper (recycled, of course) for a recent mailer. The letter advises its recipient to "plant in a sunny spot with a thin layer of soil... and watch it grow." Abandonment. Detroit has become infamous for its ruins, and ruins can be oh so seductive, but Noreen Malone at The New Republic says it's time to end our infatuation with "ruin porn." Malone takes aim at the message a deserted photograph devoid of people sends when Detroit's abandoned are left out of the abandonment. [ Photo credit: joevare/flickr. ]
According to both the New York Times and the LA Times, Eli Broad appears to have settled once and for all on a Downtown LA site for his new museum, and has gone so far as to hold a new competition for its architect. Further background has it that Thom Mayne, who had been favored to design Broad’s museum, is now out, and the new finalists are Rem Koolhaas, Diller Scofidio + Renfro, Herzog & De Meuron, Christian de Portzamparc, Foreign Office Architects, and recent Pritzker Prize winners SANAA. According to the New York Times, the jury appeared to favor Diller Scofidio + Renfro and Koolhaas. A choice, according to their story, could be made within the week. If built, the museum would be located on Grand Avenue just east of Frank Gehry’s Walt Disney Concert Hall and across the street from the LA Museum of Contemporary Art where he has played key roles recently in both keeping the museum on keel with a $30 million gift and steering it towards new director, Jeffrey Deitch. AN reported back on March 16 that Broad was leaning toward downtown for his museum. The site is currently slated for retail development within phase two of the now-stalled 3.5 million-square-foot Grand Avenue Project.
Who says starchitecture is dead? While most projects, high-profile or otherwise, are still on the rocks, the market for boldface design remains strong. How do we know? That rinky-dink model of Herzog & de Meuron's 56 Leonard Street that we mentioned last week, well, the eBay auction for it closed just past nine o'clock this morning. After 43 bids, the final price was an astonishing $1,166.11 (if you factor in the 30 bucks for shipping). Seeing as how that's more than some East Village apartments, we're going to take this as a leading indicator of better times ahead. Or maybe it's just further proof of the problems that got us here in the first place.
The outspoken Chinese architect and artist Ai Weiwei has been selected by the Tate Modern as the 11th person to create a work for its massive Turbine Hall in London. A known figure in China and the west, Ai lived in New York for many years and attended the Parsons School of Design before going on to collaborate on projects such as the Beijing National Stadium (with Herzog & de Meuron) at the 2008 Summer Olympics, and was included in the 2008 Venice Architecture Biennale, where he collaborated (also with H&deM) on a sprawling installation of bamboo poles and chairs set akimbo. One of the most politically engaged architects and artists working today, Ai has often run afowl of Chinese authorities, and was recently beaten by Chengdu police for drawing attention to shoddy construction that contributed to the death of over 5,000 children in a Sichuan earthquake. He is also a compelling form-maker whose installation work often straddles the line between architecture and art, and seems to have the power to stand up to challenging spaces like the Tate’s vast South Bank space, itself of course created within the shell of an old power plant by Herzog & de Meuron. The installation is sponsored by Unilever, and will open next October.