Beyond the focus on food and agriculture, there is also a wealth of eye-catching architecture at the Milan Expo as well. Here is a collection of some of our favorite pavilions from this year's rendition. And be sure to check out our coverage of the Expo here.
a handful of designs...stand out as attempts to rethink the way we build and how it relates to modern agriculture and sustainable food production for the next century. Most of the pavilions use sustainable materials and construction methods that utilize national building techniques. Inside, exhibitions—often interactive—showcase biodiversity, culture, and food traditions of each nation.
Posts tagged with "Herzog & de Meuron":
Milano Expo 2015 is rolling along, with 145 countries and a host of international organizations, civil society organizations, and corporations displaying their food-centric traditions and the latest sustainable agriculture and food production techniques. AN reported on the Expo when it opened:
A new Bordeaux stadium by architects Herzog & de Meuron debunks the hulking typology of a sporting facility. The architect compares the “elegant” and “lightweight”-looking design to a “classic temple,” which doesn’t seem all that hyperbolic. Surrounded by 900 slim columns on all four sides supporting a sharp-edged rectangular roof, the 42,000-seat stadium is composed of two superposed tiers divided into four sections. The entire seating area is shielded from rain and shine by a semi-translucent roof canopy. Photographs show unusually lavish legroom between each row of seats. The stadium structure itself is composed of three key elements: the bowl, raised above ground level, for games and spectators, the concourse as a transition between the playing field and its external surroundings, as well as the external landscape itself. The latter fell under the ministrations of French landscape architect Michel Desvigne, who created an area for community sporting activities as well as a children’s playground. “Special attention was paid to the integration of the structure into the grand landscape,” Herzog & De Meuron said in a statement. Rather than taking aesthetic cues from the historic city center of Bordeaux Lac, the firm based its designs on the willowy pine trees of the Landes Forest located south of the city. Between the matchstick forest of columns throughout the stadium weaves a “ribbon-like” structure designed to accommodate food stalls and toilet facilities around the perimeter of the building. “Its purity and geometrical clarity inspire a sense of monumentality and gracefulness,” said Herzog & De Meuron. “One might be tempted to draw a comparison with a classical temple, but unlike the elevated plinth of a temple, the grand stairs of the stadium blur the boundaries between the inside and the outside.” The Swiss firm won a competition in 2011 to design the facility, with work commencing in 2013. Set to be the home stadium of French football team FC Girondins de Bordeaux and host to five matches during the 2016 European Football Championships, the stadium was recently inaugurated ahead of its first football match.
Herzog & de Meuron's New York City skyscraper, 56 Leonard—aka the "Jenga Tower" because of its stacked-cube appearance, is steadily rising in Tribeca. While the building currently has a pretty standard glass box form with some protruding balconies, its upper floors will taper dramatically, hence the nickname. https://vimeo.com/121215554 Ahead of the tower topping out this summer, the 56 Leonard team has a released a one-minute timelapse video that shows the building's progress over the last 14 months. It's a fun (and quick) watch, and nicely builds anticipation for the tower's final form. [h/t Curbed]
It's impossible to look at renderings of Herzog & de Meuron’s 56 Leonard and not immediately think of Jenga, the game guaranteed to shame one unlucky partygoer for pulling the wrong piece and ruining everyone's fun. Good times! Anyway, back to 56 Leonard in New York City—the 60-story, glassy version of that nerve-wracking game. The project was first unveiled back in September 2008, at almost the exact moment the global economy started to nosedive. So, needless to say, 56 Leonard got off to a slow start. But now the tower is rising quickly and slated to open next year. Construction watcher Field Condition recently photographed the building which has passed its 40th floor and is starting to get its glassy exterior. On the building's first few floors, erratic, cantilevering balconies create that aforementioned Jenga-like effect. But on higher floors, the Jenga-ness of the building quickly fades as the balconies fall into a more conventional pattern, appearing less like bricks from the game and more like, well, balconies. This should change, though, as the building continues to rise as its most dramatic cantilevering theatrics are reserved for its tapering top.
Ian Schrager and Herzog & de Meuron are at it again. Just weeks after renderings appeared for the team’s Lower East Side boutique hotel, images of the prolific hotelier and Swiss architects’ condo project in the West Village have surfaced. Real estate blog NY YIMBY received renderings for 357 West Street, which show a curving, 12-story building that will become the latest addition to a corridor crowded with starchitecture. The structure resembles much of Herzog & de Meuron’s recent work in the city, as it is clad in concrete and glass. These materials are being used at 215 Chrystie and 56 Leonard—the firm’s Tribeca tower, which looks like a dangerous game of Jenga. A tipster told YIMBY that the 357 West Street contains 88 units and is expected to open in 2017. Herzog & de Meuron’s building will be in good starchitect company over on Manhattan’s western waterfront, which includes—or will soon include—works by Morris Adjmi, Helmut Jahn, Jean Nouvel, Shigeru Ban, Richard Meier, Renzo Piano, and Frank Gehry.
The French “GIF artist”—welcome to the 21st century, everybody—Axel de Stampa has officially made time-lapse videos look like child’s play. In his new project, Animated Architecture, de Stampa spins, shifts, tops, and deconstructs some of the most visually distinctive contemporary buildings—all in endlessly entertaining GIF format. "In Architecture Animée, Axel de Stampa uses GIF format to develop a different approach. While the visitor doesn’t move, the building offers different perceptions, comes alive and reveals additional evidence," explained the artist in a statement. [h/t ArchDaily]
[beforeafter] [/beforeafter] The United States will celebrate one of its most prized national treasures at the next World’s Fair: the food truck. In honor of the theme of the 2015 Milano Expo—“Feed the Planet, Energy for Life"—the American Pavilion, called American Food 2.0, includes street-level food trucks that will serve up some favorite American dishes. James Biber, the New York City–based architect of the pavilion, told Business Insider, it's not been decided which food trucks will be included at the site, but that there will be lobster rolls "for sure." But the pavilion design doesn't end with food trucks. [beforeafter] [/beforeafter] The pavilion’s most visually distinctive feature, is its hydroponic facade—or, a football-field-length,vertical farm that is planted with harvestable crops. "It is as though a typical horizontal field was rotated (think Inception with a farm field standing in for Paris) to become the side of a building," said Biber Architects in a statement. "It's not our proposal for serious urban or vertical farming, which is usually indoors, but a didactic display talking about the past, present, and future of the American farm, and the American diet." Behind the vertical farm is an airplane hangar-sized door, which opens the structure to the public. A "boardwalk" made of recycled lumber from American boardwalks takes viewers from the first floor to the second. Above that is a roof-top terrace, which is partially covered in a glass shade and photovoltaic panels. Biber told Architectural Record that the masterplan for the Expo, which was partially designed by Herzog & de Meuron, is "the most urban" he's ever seen. Lots at the site are only 20-feet-wide to create a more dense fabric. The Expo opens its doors to the public on May 1, 2015. [beforeafter] [/beforeafter]
Herzog & de Meuron will be designing the new Vancouver Art Gallery. The plan will double the size of the 300,000 square foot existing institution.The new Vancouver Art Gallery will be the Swiss firm's first Canadian project. HdM was selected out of the shortlist that consisted of Diller Scofidio + Renfro (New York), Tod Williams Billie Tsien Architects (New York), KPMB Architects (Toronto), and SANAA (Tokyo). The finalists, announced in January, were chosen out of 75 firms from 16 countries who submitted to an open Request for Qualifications process issued by the gallery. Conceptual designs are expected to be revealed in early 2015.
British architects Allies and Morrison have submitted their planning applications for the 22-acre mixed-use development for London's Canary Wharf. Swiss firm Herzog & de Meuron has designed a 56-story tower that will account for some of the 3,100 residential units planned for the project. London-based Stanton-Williams is responsible for the other two apartment buildings to be included in the new neighborhood, known as "Wood Wharf." The master-plan also incorporates extensive office space, over 100 shops, and some 39,000 square feet of public space. The Stanton-Williams contributions to the development are dwarfed by Herzog & de Meuron's tall, cylindrical structure. Staggered balconies wrap the facade in a pattern that shifts repeatedly as it progresses vertically. The buildings are situated among curvaceous green expanses that butt up against surrounding waterways. The office buildings, designed by Allies and Morrison themselves, will attempt to court creative media, technology, and telecommunications companies to the newly minted neighborhood. This unveiling only constitutes phase one of the development. A two-form entry primary school, multipurpose sports hall, and a healthcare facility are all meant to be incorporated into the neighborhood as the project advances. Efforts will be made to ensure ease of connectivity to the city's public transportation system for Wood Wharf inhabitants. Bus routes have been added and the installation of ever-popular bike rental stations is expected. Pending approval, construction on the plan will begin next year with a tentative completion date of 2017. In doing so it will join their latest addition to the Tate Modern as Herzog & de Meuron projects underway in the capital city.
The Nobel Foundation, the body that administers all activities involved in the delivery of the prestigious Nobel Prize, has shortlisted 12 architecture firms to partake in an international design competition for the new headquarters in Blasieholmen, Stockholm. In addition to providing a global headquarters, the establishment will also include a visitors center where the public can explore the natural sciences, humanities, and peace efforts of the United Nations. One of the key factors for the Foundation in selecting the architects to participate involved "their ability to work in intricate urban environments where historical context and the natural environment must be considered with sensitivity." The 12 selected firms include: - 3XN, Denmark - BIG, Denmark - Herzog & de Meuron, Switzerland - Johan Celsing Arkitektkontor, Sweden - Lacaton & Vassal Architectes, France - Lundgaard & Tranberg Arkitekter, Denmark - Marcel Meili, Markus Peter Architekten, Switzerland - OMA, Netherlands - SANAA, Japan - Snøhetta, Norway - Wingårdhs arkitekter, Sweden. - David Chipperfield Architects, England/Germany. At this stage of the competition, all submitted entries are anonymous, and the renderings are available in a public exhibition at the Nobel Museum in Stockholm. The winning design proposal will be announced during the spring of 2014. The design proposals:
Over a star-studded semi-finalist list of Western architects, Pritztker-Prize winning French architect Jean Nouvel has been awarded the commission to design the world’s largest art museum: the new National Art Museum of China in Beijing. The 130,000 square meters NAMOC building is intended to exhibit works by 20th-century and traditional artists from worldwide. The Financial Times reported earlier this year that Jean Nouvel’s design idea as that of a single ink brushstroke, a concept of traditional Chinese art and calligraphy. With sweeping glass and a reflective facade, the museum’s exterior takes obvious inspiration from the art visitors will encounter within its walls. The winning design’s facade makes up a tangible interpretation of a brushstroke. Pierced stone screens and streaked patterned glass create a varied, yet continuous exterior. Shimmering and semi-transparent, the surface allows for a blotted reflection of the colors and shapes of the surrounding dragon-shaped garden and sea of red flags. The building touches the ground only at four points, sweeping upwards in its center as if the artist had a vertical inspiration. In this phenomenon, Nouvel has envisioned two different leveled lobbies for entrance to the museum. The summer lobby on the ground floor is exposed to the elements, surrounded by nature. But, in winter months it can be closed off and visitors enter through the first floor, protected from the elements yet surrounded by semi-transparent glass walls that give visions of what’s outside. After entering the competition in December 2010, Jean Nouvel's design was set on a shortlist of twenty, then narrowed down to five, alongside Hadid, Gehry, Herzog & de Meuron (who withdrew), and Safide. Although there was some speculation for a winner after Gehry Partners released their design renderings to the public for a current exhibition at the Museum of Contemporary Art in Los Angeles, Jean Nouvel’s highly coveted win was later confirmed by his advisor, Olivier Schmitt. The museum will be located in Olympic Park adjacent to the Ai Wei Wei-designed Bird's Nest Stadium from the 2008 Olympics. The Chinese government has made no official comment on the commission decision or a timeline for construction.
Earlier this year, AN assembled a list of the most prominent projects rising in Miami. One of the developments, the Herzog & de Meuron–designed Pérez Art Museum (PAMM, formerly the Miami Art Museum), is nearing completion and is scheduled to open to the public by the end of the year. At The Architects Forum Glass+Performance on September 11th in Atlanta, key participants, including Peter Arbour of seele, Vinu Abraham of Architectural Testing, and Emil Hoogendoorn of John Moriarty & Associates will present on the ambitious design and construction process of the Miami Art Museum facade, calling the endeavor The Biggest Glass in Miami Dade County. Positioned on Museum Park overlooking Biscayne Bay, upon what has been declared the Magic City’s “last big piece of public land downtown,” the new museum’s concrete and glass structure gestures to Stiltsville, a vernacular 1930s form of architecture built on the bay. Various column-free exhibition galleries within the 200,000-square-foot, three-story building accommodate works of differing scales. The museum contains an educational complex, auditorium, and digital workspaces, along with a restaurant and store. Shaded by a canopy, the museum is situated on an elevated plinth open to a landscaped veranda and plazas. The Architects Forum is hosting a session at GlassBuild America filled with short presentations of the design, prototype testing, and construction of the museum's state-of-the-art facade. Arbour, Abraham, and Hoogendoorn will explain the multifaceted and impressive process, focusing on the use of glass as a facade material. A panel discussion and audience Q+A will take place after the presentation. Register to learn about the process behind the Pérez Art Museum's glass facades and discover more information about Session 3: The Biggest Glass in Miami Dade County: Construction of the Miami Art Museum Facades.