Posts tagged with "Helsinki":
The awarded entries hardly acknowledge the unique historical narrative, character, and quality of Helsinki, or the adjacency of the neoclassical part of the city. All the awarded projects are self-centered in various ways, and lack an understanding of and respect for urban traditions, which altogether belong to the most valuable heritage of culture. All the winning entries are rather detached from the context and have little, if any, meaningful interaction with their neighbors.Speaking to The Architects' Journal, Pallasmaa described the venture as a "ruthless business presented as a cultural project," calling for taxpayers money to better spent on furthering Finnish artistic culture. Finnish politician Anders Adlercreutz, contrasting the Guggenheim Helsinki with Frank Gehry's Guggenheim Bilbao, said "I simply can’t feel any excitement when viewing the winning proposal... It feels like a lost opportunity altogether, an entry that does very little to enhance the whole harbor area, that doesn’t contribute to the public space around it and that frankly looks quite out of place."
The brother and sister architectural duo aiming to create the ultimate customizable, eco-friendly home
With a new project in the woods 30 miles outside of Helsinki, California and Finland–based brother and sister duo Ateljé Sotamaa is drawing on the longstanding tradition of shaping space outside the home through the home itself. The Atelier Houses are a planned community of 40 dwellings, but they are a far cry from beige clapboard subdivisions. Through digital fabrication and construction technology that leaves a light footprint on the land, the structures are infinitely customizable. Ateljé Sotamaa intends to create a new social space that is communal and ecological without sacrificing the comfort and conveniences of urban life.
The concept updates New Urbanism—a decades-old town plan based on walkable, green cities—with 21st-century technological optimism and individualistic zeal. Kivi Sotamaa, who cofounded the studio with his sister Tuuli, explained that the basic unit of an Atelier House is a single plank of wood. From there, clients can design almost infinitely customizable homes that draw on both the traditional Finnish fishing village and the camping lean-to, two typologies that embrace nature as a prerequisite of their functions.
“The house is radically open to the world around it,” Kivi said. “That’s a quality that comes with the design. Beyond that, each individual and each site is different, which will actually result in a community that’s quite nuanced and varied.” The Atelier Houses are single-family dwellings and two-story row houses that must have a large exposure to visually dispel the idea of home-as-fortress. Materials include local timber for visual unity and ecological soundness, as well as for an homage to the vernacular. The studio designed both the built-ins and the furniture, which residents have the option to customize.
Kivi worked with architect Greg Lynn, a professor and pioneer of mass customization, at the University of California, Los Angeles, but he takes Lynn’s ideas further. “I’m interested in whether you could use digital design and manufacturing tools that would come at the same price as a prefab house but with a strong architectural idea,” Sotamaa said. He would like to see the digital meld with the architectural more seamlessly; the houses are designed to facilitate this transition and anticipate future synergies. The assembly process is structured so that little machinery is needed on-site for construction and assembly, which cuts costs and reduces damage to the surrounding landscape. The community will be networked via fiber-optic cables to enhance connectivity to neighboring dwellings and the world outside.
The prototype home was completed in 2015, while construction on the first of the Atelier Houses is expected to begin this fall. Ateljé Sotamaa anticipates that developments in digital design and manufacturing will parallel hypercustomization trends in the music industry. “Technology will allow architects to offer bespoke solutions much more easily. More people will be able to participate in the design in a meaningful way.”
Eavesdrop> Everyone’s a winner? Mitchell Joachim and Michael Sorkin square off with rival anti-Guggenheim competitions
From the architects: "The design of the Guggenheim Helsinki and its woven landscape are based upon a sensitive and sympathetic approach to the context and nature of Helsinki. The fragmental design encourages people to flow within a new cultural core that is linked to the rest of the city, through the port promenade and the pedestrian footbridge to Tahtitorninvuori Park. This flexible access welcomes not only the visitors but also serves as a key cultural destination for the community."GH-1128435973
From the architects: "The project proposes two facilities that establish a dialog with each other – a museum made of two museums. The first museum is on the ground or tarmac level of the port facility. The existing terminal is re-used and re-appropriated for multiple activities. It is conceived as a public space, extending the pedestrian boardwalk into the building – a place for education and outreach within the city. The second museum is the museum as such, in so far as it houses exhibitions. The structure is in the air and hovers above the first. As a hall on stilts, partly removed from the everyday life below, the building offers a place of refuge, adhering to the notion of the museum as an 'other space.'"SUBMISSION GH-5059206475
From the architects: "31 Rooms reuses the laminated wood structure of the existing Makasiini terminal to rebuild a wooden volume that follows the exact geometry of the original building. The rest of the massing respects the maximum height of the old terminal and reproduce its profile ensuring that the current views from the park and the adjacent buildings are preserved."GH-5631681770
From the architects: "We propose a Strategy that could offer back to the City of Helsinki an Extra Space at no additional cost. An added value for the City that transcends traditional Exhibition Spaces. We propose an Interior Street, an additional un-programmed space, which is not included in the original brief, that open the building up to citizen’s appropriation, and allow it to remain structurally relevant through the present and well into the future. The Interior Street, an Extra City Space, proposes a set of Unique Spaces that contains an almost unlimited number of conditions and situations that Public Space could offer to present, to study, (re) contextualize, or even provoke the people that enters it, whatever form it takes."
From the architects: "Adorning the waters edge. A cluster of slender timber towers provides a stunning addition to the city skyline. The sculptural form lends the Guggenheim a „Beacon-like“ appearance, attracting visitors arriving by land or sea. A majestic public place in the city. The towers are gathered around a soaring catheral-like central space, providing a unique home for public events on the waterfront."GH-121371443
From the architects: "Our proposal takes the form of a Helsinki city block rotated to the harbour front. Helsinki city blocks in the 1800s were named after wild animals. The proposed new block will have the tactile familiarity of a pet’s fur. Six timber-clad galleries are stacked over two levels and flanked by a seventh for administration and retail. Public spaces are formed between these and an intelligent textured glass skin wrapping the entirety to precisely diffuse light, translucent below, and transparent above."The Honorable Mentions
GH-76091181 comprises a ring of slender, sculptural towers faced with timber shingles, reminiscent of vernacular architecture, gathered around a cathedral-like central space. The towers, with their play of light and shadow, create an architectural beacon, visible by land or sea, while the central space, sheltered from extremes of weather yet part of the quayside, provides an exceptional new site for public events on the waterfront. Exhibition galleries are housed in timber cabinets stacked within the towers. Bridges connecting the towers offer respite space for visitors between experiencing art and offer new viewing points over the city and harbor.From the design team:
GH-5631681770 reconfigures circulation and use of the East and West Harbors to establish an area of industrial activity and an area of cultural activity, with the museum as the link between the city and the waterfront. In a critical shift from the idea of a building as static object to a building that accommodates the flux of daily life, a city street runs through the interior of the museum, opening it to appropriation by the citizens and creating a combination of programs: a museum program and an unpredictable street program, in which visitors may become productive and creative users of the space.From the design team:
GH-04380895 links the museum to the rest of the city through a pedestrian footbridge to Tähtitorninvuori Park and a promenade along the port, including a food hall and a market during the warm months. The museum programs are housed in pavilion-scale buildings treated as independent, fragmentary volumes within this landscape, allowing for a strong integration of outdoor display and event spaces with interior exhibition galleries. The ensemble is made to stand out from afar by being composed around a landmark tower. The use of charred timber in the facade evokes the process of regeneration that occurs when forests burn and then grow back stronger than before.From the design team:
GH-121371443 drapes a skin of textured glass panels over a bar-like, two-story interior structure, creating an environmentally sustainable public space between the facade and the gallery volumes, with natural light diffused throughout. In an unusual innovation, the element that makes the building sustainable—the intelligent glass wrapper, which uses technology such as Nanogel glazing and rollable thermal shutters—is also the element that distinguishes the project visually, giving the building an ethereal presence. Within the building, an annex for the work of younger Nordic artists is paired with a market hall, and a service pavilion encloses a sculpture garden.From the design team:
GH-1128435973 creates two facilities in dialogue with each other. The ground floor is an adaptive reuse of the existing Makasiini Terminal, conceived as a public space that extends the pedestrian boardwalk into the building. This is a place for education, civic activity, and incubating ideas. The second floor is an exhibition hall on stilts, which hovers above the terminal building, partly removed from everyday life. The long rectangular volume offers a flexible space for all types of exhibitions and adheres to the notion of a museum as a space apart. Through this dual scheme, the proposed museum could engage its public to co- create value and meaning.From the design team:
GH-5059206475 reuses the laminated wood structure of the Makasiini Terminal to rebuild a wooden volume that exactly follows the geometry of the original, and preserves the current views from the park and the adjacent buildings. Within this structure—essentially an undisturbed network of existing conditions—the project creates 31 rooms: eight of them measuring 20 x 20 m, 18 of them 6.5 x 6.5 m, four of them 10 x 10 m, and one 40 x 100 m. This rigid set of spatial conditions is combined with a deliberate distribution of climates based on the program and principles of sustainability, with each room acclimatized independently so that the galleries together form a 'thermal onion.'