In late 2005, Norman Foster unveiled his design for Two World Trade Center—an 88-story tower capped in four diamonds to direct the eye down toward the 9/11 Memorial, which, at the time, was still years from completion. Then, the World Trade Center site was still in the design phase, and Bjarke Ingels was a little-known architect from Denmark. But in the decade since, Ingels' rise has been nothing short of meteoric. Now, Wired has the story that proves what has been reported for months: the Bjarke Ingels Group (BIG) will replace Foster + Partners at Two World Trade Center, the second-tallest of the cluster of towers in Lower Manhattan. The 1,340-foot-tall skyscraper is being developed by Silverstein Properties and will serve as the joint headquarters for Rupert Murdoch's News Corporation and 21st Century Fox. If BIG’s building does, in fact, rise, then the final tower at the 16-acre site will have been designed by a firm that did not even exist when rebuilding began. With BIG’s growing portfolio of push-the-envelope architecture, the easy assumption for Two World Trade was that the building would step into the complicated—and politically fraught—site and loosen its buttoned-up, corporate aesthetic. If the redesigned tower accomplishes that, then it certainly does so gently. From the memorial, the 80-story tower takes cues from its neighbors, Three World Trade and Four World Trade, with an uninterrupted glass curtain wall. (Santiago Calatrava’s soaring Transportation Hub creates a brief stylistic rift along the crystalline campus.) But from every other vantage point, the tower appears like a staircase—or a classic mid-20th century Manhattan ziggurat-style building. The structure's massing appears as a series of seven, 12-story boxes that climb upward, stepping toward SOM's One World Trade next door. “On one hand it’s about being respectful and about completing the frame around the memorial, and on the other hand it’s about revitalizing downtown Manhattan and making it a lively place to live and work,” Ingels told Wired. "From Tribeca, the home of lofts and roof gardens, [Two World Trade] will appear like a vertical village of singular buildings stacked on top of each other to create parks and plazas in the sky," Ingels said in a statement. "From the World Trade Center, the individual towers will appear unified, completing the colonnade of towers framing the 9/11 Memorial.” BIG's involvement with the project came about after James Murdoch, Rupert’s 42-year-old son and a 21st Century Fox executive, reportedly expressed concerns over Foster’s design. James Murdoch was looking to create a more open-plan work environment. And BIG has experience doing just that—the firm recently presented designs with Heatherwick Studio for a sprawling Google headquarters complex comprising a series of glass canopies. At the World Trade Center site, BIG's main assignment was to take the spirit of a Silicon Valley, open-air campus and squeeze it into a Manhattan skyscraper. On a practical level, that's no easy assignment. But through generous setbacks, the building offers space for heavily planted gardens that at least serve as a nod toward the corporate campuses on the West Coast. Or so it would seem; Wired reported that the gardens are “supposed to evoke varying climates, from tropical to arctic.” But this is New York, not California, so by December all the gardens might lean toward the latter. Underneath these gardens, on the tower's cantilever reveals, are digital news tickers that will display headlines from the news giant operating inside. https://vimeo.com/130120622 Among the other challenges for BIG in redesigning Two World Trade was working within existing realities of the World Trade Center site—and a foundation structure that had already begun construction. The tower’s foundation is already set according to Foster's plan and includes air vents from the neighboring transportation hub. The new tower is also aligned along the axis laid out in Daniel Libeskind's master plan. When it came time to sell BIG's new design to the developer and client, Silverstein and Murdoch were initially skeptical. “I hadn’t seen a building like this beforehand, I hadn’t considered a building like this before, and certainly there was nothing down at the Trade Center to indicate that this would be a trend for tomorrow,” developer Larry Silverstein told Wired. Rupert Murdoch apparently agreed, but after the philosophy of the building was explained—and Ingels is a talented storyteller—Silverstein and Murdoch were on board. The architects behind the World Trade Center’s other three towers—David Childs, Richard Rogers, and Fumihiko Maki—all gave their blessing as well. News Corp. and 21st Century Fox recently signed a non-binding letter of intent to build Two World Trade, which brings the project closer to reality. And if all goes according to plan, Murdoch’s media empire should be setting up shop in Lower Manhattan as soon as 2020.
Posts tagged with "Foster + Partners":
Maggie’s, a UK-based charitable organization providing assistance programs to patients with cancer, is building a new center within the grounds of the Christie NHS Foundation Trust in Manchester. Eschewing the antiseptic reek and impersonality of a traditional hospital, the center strives to provide a homey atmosphere and support programs for cancer patients and their families in an uplifting, non-clinical environment. Designed by Norman Foster and Foster + Partners, the building sports a 20-foot-high timber frame as its main structure, and will be bordered by extensive gardens. “Externally, this structure will be partially planted with vines, making the architecture appear to dissolve into the gardens,” said Foster in a statement, who cited his own brush with cancer diagnosis as a major galvanizer. The timber structure will be configured around a wide, central spine with a roof rising in the center to create a mezzanine level illuminated with natural light. Foster cited this in addition to “greenery and views” as the focus for the architecture in recognition of the therapeutic qualities of nature and the great outdoors. “I believe in the power of architecture to lift the spirits and help in the process of therapy,” Foster added. “Great architecture is vital to the care Maggie’s offers, creating environments that are both calm and uplifting,” concurred Maggie’s Chief Executive, Laura Lee. The single-story structure will be the charity’s largest center, and is expected to receive around 60,000 visits per year from across Greater Manchester. Lightweight and simple are emphasized above imposing and spartan, with exposed beams and a timber lattice supporting the roof and partitioning various spaces. The interior palette, meanwhile, guns for a homey feel with warm, natural wood and tactile fabrics. “Visitors can gather around a big kitchen table, find a peaceful place to think, or they can work with their hands in the greenhouse,” Foster explained. A time capsule will be buried onsite containing personal mementos from donors and supporters of the center, as well as a sketch from Foster + Partners, the details of which are undisclosed. Maggie’s relies on charitable donations to fund the inception and maintenance of its current network of 17 centers across the United Kingdom, each one designed by a different architect based on the same brief. The centers provide free practical and emotional support for cancer sufferers including nutrition workshops, psychological support, tai chi and yoga, relaxation and stress management, and art therapy.
A few weeks ago AN noted that the Norman Foster–designed 2 World Trade Center might finally rise after all these years. The New York Times was reporting that Rupert Murdoch's News Corporation and 21st Century Fox were in talks to lease half the building for a joint headquarters. If it were to happen, wrote the Times, Murdoch's team might bring in a new architect to update Foster's design. Now it's looking like that is exactly what's going to happen—and it's going to happen in an, ahem, BIG way. The Wall Street Journal is now reporting that the media companies, along with developer Larry Silverstein, have tapped Bjarke Ingels to redesign the building. Given BIG's reputation for twisting, torquing, pyramidal forms, it's safe to say that the new design will be far from Foster's diamond-topped glass tower. But, at this point, all we know is that the building is expected to retain the size and height of the original plan—roughly three million square feet and 1,270 feet tall. The foundation, after all, has already been built, so any new tower would rise from the same footprint. "The planned 2 World Trade Center tower would have plenty of room, as the companies would occupy about half of the building," reported the Journal. "But the existing design was deemed problematic because it wasn’t considered ideal for studio space at the base—it was designed with bank-trading floors in mind—and because of the amount of infrastructure on the ground-level related to the PATH train station at the site, the [people familiar with the design] said." If financing is secured for the project, and 2 World Trade Center is ultimately finished, it would mark the complete rebuilding of the 16-acre site.
Richard Rogers' long-stalled 3 World Trade Center finally climbing again, it's concrete core rising steadily above its nearly-complete podium. Now, it's Norman Foster's turn to bring the last of the World Trade towers to life, and it might happen this time with the help of a media giant. It's starting to look like Foster + Partners' 2 World Trade Center might actually get built, and it's all thanks to Rupert Murdoch. The New York Times reported that News Corporation and 21st Century Fox—both owned by the billionaire media mogul—are interested in using half the building (1.5 million square feet) as a joint headquarters. While there are no firm plans to speak of, the companies have reportedly been in talks for months with the Port Authority of New York and New Jersey and developer Larry Silverstein, who has rights to build at the site. If the tower is built, it would effectively complete the drawn-out rebuilding of the World Trade Center. Two World Trade Center was originally scheduled to open in 2011, but, as is the case with just about everything with the World Trade Center redevelopment, that deadline didn't stick. The building, as designed by Foster, is widely considered to be the most architecturally adventurous of the glassy World Trade Center bunch. The 79-story structure appears as four rectangular forms, diagonally sliced at the top to form a set of four diamonds. “The building occupies a pivotal position at north-east corner of Memorial Park, and its profile reflects this role as a symbolic marker,” Foster + Partners said in a 2006 statement. “Arranged around a central cruciform core, the shaft is articulated as four interconnected blocks with flexible, column-free office floors that rise to level sixty-four, whereupon the building is cut at angle to address the Memorial below.” The building’s design was drawn up between 2006–2007 and is expected to change at least slightly if this deal moves forward—which the Times noted is far from certain. But if it does go through, the companies might select their own architect for changes. “Given that the foundation has been built, the two sides are assessing whether the structure can accommodate the changes they want for television studios,” reported the Times.
Jeddah hopes a high-design transit network by Norman Foster can transform the Saudi city into a transit capital
British design firm Foster + Partners recently inked a deal reportedly worth upwards of $80 million to master plan a city-wide public transportation network in Jeddah, Saudi Arabia. Currently, just 12 percent of the population resides within a 10-minute walk from a transportation hub, and just 1–2 percent of commuters use public transportation. But can high design lead to higher ridership? The new network will encourage pedestrianization with shaded streets in deference to the sweltering climate, while the ambitious transportation grid will introduce a 42-mile light rail metro system and public spaces at key locations below the elevated tracks. The grid will also build on the existing ferry, bus, and cycling networks, and this three-line network will operate from 22 stations. In addition, a sea transport network with 10 stations will be built along the Corniche to boost tourism. The overarching "architectural vision" by the British firm will address everything from station design to trains to branding, all the while with careful regard for the “high-density, compact urban model of Al Balad,” Foster + Partners wrote in a statement, referring to Jeddah's historic district. “Each station node will create a new neighborhood with a unique characteristic.” The Norman Foster–owned firm has set a goal for a 2020 completion date and 2022 opening. According to the Saudi Gazette, the new transportation network could reduce traffic by 30 percent within the next 20 years. Also on board for the project are architecture and engineering firm AECOM, which signed an 18-month contract in May 2014 to provide pre-program management consultancy services. Meanwhile, French railway engineering firm Systra was appointed in July to provide preliminary engineering designs.
A 900-foot tower is coming to Manhattan’s high-end Sutton Place and it looks like Norman Foster is the architect behind the geometric tower punctuated by inset terraces and gardens. New York Press reported that the commercial real estate company Cushman & Wakefield created a sales brochure for the project which it described as an “ultra-luxury, as of right, ground up, opportunity which will reach over 900 feet tall and feature unparalleled 360 degree views of Midtown, Downtown Brooklyn and Manhattan, Central Park and the East River.” While no permits for the project have been filed, the publication reported that the Bauhaus Group has assembled the necessary air rights for the 95-unit tower. While Foster’s named has not been officially attached to the new drawing, in March Curbed reported that Bauhaus had hired Lord Foster for a major tower in the area. This should all become clearer in the near future as Bauhaus is expected to release more information on the project.
http://youtu.be/tZTRTv56k58 We have given Apple flack for the suburban nature of its new campus in Cupertino. But we’ve been impressed with the company’s recent attempts to make things more eco-friendly, adding shuttles, bike lanes, a bus transit center, and walking paths. Now we hear Apple is purchasing 130 megawatts worth of energy a year from First Solar. The purchase will power the new HQ as well as all of its other California offices, a large data center, and the 52 retail stores in the state.
If you haven't been up on the High Line recently, or perhaps ever–looking at you Mayor de Blasio–then you've been missing out on some big new projects from architecture's biggest names–we're talking about your Hadid’s, your Foster’s, your Piano’s, and your Kohn Pedersen Fox’s. AN recently took a stroll along the 'ole rail line to see the progress on Renzo Piano’s nearly-completed Whitney Museum, the quickly-rising Hudson Yards, and all the fancy condos rising in between. Take a look at the gallery below to see all that's been happening on the park that every city wants to recreate.
For those in the A/E/C practices, there is little doubt about the greatest gift of all: time. While AN can't source that elusive asset for you, we have assembled a collection of material goods that are designed to make life a little more elegant, efficient, and even fun. Happy holidays to all! Elements Collection J. Hill's Standard A fresh take on Irish cut crystal, this barware is marked by cuts and textures of varying depth, creating a graphic language. Designed by Scholten & Baijings. Ossidiana Alessi Fabricated out of cast aluminum, this old-school, new-style espresso makers comes in three sizes. Designed by Mario Trimarchi. Bauhaus Chess Set Chess House No prancing steeds or earnest foot soldiers here: Wood cubes, spheres, and cylinders comprose this 1923 chess set. Designed by Josef Hartwig. Glass House Snow Globe The Glass House You'll never have to battle the traffic on I-95 or shovel the snow at this finely crafted miniature masterwork. Flo Bedside/Desk Light Lumina Italia Rotate the head of this minimalist light fixture to focus the LED beam where it's wanted. In varnish-coated aluminum and steel, the fixture is also available in clamp, wall, floor, and grommet styles. Designed by Foster + Partners. FollowMe Lamp Marset Cordless and rechargable via USB, this oak-handled lamp shines a diffuse light through its polycarbonate shade. Designed by Inma Bermudez. Prismatic Scarves notNeutral From the product-design branch of Los Angeles-based architects Rios Clementi Hale Studios, these thirty-inch-square silk scarves are based on color studies for a competition project. Paul Strand: Master of Modern Photography Yale University Press Featuring more than 250 plates, this book by Philadelphia Museum of Art curators Peter Barberie and Amanda N. Bock chronicles the career of the seminal photographer. Louise Fili, Perfetto Pencils Princeton Architectural Press Graphic designer Louise Fili celebrates Italian typography with these two-tone pencils; related items include notecards and a book. Qlocktwo W Watch Biegert & Funk In this reactionary design to a digital world, a grid of 110 letters illuminates the time in text form. And it's multi-lingual: The watch communicates in English, German, French, Spanish, Italian, Dutch, and Arabic. Brut Nature 2006 Louis Roederer Of his design for the packaging for this vintage, Philippe Starck says, "The contents are so potent I decided to design a bottle that was stripped of any superfluous embellishment." Shape of Sound Artifice Books Architect Victoria Meyers examines the dynamic relationship between architectural forms and materials and acoustics in this amply illustrated book. Snøhetta Limited Edition, XO Contemporary Cognac Braastad Adding Scandinavian cool to a classic French product, the graphic design team at Snøhetta uses subtle metallic colors and hand-lettering to reinvigorate the image of the stodgy spirit. Archaeologist Chopstick Rests Spin Ceramics Impeccably details and finished, these glazed clay pieces are both naturalistic and abstract in form. Eight pieces to a set; designed by Na An.
The excitement over Apple's new mega-campus in Silicon Valley continues to build. First, we got an aerial drones-eye-view of the under-construction Apple Campus 2 in Cupertino, California (check it out after the jump!). And now, we get to see the corporate auditorium where the company will show off its new products once complete in 2016. Renderings released by the Contract Division of Poltrona Frau Group (PFG Contract) depict Foster + Partner's theater. PFG Contract will supply and install 660 custom chairs and 250 lounge armchairs. A grass walkway will lead visitors and employees to a glass pavilion marked by a saucer-shaped roof, making way to the underground stage. Forbes reported there will be a secret subterranean passage to the auditorium, allowing speakers or other employees to move between the 4-story main building and the stage privately, away from the press and other visitors. Auditorium completion is expected by spring/summer 2016. In 2007 PFG Contract worked with the Apple Design Team to create seating for theater spaces in Apple retail sites worldwide. The company's first commission was for armchairs for the ocean liner, Rex, in the 1930s, and they moved into designing seating systems for theaters and auditoriums in the 1980s. This past February, Dezeen reported that furniture company Haworth had bought PFG Contract. The 2.8 million square feet circular extension of Apple's headquarters, led by Foster + Partners, will sit in an over-100-acre forest designed by landscape architecture firm OLIN. Apple's forest will be an orchard of sorts, able to supply its own food, with plum, apple, cherry, persimmon, and apricot trees on site. The new campus will hold 13,000 employees, with an underground auditorium built during the first phase of construction.
[beforeafter] [/beforeafter] Perhaps the most hyped corporate campus in history, Apple's Norman Foster–designed campus in Cupertino, is starting to come out of the ground. YouTube user jmcminn recently uploaded a video of a (loud) drone flying over the top secret construction site, where work began a few months ago and should continue through 2016. The circular foundations appear to be over a quarter complete. The 2.8 million square foot, 12,000-employee campus was first revealed in 2011 and joins ambitious new Silicon Valley campuses by Samsung, Google, Facebook, Nvidia and more in a remarkable architectural run in the area. Wondering if people are interested? The Apple construction page has almost 3 million views. For more construction news visit the city of Cupertino's update page. Other partners on the project are engineers Arup and landscape architects Olin (managing over 10,000 square feet of landscaped space).
The latest playground for big-name architecture is San Francisco's Transbay District. As AN reported this spring, the city's forthcoming Transbay Transit Center has spurred new projects from some of the field's biggest names, including OMA, Studio Gang, Cesar Pelli, and Foster + Partners. Less than two weeks after Studio Gang revealed plans for its twisting tower in the district, Foster + Partners is out with some images of its own. Don't get too excited—they're fairly vague—but they were enough for San Francisco Chronicle architecture critic John King to call Foster's plan, "gasp-inducing...from the ground up." Here are the basics: the shorter of the two towers rises 605 feet and is entirely residential. The other includes apartments, offices, and a hotel, and tops out at 910 feet, which will make it the second-tallest tower in the city. The tallest prize will go to Cesar Pelli’s 1,070-foot-tall Salesforce Tower that is currently under construction. “If built as now envisioned, the San Francisco tower would be equally futuristic, with brawny structural columns slicing across a mid-block space 80 yards wide,” King said, referring to Foster's taller tower that was designed with Heller Manus Architects. “Except for the elevator lobbies at the rear of the plaza the tower would begin 70 feet in the air, clad in glass and held in place by diagonal columns forming giant X's along the outer walls.” Foster considers the tower's appearance in the city's skyline just as important as how it meets the street. “At ground level, the buildings are open, accessible and transparent—their base provides a new ‘urban room’ for the region, and the new pedestrian routes through the site will knit the new scheme with the urban grain of the city,” Foster said in a statement on his firm's website.