Posts tagged with "Foster + Partners":
MVRDV's stacked desires, Zaha Hadid's latticework roofs, and other updates from the architects of Instagram
The main, four-story building is topped by slightly-gabled roof containing an 805,000-square-foot solar array that provides much of the power for the complex. The arrays are interrupted by a continuous, protruding light monitor that facilitates the building’s passive ventilation strategies. The building is not mechanically ventilated, but instead relies on a combination of convection cooling and thermal massing provided by radiant heating and cooling systems to regulate its internal climate. On one end, the building is punctuated by two pairs of four-story-tall hangar doors—each of which weighing 440,000 pounds—that are controlled by silent mechanical equipment embedded underground. Those apertures convert an interior, two-level yoga studio and cafeteria area into a massive outdoor room. The glass doors—and the curved glass curtain walls along the exteriors of the project—were fabricated by German fabricator Seele Group. The yoga studio and its attendant 100,000-square-foot wellness center will offer healthcare and dental services for Apple’s employees.
The complex also contains a 1,000-seat performancetheatere that will be named for Jobs. The theater is capped by a 20-foot tall, 165-foot wide glass cylinder and by a carbon-fiber roof. Designs for the theater were reportedly heavily influenced by Jobs’s sensitivities and will be used for the company’s future product launches. Construction and landscaping improvements will continue to wrap up on the complex as the employees slowly filter in over the following months.
Today the developer of Hudson Yards has revealed designs for the Far West Side's newest tower.
Related Companies and Oxford Properties Group unveiled the icy cloudbuster for 50 Hudson Yards, designed by global firm Foster + Partners. The 985-foot, 58-story structure covers an entire city block.
“50 Hudson Yards is envisaged as a vertical campus in the heart of Manhattan that is eminently readable at city scale with three distinct blocks stacked one above the other,” said Nigel Dancey, Foster + Partners' head of studio, in a statement. “Crafted from a simple palette of white stone and glass, the building’s primary structure has been pushed to the edges to create large-span flexible floorplates. It aspires to define the workplace of the future, bringing to the fore the practice’s values of innovation and creativity by producing a positive work environment that seeks to fulfill the needs and expectations of a demanding workforce.”
When complete, the 2.9 million-square-foot building at 33rd Street and 10th Avenue will be the city's fourth largest office tower. When the building opens in 2022, principal tenants like the financial company BlackRock will enjoy outdoor terraces and private "sky lobbies," as well as access to 30 Hudson Yards' outdoor observation platform.
The New York Times reports that New York State is giving Blackrock, a company with more than $5 trillion in assets, a $25 million tax break to stay in the state and move into the shiny new tower.
Construction is expected to begin next year on the white stone– and glass-clad building. In the renderings, glass windows are framed by stone while dark-outlined floors peek out from behind the glazed facade. Column-free floorplates that span a minimum of 50,000 square feet per floor are able to accommodate 500-plus people, and workers on some floors will enjoy expansive outdoor spaces, the result of periodic setbacks.
“Covering a full city block, the building is highly permeable at ground level, allowing it to engage fully with its urban location," Norman Foster, founding principal of Foster + Partners, said in a statement. "Designed for a sustainable future, the building makes an important contribution to the regeneration of the far west side of Manhattan.”
Designed by Norman Foster, the Hearst Tower on 57th Street and 8th Avenue celebrated its tenth anniversary last week. To mark the occasion, the British Pritzker Prize-winning architect was on hand to give a talk on the tower while also overseeing the opening of Building with History: The Exhibit which showcases 28 scale models of projects both past and present from Foster + Partners.
At the talk (which was held with ELLE DECOR Editor-in-Chief, Michael Boodro), Foster discussed his architectural philosophy, in particular to the "social agenda" deep rooted in modernism's ideals, something which Foster was captivated by when he was younger and said today, "still burns." With the new technology now available at modernists' disposal, Foster argued that architects today can now "literally do more with less."
"The most interesting buildings always have a certain sense of theater... [and] celebration," he continued. "In this building, it is about turning an impossible problem into a celebration." Foster explained how the challenge of placing escalators along the site's orthogonal axis was resolved by orientating them diagonally. The theatrics of the space was further amplified through artist Jamie Carpenter's adjacent waterfall.
Building with History exhibits Foster's focus on circulation on varying scales: From the small-scale infrastructure solutions of the Hearst Tower, Imperial War Museums, and Reichstag, to the pedestrianization of Trafalgar Square. Building with History is filled with more than just models, though. Plans, sections, and photographs detail many buildings' progressions through the design process.
Speaking to The Architect’s Newspaper after the talk, Foster discussed infrastructure in light of President-Elect Donald Trump’s speech. “Human nature is about crossing boundaries,” he said. “Even though I am an architect and passionate about designing individual buildings… over the years I have become more and more sure that [infrastructure] is the main priority and that architects ignore it at their peril."
“This exhibit brings back many memories about the inception of Hearst Tower,” Foster continued. “Walking into the building a decade later, you immediately note the flourishing sense of community, and it takes me back to the very earliest days of the project.”
Building with History runs until April 15, 2017.